Preferred Citation: Worthen, W. B. Modern Drama and the Rhetoric of Theater. Berkeley:  University of California Press,  c1992 1992. http://ark.cdlib.org/ark:/13030/ft409nb32w/


 

B

The Babes in the Woods (pantomime), 174 -75

The Bacchae of Euripides (Soyinka), 195

Bancroft, Squire, 19

Barbican Theatre, 175 , 180

Barker, Harley Granville, 13 , 19 ;

Waste , 46 n

Barnes, Ben, 138

Barnes, Peter, 8 , 169 -73;

The Bewitched , 169 ;

Laughter! 169 -73;

Red Noses , 169 ;

The Ruling Class , 169

Barrie, J. M.:

Peter Pan , 178 ;

What Every Woman Knows , 29

Barthes, Roland, 13 , 14 , 154

Bathrick, David, 152 n.5

Baxter, Stanley, 176 n.18

Beats (in Method acting), 57 , 60 , 62

Beckerman, Bernard, 4 n.4

Beckett, Samuel, 7 , 8 , 10 n, 86 , 100 , 108 , 131 -42, 145 ;

. . . but the clouds  . . . , 133 n.19, 137 ;

Cascando , 132 ;

Catastrophe , 82 n, 132 , 134 , 141 , 142 ;

Endgame , 83 , 137 n;

Footfalls , 138 , 139 n;

Ghost Trio , 137 ;

Happy Days , 133 n.19, 138 ;

Not I , 107 , 138 -39, 139 n, 142 ;

Play ,


222

Beckett, Samuel (continued )

135 -37, 138 , 139 -40, 141 , 142 ;

Quad , 137 ;

Rockaby , 132 ;

Rough for Radio II , 133 , 134 -35;

Rough for Theatre I , 133 n.19;

That Time , 132 ;

Waiting for Godot , 81 , 82 , 88 , 90 , 131 , 132 , 133 n.19, 134 , 143 , 145 ;

What Where , 133 , 136 , 142

Beerbohm, Max, 48 n

Belasco, David, The Return of Peter Grimm , 18

Belsey, Catherine, 49 , 70

Benjamin, Walter, 10 -11

Bennett, Benjamin, 3 , 4 n.5, 9 , 69n, 192 n.29

Bentham, Jeremy, 21

Berger, Harry, Jr., 21 n

Bergman, Ingmar, 27 n

Berliner Ensemble, 152 , 153

Bernhardt, Sarah, 30 , 104

Betrayal (Pinter), 83 , 85

The Betwitched (Barnes), 169

Bingo (Bond), 93 , 94

The Birthday Party (Pinter), 81 , 83

Blackman, Maurice, 140 n

The Blacks (Genet), 166

Blanche, Ada, 178

Blau, Herbert, 4 , 62 n, 88 n

Bloody Poetry (Brenton), 158

Boleslavsky, Richard, 56 , 60

Bond, Edward, 8 , 29 , 55 , 89 -98, 154 -55, 155 n.7, 160 ;

Bingo , 93 , 94 ;

and Brecht, 89 -91;

The Pope's Wedding , 91 -92;

Saved , 6 , 94 -98;

The Woman , 93 ;

The Worlds , 93 , 94 n

Booth, Michael R., 175 n.15

Bornemann, Ernest, 153

Box set, 5 , 17 , 88 , 192 . See also Realism in theater: staging of

Bradford, Curtis, 116 n

Bradley, David, 177 n

Brater, Enoch, 138 n

Brecht, Bertolt, 7 , 10 n, 13 , 107 , 120 , 121 n, 148 -52, 176 ;

The Caucasian Chalk Circle , 153 ;

Galileo , 155 n.7, 169 ;

influence on British and American theater, 7 , 152 -55;

Mother Courage and Her Children , 153 ;

Threepenny Opera , 195

Brenton, Howard, 8 , 155 n.7, 158 -69, 193 ;

Bloody Poetry , 158 ;

Christie in Love , 158 ;

The Chruchill Play , 157 , 159 , 164 -69;

Greenland , 158 ;

Hitler Dances , 157 , 159 -64;

Pravda , 158 ;

The Romans in Britain , 158 ;

Scott of the Antarctic , 158 ;

Weapons of Happiness , 158

Broadway musicals, 179 , 180

Brook, Peter, 10

Brustein, Robert, 63

Bull, John, 159 n

Buried Child (Shepard), 86

Burke, Kenneth, 2 , 2 n.1, 26 n, 113 n.5 . . . but the clouds  . . . (Beckett), 133 n.19, 137


 

Preferred Citation: Worthen, W. B. Modern Drama and the Rhetoric of Theater. Berkeley:  University of California Press,  c1992 1992. http://ark.cdlib.org/ark:/13030/ft409nb32w/