| Victorian Literature and the Victorian Visual Imagination |
| 2 | Contributors |
| 13 | Introduction |
| 1 | Were They Having Fun Yet? Victorian Optical Gadgetry, Modernist Selves |
| 9 | Shared Lines Pen and Pencil as Trace |
| Image versus Text in the Illustrated Novels of William Makepeace Thackeray |
| 42 | "The Right Thing in the Right Place" P. H. Emerson and the Picturesque Photograph |
| 11 | Dust Piles and Damp Pavements Excrement, Repression, and the Victorian City in Photography and Literature |
| 46 | Making Darkness Visible Capturing the Criminal and Observing the Law in Victorian Photography and Detective Fiction |
| 5 | Victoria's Sovereign Obedience Portraits of the Queen as Wife and Mother |
| The Author as Spectacle and Commodity Elizabeth Barrett Browning and Thomas Hardy |
| The Hero as Spectacle Carlyle and the Persistence of Dandyism |
| 9 |  | Street Figures Victorian Urban Iconography |
| Seeing the Unseen Pictorial Problematics and Victorian Images of Class, Poverty, and Urban Life |
| John Millais's Children Faith and Erotics: The Woodman's Daughter (1851) |
| Seeing Is Believing in Enoch Arden |
| Spectacular Sympathy Visuality and Ideology in Dickens's A Christmas Carol |
| 22 | Reading Figures The Legible Image of Victorian Textuality |
| 48 | | Notes |
| 2 | | Index |
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