Index
Duchamp's works are indexed under his name, and not separately for each work; the same practice is followed for other artists
A
Abbot, Edwin A., Flatland (1884), 261 n20
abstraction, in Duchamp's work, 70
Académie Julian, 20
Adam and Eve, 28
Adcock, Craig E., 261 n7, 262 n21
advertising, 29 , 179
Aillaud, Gilles, quoted, 206
alchemy, 12 , 33 -35
anarchism, 165
Antliff, Mark, 257 -58n1
Apollinaire, Guillaume, 3 , 52 , 56 -57, 75 , 90 ;
"Calligrammes," 155
Aragon, Louis, 206
Arensberg, Walter, 3 , 89 , 107 , 136 , 137 , 139 , 168 , 185 , 191 , 208 , 231
Armory Show (International Exhibition of Modern Art, New York, 1913), 1 -11, 50 , 60 , 115 , 128 -29, 180 , 208 , 224 -25, 231
Arroyo, Eduardo, quoted, 206
art market, Duchamp's ties to, 180 .
See also commerce
automobiles, 56 , 66 , 79 ;
in Duchamp's work, 90 -91, 96 , 260 n4, 263 n10
avant-garde, 15 , 115 -16, 183 , 235 -37.
See also dada;
futurism;
modernism;
surrealism
B
Babitz, Eve, 209
Balkans, 54
Barbey d'Aurevilly, Jules, 216
Barcelona, 3
Barr, Alfred, 266 n22
Baruchello, Gianfranco, 108 , 111 , 120 , 231 -32, 240 , 241 , 242 , 251
Baudelaire, Charles, 38 , 45 -46, 48 , 98 -99, 168 , 182 -83, 217 -18, 219 -20;
"Jewels," 98 ;
"Locks," 98 ;
Mon
Baudelaire, Charles (continued )
Coeur mis à nu (My Heart Laid Bare ), 99 ;
"Windows," 45
Benjamin, Walter, 99 , 104 , 168
Bergman, Max, 61
Bergson, Henri, 56 -58, 66 , 87 , 240 , 241 , 257 -58n1
Bescherel dictionary, 83
Bibliothèque Sainte-Geneviève (Paris), 87
Blaue Reiter,61 -62
Blind Man (New York), 139
bohemianism, 20 , 214 -21, 228 ;
and art, 217 - 21
Bonaparte, Napoleon, 80 , 172
Bonnefoy, Yves, 220 , 228
Boston, 3
bourgeoisie, 13 -14, 16 -18, 75 , 78 , 230 ;
and selfhood, 13 -14
Brancusi, Constantine, 231 , 263 n10
Braque, Georges, 60 , 73
Breton, André 10 , 17 , 76 , 77 , 89 , 141 , 235 -36, 240 , 251 , 262 n8
Brooklyn, 89
Buenos Aires.
See Duchamp, Marcel: in Buenos Aires
Buffet, Gabrielle (also Gabrielle Buffet-Picabia), 41 -42, 75 , 90 -91, 97 , 127 , 198 -99, 208
Bürger, Peter, 267 n27
C
Cabanel, Alexandre, The Birth of Venus (1863), 4 , 5
Cabanne, Pierre, 119 , 177 , 180 , 190 , 194 , 209 , 215 , 220 , 249
Café du Dôme (Paris), 193
Cage, John, 12 , 243 -46, 273 n9
Caillebotte, Gustave, The Man at the Window,43 , 44 , 45 , 166
Camfield, William, 265 n27
Carrouges, Michel, 273 n15
Caumont, Jacques, 190 , 255 n12, 267 -68n8
Cézanne, Paul, 18 , 20 , 22 , 46 , 48 , 266 n7
"Cham," La Naissance du petit ébéniste (1865), 8
Champfleury (Jules Fleury), 217
chance, in Duchamp's life and work, 89 , 91 , 162 -66, 235
chess, and art, 207 -13;
in Duchamp's life, 4 , 75 , 188 , 189 , 191 , 192 , 199 , 208 -9, 210 -11, 271 n41;
in Duchamp's work, 22 -24, 63 -64, 73 , 208 , 209 , 239
Chirico, Giorgio de, 231
Coates, Robert, 258 n6
cold war, 54
commerce, 272 n20;
in Duchamp's work, 29 , 89 , 92 , 121 , 223 -24, 231 -32
communication, in Duchamp's work, 22 , 27 -28, 38 -39, 69 , 71 -72, 84 -85, 97 , 176 , 183 , 201 -2.
See also irony, in Duchamp's work;
language, and Duchamp;
puns, in Duchamp's work
communism, 54
Courbet, Gustave, 7 , 111 -13, 272 n22;
L'Origine du monde, 111 .
See also retinal art
Courrier français,20
Crotti, Jean, 129 , 131 -32, 134 , 165 , 197 , 223 , 231
Crotti, Suzanne. See Duchamp, Suzanne (Crotti)
Crotti, Yvonne, 190 -91
cubism, 6 , 10 , 11 , 22 , 51 -53, 115 , 235 , 242 ;
and Duchamp, 17 , 24 , 39 , 61 , 62 -64, 74 , 86 , 231
Cyprus, 220
D
dada, 6 , 146 , 197 , 227 ;
and Duchamp, 11 , 17 , 140 , 235
See also Duchamp, Marcel, works and writings: readymades
Daniels, Dieter, 253 n9
Dante, 80
deconstruction, 159 -62, 249
Deleuze, Gilles, 273 n15
Derrida, Jacques, 159 , 160 -61, 249 , 250
desire, in Duchamp's work, 30 , 35 , 41 , 87 , 93 , 102 , 110 , 141 , 171 , 176 , 181 .
See also sexuality, in Duchamp's work
dimensionality, in modern art, 24 , 143 , 145 -46, 153 , 228 ;
in Duchamp's work, 24 , 99 -106, 110 , 154 , 174 , 220 , 239
Don Quixote, 41
Dreier, Dorothea, 168 -71
Dreier, Katherine, 89 , 107 , 143 , 168 , 180 , 189 , 268 n14
Dreyfus Affair, 54
Duchamp, Alexina Sattler (Matisse), 108 , 190 .
See also Duchamp, Marcel: marriages of
Duchamp, Gaston (Jacques Villon), 16 -17, 20 , 51
Duchamp, Lydie. See Sarrazin-Levassor, Lydie
Duchamp, Magdeleine, 16 , 20 , 31 -32
Duchamp, Marcel: and America, 1 -4, 14 , 117 , 127 , 128 -32, 134 , 185 -88, 215 , 224 , 247 , 264 n16;
in Buenos Aires (1918), 103 , 166 , 171 , 190 , 231 ;
career of, interpretations, 12 -15, 35 , 73 -74, 161 -62, 253 -55nn 10 , n, 12 ;
character of, 17 -18, 30 , 38 -39, 41 -42, 54 -55, 69
(see also communication, in Duchamp's work;
Duchamp, Marcel: and his family;
mystery, as motif in Duchamp's work;
selfhood, as motif in Duchamp's work;
subjectivity, as motif in Duchamp's work);
dream of, 67 , 70 ;
and his family, 16 -20, 22 -25, 31 , 59 , 68 , 97 , 121 , 230 ;
influence of, 11 -14, 234 -36, 243 , 248 , 254 n11
(see also Duchamp, Marcel: reputation of);
marriages of, 188 -90, 194 -97;
in Munich (1912), 61 -73, 86 , 126 , 132 , 208 ;
and politics, 235 , 247 -48, 251 , 273 ;
and the public, 2 -9, 11 , 53 , 88 -89, 110 , 128 -29, 131 -32, 134 -36, 147 , 221 -25;
relations with other artists, 10 , 17 , 55 -58, 63 -64, 68 , 74 , 97 -98, 146 , 247 -48;
"renunciation" of painting, 202 -7;
reputation of, 1 -15, 128 -29;
as "Rrose Sélavy," 64 , 114 , 119 , 120 , 143 , 144,168 -71, 198 -201, 231 ;
and sexuality, 18 , 22 , 31 , 32 -34, 113 -14, 143 , 184 -202, 256 n14, 269 n21
(see also Duchamp, Marcel, works and writings: Large Glass, The;
sexuality, in Duchamp's work)
Duchamp, Marcel, works and writings:
Air de Paris,168 , 169,230
Anemic Cinema,174 , 175
Apolinère Enameled, 134 , 135
Apropos of Little Sister,31 , 32
Artist's Father, The,18 , 19 ,31
Baptism, 35 -38, 37,52 , 148
Bec Auer, Le,112 , 113,195
Bicycle Wheel (readymade), 118 , 122 -25, 123,132 -33, 154 , 166 , 171
Boîtes en valise, 229 -33, 230,239
Bottle Rack (readymade), 119 , 125,126 , 132 -33, 138 , 154 , 166 , 172 , 264
Box of 1914,137 , 145 , 247
Brawl at Austerlitz, The, 172 - 74 , 173
Bride, The (1912), 66 -67, 67,69 , 126
Bride Stripped Bare by Her Bachelors, Even, The. See Large Glass, The
Bride Stripped Bare by the Bachelors, The (1912), 66ff, 67,126
Duchamp, Marcel, works and writings (continued)
Bush, The, 35 -38, 36,52 , 190
Chastity Wedge,194 , 195,198 , 199 , 201
Chess Game, The,22 -23, 23 , 24 , 28 , 31 , 35 , 208
Coffee Mill,61 , 62
"Creative Act, The," 221 -23
Disks Bearing Spirals,174 , 176
Disks Inscribed with Puns,174 , 175
Door, 11 rue Larrey,108 , 109
Dulcinea, 39 , 40,41 , 57 , 59 , 87
Dust Breeding,163 , 163
Emergency in Favor of Twice,155
Erratum Musicale,90
Eternal Siesta,39
Female Fig Leaf,195 -97, 196
Fountain (urinal readymade), 3 , 126 , 136 -39, 138,159 , 177 , 179 -80, 185 -86, 207 , 230 ;
and Large Glass, 137
Fresh Widow,166 -68, 167,173
Given: 1. The Waterfall'2. The Illuminating Gas,84 , 107 -14, 107,141 -43, 180 , 195 , 196 , 199 , 100 , 202 , 208 , 234 , 246 , pl. 5
Glider Containing a Water-Mill in Neighboring Metals,86 -87, 88
Green Box, The,89 , 93 , 152 , 165 , 231
In Advance of the Broken Arm (snow shovel readymade), 131 -33, 133, 155
King and Queen Surrounded by Swift Nudes, The,63 -66, 65, 238
King and Queen Traversed by Nudes at High Speed, The,63 -66, 238
King and Queen Traversed by Swift Nudes, The,63 -66, 65, 238
Large Glass, The (The Bride Stripped Bare by Her Bachelors, Even ), 3 , 10 , 11 , 24 , 60 , 63 , 74 , 75 , 117 -18, 132 , 230 , 231 , 238 -39, 246 , 263 , 278 , pl. 4 ;
bachelor imagery in, 91 -93;
and Baudelaire, as intellectual predecessor, 98 -99;
and chess, 211 , 212 ;
conceptual beginnings, 68 -69, 72 -73, 86 -87;
desire, as motif in, 94 -97, 191 , 204 , 210 ;
dimensionality, as motif in, 99 -103, 228 ;
and Dust Breeding,163 ;
and Fountain,137 ;
and Given, 106 -14;
irony in, 87 -90, 93 -94;
and L.H.O.O.Q.,140 -41;
and the note on shop windows, 97 ;
notes for, 29 -30, 35 , 69 , 72 -73, 74 , 88 -91, 91 -97, 99 -106, 114 , 148 , 152 -54, 256 (see also Box of 1914 ;
Green Box, The ;
White Box, The [À l'infinitif ]);
and private language, 68 -69, 153 -54;
puns in, 120 ;
and ready-mades, 126 , 128 , 134 , 166 -67
L.H.O.O.Q. (Mona Lisa ready-made), 119 , 139 -43, 140,201 , 231 ;
and Large Glass, 140 -41
L.H.O.O.Q., Shaven (second Mona Lisa readymade), 141 -43, 142
Mediocrity, 39
Monte Carlo Bond,163 , 164
note on shop windows, 29 -30, 35 , 41 , 97 , 106 , 114 , 143 , 168 , 199 , 204 , 239
Nude Descending a Staircase,1 -3, 6 , 9 , 57 -58, 60 -61, 68 , 122 , 129 , 207 , 225 , 238 , pl. 1 ;
miniature version, 187
Objet dard,195 , 196,198
Once More to This Star,38 , 39 ,148
Paradise, 26 -31, 26,35 , 87 , 143 , 148 , 191
Passage from Virgin to Bride, The,69 -74, 93 , pl. 3
Paysage fautif,197 , 198
Pharmacy, 119 , 121,122 , 133 -34
Pliant de voyage . See Traveler's Folding Item
Portrait of Chess Players,24 , 25
Portrait of Dr. Dumouchel,27 , 27
readymades (see also under individual objects or titles ), 3 , 11 , 84 , 108 , 115 -28, 131 -159, 161 , 166 , 177 -83, 205 -7, 211 , 212 , 225 , 231 , 238 -39;
as artistic challenge, 115 -17, 119 , 127 -28;
and formalist aesthetics, 265 ;
Fountain as turning point, 136 -39, 146 -47;
and identity, 117 -18;
and Large Glass, 126 , 128 , 134 , 166 -67;
and modern industry, 179 , 242 -43, 258 n8, 263 ;
puns, verbal and visual, in, 119 -22;
sexuality in, 126 , 140 -42;
in Tu'm', 145
Rendezvous of Sunday, February 6, 1916,155 -59, 157, 166 , 210
Sad Young Man on a Train,42 , 57 -61, 58, 97 , 121 , 122 , 238 , 258 n7
Sculpture for Traveling,171
Selected Details after Courbet,112 , 112
Sonata, 19 -20, 21,26 , 28 , 35 , 230
"Sundays," 20
The, 155 -59, 156,161 , 210
Three Standard Stoppages,92 , 143 , 162 -63, 162,165 , 230 , 231 , 243
To Be Looked at (from the Other Side of the Glass) with One Eye, Close To, for Almost an Hour,103 , 104,166
To Have the Apprentice in the Sun,122 -25, 124,171 -72
Trap (Trébuchet),172 , 172
Traveler's Folding Item (Pliant de voyage),134 , 136 , 158 , 159, 172 , 230
Tu m' , 143 -46, 158 , 172 , 178 , 231 , 202 , pl. 6
Two Nudes: One Strong and One Swift,63 -66, 64,238
Unhappy Readymade,165 -66
Virgin (I), 69 -71, 70,73
Virgin (II), 69 -71, 71,73
White Box, The (À l'infinitif ), 29 -30, 99 , 114 , 153 -54
Why Not Sneeze, R[r]ose Sélavy?168 -71, 170, 266
With Hidden Noise,134 , 135,255
"Woman Cab Driver," 20
Young Man and Girl in Spring,28 -31, 33 -35, 59 , 97 , 117 , pl. 2
Yvonne and Magdeleine Torn in Tatters,32 -33, 33
Duchamp, Raymond (Raymond Duchamp-Villon), 16 -17, 51 , 57 , 58 , 61 , 99
Duchamp, Suzanne (Crotti), 16 -17, 32 -35, 59 , 121 , 126 , 131 , 132 , 136 -37, 165 , 200 , 256 n14, 257 n7
Duchamp, Yvonne, 16 , 20 , 31 , 185
Duchamp family.
See Duchamp, Marcel: and his family
Du Frène, Charlotte, 79 , 260
Duve, Thierry de, 249 ;
quoted, 265 -66n7
E
Echaurren, Matta, 73
Eliot, T. S., 182
Eluard, Paul, 236 -38, 239
F
fauvism, 6 , 10 , 22 , 54 , 115
Flaubert, Gustave, 50
Foucault, Michel, 78 , 246 , 250 -51;
quoted, 250 -51
Fournel, Victor, quoted, 45
Fra Angelico, 223
France: education, 227 , 258 n8;
Third Republic, 54
freedom, in Duchamp's work, 28 , 161 -62, 165 , 202 , 235 -36, 238 -41, 246
French Revolution (1789), 216 , 248
Freud, Sigmund, 32 , 126 , 198 , 200 , 241 , 269 n24
Fressingeas, Yvonne, 190 , 192 -93, 198
futurism, 6 , 11 , 54 -55, 57 , 61 , 235 ;
and Duchamp, 39 , 61 , 63 -66;
Futurist Manifesto of Painting,57
G
Gleizes, Albert, 3 , 10 , 86 , 129 , 238 , 258 n1;
On Cubism, 3 , 51 -53, 207 , 259 n15
Golding, John, 61
Goncourt, Jules and Edmond de, 7
Gopnick, Adam, 179
Gough-Cooper, Jennifer, 190 , 255 n12, 267 n8
Gourmont, Rémy de, 49 -50, 139 , 149 , 165
Greenberg, Clement, 6 , 117 , 118
Guattari, Félix, 273 n15
H
Habermas, Jürgen, 274 n17
Halberstadt, Vitaly, 210
Hamlet, 150
Hegel, Georg Wilhelm Friedrich, 181
Heller, Erich, 181 -82, 245
Herbert, Robert, 42 -43, 45
Hofmann, Werner, 183
Hofmannsthal, Hugo von, 183 , 245
Hofstra College, 178
homosexuality, 198 -99.
See also sexuality, in Duchamp's work;
Roussel, Raymond: and sexuality
Hugo, Victor, 77 , 80 -81
humor, in Duchamp's work, 7 , 20 -21, 32 , 132 , 139 , 146 , 158 -59.
See also puns, in Duchamp's work
I
I Ching, 244
identity (of persons).
See selfhood, as motif in Duchamp's work;
subjectivity, as motif in Duchamp's work
impressionism, 6 , 7 , 10 , 38 , 42 -48, 52 , 115 , 178 , 181 , 242
individualism, 10 -11, 149 , 165 , 216 -17.
See also selfhood, as motif in Duchamp's work; subjectivity, as motif in Duchamp's work
industrial revolution, 216 .
See also mechanism, in Duchamp's work
inframince, 101 -2
irony, in Duchamp's work, 26 , 38 , 72 , 87 -93, 114 , 131 -32, 138 -41, 147 , 171 , 176 , 183 , 225
Izenberg, Gerald N., 261 n17
J
James, William, 187
Janet, Pierre, 80 , 83 ;
From Agony to Ecstasy,80
Jarry, Alfred, 17 , 78 , 146 ;
"'pataphysics," 164 -65, 171
Juilliard School of Music, 244
K
Kandinsky, Vassily, 10 , 61 , 66 ;
On the Spiritual in Art,61
Kerbellec, Philippe, 83
Klimt, Gustav, 4 -6
Krauss, Rosalind, 254 -55n12, 262 n33;
quoted, 249
Kupka, Frank, 66
L
Lacan, Jacques, 266 n7
Laforgue, Jules, 38 , 51 , 59 , 99 , 117 , 162 , 183 , 203 , 231 ;
Autres complaintes,263 n9;
"Comice agricole," 120 ;
on habit, 117 ;
and language, 149 -51;
"Once More to This Star," 38
La Fresnaye, Roger de, 231
language, and Duchamp, 11 , 68 -69, 71 -73, 74 , 84 -85, 90 , 119 -20, 126 -28, 210 , 232 -33, 250 ;
and Disks Inscribed with Puns,174 -76;
and Fresh Widow,166 -68, 173 -74;
Laforgue as predecessor, 149 -51;
Mallarmé as predecessor, 148 -49;
projects for new languages, 152 -55;
and Three Standard Stoppages,166 ;
used in works, 155 -59
Larousse dictionary, 152
Latin quarter, 86
Lebel, Robert, 18 , 31 , 68 , 73 , 97 , 191 , 200
Léger, Fernand, 231 , 263 n10
Leiris, Eugène, 260 n27
Leiris, Michel, 259 -60n27
Leonardo da Vinci, 139 -41, 223
Lévi-Strauss, Claude, 265 n2
Lodge, David, Small World,160
Londe, Albert, 258 n4
Lyotard, Jean-François, 249 -50, 251
M
Macy's, 231
Mallarmé Stéphane, 14 , 28 , 48 -50, 56 -57, 117 , 183 , 250 , 257 n25;
and language, 148 -49;
and Paul Valéry, 204
Man, Paul de, 159
Manet, Edouard, 4 , 7 , 8 , 42 -43, 48 ;
Olympia, 4 , 5;
The Railroad,42 -43, 43
Marey, Etienne-Jules, 58 , 66 -67
Marquis, Alice G., 31 ;
quoted, 264 n15
Martins, Maria, 197
Matisse, Henri, 12 , 22 , 256 n13
Matisse, Paul, 29 , 96 , 194 , 260 n3
Matisse, Pierre, 194
mechanism, in Duchamp's work, 66 , 69 -72, 89 -91, 178 , 263 n10.
See also Duchamp, Marcel, works and writings: readymades
Mercurius, 34
Metzinger, Jean, 3 , 10 , 86 , 238 , 258 n1;
On Cubism, 3 , 51 -53, 207 , 259 n15
Michelson, Annette, 273 n10
modernism, 4 , 10 , 46 -53;
and America, 7 , 130 ;
and crafts, 177 -78;
and commerce, 179 ;
and dimensionality, 100 -101;
and individualism, 48 -50, 51 -53;
and industry, 56 -58, 82 , 178 -79;
and insanity, 246 ;
and language, 49 -50, 82 ;
and politics, 7 , 231 -32
(see also Duchamp, Marcel: and politics);
and the public, 4 -9, 115 -16, 251 -52;
and sexuality, 98 -99
(see also Duchamp, Marcel: and sexuality);
and subjectivity, 12 -15
(see also subjectivity, as motif in Duchamp's work);
and urban life, 42 -48, 242
Monet, Claude, 46 -47, 48 ;
The Gare Saint-Lazare,47 , 47
Monte Carlo, 163 -64
Montjoie! (Paris), 245
Montmartre, 17 , 20 , 35 , 55 -56, 215
Morris, William, 178
motion, in Duchamp's work, 56 -58, 60 -61, 63 -66, 73 -74, 87 , 122 -25, 172 -74, 263 n10
Mougins, France, 189
Murger, Henri, 215 , 217
Museum of Modern Art (New York), 73
Museum of the City of New York, 187
museums, and Duchamp, 179 -80, 230 , 266 - 67 n22.
See also Philadelphia Museum of Art
music, in Duchamp's work, 20 , 21 ,22 , 122 -24
mystery, as motif in Duchamp's work, 35 -38, 52 , 66 , 69 , 71 , 84 -85
mysticism, 35 ;
Eastern, 244
N
Napoleonic nobility, 78
Nesbit, Molly, 258 n8
Neuilly, 39 , 86
New York City. See Armory Show;
Duchamp, Marcel: and America;
Society of Independent Artists (New York)
New York Evening World,131
New York State Chess Association, 211
Nice, 189
Nietzsche, Friedrich, 249 -50
North Africa, 54 , 220
Norton, Louise, 137 , 139 ;
"Buddha of the Bathroom," 139
nude, in art, 2 , 4 -6;
in Duchamp's work, 35 -41, 63 -67, 73 , 91 , 95 -96, 107 -8, 110 -14, 212 .
See also Duchamp, Marcel, works and writings: Large Glass, The
O
Old Regime, 216
P
Palermo, 79
Paris, 3 , 20 , 42 -47, 59 , 86 ;
Salon d'Automne, 22 ;
Salon des Indépendants, 3 , 61 , 67 , 136
Paris Commune (1871), 227
Pasadena Art Museum, 209
Pater, Walter, 125
Paz, Octavio, 254 n10
Peterson, Elmer, 119
Philadephia Museum of Art, 3 , 99 , 107 -8, 110 , 114 , 180
photography, 58 ;
as influence in Duchamp's work, 1 -2, 66 -67, 91 , 153 -54;
as record of Duchamp's work, 137 , 163 - 64
Picabia, Francis, 4 , 41 , 66 , 75 , 77 , 90 , 129 , 141 , 188 -89, 231 , 258 n2, 267 -68n8
Picasso, Pablo, 10 , 12 , 60 , 73 , 231 , 235 , 236 -38, 239 , 240 ;
Les Demoiselles d'Alvignon,54
Pierrot, 150
Poe, Edgar Allan, 50
postimpressionism, 6
postmodernism, 228 , 248 -49, 251 , 273 -74
Proust, Marcel, 78 , 199
Puccini, Giacomo, 215
puns, in Duchamp's work, 22 , 59 , 68 , 119 -22, 134 , 139 , 148 , 166 , 174 , 180 -81, 183 , 231 , 262 -63nn 8 , 10
Puteaux, France, 51 , 87
Q
Quinn, John, 180
R
railroads, 42 -43, 58 -59, 121
Ray, Man, 143 -44, 163 , 180 , 188 -90, 193 , 208 ;
photograph of Dust Breeding, 163 ;
photograph of Duchamp as Rrose Sélavy, 144
realism, 47 .
See also Courbet, Gustave; retinal art
Recalcati, Antonio, quoted, 206
Redon, Odilon, 50 , 51 , 253 n1;
Melancholy, 51
retinal art, 259 n15;
and Duchamp's critique of, 68 , 111 -14, 128 , 148 , 178 , 181 -82
Retté Adolph, 183
revolution of 1905 (Russia), 54
Reynolds, Mary, 193 -94, 198
Rimbaud, Arthur, 14 , 17 , 78 , 146 , 218 -21, 226 -28, 233 , 234 , 250 ;
and selfhood, 226 -28;
"Le Bateau ivre," 220 ;
Les Illuminations,220 ;
"Solde," 220
Rire, Le (Paris), 20
Roché Henri-Pierre, 137 , 180 , 185 -86, 191 -93, 198 , 215 , 231 , 263 -64nn 12 , 15 , 267 n1, 273 n10;
Jules et Jim,192 , 268 n17;
Victor, 192 , 193 -94
Rochlitz, Rainer, 274 n18
romanticism, 8 , 47 , 77 , 183 , 226
Rostand, Edmond, 78
Rouen, 20 , 59 , 91
Roussel, Raymond, 14 , 183 , 199 , 200 , 259 -60n27, 269 n28;
and the avantgarde, 75 -78;
death of, 260 n27;
as influence on Duchamp, 75 -85, 87 , 90 -91, 93 , 114 , 122 ;
and language, 76 -78;
and sexuality, 79 -80, 83 ;
How I Wrote Some of My Books,76 , 80 , 114 ;
Impressions of Africa,75 , 77 , 83 , 90 ;
Locus Solus,77 , 80 , 81 -82;
"Parmi les noirs," 76
Rubin, William, 73
Ruskin, John, 178
S
Salon des Indépendants. See Paris: Salon des Indépendants
Sarrazin-Levassor, Lydie (Duchamp), 118 -90, 192 , 267 -68n8
Schiller, Friedrich, 181
Schwarz, Arturo, 33 -35, 263 n11
sculpture, Greek, 181
Seitz, William, 151 -52, 159
Sélavy, Rrose. See Duchamp, Marcel: as "Rrose Sélavy"
selfhood, as motif in Duchamp's work, 13 -15, 28 , 30 , 116 -18, 149 -51, 204 -7, 225 -29, 233 . See also subjectivity, as motif in Duchamp's work
Serre, Jeanne, 191
sexuality, in Duchamp's work, 20 , 22 , 26 -28, 31 -35, 59 -60, 73 -74, 94 -96, 104 -5, 113 -14, 119 -20, 125 -26, 139 -43, 152 , 181 , 184 -202, 208 -10, 256 .
See also Duchamp, Marcel: and sexuality
Shakespeare, 80
simultaneism, 56 -58, 61
Soby, James Thrall, 267 n22
Société Anonyme, 180
Society of Independent Artists (New York), 136 -37
Soirées de Paris, Les,56
sonata, musical form of, 244 -46
Spain, 108
Spate, Virginia, 66 , 258 n2;
quoted, 259 n17
spiritualism, 12 ;
and Duchamp, 27 .
See also alchemy; mysticism
Steefel, Lawrence D., Jr., 259 n21
Stein, Gertrude, 137
Steinberg, Leo, 253 n7
Stettheimer, Carrie, 187 , 188
Stettheimer, Ettie, 187 -88, 199 ;
Love Days, 187 -88
Stettheimer, Florine, 187
Stieglitz, Alfred, 130 , 137 , 199 ;
photograph of Fountain,138
style, artistic, and Duchamp, 22 , 116 -18, 132 , 134 , 178 , 236 , 238 -39
subjectivity, as motif in Duchamp's work, 12 -15, 45 -53, 58 , 66 , 69 , 78 , 84 -85, 181 , 226 -29, 236 , 238 , 240 -46, 251 -52.
See also selfhood, as motif in Duchamp's work
Suquet, Jean, 261 n7
surrealism, 6 , 10 , 11 , 14 , 146 , 198 , 227 , 246
Sweeney, James Johnson, 266 -67n22
Switzerland, 110 , 141
symbolism, 6 , 10 , 28 , 47 , 48 , 165 , 242 , 258 n1.
See also Mallarmé Stéphane;
Redon, Odilon 391,141
T
titles of works, Duchamp and, 31 , 36 -38, 41 , 52 , 59 , 60 , 93 -94, 133 , 134 , 148 , 155 , 158
Truffaut, François, 192
Turnell, Martin, 98
V
Valéry, Paul, 14 , 202 -4, 240 -41, 244 , 246 ;
and language, 203 ;
and Mallarmé 204 ;
and selfhood, 204
Van Gogh, Vincent, 253 n1
Van Vechten, Carl, 137
Varèse, Edgard, 185
Varnedoe, Kirk, 179 , 261 n20
Vekony, Rose, 260 n4
Verne, Jules, 78 ;
Twenty Thousand Leagues under the Sea,82
Villon, Jacques. See Duchamp, Gaston
W
Warnod, André, 57 , 63
Wasser, Julian, 210 , 270 n38;
photograph of Marcel Duchamp and Eve Babitz playing chess, 1963, 209
Waste, Henri. See Stettheimer, Ettie
Weber, Max, 9
Weiss, Jeffrey Steven, 263 n10
Winckelmann, Johann Joachim, 181
Winnicott, D. W., 237
Wood, Beatrice, 137 , 139 , 184 -87, 191 , 192 , 199 , 200 , 267 n1, 273 n10
Woolworth Building, 134
World War I, 6 , 54 , 129 , 248
World War II, 193
X
x-rays, 27 , 56
Z
Zapp, Morris, 160
Zayas, Marius de, 129 -30
Zola, Emile, The Masterpiece,46