W

Waddill, William, 27

Walsh, Raoul, 29

Warner, Jack, 71

Warner Brothers, 70 , 71 , 74 , 81 , 92 –93n8, 95 , 112 n7

"Watch Closely Now" (song), 90

Wayne, John, 296

Weekend (1968), 204

Weibel, Peter, 220

Weis, Elisabeth, 9 , 331

Welch, Joseph, 21

Welles, Orson, 133 , 178 , 280

Wellman, William, 29 , 92 n6

Wertmuller, Lina, 133

Whale, James, 30 , 245

What Price Hollywood? (1932), 81 , 92 n5

When Father Was Away on Business (1985), 183

When I was Dead and White (1967), 181

White, Dan, 26

White, Paul Dudley, 22

White Hunter, Black Heart (1990), 134

Widl, Susanne, 220

Willes, Jean, 22

Wills, David, 8 , 329

Wilson, Teddy, 108

Winner, Michael, 29

Witek, Joseph, 279 , 291 n1

The Wiz (1978), 80 , 92 n2

Wollen, Peter, 132 –33

Women:

as alienated doubles, 221 , 223 , 233 n20;

centrality of, in film, 184 –86;

fetishistic substitution and, 210 –12;

Hitchcock's portrayal of, 38 , 46 , 59 , 60 –61, 63 , 68 n7;

melodramatic portrayal of, 88 , 89 –90, 202 –3.

See also Gender; Motherhood

Woo, John, 193 , 198

Wood, G., 313

Wood, Rob, 78 n1

Wood, Robin, 61 , 68 n7

Wood, Sam, 29

Writing:

and imagery, 154 –55;

inversion of, 149 , 160 n1;

as trace of production, 148 –49

The Wrong Man (1956), 42

Wyler, William, 28 , 30

Wyman, Jane, 44

Wynter, Dana, 24 , 220