1. See, for example, James Goodwin, Akira Kurosawa and Intertextual Cinema (Baltimore: Johns Hopkins University Press, 1994), and T. Jefferson Kline, Screening the Text: Intertextuality in New Wave Cinema (Baltimore: Johns Hopkins University Press, 1992). [BACK]

2. See, for example, Michael B. Druxman, who provides a sketchy survey of the field in Make It Again, Sam: A Survey of Movie Remakes (New York: A. S. Barnes and Company, 1975); and Doris Milberg, Repeat Performances (New York: Broadway Press, 1990); and Robert A. Nowlan and Gwendolyn Wright Nowlan, Cinema Sequels continue

and Remakes, 1903-1987 (Jefferson, North Carolina: McFarland, 1989), two volumes that provide listings and synopses. [BACK]