Preferred Citation: Uhr, Horst. Lovis Corinth. Berkeley:  University of California Press,  c1990 1990. http://ark.cdlib.org/ark:/13030/ft1t1nb1gf/


 
Notes

Four— Crisis

1. See Gert von der Osten, Lovis Corinth , 2d rev. ed. (Munich: Bruckmann, 1959), p. 113.

2. Lovis Corinth, Selbstbiographie (Leipzig: Hirzel, 1926), p. 123.

3. See Alfred Kuhn, "Erinnerungen an Lovis Corinth," Zeitschrift für bildende Kunst 59 (1925): 196.

4. Charlotte Berend-Corinth, Mein Leben mit Lovis Corinth (Munich: List, 1958), p. 103 (entry for November 3, 1926), and Lovis (Munich: Langen-Georg Müller Verlag, 1958), pp. 132-133. break

5. See also Thomas Corinth, ed., Lovis Corinth: Eine Dokumentation (Tübingen: Wasmuth, 1979), p. 156.

6. Berend-Corinth, Lovis , pp. 133-141.

7. See also Imiela, "Die Porträts Lovis Corinths" (Ph.D. diss., Johannes-Gutenberg-Universität, Mainz, 1955), p. 131.

8. Charlotte Berend-Corinth, Lovis Corinth: Bildnisse der Frau des Künstlers (Stuttgart: Reclam, 1958), pp. 17-18.

9. Berend-Corinth, Lovis , pp. 148-149.

10. Ibid., p. 140.

9. Berend-Corinth, Lovis , pp. 148-149.

10. Ibid., p. 140.

11. See Peter Selz, German Expressionist Painting (Berkeley: University of California Press, 1957), pp. 250-271. The Sonderbund exhibition, incidentally, also served as the model for the New York Armory Show in 1913.

12. Berend-Corinth, Lovis , p. 135.

13. Quoted in Thomas Corinth, Lovis Corinth: Eine Dokumentation , p. 166.

14. Charlotte Berend-Corinth, Die Gemälde von Lovis Corinth (Munich: Bruckmann, 1958), p. 95, no. 327.

15. Ibid., p. 121, no. 521.

14. Charlotte Berend-Corinth, Die Gemälde von Lovis Corinth (Munich: Bruckmann, 1958), p. 95, no. 327.

15. Ibid., p. 121, no. 521.

16. Quoted in Rudolf Pfefferkorn, Die Berliner Secession: Eine Epoche deutscher Kunstgeschichte (Berlin: Haude und Spener, 1972), p. 52.

17. See Peter Paret, The Berlin Secession (Cambridge: Harvard University Press, Belknap Press, 1980), pp. 219-232.

18. Lovis Corinth, "Mein Lebenswerk," in the exhibition catalogue Lovis Corinth: Ausstellung des Lebenswerks (Berlin: Berliner Secession, 1913), p. 8.

19. See Thomas Corinth, Lovis Corinth: Eine Dokumentation , p. 166.

20. Lovis Corinth, Gesammelte Schriften (Berlin: Fritz Gurlitt Verlag, 1920), pp. 97-112.

21. Lovis Corinth, Über deutsche Malerei: Ein Vortrag für die Freie Studentenschaft in Berlin (Leipzig: Hirzel, [c. 1914]).

22. Gesammelte Schriften , pp. 87-91.

23. Corinth, Selbstbiographie , pp. 128-131.

24. See the exhibition catalogue Lovis Corinth (New York: Gallery of Modern Art, 1964), p. 25.

25. See also Imiela, "Die Porträts Lovis Corinths," p. 181.

26. Lovis Corinth, "Ein Brief des Künstlers an den Herausgeber," Deutsche Kunst und Dekoration 41 (1917): 31.

27. For other such repetitions of much earlier paintings, see Bacchanale (1914; Schw. 150), after B.-C. 131 from 1896; In Hell (1914; Schw. 189), after B.-C. 209 from 1901; and Salome (1916; Schw. 234), after B.-C. 171 from 1900.

28. See Max Klinger, Malerei und Zeichnung , 6th ed. (Leipzig: Thieme, 1913), pp. 23, 33; and Peter Hahn, "Das literarische Figurenbild bei Lovis Corinth" (Ph.D. diss., Eberhard-Karls-Universität, Tübingen, 1970), p. 117.

29. See Imiela, "Die Porträts Lovis Corinths," p. 143.

30. Karl Schwarz was later the director of the Jewish Museum in Berlin; in 1933 he emigrated to Israel, where he became the director of the museum in Tel Aviv.

31. Herbert Eulenberg, Lovis Corinth: Ein Maler unserer Zeit (Munich: Delphin, 1917).

32. See also Imiela, "Die Porträts Lovis Corinths," pp. 149-150.

33. Corinth, Selbstbiographie , p. 127.

34. Ibid., p. 125.

35. Ibid., pp. 127-129.

33. Corinth, Selbstbiographie , p. 127.

34. Ibid., p. 125.

35. Ibid., pp. 127-129.

33. Corinth, Selbstbiographie , p. 127.

34. Ibid., p. 125.

35. Ibid., pp. 127-129.

36. See Peter Gay, Weimar Culture: The Outsider as Insider (New York: Harper and Row, 1968), p. 73. break

37. Richard Hamann and Jost Hermand, Stilkunst um 1900 , Epochen deutscher Kultur von 1870 bis zur Gegenwart 4 (Frankfurt: Fischer Taschenbuch, 1977); see the chapter "Idealismus statt Materialismus," pp. 77-101.

38. See Marion F. Deshmukh, "German Impressionist Painters and World War I," Art History 4 (1981): 66-79.

39. Thomas Corinth, Lovis Corinth: Eine Dokumentation , p. 351; and letter dated February 9, 1989, from Wilhelmine Corinth Klopfer to the author.

40. Corinth, Selbstbiographie , p. 137.

41. Ibid., p. 139.

42. Ibid.

43. Ibid., p. 138.

44. Ibid., p. 140.

45. Ibid., p. 157.

40. Corinth, Selbstbiographie , p. 137.

41. Ibid., p. 139.

42. Ibid.

43. Ibid., p. 138.

44. Ibid., p. 140.

45. Ibid., p. 157.

40. Corinth, Selbstbiographie , p. 137.

41. Ibid., p. 139.

42. Ibid.

43. Ibid., p. 138.

44. Ibid., p. 140.

45. Ibid., p. 157.

40. Corinth, Selbstbiographie , p. 137.

41. Ibid., p. 139.

42. Ibid.

43. Ibid., p. 138.

44. Ibid., p. 140.

45. Ibid., p. 157.

40. Corinth, Selbstbiographie , p. 137.

41. Ibid., p. 139.

42. Ibid.

43. Ibid., p. 138.

44. Ibid., p. 140.

45. Ibid., p. 157.

40. Corinth, Selbstbiographie , p. 137.

41. Ibid., p. 139.

42. Ibid.

43. Ibid., p. 138.

44. Ibid., p. 140.

45. Ibid., p. 157.


Notes
 

Preferred Citation: Uhr, Horst. Lovis Corinth. Berkeley:  University of California Press,  c1990 1990. http://ark.cdlib.org/ark:/13030/ft1t1nb1gf/