Mexican Ballads, Chicano Poems |
PREFACE |
INTRODUCTION |
![]() | PART ONE POLITICS, POETICS, AND THE RESIDUAL PRECURSORS, 1848–1958 |
![]() | I Borders, Bullets, and Ballads: The Social Making of a Master Poem |
![]() | 2 Américo Paredes, Tradition, and the First Ephebe: A Poetic Meditation on the Epic Corrido |
![]() | 3 With His Pistol in His Hand: The Essay as Strong Sociological Poem |
![]() | PART TWO SOCIAL CONFLICT, EMERGENT POETRY, AND THE NEW EPHEBES |
![]() | 4 Chicano Poetry and Politics: The Later Recognition of the Precursor |
![]() | 5 My Old Man's Ballad: José Montoya and the Power Beyond |
![]() | 6 The Daemonizing Epic: Rodolfo "Corky" Gonzales and the Poetics of Chicano Rebellion |
![]() | 7 Juan Gómez-Quiñones The Historian in the Poet and the Poetic Form of Androgyny |
![]() | CONCLUSION |
EPILOGUE |
![]() | APPENDIX A HAROLD BLOOM: AN EXPOSITION AND LEFT CRITIQUE |
![]() | APPENDIX B JUAN GÓMEZ-QUIÑONES, "CANTO AL TRABAJADOR" |
![]() | APPENDIX C JUAN GÓMEZ-QUIÑONES, "THE BALLAD OF BILLY RIVERA" |
![]() | Notes |
REFERENCES |
![]() | INDEX |