Comments
This type of tale carries a paradigm, a scenario, for the initiation of a young man: he is banished from the parental home, meets up with an old woman or man who serves as a mentor, sees celestial women naked, and brings one of them home by stealing what covers her naked beauty; he then fights against a father/king who covets his wives and who sets him tasks, sends him on dangerous quests to different realms (like earth, air, fire, and water), where he marries the princess of each; finally, he loses his wife, whom he had originally won by deception, and has to win her again by legitimate accomplishments, by doing tasks set by his bride's father—another father-figure who is loath to let his daughters go. He accomplishes them with the help of animals whom he has helped earlier, creatures that represent different realms, like earth, air, and water in this tale. His last task is that of distinguishing his true spouse from among illusory look-alikes. A mere redescription of these motifs suggests that they could be read in psychological terms as steps in a novice's progress towards mastery and adult selfhood: conflict with different kinds of father-figures, enlisting the help of various feminine figures, winning through kindness the support of the animal world. The very last scene of the story completes the drama when he demonstrates to his own father his married bliss with his four wives (from four realms), thereby realizing his original wish to rival and surpass his father, for which he had been banished in the first place.
The aesthetic intricacy and finish, the smooth progression from task to task, and the rounding out of the frame tale (father banishes son, son rescues father, finally son proves himself to father, the last scene fulfilling the very first) are very much a part of the hero's reaching maturity. An accomplished tale embodies the accomplished hero; the aesthetic form enacts the ethos.
[Motif H 508.1, King propounds questions to his sons to determine successor + AT 413, Marriage by Stealing Clothing; AT 465, The Man Persecuted Because of his Beautiful Wife; AT 554, The Grateful Animals.]