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Works Cited

Brunette, Peter, and David Wills. Screen/Play: Derrida and Film Theory. Princeton: Princeton University Press, 1989.

Derrida, Jacques. "The Law of Genre." In Glyph 7 , 202–29. Baltimore: Johns Hopkins University Press, 1980.

———. "Living On / Borderlines." In Deconstruction and Criticism , edited by Harold Bloom et al., 75–176. New York: Seabury Press, 1979.

———. Signsponge/Signéponge. Translated by Richard Rand. New York: Columbia University Press, 1984.

———. The Truth in Painting. Translated by Geoff Bennington and Ian McLeod. Chicago: University of Chicago Press, 1987.

Falkenberg, Pamela. "'Hollywood' and the "Art Cinema' as a Bipolar Modeling System: A bout de souffle and Breathless." Wide Angle 7 , no. 3 (1985): 44–53.

McBride, Jim. "Sortie des Marges: entretien avec Jim McBride." Cahiers du cinéma 350 (1983): 31–34, 64–66.


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Ropars-Wuilleumier, Marie-Claire. "The Graphic in Filmic Writing: A bout de souffle, or the Erratic Alphabet." Enclitic 5, no. 2; 6, no. 1 (1981–82), 147–61.

Wills, David. "Carmen: Sound/Effect." Cinema Journal 25, no. 4 (1986): 33–43.

———. "Representing Silence (in Godard)." In Essays in Honour of Keith Val Sinclair, edited by Bruce Merry, 180–92 Townsville: James Cook University, 1991.


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