1. Acropolis 606: part, Graef pls. 30-32 and pp. 68-69, whence (part) ABS. pl. 4 ; two new fragments identified by Mrs. Karouzou, BCH. 1947-48 p. 424, a-b; ABV. p. 81, no. 1; Para. p. 30, no. 1 middle. The painter: ABS. pp. 13-14; Rumpf Sak. p. 19; ABV. p.81; Para. p. 30.

2. On animal whirligigs see Jacobsthal ECA. pp. 59 and 210, and Anna Roos in Studia Vollgraf pp. 134-136. See also BSA. 35 pp. 167 and 199 (J. M. Cook); JHS. 68 p. 12 (Barnett); Mus. Helv. 7. p. 99 (Yalouris); Kübler A. p. 55, above.

3. Berlin inv. 4823: ABS. pl. 2, 3 and pl. 3, 2; ABV. p. 81, no. 4; Para. p. 30, no. 4 middle; CV. 5, pl. 1, 2 and pl. 3. Tübingen D 4 (S./10 1298): A, Watzinger pl. 5; ABV. p. 81, no. 5; CV. 2, pl. 31, 1 and pl. 32.

4. See AM. 18 pp. 151ff (Brueckner and Pernice) and Wilamowitz-Möllendorf Glaube der Hellenen 1 p. 153.

5. Odessa: von Stern Theodosia pl. 2, 1; ABV. p. 81, no. 7. Also by the Painter of Acropolis 606, fragments of a column-krater in Athens, Acr. 633 (Graef pl. 38; ABV. p. 81, no. 2; attributed by Rumpf), fragments (of a volute-krater?) in Athens, Acr. 625 (part, Graef pl. 38; a new fragment added by Miss Pease, Hesp. 5 p. 262, 9 and p. 263); ABV. p. 81, no. 3; and an ovoid neckamphora in Geneva (MF 153: A, phot. Giraudon 4945; ABV. p. 81, no. 6; CV. 2, pl. 52, 1-4).

6. Nearchos: JHS. 52 pp. 176 and 291; Richter in AJA. 1932 pp. 272-273; Pease in Hesp. 4 p. 229; Rumpf Sak. p. 19; ABV. pp. 82-83 and 682; Para. pp. 30-31. Add Berne, Jucker ( Festschrift für Frank Brommer pp. 191-199 and pls. 53-55).

7. Acropolis 611: Graef pl. 36, whence Hoppin Bf. p. 173 (except two fragments which belong to Acropolis 693), (part) Perrot 10 p. 201, (part) pfuhl figs. 236-237, (part) Johansen Iliaden fig. 14; part, Lane GP. pl. 45, b.; ABV. p. 82, no. 1 bottom; Para. p. 30, no. 1 bottom; Bothmer Amasis Painter p. 39, fig. 22. On the subject of A, see Wrede in AM. 41 p. 232 and Johansen Iliaden pp. 56-60; on harnessing-scenes in general, Wrede op. cit. pp. 335-354. Miss Pease saw that the fragment Acropolis AP 67 ( Hesp. 4 p. 227, 15) was by Nearchos and took it to be part of Acropolis 611, not however, of A, but of "a similar scene on B"; but it does not seem certain that there was a chariot on B; ABV. p. 82, no. 2 bottom.

8. On harnessing scenes, Wrede in AM. 41 pp. 232-234 and 335-354; and see pp. 37, 64, 72-73, and 73 of the present work.

9. Berlin inv. 3319: Anz. 1895 p. 34. In JHS. 49 p. 258 Payne and I took the Attic kantharos-fragment London B 601.14 ( ibid. pl. 15, 17), in the manner of the KX Painter, to be from a harnessing-scene; it would have been the earliest in Attica; and so Johansen Iliaden p. 69. But in CV. Cam. 2 p. 43 I pointed out that the Cambridge fragment N. 131. G71 ( ABV. p. 26, no. 29) joined London B 601.14, so that the subject was not harnessing, but a frontal chariot (Hesp. 13 p. 46, no. 19). Nearchos' harnessing-scene remains the earliest extant Attic.

10. Athens Acr. 612: Graef pl. 36, whence Hoppin Bf. p. 175; ABV. p. 83, no. 3.

11. New York 26.49: AJA. 1932 pls. 10-11 and p. 273 (Richter); ABV. p. 83, no. 4; Para. p. 30, no. 4; Bothmer Amasis Painter p. 39, fig. 21.

12. Lydos: JHS. 51 pp. 282-284 ("Painter of London B 148," seen by Miss Richter to be Lydos); Richter in Metr. Mus. St. 4 pp. 169-178; BSA. 32 p. 18; Rumpf Sak. ; H. R. W. Smith, The Hearst Hydria , p. 267, n. 5; Cypr. pp. 6-7; ABV. pp. 107-113, 684-685 and 714; Para. pp. 43-46; M. Tiverios, ' O LudoV kai to " Er go tou , Athens 1976.

13. Louvre F 29: Hoppin Bf. p. 164; Rumpf Sak. pl. 17 f; phot. Giraudon 16996, right; ABV. p. 109, no. 21; Para. p. 44, no. 21.

14. Acropolis 607: Graef pls. 32-35 (not complete), whence (details) Pfuhl figs. 238-240; the head of Dionysos, not figured by Graef, AM. 59 p. 19 (Kraiker); Rumpf Sak. pls. 18-20; ABV. p. 107, no. 1; Bothmer Amasis Painter ; p. 40, fig. 24; M. B. Moore, "Lydos and the Gigantomachy," AJA. 83 pp. 79-99.

15. On the costume of Herakles, Paola Zancani Montuoro in Rend. Acc. Linc. 8th ser., 2 (1947) pp. 207-221. Cf. Lenzen The Figure of Dionysos on the Siphnian Frieze (Univ. of Calif. Publ. Class. Arch. , iii, no. 1), pp. 9-14.

16. Harvard 1925.30.125: CV. Hoppin pl. 3; A, Rumpf Sak. pl. 12 c; ABV. p. 108, no. 9; Bothmer Amasis Painter p. 164, fig. 97. Attributed by Rumpf.

17. Vase in Athens (16388) mentioned in AM. 62 p. 114 n. 3 (Karouzou).

18. Acropolis 474 (Graef pl. 17; detail, AM. 62 p. 121): Hesp. 13 p. 40, no. 2; ABV. p. 8, no. 2. On the motive, which already occurs in an engraved stone of Geometric style, see Payne, NC. p. 74; Hafner; Amyx in AJA. 1939 pp. 164-166.

19. London 1948.10-15.1: ABV. p. 108, no. 8; Para. p. 44, no. 8; Bothmer Amasis Painter p. 42, fig. 29. Attributed by Dietrich von Bothmer and Martin Robertson.

20. Similarly Herakles, on an amphora in the British Museum (B 166: Gerhard AV. pl. 128; CV. 3 pl. 30, 3), is so embarrassed when brought into the presence of Zeus that he turns round and makes off. In Colluthos 123 Paris flees from Hermes.

21. Florence 70995: A, JHS. 1886 pl. 7, whence Pfuhl fig. 211; A, Thiersch Tyrrh. pl. 2, 7; Rumpf Sak. pls. 2-3; ABV. p. 110, 32; Para. p. 44, no. 32. Attributed by Rumpf. Compare the ovoid neck-amphora in the Kent collection at Harrogate, attributed by Charlton ( AJA. 1944 p. 255 figs. 4-5).

22. New York 31.11.11: Bull. Metr. Mus. 1932 pp. 75 and 77; AJA. 1932 p. 96 and p. 97, fig. 5; Metr. Mus. St. 4 pl. 1 and pp. 171-173; Rumpf Sak. pls. 21-23; A, Buschor Vasen p. 114; ABV. p. 108, no. 5; Para. p. 43, no. 5. Attributed by Miss Richter.

23. London B 148: JHS. 19 pl. 6; CV. 3 pl. 25, 5; A, Bull. Metr. Mus. May 1947 p. 225; JHS. 51 p. 282 no. 1; ABV. p. 109, no. 29; Para. p. 44, no. 29; Bothmer Amasis Painter pp. 42-43, figs. 30-31.

24. See Payne NC. p. 133.

25. Taranto: Rumpf Sak. pl.25; CV. 1 pl. 1, 1-2; JHS. 51 p. 284; ABV. p. 109, 26; Para. p. 44, no. 26.

26. Theseus wears a somewhat similar garment on an amphora by a colleague of Lydos, the Painter of Louvre F 6 (see p. 45), in the Vatican (313: Mus. Greg. pl. 47, 1; Albizzati pl. 32; ABV. p. 125, no. 37). See also Kunze Kretische Bronzereliefs p. 225. 26 bis. Basle, Kambli: ABV. p. 109, no. 25; Para. p. 44, no. 25; Bothmer Amasis Painter p. 41, fig. 28.

27. Cab. Méd. 206: de Ridder p. 116 and pl. 5; CV. 1 pl. 34, 1-2 and 8; A, BSA. 32 pl. 10; B, Rumpf Sak. pl. 26 b; ABV. p. 109, no. 27. See also Cypr. p. 7.

28. Naples 2770: A, JHS. 51 pl. 13 (with p. 284); CV. pl. 6; ABV. p. 109, no. 23; Para. p. 44, no. 23.

29. Göttingen and Cab. Méd.: Eph. 1937 pp. 14 and 16; ABV. p. 109, no. 19. Plate 38, 4 and 6 shows only the Göttingen fragment.

30. Chicago, Univ.: AJA. 1943 p. 390 fig. 4 (F. P. Johnson) and p. 442; ABV. p. 110, no. 34. See also p. 84 of the present work.

31. Harvard 1959.127: AJA. 1930 p. 354; CV. Robinson 1 pl. 19, 1; ABV. p. 112, no. 54; Para. p. 44, no. 54.

32. Acropolis 1757: Graef pl. 86.

33. Ceramicus: AM. 59 Beil. 1, 1-3 and pls. 1-3; ABV. p. 113, no. 81; Para. p. 45, no. 81. Attributed by Kraiker.

34. Vlasto: Rumpf Sak. pl. 14; ABV. p. 113, no. 84.

35. Villa Giulia M 430: Mingazzini Cast. pl. 44, 1, pl. 46, 1-2 and pl. 45, 1; Rumpf, Sak. pl. 13, a and pl. 15, a-c; ABV. p. 108, no. 14; Bothmer Amasis Painter p. 41, fig. 26. Attributed by Rumpf.

36. Munich 1681: Rumpf Sak. pl. 7d; ABV. p. 108, no. 12. Attributed by Rumpf.

37. Louvre E 804: phot. Giraudon 25741, whence Rumpf Sak. pl. 12b; ABV. p. 108, no. 13. Attributed by Rumpf.

38. Oxford 190: Percy Gardner Catalogue of the Greek Vases in the Ashmolean Museum pl. 1 and p. 6, fig. 10; CV. 2 pl. 12, 1-4 and 8: restored; ABV. p. 124, no. 16. Rhodes: Cl. Rh. 8 p. 111, 1 and p. 126; ABV. p. 124, no. 11. Louvre F 6: Pottier pl. 63; CV. 6 pl. 59, 1-2: now cleaned; ABV. p. 123, no. 3; Para. p. 51, no. 3; ABV. pp. 123-129, 685 and 714; Para. pp. 50-53.