Preferred Citation: Horton, Andrew, and Stuart Y. McDougal, editors Play It Again, Sam: Retakes on Remakes. Berkeley:  University of California Press,  c1998 1998. http://ark.cdlib.org/ark:/13030/ft1j49n6d3/

 
INTRODUCTION

Works Cited

Bahktin, Mikhail. The Dialogic Imagination. Austin: University of Texas Press, 1981.

———. Rabelais and His World. Cambridge: MIT Press, 1968.

Belton, John. American Culture/American Film. New York: McGraw-Hill, 1994.

Branigan, Edward. Narrative Comprehension and Film. New York: Routledge, 1992.

Cohn, Ruby. Modern Shakespeare Offshoots. Princeton: Princeton University Press, 1978.

Genette, Gerard. Palimpsestes: La Littérature au second degré. Paris: Editions du Seuil, 1984.

Kristeva, Julia. [*]: recherches pour une sémanalyse. Paris: Editions du Seuil, 1969.

"Lumiere and Company." Variety (December 4–10, 1995).

Nichols, Bill. Blurred Boundaries: Questions of Meaning in Contemporary Culture. Bloomington: Indiana University Press, 1994.

Shklovsky, Victor. "Art as Technique," The Film Factory: Russian and Soviet Cinema in Documents, 1896–1939 , edited by Richard Taylor and Ian Christie, Cambridge: Harvard University Press, 1988.

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INTRODUCTION
 

Preferred Citation: Horton, Andrew, and Stuart Y. McDougal, editors Play It Again, Sam: Retakes on Remakes. Berkeley:  University of California Press,  c1998 1998. http://ark.cdlib.org/ark:/13030/ft1j49n6d3/