Reading Voices "d0e9890"

INDEX

A

Adams, Robert Martin, 214

Alliteration, 90 , 146 , 201 , 212 , 221

Ambrose, Saint, 19 , 23 , 33

Amis, Kingsley, 304 n.14

Anagram, 95 , 102 , 107 –9, 112 –14, 123 –25, 132 , 183 , 185 , 187 , 203 , 205 , 215 , 219 , 246 , 248 , 249 , 251 , 257 , 271 . See also Saussure, Ferdinand de

Antiphone, 48 –49, 51 , 79 , 96 , 146 , 151 , 155 , 166 , 175 , 183 , 218 , 281

Anti-puns, 29 , 47 –48, 50 , 77 , 83 , 96 , 124 , 151 , 162 , 164 , 165 , 166 , 173 , 175 , 185 , 219 . See also Ricks, Christopher

Aragon, Louis, 119 , 122

Arnold, Matthew, 84

Artaud, Antonin, 9 , 15

Auden, W. H., 6 , 83 , 176

Augustine, Saint:

and silent reading, 295 n13;

Confessions , 19

Austen, Jane, 213

Austin, J. L., 3 –6, 46 , 127

B

Bakhtin, Mikhail, 319 n. 7;

on "chronotopes," 130 , 230 –31, 317 n.20;

on "dialogism," 129 –31, 206 , 228 , 298 n.1;

on hearing "voices," 131 ;

and Kristeva, 324 n.10

Balzac, Honoré de, 13

Banville, Théodore de, 74

Barthes, Roland, 11 –12, 16 –17, 23 , 31 , 34 , 102 , 117 , 128 , 137 –38, 288 , 298 n.1;

and Finas, 132 –33;

hearing vs. listening, 11 ;

and modernism, 11 –12, 15 ;

and genotext/phenotext, 27 , 138 ;

and "writing aloud" ("vocal writing"), 279 –80, 281 ;

"The Grain of the Voice," 11 , 138 ;

The Pleasure of the Text , 138 , 279 , 281 ;

Writing Degree Zero , 294 –95n.10

Berkeley, Bishop George, 47

Bishop, John, 249 –50

Blake, William, 149 –50, 171 ;

Book of Thel , 149 , 304 n.14

Blanchot, Maurice, 31

Bloomfield, Leonard:

and ambiguous juncture, 293 –94n.4

Body, passive role of in silent reading, 1 –3, 8 , 11 , 19 , 99 , 125 , 128 –29, 138 –39, 188 –89, 191 , 192 , 230 , 261 , 262 , 278 ,

― 330 ―

Body

279 -82, 283 , 286 , 288 , 290 , 291

Booth, Stephen:

on Shakespeare's sonnets, 38 –39, 42 , 48 –50, 52 , 62 , 298 n.4, 300 n.18

Bridges, Robert, 147 , 302 n.1

Brontë, Charlotte:

Jane Eyre , 194 –95, 197 , 204 ;

Villette , 195 –96, 210

Brontë, Emily, 213 ;

Wuthering Heights , 197 –98, 204 , 216

Brooks, Cleanth, 312 n.10

Brooks, Peter, 309 n.24

Browning, Robert, 74 , 175 –76, 185 ;

"Childe Roland," 175 ;

"The Englishman in Italy," 313 n.18;

"A Grammarian's Funeral," 84 ;

"The Householder," 175 ;

"Fra Lippo Lippi," 175 ;

"Love Among the Ruins," 175 –76;

"Youth and Art," 84

Byron, George Gordon, Lord, 74 , 84 , 97 , 304 n.13;

Beppo , 81 ;

Don Juan , 81

C

Carroll, Lewis, 8 –9, 89 , 230. See also Portmanteaus

Catechresis, 43

Cercignani, Fausto, 300 –301n.20

Chapman, Raymond, 306 n.5

Chaucer, Geoffrey, 13 , 84 , 97 , 199 ;

"General Prologue" to The Canterbury Tales , 76 ;

"The Legend of Good Women," 68 –69, 111 ;

The Miller's Tale , 68 ;

"The Reeve's Prologue," 70

Chaytor, H. J., 295 n.13

Chiasmus, 75 , 198 , 201 , 211 , 212 , 218 , 219 , 253 , 266 , 267 , 319 n.7

Cixous, Hélène, 321 –22n. 8

Claudel, Paul, 131

Cockney:

dropped h , 205 , 223 ;

humor, 194 , 197 , 199 –200, 217 , 223 –24, 226 , 227 ;

in rhyme, 234 , 304 n.14.

D

Davie, Donald, 48 , 288 , 298 n.10

Deleuze, Gilles, 8 –9, 31 , 109

de Man, Paul, 124 –25, 307 n.8;

on prosopopoeia, 43 , 204 ;

on Riffaterre, 43 ;

on rhyme in Shelley, 119

Derrida, Jacques, 2 , 15 , 31 , 34 , 71 , 103 , 106 , 109 , 113 –15, 118 , 120 , 122 , 126 , 128 , 131 , 132 , 137 , 233 , 242 , 268 , 284 , 298 n.11, 320 n.12;

and la brisure , 96 , 104 , 113 ;

and différance , 104 –7, 135 , 248 , 284 ;

Hartman on, 139 –41;

on Hjelmslev, 103 , 117 ;

on phonic vs. graphic in Joyce, 106 , 233 , 244 –49, 256 –57;

on Saussure, 102 –7;

and "spacing" (the blanc ), 104 , 270 ;

and the "supplement," 103 , 134 –35, 141

Desnos, Robert, 119 –20, 122

Dickens, Charles, 13 , 15 , 34 , 217 , 232 , 234 , 236 ;

and Joyce,

― 331 ―

229 –30;

and Sterne, 229 ;

Bleak House , 203 –4, 208 ;

David Copperfield , 209 ;

Great Expectations , 194 , 204 –5, 209 –11;

Hard Times , 202 –3;

Little Dorrit , 205 –6;

Martin Chuzzlewit , 199 –200;

The Old Curiosity Shop , 200 –202, 222 ;

Our Mutual Friend , 206 –9, 222 –31, 232 , 315 n.8;

The Pickwick Papers , 199

Dickinson, Emily, 83 , 84

Diphone, 108 –10, 112 , 222 ;

compared to duophone, 110

Dittophony:

vs. dittography, 22

Donne, John, 13 , 34 , 80 , 145 –47, 298 n.11;

"The Legacie," 68 –69;

"Love's Exchange," 146 ;

"Pyramus and Thisbe," 146 ;

"A Valediction: Of the Book," 77

Donoghue, Denis:

epireading vs. graphireading, 128 , 131 , 138 –39

Double articulation, 61 , 116 , 229

Double construction, 116 , 117

Double grammar, 39 , 48 , 50 , 288 . See also Empson, William

Douglas, Mary, 225 , 316 –17n.18

Dryden, John, 80 , 82 ;

Essay of Dramatic Poetry , 199

Duchamp, Marcel, 119 –20;

Anemic Cinema , 119

du Maurier, George, 208

Duophone, 110 –12

E

Easthope, Anthony, 64 , 302 n.26, 303 n.4

Edfeldt, Ake W.:

on silent reading, 129

Eliot, George, 217 , 285 ;

Adam Bede , 211 , 214 ;

Daniel Deronda , 214 –16, 243 ;

Middlemarch , 212 –14;

The Mill on the Floss , 212

Eliot, T. S., 185 –86;

"Little Gidding," 185 ;

The Waste Land , 37 , 185 –86

Ellipsis, 171 , 174 , 277

Empson, William, 39 , 48 , 50 , 138 , 186 , 280 , 288

Endophony, 7 , 28

Enjambment, 50 , 175 , 177 , 180 , 181 , 184 , 186 , 187 , 240 , 272 , 298 n.11, 303 n.5

Evans, Robert:

on Miltonic elision, 147

Everyman , 68 –69

Evocalization:

defined, 1 –3

F

Faulkner, William, 318 n.4

Ferguson, Margaret W., 300 n.18

Fielding, Henry, 52

Fields, W. C., 236

Finas, Lucette, 34 , 128 , 131 –37;

Barthes on, 132 –33;

on Claudel, 131 ;

and Freud, 132 –33;

on Mallarmé, 131 –33, 136 –37;

and Saussure, 132

Fineman, Joel, 64 , 302 n.26

Fish, Stanley:

and affective stylistics, 23 –24, 39

Ford, Ford Madox:

The Good Soldier , 220

Forster, E. M., 261 ;

Aspects of the Novel , 221 ;

Howard's End , 221 ;

The Longest Journey , 221

Foucault, Michel, 34 , 125 –26, 176 , 196 , 204 , 302 n.26;

on development of language theory, 13 –15;

and modernism, 12 –13, 15 ;

on Roussel, in Death and the Labyrinth , 119 –23;

The Order of Things , 13 –15, 120 , 226 , 229 –30.

See also Roussel, Raymond

Frege, Gottlob:

number theory related to phonemic "zero," 267 –68

― 332 ―

Freud, Sigmund, 41 , 114 ;

and parapraxis, 205 ;

and portmanteau words, 8 –9, 30 ;

and Riffaterre, 201 ;

"Wit and Its Relation to the Unconscious," 8 .

See also Condensation and displacement

Fried, Debra, 72 , 302 –3n.4

Frost, Robert:

"The Aim Was Song," 186 ;

"Mending Wall," 186 ;

"Our Singing Strength," 68 –69

G

Genotext/phenotext, 27 , 30 . See also Barthes, Roland; Kristeva, Julia

Gibbon, Edward, 226

Gilbert, Sandra M.:

and Susan Gubar, 271 , 325 n.15

Glindon, Robert, 223

Godard, Jean-Luc:

King Lear , 63 , 301 –2n.25

Gower, John, 47 –48

Gubar, Susan:

and Sandra M. Gilbert, 271 , 325 n.15

H

Hardy, Thomas, 217 , 236 ;

"Ah, Are You Digging on My Grave?" 182 ;

Jude the Obscure , 216 , 219 , 234

Hart, Lorenz, 303 n.5

Hartman, Geoffrey H., 178 , 181 , 186 ;

compared to Riffaterre, 40 ;

on juncture and "zero values," 45 –47;

words as wounds, 140 –41;

Saving the Text , 24 , 139 –41, 245 , 257 , 299 n.11, 309 n.27;

"The Voice of the Shuttle," 44 –50, 53 –54, 299 n.11

Hawkes, Terence, 298 n.1

Heffner, R.-M. S., 101

Hegel, Georg Wilhelm Friedrich, 19 , 22

Herbert, George, 80 , 145 ;

"Paradise," 78 –79;

"The Sacrifice," 78

Hiatus, 147 , 158 –59, 181 , 217 , 219

Hill, Geoffrey, 47 , 73 –74

Hjelmslev, Louis:

on formal/phonic difference, 103 , 117

Hollander, John, 73 –74, 92 ;

The Figure of Echo , 80 ;

"An Old Counting Game," 33 ;

"Summer Day," 97 ;

Vision and Resonance , 78 –79, 303 n.5

Holorhyme, 74 , 208

Homer, 76

Hood, Thomas, 80 –81, 97 , 313 n.13

Hopkins, Gerard Manley, 70 , 252 , 259 , 261 , 298 n.4, 302 n.1;

"gradience," 163 , 176 ;

"inscape," 176 –81;

"instress," 180 ;

compared to Joyce, 87 –89, 97 ;

compared to Nabokov, 89 , 92 , 95 , 97 ;

"The Escorial," 88 , 101 ;

"God's Grandeur," 177 ;

"Inversnaid," 177 ;

"As Kingfishers Catch Fire," 179 –80;

"Lecture Notes," 179 ;

"Spelt from Sibyl's Leaves," 177 ;

"The Starlight Night," 88 ;

"Waves," 259 –60;

"The Windhover," 178 ;

"Wreck of the Deutschland ," 66 , 87

Housman, A. E., 72

Hugo, Victor, 74

Hymes, Dell, 53

Hypogram, 108 –9, 113 , 307 n.8.

See also Saussure, Ferdinand de

J

Jakobson, Roman, 34 , 42 , 45 , 46 , 50 , 53 , 60 , 77 , 165 , 179 , 193 , 200 , 201 , 298 n.4;

definition of poetic "function," 40 , 61 , 70 , 71

― 333 ―

James, Henry, 221 ;

The Ambassadors,219 ;

"The Jolly Corner," 219

Jardine, Lisa, 301 n.24

Jenkins, Harry, 300 n.18

Jespersen, Otto, 34 ;

and metanalysis, 110 –11;

Language: Its Nature, Development, and Origin,110 ;

Progress in Language,199

Johnson, Samuel, 146

Jones, Lawrence G., 298 n.4

Joyce, James, 12 , 15 , 34 , 87 , 118 , 126 , 127 , 140 , 150 , 184 , 192 , 199 , 209 , 221 , 228 , 231 ;

"compbounds," 238 –43, 249 , 255 ;

and Dickens, 229 –30;

and Nabokov, 90 , 94 , 96 , 97 ;

"polysyllabax," 99 , 236 –38, 240 ;

compared to Woolf, 33 , 260 , 261 , 278 ;

Finnegans Wake,88 , 162 , 207 –8, 232 –34, 238 –41, 256 –57;

A Portrait of the Artist,88 –90, 232 –35, 238 –39, 247 , 318 n.4;

Ulysses, 62 , 88 , 222 , 232 –37, 239 –40, 242 –45, 251 –53, 256 –57, 286 , 292 ;

Ulysses, "Aeolus," 235 ;

Ulysses, "Ithaca," 253 –54;

Ulysses, "Lestrygonians," 240 ;

Ulysses, "Penelope," 237 , 254 , 256 –57, 320 n.12;

Ulysses, "Proteus," 153 , 251 –53, 269 ;

Ulysses, "Sirens," 242 –44.

See also Derrida, Jacques; Portmanteaus

Juncture:

defined, 46

K

Keach, William, 85 –86, 304 n.14

Keats, John, 70 , 84 , 150 , 156 –61, 163 –64, 168 , 169 , 170 ;

"La Belle Dame Sans Merci," 166 –67;

"Bright Star," 158 ;

Endymion, 83 , 304 n.14;

"Epistle to John Hamilton Reynolds," 160 ;

"Fall of Hyperion," 160 ;

"Lamia," 68 –69, 82 , 157 –58;

"Ode on a Grecian Urn," 84 , 156 –57, 159 –60, 300 n.20;

"Ode on Melancholy," 172 , 173 ;

"Ode to a Nightingale," 83 , 88 , 157 –60, 304 –5n.14

Kenner, Hugh:

on Joyce and the linotype process, 235 –36;

on rhyme, 67 , 75 , 92 ;

Joyce's Voices,253 ;

The Mechanic Muse,253 –54, 286

Kermode, Frank, 198

Kittler, Friedrich, 126 –27, 188

Kökeritz, Helge, 300 –301n.20

Kooij, Jan G., 46

Kristeva, Julia, 31 , 34 , 102 , 111 , 115 –16, 117 , 125 –26, 132 , 149 , 171 , 270 , 276 , 325 n.10;

and genotext/phenotext, 27 ;

and modernism, 13 , 15 ;

on semiotic vs. symbolic, 125 , 270 –71, 276 ;

Revolution in Poetic Language,12 –13, 125 , 278 ;

"Women's Time," 323 n.9

L

Lacan, Jacques, 31 , 34 , 96 , 115 , 120 , 123 , 267 –70, 324 n.9, 325 n.15, 326 n.16;

and puns, 114 –15;

Ecrits, 114

Langue and parole,60 –61, 116 , 121 , 123 , 136 , 207 , 247 , 248 , 266

Lawrence, D. H.:

Women in Love,221 –22

Leiris, Michel, 14 –15, 115 , 120 , 308 n.23

Levin, Harry, 300 n.18

Ligature:

defined as musical term, 260

Lotringer, Sylvère:

on Saussure, 102 , 107 , 109 , 112 –14, 124

M

McGann, Jerome J.:

ideology of poetry, 170 –73;

The Romantic Ideology,168 –70

― 334 ―

McLuhan, Marshall, 19 , 295 –96n.13

MacNeice, Louis, 182

Mallarmé, Stéphane, 12 –15, 124 , 126 , 128 , 131 –33, 278 ;

"Salut," 131.

See also Finas, Lucette

Mannequin, 185 , 307 n.8. See also Saussure, Ferdinand de: and anagrams

Marcus, Stephen, 316 n.14

Marin, Louis, 131 , 138 , 280 , 310 –11n.33, 321 –23n.8

Masson, David, 77 , 108 , 307 n.8

Matrix, 41 , 49 , 50 , 76 , 124 , 132 , 159 –60, 170 , 173 , 176 , 179 , 189 , 192 , 201 , 209 , 210 , 213 , 219 , 225 , 228 , 243 . See also Paragram; Paraphone; Riffaterre, Michael

Meredith, George:

Diana of the Crossways,218 –19;

The Egoist,217 –18, 219 ;

"Ode on the Comic Spirit," 219 ;

The Ordeal of Richard Feverel,217

Metz, Christian, 114

Miller, Jacques-Alain, 267 –70

Miller, J. Hillis, 297 n.22, 313 n.18

Milroy, James, 90 , 178

Milton, John, 13 , 15 , 70 , 158 , 165 , 175 , 180 , 181 , 261 ;

"Lycidas," 163 ;

Paradise Lost,45 –46, 80 , 147 –49;

"Il Penseroso," 80 ;

Samson Agonistes,148 ;

Sonnet 19 , 147

Minow-Pinkney, Makiko, 325 –26n.15

Moi, Toril, 321 –22n.8, 325 n.15

Moore, Marianne, 303 n.5

Morrison, Toni, 318 n.4

N

Nabokov, Vladimir, 98 ;

compared to Hopkins, 90 , 92 , 97 ;

compared to Joyce, 90 , 94 , 96 , 97 ;

and Roussel's "metagram," 91 ;

and "variable intervals" of juncture, 95 , 96 ;

Ada,90 ;

Pale Fire, 90 –96;

Pnin, 90

New Yorker, 222

Norris, Christopher, 311 n.38

Norris, Margot, 236

O

Oedipus, 54

Ong, Walter J., S.J., 296 –97n.19

Over eading:

defined, 192

Owen, Wilfred, 83 , 184 –85;

"All Sounds Have Been as Music," 185 ;

"The Roads Also," 185

P

Paragram, 41 , 49 –50, 123 , 125 , 201 , 213 , 243 . See also Riffaterre, Michael

Paraphone, 43 , 154 , 170 , 173 , 175 , 210 , 213 , 289 . See also Matrix

Paronomasia, 45 , 52 –53, 60 , 61 , 77 , 101 , 108 , 150 , 163 –65, 176 –77, 180 , 195 , 201 , 212 , 217 , 220 , 264 , 265 , 288 , 300 –301n.20

Perloff, Marjorie, 188

Petronius, 20 –21

Phenotext. See Genotext/phenotext

Phoneme:

contrasted to phonetic unit, 7 ;

compared to "styleme," 29

Phonemic reading:

defined, 2 –3, 25 –27;

and everyday reading, 27 ;

and figure-ground distinction, 5 ;

and phonetics, 7 , 100 –102;

and rise of phonography, 126 –27;

as recursive reading, 6

Phonemic rebus, 195 , 198 , 222 , 286

Phonetic fusion, 305 n.1

Phonography, 126 –27

Phonotext:

defined, 27 –29;

and phenotext, 159

― 335 ―

Plato, 134

Pleonasm, 49 , 57 , 203

Polyphonemic rhyme, 73 , 303 n.5

Polysyllabic rhyme, 71 , 73 –74, 84 , 93 , 97 , 303 n.5

Ponge, Frances, 14 –15, 113 , 253

Pope, Alexander, 75 , 77 , 80 , 94 ;

"Essay on Criticism," 75 –76;

The Rape of the Lock,68 –69, 75

Porter, Cole, 303 n.5

Portmanteaus, 8 –9, 89 , 165 , 177 , 185 , 203 , 221 , 226 , 318 n.4;

in Finnegans Wake,240 , 249 –51;

in relation to phonotext, 30

Pound, Ezra, 126 ;

The Cantos,260 ;

Canto 1 , 184 ;

Canto 20 , 184

Prigent, Christian, 132

Prosopopoeia, 43 , 156 , 160 , 162 –63, 172 , 204 , 265

Protension/retension, 117 , 257

Punch, 197 , 199 , 204 , 208 –9, 222 , 223 , 227 , 234 , 236 , 315 n.6

R

Rabaté, Jean-Michel, 318 n.5, 319 n.7

Redfern, Walter, 74 ;

Puns , 115

Reiman, Donald, 83

Richards, I. A., 284

Ricks, Christopher, 44 , 47 , 48 –49, 124 , 151 , 298 n.11. See also Anti-puns

Riffaterre, Michael, 29 , 40 , 43 , 47 , 48 , 50 , 53 , 105 , 123 –25, 130 , 132 , 156 , 160 , 173 , 200 , 201 , 213 , 228 , 241 , 285 , 306 n.8;

and Freud, 41 , 201 ;

and Saussure, 40 –41.

See also Matrix; Paragram

Rimbaud, Arthur, 308 n.23

Rime équivoquée,82

Rime très riche,69 , 120

Romanticism, 156 , 160 , 165 , 168 –73;

and myth of voice, 188 –90;

and rhyme, 80 –87.

See also McGann, Jerome J.

Rousseau, Jean-Jacques, 134

Roussel, Raymond, 14 –15, 90 –91, 132 , 308 n.23;

and the "metagram," 120 –24;

and "process" text, 118 –26;

Chiquenaude,308 n.18;

La Doublure,119 ;

Impressions d'Afrique,118

Russell, John, 23

S

Saenger, Paul, 296 n.15

Saussure, Ferdinand de, 34 , 40 –41, 43 , 48 , 50 , 102 –4, 105 , 107 , 112 , 134 , 185 , 222 , 248 , 298 n.11, 306 –7n.8;

and anagrams, 107 –9, 112 –14, 124 –25, 132 ;

and the "diphone," 108 –10;

and the "hypogram," 108 –9, 113 , 132.

See also Derrida, Jacques

Schorer, Mark:

"analogical matrix" compared to Riffaterre, 213

Segmental:

defined, 293 –94n.4

Sewell, Elizabeth, 45

Shakespeare, William, 13 , 15 , 20 , 69 , 70 , 97 , 127 , 145 , 151 , 158 , 181 , 187 –88, 261 , 279 , 285 , 298 n.1, 302 n.26;

"intralexical," "interlexical," and "supralexical" transforms in, 55 –58;

compared to Joyce, 232 ;

"transegmental" introduced, 58 ;

Hamlet, 33 , 52 –60, 158 , 300 n.18, 301 n.20;

Henry VI ,300 –301n.20;

King Lear, 63 , 139 , 301 –2n.25;

A Midsummer Night's Dream,279 , 283 ;

Othello, 52 , 63 , 301 n.20;

Romeo and Juliet,63 ;

sonnet 3 , 72 ;

sonnet 12 , 51 ;

sonnet 15 , 38 , 42 , 50 , 298 n.4;

sonnet 23 , 38 ;

sonnet 27 , 212 ;

sonnet 51 ,

― 336 ―

Shakespeare, William

50 ;

sonnet 68 , 72 ;

sonnet 76 , 62 ;

sonnet 127 , 72 ;

sonnet 136 , 62 ;

sonnet 149 , 300 n.18;

Sonnets, 33 , 302 n.26;

Troilus and Cressida,63 , 301 n.20.

See also Booth, Stephen

Shell, Marc, 316 n.17

Shelley, Percy Bysshe, 13 , 83 , 85 , 150 , 161 –72;

Adonais, 85 , 163 –65, 168 –70, 172 ;

Defence of Poetry,161 ;

"Epipsychidion," 162 ;

"Hymn to Intellectual Beauty," 162 , 165 –66;

"Lines Written among the Euganean Hills," 161 –62;

"Mont Blanc," 85 –87, 162 –63, 165 ;

"Mutability," 161 ;

"Ode to the West Wind," 167 ;

Prometheus Unbound,162 , 166 ;

The Revolt of Islam,165 ;

"The Triumph of Life," 161

Shoaf, R. A., 303 n.4

Silliman, Ron, 188

Southey, Robert, 150

Spenser, Edmund, 13 ;

The Faerie Queene,68 –69, 76 ;

The Shepheardes Calender,76

Starobinski, Jean, 102 , 107

Stein, Gertrude, 131 , 278 –79

Stendhal, 322 n.8

Sterne, Lawrence, 34 , 199 , 201 ;

and Dickens, 229 ;

Tristram Shandy,193 –94, 229

Stevens, Wallace, 85 ;

"Anecdote of the Jar," 186 ;

"Le Monocle de mon Oncle," 45 ;

"United Dames of America," 46

Stewart, Garrett, 316 n.13, 325 n.15, 327 n.20

Stylistics:

vs. phonemic reading, 3 , 26 –27

Suprasegmentals, 46

Swift, Jonathan, 74

Synaloepha, 147 , 151 , 158 , 162 . See also Evans, Robert

Synchronic/diachronic, 20 , 110 –12

T

Tennyson, Alfred, Lord, 70 , 85 ;

"Mariana," 173 ;

In Memoriam, 1 , 6 –7, 25 , 84 –85, 180 , 300 n.20;

"Tithonus," 174 –75;

"Ulysses," 174

Thackeray, William Makepeace, 222 , 223 ;

The Memoirs of Mr. Charles J. Yellowplush,196 –97, 226

Thomas, Dylan, 34 ;

"Clown in the Moon," 187 ;

"The Force That Through the Green Fuse Drives the Flower," 187 ;

"I Know This Vicious Minute's Hour," 187 ;

"It's Not in Misery But in Oblivion," 187 ;

"Now the Thirst Parches Lip and Tongue," 187 ;

"Poem in October," 187

Transegmental drift:

defined, 25 , 293 –94n.4

Turgot, A. R. J., 316 n.17

U

Unterecker, John, 182

V

Vendler, Helen, 183 –84

Vernon, John, 128 –29, 131

Virgil:

Codex Augusteus, 19 .

See also Word division

Vogler, Thomas, 149

W

Warren, Austin:

and René Wellek, 23 , 33 , 129 , 284

Wasserman, Earl, 164

Wellek, René:

and Austin Warren, 23 , 33 , 129 , 284

Wesling, Donald, 75 , 81 –82, 83 –84, 85

Whitman, Walt, 128

― 337 ―

Wilde, Oscar:

The Importance of Being Earnest,222

Wimsatt, William K., 67 , 92

Wittgenstein, Ludwig, 316 n.17

Wolfson, Susan, 304 n.13, 312 n.10

Woolf, Virginia, 33 , 34 , 127 , 221 ;

Between the Acts,262 ;

Diary, 260 , 262 ;

Mrs. Dalloway,260 , 271 –72, 286 –92;

"On Being III," 22 –23;

A Room of One's Own,263 , 276 , 283 ;

To The Lighthouse,285 –86;

The Voyage Out,326 n.20;

The Waves, 250 , 258 –82, 283

Word division:

in medieval manuscripts, 19 –21.

See also Augustine, Saint; Chaytor, H. J.; Saenger, Paul

Wordsworth, William, 150 , 154 –56, 171 ;

"The Column Intended by Buonaparte for a Triumphal Edifice in Milan," 81 ;

"Inscribed Upon a Rock," 189 ;

Lyrical Ballads,154 ;

"Ode: Intimations of Immortality," 155 ;

"Ruth," 154 –55;

"Solitary Reaper," 155 –56

Y

Yeats, W. B., 83 , 260 ;

"Lake Isle of Innisfree," 182 –83;

"A Prayer for My Daughter," 67 –68;

"The Second Coming," 183 ;

"Sorrow of Love," 182 ;

"When You Are Old," 183

Z

Zero allophone, 46 , 269 . See also Hartman, Geoffrey H.

― 338 ―

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Binder: Edwards Brothers, Inc.