PROLOGUE
On 29 June 1931 two young children in the Basque Country of northern Spain said they saw the Virgin Mary. That initial vision led to many others. Indeed, for many months visions took place on a nightly basis. In 1931 alone, about one million persons went to the apparitions on a hillside at Ezkioga and people began having visions in a score of other towns. The hundreds of seers at Ezkioga attracted the most observers for any visions in the Catholic world until the teenagers of Medjugorje in the 1980s.
This book is about two kinds of visionaries and their interrelations: the seers (videntes in Spanish, ikusleak in Basque) who had visions of Mary and the saints and the believers and promoters who had a vision for the future which they hoped Mary and the saints would confirm. Almost all are now dead, but they left behind words on paper, images in photographs, and memories in people who believed them. The protagonists included nuns, friars and priests, writers and photographers, military officers and civil servants, housemaids and aristocrats, farmers and textile manufacturers, and
many, many children. Starting in 1931, they made a long, concerted attempt to convince a skeptical world that heavenly beings were appearing on the Iberian peninsula.
I have immersed myself in their lives, retraced their steps, hunted down their papers, attempted to reconstitute their world. When I began to write, the pleasure of telling their story mingled with regret that my time with them would soon be over. I am not one of them, as I never failed to tell their present-day survivors and successors. But while their efforts to arouse the world failed, the efforts of others like them in the past did not fail and most certainly have affected our world. How visions occur and who believes in them is everybody's business.
At this moment I am watching from my window exotic birds called hoopoes, sandy with black and white stripes, their crests flaring as they clash and play in the red-brown field of young, blue-green cabbages. They swerve, chatter in the air around each other, then separate to bob and feed in the shallow furrows. I have told stories of lives that begin before the visions, loop into them, intersect, and then loop out, each to a separate destination. In the first half of the book I tell the tales separately, building the picture of events layer on layer from the perspective of the different protagonists. For the people would not let me go. Through my immersion in this unusual world, their story has also become mine. This is not earthshaking history. It is small, intense, poignant, sometimes fierce, often funny. Its lasting lessons, I think, are about human nature itself. Like a novel, this book has a cast of characters, here listed as a separate index of persons at the end of the book. Unlike a novel, the story is a true one—at least as true as I can make it. For me, as I entered the story, Benita Aguirre, Padre Burguera, María Recalde, Mateo Múgica, and their contemporaries became quite familiar, a little larger than life. I hope readers too will get to know and enjoy them.
Readers seeking a narrative of the events can turn to four chapters: "Mary, the Republic, and the Basques," "Suppression by Church and State," "The Proliferation of Visions," and "Aftermath." Three other chapters about promoters and seers cover the events at Ezkioga through the lives of the principals.
The second part of the book uses the visions to detail the often secret ways that seers and clergy connected, the landscape seers imagined and constructed, and the trancelike states seers entered. The visions linked women with priests, the rural poor with the industrial wealthy, and the living with the dead. The events at Ezkioga show how much people welcome the chance to go beyond the world around them, see what the gods see, and know what only the gods can know.
José Donoso suggested that I stick with a few key characters and tell the events through them. But by then I knew too much about too many people. I had to tell
what I knew to resolve my story as well as theirs. I regretted starting to write, but I have no regrets at coming to the end. The hoopoes have gone. Men are outside sending shafts of water curling down the furrows of cabbages, shouting instructions, opening and closing passages of dirt.
TAFIRA BAJA, GRAN CANARIA
1 SEPTEMBER 1994