M
McAvoy, May, 101 fig.
McBride, Jim, 8 , 29 , 150 , 152 , 329 . See also Breathless (1983)
McCarthy, Joseph, 21
McCarthy, Kevin, 17 , 17 fig., 22 , 220
McCay, Winsor, 286
MacDonald, Scott, 233 –34n25, 234 n33
McEwan, Geraldine, 76
McHale, Brian, 206
McKean, Dave, 290
McShane, Michael, 76
Madame Bovary (1991), 285
Madame X (1929, 1937, 1966, 1981), 29 , 332
Madonna, 112 n3
Magic realism:
vs. gothic realism, 177 –78;
The Magnificent Seven (1960), 4 , 170
Makeovers:
as covert remake, 174 ;
multicultural allusions of, 172 –73, 178 –82.
See also Film remakes; Time of the Gypsies
The Maltese Falcon (1941 film), 5
Maltin, Leonard, 163
"Mammy" (song), 99 , 100 , 110
Manara, Milo, 292 n6
"The Man That Got Away" (song), 84 , 85 fig., 88
The Man Who Knew Too Much (1934), 5 , 29 , 52 , 57 fig.;
dissatisfaction with, 58 –59, 333 ;
doubling structure of, 55 –56;
performance/spectatorship in, 54 ;
two climaxes of, 56 –57
The Man Who Knew Too Much (1955), 5 , 7 , 29 , 52 , 65 fig.;
Albert Hall sequence of, 64 –65;
doubling structure of, 62 , 66 , 68 n10;
locale/protagonists of, 59 ;
musical performances of, 61 , 63 , 64 , 65 –66;
oedipal dynamics of, 59 –60, 62 , 63 –64;
recognition scene in, 62 , 67 n5;
resolved marital tension of, 66 –67;
unstable identity in, 59 , 60 –61, 62 , 63 , 64 , 67 nn3,4
Marnie (1964), 38
Marshall, George, 296
Marx, Groucho, 182
The Mary Tyler Moore Show (TV series), 315 , 316
M*A*S*H (1970), 311 –14, 314 fig.
M*A*S*H (TV series), 315 fig.;
audience reception of, 313 , 315 , 317 ;
creativity/
experimentation of, 311 , 317 –19;
Emmy Awards to, 316 ;
network resistance to, 315 –16, 319 –20;
sentimentalization of, 324 –25;
shifted emphasis of, 316 –17, 320 –21, 324 ;
Vietnam War and, 323 –24
MASH (Mobile Army Surgical Hospital), 311 , 320
Massey, Raymond, 121
Mast, Gerald, 162
Mastrantonio, Mary Elizabeth, 77
Mathieu, Georges, 220
Matusow, Harvey M., 21
The Maury Povich Show (TV series), 206 , 214 n6
Maverick (1994), 1 , 9 –10, 29
Mayerik, Val, 284
Mayne, Judith, 248
Mazursky, Paul, 191
Medical discourse:
on abortion, 27 –28;
of anti-integrationists, 23 –25;
on polio vaccine, 21 –22
Melford, George, 273 n1
Melodramatic elements:
heterosexuality as, 224 ;
of High Heels , 202 –3;
of A Star Is Born , 84 , 88 , 89 –90
The Melody Haunts My Memory (1980, Samo Jednom Se Ljubi ), 180 , 181
Melrose Place (TV series), 1
Melton, Gordon J., 263 , 273 n6
The Men (1950), 104
Menjou, Adophe, 82 fig.
Menschenfrauen (film), 233 nn21,24
Metatextuality, 3 . See also Intertextuality
Metz, Christian, 132 , 238 –39, 243 , 246 , 248
Mihic, Goran, 177 , 181 , 188 n2
Mildred Pierce (1945), 202
Milk, Harvey, 26
Miller, Robert Ellis, 29
Miller, Seton I., 71
Miracle on 34th Street (1947), 134
Misogyny:
linguistic otherness and, 155 ;
of 1956 Body Snatchers , 220 , 232 n15
Mr. Canton and Lady Rose (1989), 193
Mitchum, Robert, 2 , 6 , 40 , 41 fig., 332
Modleski, Tania, 38
Molander, Gustav, 30
Mommie Dearest (1981), 204
Moore, Juanita, 201
Moore, Marianne, 52
Morgan! (1966), 136
Morrison, Grant, 290
Morton, Jelly Roll, 113 n9
Moscone, George, 26
Motherhood:
Dracula myth's inversion of, 269 –71;
fetishism and, 210 –12;
masculine reproduction of, 212 –14;
Oedipal dynamics and, 207 –9.
See also Women
Murder, My Sweet (1944), 29
Murnau, F. W., 28 , 239 , 240 , 249 n2. See also Nosferatu: A Symphony of Horror
Murphy Brown (TV series), 325
Musical performance:
allusions to, 134 ;
as Breathless subtext, 157 –58;
defined as remake, 68 n9;
as exploration of stardom, 83 , 84 –85, 86 , 88 , 90 ;
Hitchcock's use of, 61 , 63 , 64 , 65 –66
Musical remakes, 7 ;
love duets of, 89 ;
reconciliatory conclusion of, 98 –100;
types of, 80 –81, 91 –92n1, 92 nn2–4
My Blue Heaven (1990), 134
My Own Private Idaho (1991), 133
My Sister Eileen (1955), 80
The Mystery of Kasper Hauser (1974), 245
Myth:
of American inclusiveness, 100 –101;
of American suburb, 167 –69;
comics as, 287 –90, 292 –93n14;
of creation, 184 –85;
genre's formulation of, 167 , 170 –71 n7;
iterative mechanism of, 288 ;
originality notion and, 287 –89;
popular vs. classical, 167 , 170 –71n7;
remake's bond with, 166 –67, 328 ;
of stardom, 82 –83.
See also Dracula myth
McGilligan, Patrick, 92 n5