Victorian Literature and the Victorian Visual Imagination |
Contributors |
Introduction |
Were They Having Fun Yet? Victorian Optical Gadgetry, Modernist Selves |
Shared Lines Pen and Pencil as Trace |
Image versus Text in the Illustrated Novels of William Makepeace Thackeray |
"The Right Thing in the Right Place" P. H. Emerson and the Picturesque Photograph |
Dust Piles and Damp Pavements Excrement, Repression, and the Victorian City in Photography and Literature |
Making Darkness Visible Capturing the Criminal and Observing the Law in Victorian Photography and Detective Fiction |
Victoria's Sovereign Obedience Portraits of the Queen as Wife and Mother |
The Author as Spectacle and Commodity Elizabeth Barrett Browning and Thomas Hardy |
The Hero as Spectacle Carlyle and the Persistence of Dandyism |
Street Figures Victorian Urban Iconography |
Seeing the Unseen Pictorial Problematics and Victorian Images of Class, Poverty, and Urban Life |
John Millais's Children Faith and Erotics: The Woodman's Daughter (1851) |
Seeing Is Believing in Enoch Arden |
Spectacular Sympathy Visuality and Ideology in Dickens's A Christmas Carol |
Reading Figures The Legible Image of Victorian Textuality |
Notes |
• | Introduction |
• | Were They Having Fun Yet? Victorian Optical Gadgetry, Modernist Selves |
• | Shared Lines Pen and Pencil as Trace |
• | Image versus Text in the Illustrated Novels of William Makepeace Thackeray |
• | "The Right Thing in the Right Place" P. H. Emerson and the Picturesque Photograph |
• | Dust Piles and Damp Pavements Excrement, Repression, and the Victorian City in Photography and Literature |
• | Making Darkness Visible Capturing the Criminal and Observing the Law in Victorian Photography and Detective Fiction |
• | Victoria's Sovereign Obedience Portraits of the Queen as Wife and Mother |
• | The Author as Spectacle and Commodity Elizabeth Barrett Browning and Thomas Hardy |
• | The Hero as Spectacle Carlyle and the Persistence of Dandyism |
• | Street Figures Victorian Urban Iconography |
• | Seeing the Unseen Pictorial Problematics and Victorian Images of Class, Poverty, and Urban Life |
• | John Millais's Children Faith and Erotics:The Woodman's Daughter (1851) |
• | Seeing Is Believing in Enoch Arden |
• | Spectacular Sympathy Visuality and Ideology in Dickens'sA Christmas Carol |
• | Reading Figures The Legible Image of Victorian Textuality |
Index |