Preferred Citation: Horton, Andrew, and Stuart Y. McDougal, editors Play It Again, Sam: Retakes on Remakes. Berkeley:  University of California Press,  c1998 1998. http://ark.cdlib.org/ark:/13030/ft1j49n6d3/


 
Eight— Double Takes: The Role of Allusion in Cinema

Works Cited

Aeschylus. Agamemnon. In The Oresteian Trilogy , translated by Philip Vellacott. Harmondsworth: Penguin, 1959.

Baudelaire, Charles. Selected Writings on Art and Artists. Translated by P. E. Charvet. Harmondsworth: Penguin, 1972.

Carroll, Noë. "The Future of Allusion: Hollywood in the Seventies (and Beyond)." October 20 (1982): 51–81.

Garner, Richard. From Homer to Tragedy: The Art of Allusion in Greek Poetry. London: Routledge, 1990.

Hollander, John. The Figure of Echo: A Mode of Allusion in Milton and After. Berkeley and Los Angeles: University of California Press, 1981.

Homer. The Iliad. Translated by Robert Fitzgerald. Garden City: Doubleday, 1974.

Rabinowitz, Peter J. "'What's Hecuba to Us?': The Audience's Experience of Literary Borrowing." In The Reader in the Text: Essays on Audience and Interpretation , edited by Susan R. Suleiman and Inge Crosman. Princeton: Princeton University Press, 1980.

Schaefer, Dennis, and Larry Salvato. Masters of Light: Conversations with Contemporary Cinematographers. Berkeley and Los Angeles: University of California Press, 1984.

Wollen, Peter. Signs and Meaning in the Cinema. Bloomington: Indiana University Press, 1972.


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Eight— Double Takes: The Role of Allusion in Cinema
 

Preferred Citation: Horton, Andrew, and Stuart Y. McDougal, editors Play It Again, Sam: Retakes on Remakes. Berkeley:  University of California Press,  c1998 1998. http://ark.cdlib.org/ark:/13030/ft1j49n6d3/