Victorian Literature and the Victorian Visual Imagination |
2 | Contributors |
13 | Introduction |
1 | Were They Having Fun Yet? Victorian Optical Gadgetry, Modernist Selves |
9 | Shared Lines Pen and Pencil as Trace |
Image versus Text in the Illustrated Novels of William Makepeace Thackeray |
42 | "The Right Thing in the Right Place" P. H. Emerson and the Picturesque Photograph |
11 | Dust Piles and Damp Pavements Excrement, Repression, and the Victorian City in Photography and Literature |
46 | Making Darkness Visible Capturing the Criminal and Observing the Law in Victorian Photography and Detective Fiction |
5 | Victoria's Sovereign Obedience Portraits of the Queen as Wife and Mother |
The Author as Spectacle and Commodity Elizabeth Barrett Browning and Thomas Hardy |
The Hero as Spectacle Carlyle and the Persistence of Dandyism |
9 | ![]() | Street Figures Victorian Urban Iconography |
Seeing the Unseen Pictorial Problematics and Victorian Images of Class, Poverty, and Urban Life |
John Millais's Children Faith and Erotics: The Woodman's Daughter (1851) |
Seeing Is Believing in Enoch Arden |
Spectacular Sympathy Visuality and Ideology in Dickens's A Christmas Carol |
22 | Reading Figures The Legible Image of Victorian Textuality |
48 | ![]() | Notes |
2 | ![]() | Index |