| City Culture and the Madrigal at Venice |
| ABBREVIATIONS |
| PREFACE |
| 3 |  | PART 1— PATRONS AND ACADEMIES IN THE CITY |
| 1 | • | Chapter 1— Flexibility in the Body Social |
| 2 | • | Chapter 2— Florentines in Venice and the Madrigal at Home |
 | Chapter 3— Petrarchizing the Patron— Vernacular Dialogics and Print Technology |
| Chapter 4— Ritual Language, New Music Encounters in the Academy of Domenico Venier |
| PART 2— RHETORICAL UNDERPINNINGS |
| Chapter 5— Currents in Venetian Literary and Linguistic Theory— The Consolidation of Poetry and Rhetoric |
| Chapter 6— Currents in Venetian Music Theory— The Consolidation of Music and Rhetoric |
| 3 | | PART 3— PETRARCHISM AND THE REPERTORY OF VENETIAN MADRIGALS |
| 1 | | Chapter 7— The Madrigals of Adrian Willaert |
| • | Public Styles and Printed Anthologies |
| • | Musica Nova and Private Style |
| Chapter 8— The Enigma of Rore— Books One and Two for Five Voices |
| 2 | | Chapter 9— Willaert's Protégés at San Marco— Codification, Dissemination, and Subversion |
| • | Chapter 10— Epilogue "Sopra Le Stanze Del Petrarca in Laude Della Madonna"— Rore's Vergine Cycle of 1548 |
| Appendix: Documents Cited in Chapter 3 |
| 1 | | Selective Bibliography |
| 1 | | INDEX |