Select Bibliography

Primary Sources

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Burke, Edmund. A Philosophical Enquiry into the Origins of Our Ideas of the Sublime and Beautiful. Ed. James T. Boulton. Notre Dame: Notre Dame University Press, 1958.

Byron, George Gordon, Lord. Byron: Poetical Works. Ed. Frederick Page, corrected by John Jump. New York: Oxford University Press, 1970.

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Coleridge, Samuel Taylor. Collected Letters of Samuel Taylor Coleridge. Ed. Earl Leslie Griggs, 6 vols. Oxford: Clarendon Press, 1956–71.

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_______. Letters of John Keats. Selected and ed. Robert Gittings. New York: Oxford University Press, 1987.

Martineau, Harriet. Autobiography. 3d ed., 2 vols. London: Smith, Elder, 1877.

Milton, John. John Milton: Complete Poems and Major Prose. Ed. Merritt Y. Hughes. 1957; rpt. Indianapolis: Odyssey Press, 1976.

Price, Uvedale. An Essay on the Picturesque as Compared with the Sublime and the Beautiful. London: J. Robson, 1794.

Robinson, Henry Crabb. The Diary of Henry Crabb Robinson. Ed. Derek Hudson. New York: Oxford University Press, 1967.

Shelley, Percy Bysshe. Shelley's Poetry and Prose. Ed. Donald H. Reiman and Sharon B. Powers. New York: W. W. Norton, 1977.

Spenser, Edmund. Selections from the Poetical Works of Edmund Spenser. Ed. S. K. Heninger, Jr. Boston: Houghton-Mifflin, 1970.

Tennyson, Alfred, Lord. The Poems of Tennyson. 3 vols. Ed. Christopher Ricks. Berkeley: University of California Press, 1987.

Tillotson, Geoffrey, et al. Eighteenth Century English Literature. New York: Harcourt Brace, 1969.

West, Thomas. A Guide to the Lakes in Cumberland, Westmorland and Lancashire. 1784; rpt. Oxford: Woodstock Books, 1989.

Wollstonecraft, Mary. A Vindication of the Rights of Woman. Ed. Carol H. Poston. New York: W. W. Norton, 1975.

Wordsworth, Dora. Journal of a Few Months' Residence in Portugal, and Glimpses of the South of Spain. 2 vols. London: Edward Moxon, 1847.

_______. "Journal of a Tour of the Continent 1828." Dove Cottage Manuscript (DCMS 110). The Wordsworth Trust, Grasmere, England.

_______. The Letters of Dora Wordsworth. Ed. Howard P. Vincent. Chicago: Packard, 1944.

_______. Unpublished Letters. Dove Cottage Manuscripts. The Wordsworth Trust, Grasmere, England.

Wordsworth, Dorothy. The Journals of Dorothy Wordsworth. Ed. Mary Moorman. 2d ed. New York: Oxford University Press, 1976.

Wordsworth, Mary. The Letters of Mary Wordsworth, 1800–1855. Ed. Mary E. Burton (1958; rpt. Westwood, Conn: Greenwood Press, 1979).

Wordsworth, William. The Borderers by William Wordsworth. Ed. Robert Osborn. Ithaca: Cornell University Press, 1982.

Wordsworth, William. The Critical Opinions of William Wordsworth. Ed. Markham L. Peacock, Jr. Baltimore: Johns Hopkins University Press, 1950.

_______. Poems, in Two Volumes, and Other Poems, 1800–1807. Ed. Jared Curtis. Ithaca: Cornell University Press, 1983.

_______. The Poetical Works of William Wordsworth. Ed. William Knight. 8 vols. New York: Macmillan, 1896.

_______. The Poetical Works of William Wordsworth. Ed. Ernest de Selincourt and Helen Darbishire. 5 vols. Oxford: Clarendon Press, 1940–49.

_______. The Prelude, 1799, 1805, 1850. Ed. Jonathan Wordsworth, M. H. Abrams, and Stephen Gill. New York: W. W. Norton, 1979.

_______. The Prose Works of William Wordsworth. 3 vols. Ed. W. J. B. Owen and Jane Worthington Smyser. Oxford: Clarendon Press, 1974.

_______. Shorter Poems, 1807–1820, by William Wordsworth. Ed. Carl H. Ketcham. Ithaca: Cornell University Press, 1989.

_______. The White Doe of Rylstone; or The Fate of the Nortons by William Wordsworth. Ed. Kristine Dugas. Ithaca: Cornell University Press, 1988.

_______. William Wordsworth. The Oxford Authors Series. Ed. Stephen Gill. New York: Oxford University Press, 1984.

_______. William Wordsworth: Guide to the Lakes. Ed. Ernest de Selincourt. 1906; rpt. New York: Oxford University Press, 1973.

Wordsworth, William, and Dorothy Wordsworth. The Letters of William and Dorothy Wordsworth. Vol. 1: The Early Years, 1787–1805. Ed. Ernest de Selincourt. Revised by Chester L. Shaver. Oxford: Clarendon Press, 1967.

_______. The Letters of William and Dorothy Wordsworth. Vol. 2: The Middle Years. Part 1: The Middle Years, 1806–1811. Ed. Ernest de Selincourt. Revised by Mary Moorman. Oxford: Clarendon Press, 1969.

_______. The Letters of William and Dorothy Wordsworth. Vol. 2: The Middle Years. Part 2: The Middle Years, 1812–1820. Ed. Ernest de Selincourt. Revised by Mary Moorman and Alan G. Hill. Oxford: Clarendon Press, 1970.

_______. The Letters of William and Dorothy Wordsworth. Vols. 4–7: The Later Years, 1821–1853. 4 parts. Ed. Ernest de Selincourt. Revised by Alan G. Hill. Oxford: Clarendon Press, 1967–88.

Wordsworth, William, and Mary Wordsworth. The Love Letters of William and Mary Wordsworth. Ed. Beth Darlington. Ithaca: Cornell University Press, 1981.

Yeats, William Butler. The Collected Poems of W.B. Yeats. New York: Macmillan, 1956.

Secondary Sources

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Batho, Edith C. The Later Wordsworth. Cambridge: Cambridge University Press, 1933.

Beatty, Frederika. William Wordsworth of Rydal Mount: An Account of the Poet and His Friends in the Last Decade. London: J. M. Dent and Sons, 1939.

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_______. Wordsworth's Second Nature. Chicago: University of Chicago Press, 1984.

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Erdman, David V. Blake: Prophet Against Empire—A Poet's Interpretation of the History of His Own Times. 1954; rpt. Garden City, N.Y.: Doubleday, 1969.

_______. "Wordsworth as Heartsworth; or, Was Regicide the Prophetic Ground of Those 'Moral Questions'?" In The Evidence of the Imagination: Studies of Interactions Between Life and Art in English Romantic Literature, ed. Donald H. Reiman, Michael C. Jaye, and Betty T. Bennett, 12–41. New York: New York University Press, 1978.

Faderman, Lillian. Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present. New York: William Morrow, 1981.

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Fetterly, Judith. The Resisting Reader: A Feminist Approach to American Fiction. Bloomington: Indiana University Press, 1978.

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Gilligan, Carol. In a Different Voice: Psychological Theory and Women's Development. Cambridge: Harvard University Press, 1982.

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Griggs, Earl Leslie. Thomas Clarkson, the Friend of Slaves. 1936; rpt. Westport, Conn.: Negro Universities Press, 1970.

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Haigwood, Laura E. "Oedipal Revolution in the Lyrical Ballads." Centennial Review 33 (Fall 1989): 468–89.

Hartman, Geoffrey. "Words, Wish, Worth: Wordsworth." In Deconstruction and Criticism, ed. Harold Bloom et al., 117–216. New York: Old Seabury Press, 1979.

_______. Wordsworth's Poetry, 1787–1814. New Haven: Yale University Press, 1964.

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Homans, Margaret. Bearing the Word: Language and Female Experience in Nineteenth Century Women's Writing. Chicago: University of Chicago Press, 1986.

_______. Women Writers and Poetic Identity. Princeton: Princeton University Press, 1980.

Honour, Hugh. The Image of the Black in Western Art. 2 parts. Cambridge: Harvard University Press for the Menil Foundation, 1989.

Jacobus, Mary. "Geometric Science and Romantic History, or Wordsworth, Newton, and the Slave Trade." In Romanticism, Writing, and Sexual Difference. Oxford: Clarendon Press, 1989.

_______. "The Law of/and Gender: Genre Theory and The Prelude." Diacritics 14 (1984): 47–57.

_______. Romanticism, Writing, and Sexual Difference. Oxford: Clarendon Press, 1989.

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_______. William Wordsworth: A Biography. Volume 2: The Later Years, 1803–1850. New York: Oxford University Press, 1965.

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_______. Sara Coleridge, a Victorian Daughter: Her Life and Essays. New Haven: Yale University Press, 1989.

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_______. "'The weight of too much liberty': Genre and Gender in Wordsworth's Calais Sonnets." Criticism (Spring 1988): 189–203.

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_______. "Joanna Baillie." In the Dictionary of Literary Biography, vol. 93, ed. John R. Greenfield, 3–15. Detroit: Gale Research, 1990.

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