Preferred Citation: Feldman, Martha. City Culture and the Madrigal at Venice. Berkeley:  University of California Press,  c1995 1995. http://ark.cdlib.org/ark:/13030/ft238nb1nr/


 

Secondary Sources

Abrams, M.H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. Oxford, 1953.

Adler, Sara Marie. "Veronica Franco's Petrarchan Terze Rime: Subverting the Master's Plan." Italica 65 (1988): 213-33.

Agee, Richard J. "Filippo Strozzi and the Early Madrigal." JAMS 38 (1985): 227-37.

———. "The Privilege and Venetian Music Printing in the Sixteenth Century." Ph.D. diss. Princeton University, 1982.

———. "Ruberto Strozzi and the Early Madrigal." JAMS 36 (1983): 1-17.

———. "The Venetian Privilege and Music-Printing in the Sixteenth Century." Early Music History 3 (1983): 1-42.

Agee, Richard J., and Jessie Ann Owens. "La stampa della Musica nova di Willaert." Rivista italiana di musicologia 24 (1989): 219-305.

Agostini Nordio, Tiziana. "Poesie dialettali di Domenico Venier." Quaderni veneti 14 (1991): 33-56.

Aikema, Bernard, and Dulcia Meijers. Nel regno dei poveri: arte e storia dei grandi ospedali veneziani in etàmoderna, 1474-1797. Venice, 1989.

Alonso, Dámaso, "La poesia del Petrarca e il petrarchismo (mondo estestico della pluralità)." Studi petrarcheschi 7 (1961): 73-120.

Alonso, Dámaso, and Carlos Bousoño. Seis calas en la expresión literaria española (prosa, poesía, teatro) . 4th ed. Madrid, 1970.

Appadurai, Arjun. "Introduction: Commodities and the Politics of Value." In The Social Life of Things: Commodities in Cultural Perspective. Ed. Arjun Appadurai, pp. 3-63. Cambridge, 1986.

Aquilecchia, Giovanni. "Pietro Bembo e altri poligrafi a Venezia." In Storia della cultura veneta: dal primo quattrocento al concilio di Trenta. Vol. 3, pt. 2. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 61-98. Vicenza, 1980.

Ascoli, Albert Russell. "Petrarch's Middle Age: Memory, Imagination, History, and the 'Ascent of Mount Ventoux.'" Stanford Italian Review 10 (1992): 5-43.

Bakhtin, M[ikhail] M. The Dialogic Imagination: Four Essays. Ed. Michael Holquist. Trans. Michael Holquist and Caryl Emerson. Austin, 1981.

———. Rabelais and His World. Trans. Hélène Iswolsky. Bloomington, 1984.

Baldacci, Luigi. Il petrarchismo italiano nel cinquecento. Rev. ed. Padua, 1974.

Baldauf-Berdes, Jane L. Women Musicians of Venice: Musical Foundations, 1525-1855. Oxford, 1993. Balduino, Armando. "Le esperienze nella poesia volgare." In Storia della cultura veneta: dal primo quattrocento al Concilio di Trenta. Vol. 3, pt. I. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 265-367. Vicenza, 1980.

———. "Petrarchismo veneto e tradizione manoscritta." In Petrarca, Venezia e il Veneto. Ed.

Giorgio Padoan, pp. 243-70. Civiltà veneziana, Saggi 21. Florence, 1976.

Balestrieri, Lina. Feste e spettacoli alla corte di Farnese. Quaderni parmigiani, no. 6. Parma, 1981.

Bandini, Fernando. "La letteratura pavana dopo il Ruzzante tra il manierismo e barocco." In

Storia della cultura veneta: il seicento. Vol. 4, pt. 1. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 327-62. Vicenza, 1983.


448

Barbi, Michele. Della fortuna di Dante nel secolo XVI. Pisa, 1890.

Barblan, Guglielmo. "Aspetti e figure del cinquecento musicale veneziano." In La civiltà veneziana del rinascimento, pp. 57-80. Fondazione Giorgio Cini, Centro di Cultura e Civiltà Florence, 1958.

Barzaghi, Antonio. Donne o cortegiane? la prostituzione a Venezia: documenti di costume dal XVI al XVIII secolo. Verona, 1980.

Bassanese, Fiora A. Gaspara Stampa. Boston, 1982.

———. "Gaspara Stampa's Poetics of Negativity." Italica 61 (1984): 355-46.

Battagia, Michele. Delle accademie veneziane: dissertazione storica. Venice, 1826.

Baxandall, Michael. Giotto and the Orators: Humanist Observers of Painting in the Renaissance and the Discovery of Pictorial Composition. Oxford, 1971.

Beck, Hans-Georg, Manoussos Manoussacas, and Agostino Pertusi, eds. Venezia centro di mediazione tra oriente e occidente (secoli XV-XVI): aspetti e problemi. Fondazione Giorgio Cini, Centro di Cultura e Civiltà. 2 vols. Florence, 1977.

Beck, Hermann. "Grundlagen des venezianischen Stils bei Adrian Willaert und Cyprian de Rore." In Renaissance-Muziek, 1400-1600: Donum natalicum René Bernard Lenaerts. Ed. Jozef Robijns, pp. 39-50. Louvain, 1969.

———. Die venezianischer Musikschule im 16. Jahrhundert. Wilhelmshaven, 1968.

Bella, Valeria, and Piero Bella, eds. Cartografia rara: antiche carte geografiche, topografiche e storiche della collezione Franco Novacco. Milan, [1986].

Bent, Margaret. "Resfacta and Cantare Super Librum." JAMS 36 (1983): 371-91.

Benzoni, Gino. "Le accademie." In Storia della cultura veneta: il seicento. Vol. 4, pt. 1. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 131-62. Vicenza, 1983.

———. "L'accademia: appunti e spunti per un profilo." Ateneo veneto 26 (1988): 37-58.

———. Gli affanni della cultura: intelletuali e potere nell'Italia della Controriforma e barocca. Milan, 1978.

———. "Aspetti della cultura urbana nella società veneta del '5-'600: le accademie." Archivio Veneto 108 (1977): 87-159.

———, ed. I dogi. Milan, 1982.

Berger, Karol. Musica ficta: Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino. Cambridge, 1987.

———. Theories of Chromatic and Enharmonic Music in Late 16th Century Italy. Ann Arbor, 1976.

Bergin, Thomas G. Petrarch. New York, 1970.

Bergquist, Ed Peter, Jr. "The Theoretical Writings of Pietro Aaron." Ph.D. diss. Columbia University, 1964.

Bernstein, Jane A. "The Burning Salamander: Assigning a Printer to Some Sixteenth-Century Music Prints." Music Library Association Notes 42 (1985-86): 483-501.

———. "Financial Arrangements and the Role of Printer and Composer in Sixteenth-Century Italian Music Printing." Acta musicologica 62 (1990): 39-56.

Bernstein, Lawrence F. "'La couronne et fleur des chansons a troys': A Mirror of the French Chanson in Italy in the Years between Ottaviano Petrucci and Antonio Gardano." JAMS 26 (1973): 1-68.

Bever, Ad[olphe] van, and Ed[mond] Sansot-Orland. Oeuvres galantes des conteurs italiens. 2d ser., 4th ed. Paris, 1907.

Bianchini, Giuseppe. Girolamo Parabosco: scrittore e organista del secolo XVI. Miscellanea di Storia Veneta, ser. 2, vol. 6, pp. 207-486. Venice, 1899.

Bianconi, Lorenzo, and Antonio Vassalli. "Circolazione letteraria e circolazione musicale del madrigale: il caso G.B. Strozzi." In Il madrigale tra cinque e seicento. Ed. Paolo Fabbri, pp. 123-38. Bologna, 1988.

Black, Christopher F. Italian Confraternities in the Sixteenth Century. Cambridge, 1989.

Blanc, Pierre. "Pétrarque lecteur de Cicéron: les scolies pétrarquiennes du De Oratore et de l'Orator." Studi petrarcheschi 9 (1978): 109-66.

Bolzoni, Lina. "L'Accademia Veneziana: splendore e decadenza di una utopia enciclopedica." In Università accademie e società scientifiche in Italia e in Germania dal cinquecento al settecento. Ed. Laetitia Boehm and Ezio Raimondi, pp. 117-67. Annali dell'Istituto Storico Italo-Germanico, no. 9. Bologna, 1981.


449

Bombi, A. "Sul ruolo dei ritmi nel procedimento compositivo del madrigale." Rivista italiana di musicologia 26 (1991): 173-204.

Bongi, Salvatore. Annali di Gabriel Giolito de' Ferrari. 2 vols. Rome, 1890-97. Repr. Rome, n.d.

Boorman, Stanley. "Some Non-Conflicting Attributions, and Some Newly Anonymous

Compositions, from the Early Sixteenth Century." Early Music History 6 (1986): 109-57.

———. "What Bibliography Can Do: Music Printing and the Early Madrigal." Music & Letters 72 (1991): 236-58.

Borsellino, Nino. Gli anticlassicisti del cinquecento. Rome, 1973.

Borsellino, Nino, and Marcello Aurigemma. Il cinquecento dal rinascimento alla controriforma. La letteratura italiana: Storia e testi, vol. 4. 2 vols. Rome, 1973.

Bosco, Umberto. "Il linguaggio lirico del Petrarca tra Dante e il Bembo." Studi petrarcheschi 7 (1961): 121-32.

Bossuyt, Ignace. Adriaan Willaert (ca. 1490-1562): Leven en werk, stil en genres. Louvain, 1985.

Bourdieu, Pierre. Outline of a Theory of Practice. Trans. Richard Nice. Cambridge, 1977.

Bouwsma, William J. Venice and the Defense of Republican Liberty: Renaissance Values in the Age of the Counter Reformation. Berkeley and Los Angeles, 1968.

Branca, Vittore. "Ermolao Barbaro and Late Quattrocento Venetian Humanism." In Renaissance Venice. Ed. John R. Hale, pp. 218-43. London, 1973.

———, ed. Rinascimento europeo e rinascimento veneziano. Civiltà europea e civiltà veneziana: aspetti e problemi, vol. 3. Fondazione Giorgio Cini, Centro di Cultura e Civiltà Florence, 1967.

———. ed. Umanesimo europeo e umanesimo veneziano. Civiltà europea e civiltà veneziana: aspetti e problemi, vol. 2. Fondazione Giorgio Cini, Centro di Cultura e Civiltà Florence, 1963.

Bridges, Thomas W. "The Publishing of Arcadelt's First Book of Madrigals." 2 vols. Ph.D. diss. Harvard University, 1982.

Brown, Howard Mayer. "Bossinensis, Willaert and Verdelot: Pitch and the Conventions of Transcribing Music for Lute and Voice in Italy in the Early Sixteenth Century." Revue de musicologie 75 (1989): 25-46.

———. "Chansons for the Pleasure of a Florentine Patrician: Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442." In Aspects of Medieval and Renaissance Music: A Birthday Offering in Honor of Gustave Reese, ed. Jan LaRue et al., pp. 56-66. New York, 1966. Repr. New York, 1978.

———. "A Cook's Tour of Ferrara in 1529." Rivista italiana di musicologia 10 (1975): 216-41.

———. "Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance." JAMS 35 (1982): 1-48.

———. Instrumental Music Printed before 1600: A Bibliography. Cambridge, Mass., 1965.

———. Music in the Renaissance. Englewood Cliffs, N.J., 1976.

———. "The Music of the Strozzi Chansonnier (Florence, Biblioteca del Conservatorio di Musica, MS Basevi 2442)." Acta musicologica 40 (1968): 115-29.

———. Sixteenth-Century Instrumentation: The Music for the Florentine Intermedi. Musicological Studies and Documents, no. 30. [Rome], 1973.

———. "Verso una definizione dell'armonia nel sedicesimo secolo: sui 'madrigali ariosi' di Antonio Barré." Rivista italiana di musicologia 25 (1990): 18-60.

———. "Words and Music: Willaert, the Chanson, and the Madrigal about 1540." In Florence and Venice, Comparisons and Relations: Acts of Two Conferences at Villa I Tatti in 1976-1977. Vol. 2, Il Cinquecento. Ed. Christine Smith with Salvatore I. Camporeale, pp. 217-66. Florence, 1980.

Brucker, Gene A. Renaissance Florence. New York, 1969.

Brunelli, Bruno. "Due accademie padovane del cinquecento." Atti e memorie della R. Accademia di scienze, lettere, ed arte in Padova, pp. 43-57. Padua, 1920.

Bruni, Francesco. "Sperone Speroni e l'Accademia degli Infiammati." Filologia e letteratura 13 (1967): 24-71.

Bullard, Melissa Meriam. Filippo Strozzi and the Medici: Favour and Finance in Sixteenth-Century Florence and Rome. Cambridge, 1980.

———. "Marriage Politics and the Family in Renaissance Florence: The Strozzi-Medici Alliance in 1508." American Historical Review 74 (1979): 51-71.

Burke, Peter. Culture and Society in Renaissance Italy, 1420-1540. London, 1972.


450

Bussi, Francesco. Umanità e arte di Gerolamo Parabosco: madrigalista, organista e poligrafo. Piacenza, 1961.

Butchart, David S. "'La Pecorina' at Mantua, Musica Nova at Florence." Early Music 13 (1985): 358-66.

Caanitz, Mechtild. Petrarca in der Geschichte der Musik. Freiburg im Breisgau, 1969.

Caffi, Francesco. Storia della musica sacra nella già cappella ducale di San Marco in Venezia dal 1318 al 1797; riedizione annotata con aggiornamenti bibliograW (al 1984). Ed. Elvidio Surian. 2 vols. Venice, 1854. Rev. ed. Florence, 1987.

Cairns, Christopher. Pietro Aretino and the Republic of Venice: Researches on Aretino and His Circle in Venice, 1527-1556. Biblioteca dell' "Archivum Romanicum." Ser. I, vol. 194. Florence, 1985.

Cambier, A. "De grootste roem van de stad Ronse: De komponist Cypriaan De Ro[de]re, 'omnium musicorum princeps.'" Annalen Geschieden Oudheidkundige Kring van Ronse en het Tenement van Inde 30 (1981): 5-56.

———. "Meer gegevens over de Ronsische komponist Cypriaan De Rore." Annalen Geschieden Oudheidkundige Kring van Ronse en het Tenement van Inde 31 (1982): 91-97.

Carapetyan, Armen. "The Musica Nova of Adriano Willaert." Journal of Renaissance and Baroque Music I (1946-47): 200-221.

———. "The Musica Nova of Adriano Willaert: With a Special Reference to the Humanistic Society of 16th-Century Venice." Ph.D. diss. Harvard University, 1945.

Cardamone, Donna G. The "Canzone villanesca alla napolitana" and Related Forms, 1537-1570. 2 vols. Ann Arbor, 1981.

Carlson, Catherine Allen. "Gaspara Stampa and Cinquecento Petrarchism: Innovations in the Transposition of Convention." Ph.D. diss. Yale University, 1978.

Carroll, Linda L. "Carnival Rites as Vehicles of Protest in Renaissance Venice." The Sixteenth Century Journal 16 (1985): 487-502.

Casagrande di Villaviera, Rita. Le cortigiane veneziane del cinquecento. Milan, 1968.

Casimiri, Raffaele. "Il codice Vatic. 5318: carteggio musicale autografo tra teorici e musici del sec. XVI dall'anno 1517 al 1543." Note d'Archivio per la Storia Musicale 16 (1939): 109-31.

Cassimatis, Gregorio. "L'Humanisme dans la société vénetienne au XVe siècle." In Venezia, centro di mediazione tra oriente e occidente (secoli XV-XVI): aspetti e problemi. Ed. Hans-Georg Beck et al., 1:359-68. 2 vols. Florence, 1977.

Castelli, Pierfilippo. La vita di Giovangiorgio Trissino, oratore, e poeta. Venice, 1753.

Cattin, Giulio. "Formazione e attività delle cappelle polifoniche nelle cattedrali: La musica nelle città." In Storia della cultura veneta: dal primo quattrocento al Concilio di Trenta. Vol. 3, pt. 3. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 267-96. Vicenza, 1981.

Cerretta, Florindo [V.]. Alessandro Piccolomini: letterato e filosofo senese del cinquecento. Siena, 1960.

———. "An Account of the Early Life of the Accademia degli Infiammati in the Letters of Alessandro Piccolomini to Benedetto Varchi." Romanic Review 48 (1957): 249-64.

Cesari, Gaetano. "Le origini del madrigale cinquecentesco." Rivista musicale italiana 19 (1912): 1-34 and 380-428.

Chambers, D. S. The Imperial Age of Venice, 1380-1580. London, 1970.

Chambers, David, and Brian Pullan, eds., with Jennifer Fletcher. Venice: A Documentary History, 1450-1630. Oxford, 1992.

Charteris, Richard, ed. Essays on Italian Music in the Cinquecento. Altro Polo. Sydney, 1990.

Chartier, Roger. The Cultural Uses of Print in Early Modern France. Trans. Lydia G. Cochrane. Princeton, 1987.

———, ed. The Culture of Print: Power and Uses of Print in Early Modern Europe. Trans. Lydia G. Cochrane. Princeton, 1989.

Chiappelli, Fredi. "An Analysis of Structuration in Petrarch's Poetry." In Francis Petrarch, Six Centuries Later: A Symposium. Ed. Aldo Scaglione, pp. 105-16. North Carolina Studies in the Romance Languages and Literature: Symposia, no. 3. Chapel Hill and Chicago, 1975.

———. Studi sul linguaggio del Petrarca: la canzone delle visioni. Florence, 1971.

Chojnacki, Stanley. "Dowries and Kinsmen in Early Renaissance Venice." Journal of Interdisciplinary History 5 (1975): 571-600.

———. "In Search of the Venetian Patriciate: Families and Factions in the Fourteenth Century." In Renaissance Venice, pp. 47-90. Ed. John R. Hale. London, 1973.


451

———. "Kinship Ties and Young Patricians in Fifteenth-Century Venice." RQ 38 (1985): 240-70.

———. "Patrician Women in Early Renaissance Venice." Studies in the Renaissance 21 (1974): 176-203.

———. "La posizione della donna a Venezia nel cinquecento." In Tiziano e Venezia: Convegno Internazionale di Studi, Venezia, 1976. Ed. Neri Pozza et al., pp. 65-70. Vicenza, 1980.

Cicogna, Emmanuele A. Delle inscrizioni veneziane. 6 vols. Venice, 1834-61.

Clubb, Louise George. "Castiglione's Humanistic Art and Renaissance Drama." In Castiglione: The Ideal and the Real in Renaissance Culture. Ed. Robert W. Hanning and David Rosand, pp. 191-208. New Haven, 1983.

Cobban, Alan B. The Medieval Universities: Their Development and Organization. London, 1975.

Cochrane, Eric. Florence in the Forgotten Centuries, 1527-1800: A History of Florence and the Florentines in the Age of the Grand Dukes. Chicago and London, 1973.

Contini, Gianfranco. "Preliminari sulla lingua del Petrarca." In Varianti e altra linguistica: una raccolta di saggi (1938-1968), pp. 169-92. Turin, 1970.

Cortelazzo, Manlio. "Uso, vitalità e espansione del dialetto." In Storia della cultura veneta: il seicento. Vol. 4, pt. 1. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 363-79. Vicenza, 1983.

Cox, Virginia. The Renaissance Dialogue: Literary Dialogue in Its Social and Political Contexts, Castiglione to Galileo. Cambridge, 1993.

Crane, Thomas Frederick. Italian Social Customs of the Sixteenth Century and Their Influence on the Literatures of Europe. New Haven, 1920.

Crawford, David. "A Review of Costanza Festa's Biography." JAMS 28 (1975): 102-11.

Croce, Benedetto. Poeti e scrittori del pieno e del tardo rinascimento. 2d ed. 3 vols. Bari, 1945-52.

Crollalanza, G. B. di. Dizionario storico-blasonico delle famiglie nobili e notabili italiane estinte e fiorenti. 3 vols. Pisa, 1886-90. Repr. Bologna, 1965.

Cumming, Julie E. "Music for the Doge in Early Renaissance Venice." Speculum 67 (1992): 324-64.

D'Accone, Frank A. "Alessandro Coppini and Bartolomeo degli Organi: Two Florentine Composers of the Renaissance." Analecta musicologica 4 (1967): 38-76.

———. "Bernardo Pisano: An Introduction to His Life and Works." Musica disciplina 17 (1963): 115-35.

———. "Transitional Text Forms and Settings in an Early 16th-Century Florentine Manuscript." In Words and Music — The Scholar's View: A Medley of Problems and Solutions Compiled in Honor of A. Tillman Merritt by Sundry Hands. Ed. Laurence Berman, pp. 29-58. Cambridge, Mass., 1972.

Dahlhaus, Carl. Untersuchungen über die Entstehung der harmonischen Tonalität. Kassel, 1968. Trans. Robert O. Gjerdigen as Studies on the Origin of Harmonic Tonality. Princeton, 1990.

———. "War Zarlino Dualist?" Musikforschung 10 (1957): 286-90.

Da Mosto, Andrea. L'Archivio di Stato di Venezia: indice generale, storico descrittivo e analittico. Bibliothèque des "Annales Institutorum," vol. 5. 2 vols. Rome, 1937-40.

———. I dogi di Venezia nella vita pubblica e privata. Repr. Florence, 1977.

Davis, James Cushman. The Decline of the Venetian Nobility as a Ruling Class. Baltimore, 1962.

Davis, Natalie Zemon. Society and Culture in Early Modern France. Stanford, 1975.

Debenedetti, Santorre. Gli studi provenzali in Italia nel cinquecento. Turin, 1911.

De Gramatica, M. R. "Daniello, Bernardino." Dizionario biografico degli italiani 32:608-10. Rome, 1986.

Della Neva, JoAnn. "Reflecting Lesser Lights: The Imitation of Minor Writers in the Renaissance." RQ 42 (1989): 449-79.

Desroussilles, François Dupruigrenet. "L'Università di Padova dal 1405 al Concilio di Trenta" In Storia della cultura veneta: dal primo quattrocento al Concilio di Trenta. Vol. 3, pt. 2. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 607-47. Vicenza, 1980.

Dionisotti, Carlo. "Bembo, Pietro." Dizionario biografico degli italiani, 8:133-51. Rome, 1966.

———. Geografia e storia della letteratura italiana. Turin, 1967.

———. "Niccolò Liburnio e la letteratura cortigiana." Lettere italiane 14 (1962): 33-58.

———. Gli umanisti e il volgare fra quattro e cinquecento. Florence, 1968.

Dizionario biografico degli italiani. Ed. Instituto della Enciclopedico Italiana. 39 vols. to date. Rome, 1960-.


452

Dizionario enciclopedico della letteratura italiana. Ed. Giuseppe Petronio. 6 vols. Palermo, 1966-70.

Dobbins, Frank. Music in Renaissance Lyons. Oxford, 1992.

Doglio, Maria Luisa. "La letteratura ufficiale e l'oratoria celebrativa." In Storia della cultura veneta: il seicento. Vol. 4, pt. 1. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 163-87. Vicenza, 1983.

Dorosao, Renzo. "Moralità e giustitia a Venezia nel '500-'600: gli Esecutori contro la bestemmia." In Stato, società, e giustitia nella repubblica veneta (sec. XV-XVIII). Ed. Gaetano Cozzi, pp. 431-528. Rome, 1980.

Dürr, Walther. "Zum Verhältnis von Wort und Ton im Rhythmus des Cinquecento-Madrigals." Archiv für Musikwissenschaft 15 (1958): 89-100.

Edwards, Rebecca A. "Claudio Merulo: Servant of the State and Musical Entrepreneur in Later Sixteenth-Century Venice." Ph.D. diss. Princeton University, 1990.

Einstein, Alfred. The Italian Madrigal. Trans. Alexander H. Knappe, Roger H. Sessions, and Oliver Strunk. 3 vols. Princeton, 1949. Repr. Princeton, 1971.

Eisenstein, Elizabeth L. The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early Modern Europe. 2 vols. Cambridge, 1979.

———. The Printing Revolution in Early Modern Europe. Cambridge, 1983.

Eitner, Robert. "Zwei Briefe von Georg Wytzel." Monatshefte für Musik-Geschichte 8, no. 11 (1876): 157-59.

Elwert, W. Theodor. "L'importanza letteraria di Venezia." In Studi di letteratura veneziana, pp. 1-52. Fondazione Giorgio Cini, Centro di Cultura e Civiltà. Venice, 1958.

———. "Pietro Bembo e la vita letteraria del suo tempo." In La civiltà veneziana del rinascimento, pp. 125-76. Fondazione Giorgio Cini, Centro di Cultura e Civiltà. Florence, 1958.

———. Studi di letteratura veneziana. Fondazione Giorgio Cini, Centro di Cultura e Civiltà. Venice, 1958.

———. Versificazione italiana dalle origini ai giorni nostri. Bibliotechina del saggiatore, no. 36. Florence, 1973.

Erspamer, Francesco. "Petrarchismo e manierismo nella lirica del secondo cinquecento." In Storia della cultura veneta: il seicento. Vol. 4, pt. 1. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 189-222. Vicenza, 1983.

Faithfull, R. G. "On the Concept of 'Living Language' in Cinquecento Italian Philology." Modern Language Review 48 (1953): 278-92.

Favretti, Elvira. "Una raccolta di rime del cinquecento." Giornale storico della letteratura italiana 158 (1981): 543-72.

Febvre, Lucien, and Henri-Jean Martin. The Coming of the Book: The Impact of Printing, 1450-1800. Trans. David Gerard. Ed. Geoffrey Nowell-Smith and David Wootton. 1958; London, 1976.

Fedi, Roberto. La memoria della poesia: canzonieri, lirici e libri d'amore nel rinascimento. Rome, 1990.

Fehl, Philipp P. Decorum and Wit, the Poetry of Venetian Painting: Studies in the History of the Classical Tradition. Vienna, 1992.

Feldman, Martha. "The Academy of Domenico Venier, Music's Literary Muse in Mid-Cinquecento Venice." RQ 44 (1991): 476-512.

———. "The Composer as Exegete: Interpretations of Petrarchan Syntax in the Venetian Madrigal." Studi musicali 18 (1989): 203-38.

———. "In Defense of Campion: A New Look at His Ayres and Observations." Journal of Musicology 5 (1987): 226-56.

———. "Petrarchizing the Patron in Cinquecento Venice." In International Musicological Society, Report of the 15th Congress, Madrid, 1992. In press.

———. "Rore's 'selva selvaggia': The Primo libro of 1542." JAMS 42 (1989): 547-603.

———. "Venice and the Madrigal in the Mid-Sixteenth Century." 2 vols. Ph.D. diss. University of Pennsylvania, 1987.

Fenlon, Iain. "Fiorino, Gasparo." The New Grove 6:601-2.

———. "Lepanto: The Arts of Celebration in Renaissance Venice." Proceedings of the British Academy 73 (1987): 201-36.

———. "Venice: Theatre of the World." In Man and Music: The Renaissance from the 1470s to the End of the 16th Century. Ed. Iain Fenlon, pp. 102-32. Englewood Cliffs, N.J., 1989.


453

Fenlon, Iain, and James Haar. The Italian Madrigal in the Early Sixteenth Century: Sources and Interpretation. Cambridge, 1988.

Ferrai, L[uigi] A[lberto]. Lorenzino de' Medici e la società cortigiana del cinquecento. Milan, 1891.

Ferroni, Giulio, and Amedeo Quondam. La locuzione artificiosa: teoria ed esperienza della lirica a Napoli nell'età del manierismo. Rome, 1973.

Field, Arthur. The Origins of the Platonic Academy of Florence. Princeton, 1988.

Finlay, Robert. Politics in Renaissance Venice. London, 1980.

Flamini, Francesco. Storia letteraria d'Italia: il cinquecento. Milan, 1901.

Flora, Francesco. Storia della letteratura italiana. Vol. 2, pt. 1, Il cinquecento. Verona, 1948.

Floriani, Piero. "Grammatici e teorici della letteratura volgare." In Storia della cultura veneta: dal primo quattrocento al concilio di Trenta. Vol. 3, pt. 2. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 139-81. Vicenza, 1980.

Forster, Leonard. The Icy Fire: Five Studies in European Petrarchism. Cambridge, 1969.

Franzoni, Lanfranco. "Antiquari e collezionisti nel cinquecento." In Storia della cultura veneta: dal primo quattrocento al Concilio di Trenta. Vol. 3, pt. 3. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 207-66. Vicenza, 1981.

Freccero, John. Dante: The Poetics of Conversion. Ed. Rachel Jacoff. Cambridge, Mass., 1986.

———. "The Fig Tree and the Laurel: Petrarch's Poetics." Diacritics 5 (1975): 34-40.

Fromson, Michele. "Imitation and Innovation in the North Italian Motet, 1560-1605." Ph.D. diss. University of Pennsylvania, 1988.

Gaeta, Franco. "Alcune considerazioni sul mito di Venezia." Bibliothèque d'Humanisme et Renaissance 23 (1961): 58-75.

Gallo, F. Alberto. "Citazioni di teorici medievali nelle lettere di Giovanni del Lago." Quadrivium 14 (1973): 171-77.

———. "La trattatistica musicale." In Storia della cultura veneta: dal primo quattrocento al concilio di Trenta. Vol. 3, pt. 3. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 297-314. Vicenza, 1981.

Gerstenberg, Walter. "Um der Begriff einer venezianischen Schule." Renaissance-muziek 1400-1600: Donum natalicium René Lenaerts. Ed. Jozef Robijns, pp. 131-42. Louvain, 1969.

Giazotto, Remo. Harmonici concenti in aere veneto. Rome, 1954.

Gilbert, Creighton. "When Did a Man in the Renaissance Grow Old? Studies in the Renaissance 14 (1967): 7-32.

Gilbert, Felix. The Pope, His Banker, and Venice. Cambridge, Mass., 1980.

———. "Venice in the Crisis of the League of Cambrai." In Renaissance Venice. Ed. John R. Hale, pp. 274-92. Totowa, N.J., 1973.

Glixon, Jonathan. "Music at the Venetian Scuole Grandi, 1440-1540." Ph.D. diss. Princeton University, 1979.

———. "Music at the Venetian Scuole Grandi, 1440-1540." In Music in Medieval and Early Modern Europe: Patronage, Sources, and Texts. Ed. Iain Fenlon, pp. 193-208. Cambridge, 1981.

———. "A Musicians' Union in Sixteenth-Century Venice." JAMS 36 (1983): 392-421.

Goldsmith, Elizabeth C. Exclusive Conversations: The Art of Interaction in Seventeenth-Century France. Philadelphia, 1988.

———, ed. Writing the Female Voice: Essays on Epistolary Literature. Boston, 1989.

Goldthwaite, Richard A. Private Wealth in Renaissance Florence: A Study of Four Families. Princeton, 1968.

Grafton, Anthony, and Lisa Jardine. From Humanism to the Humanities: Education and the Liberal Arts in Fifteenth- and Sixteenth-Century Europe. London, 1986.

Gray, Hanna H. "Renaissance Humanism: The Pursuit of Eloquence." In Renaissance Essays from the Journal of the History of Ideas. Ed. Paul Oskar Kristeller and Philip P. Weiner, pp. 199-216. New York, 1968. Orig. publ. in Journal of the History of Ideas 24 (1963): 497-514.

Greenblatt, Stephen. Marvelous Possessions: The Wonder of the New World. Chicago, 1991.

———. Renaissance Self-Fashioning: From More to Shakespeare. Chicago, 1980.

———. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley and Los Angeles, 1988.

Greene, Roland. Post-Petrarchism: Origins and Innovations of the Western Lyric Sequence. Princeton, 1991.


454

Greene, Thomas M. "Il Cortegiano and the Choice of a Game." In Castiglione: The Ideal and the Real in Renaissance Culture. Ed. Robert W. Hanning and David Rosand, pp. 1-15. New Haven, 1983.

———. "The Flexibility of the Self in Renaissance Literature." In The Disciplines of Criticism: Essays in Literary Theory, Interpretation, and History. Ed. Peter Demetz, Thomas Greene, and Lowry Nelson, Jr., pp. 241-64. New Haven, 1968.

———. The Light in Troy: Imitation and Discovery in Renaissance Poetry. New Haven, 1982.

Greggio, Elisa. "Girolamo da Molino." 2 pts. Ser. 18, vol. 2, pp. 188-202 and 255-323. Ateneo veneto. Venice, 1894.

Grendler, Paul F. Critics of the Italian World, 1530-1560: Anton Francesco Doni, Nicolò Franco, & Ortensio Lando. Madison, 1969.

———. "Francesco Sansovino and Italian Popular History, 1560-1600." Studies in the Renaissance 16 (1969): 139-80.

———. The Roman Inquisition and the Venetian Press, 1540-1605. Princeton, 1977.

———. Schooling in Renaissance Italy: Literacy and Learning, 1300-1600. Baltimore, 1989.

Gronau, Georg. "Zwei Tizianische Bildnisse der Berliner Galerie: I, Das Bildnis des Ranuccio Farnese; II, Das Bildnis der Tochter des Roberto Strozzi." Jahrbuch der königlich preuszischen Kunstsammlungen 27 (1906): 3-12.

Grubb, James S. "When Myths Lose Power: Four Decades of Venetian Historiography." Journal of Modern History 58 (1986): 43-94.

Haar, James. "Arie per cantar stanze ariotesche." In L'Ariosto: la musica, i musicisti. Ed. Maria Antonella Balsano, pp. 31-46. Florence, 1981.

———. "Cambio, Perissone." The New Grove 14:535.

———. "The Capriccio of Giachet Berchem: A Study in Modal Organization." Musica disciplina 42 (1988): 129-56.

———. "The Courtier as Musician: Castiglione's View of the Science and Art of Music." In Castiglione: The Ideal and the Real in Renaissance Culture. Ed. Robert W. Hanning and David Rosand, pp. 165-89. New Haven, 1983.

———. "The Early Madrigal: A Re-appraisal of Its Sources and Its Character." In Music in Medieval and Early Modern Europe: Patronage, Sources, and Texts. Ed. Iain Fenlon, pp. 163-92. Cambridge, 1981.

———. Essays on Italian Poetry and Music in the Renaissance, 1350-1600. Berkeley and Los Angeles, 1986.

———. "False Relations and Chromaticism in Sixteenth-Century Music." JAMS 30 (1977): 391-418.

———. "The Libraria of Antonfrancesco Doni." Musica disciplina 24 (1970): 101-25.

———. "The Madrigale Arioso: A Mid-Century Development in the Cinquecento Madrigal." Studi musicali 12 (1983): 203-19.

———. "Music in 16th-Century Florence and Venice: Some Points of Comparison and Contrast." In Florence and Venice, Comparisons and Relations: Acts of Two Conferences at Villa I Tatti in 1976-1977. Vol. 2, Il cinquecento. Ed. Christine Smith with Salvatore I. Camporeale, pp. 267-84. Florence, 1980.

———. "The Note Nere Madrigal." JAMS 18 (1965): 22-41.

———. "Notes on the Dialogo della musica of Antonfrancesco Doni." Music & Letters 47 (1966): 198-224.

———. "Pace non trovo: A Study in Literary and Musical Parody." Musica disciplina 20 (1966): 95-148.

———. "Self-Consciousness about Style, Form, and Genre in 16th-Century Music." Studi musicali 3 (1974): 219-31.

———. "Towards a Chronology of the Madrigals of Arcadelt." Journal of Musicology 5 (1987): 28-54.

———. "Zarlino's Definition of Fugue and Imitation." JAMS 24 (1971): 226-54.

Hainsworth, Peter. Petrarch the Poet: An Introduction to the "Rerum vulgarium fragmenta." London, 1988.

Hale, John R., ed. Renaissance Venice. London, 1973.

Hall, Dale Emerson. "The Italian Secular Works of Jacquet Berchem." Ph.D. diss. The Ohio State University, 1973.


455

Hall, Robert A., Jr. The Italian "Questione della lingua:" An Interpretative Essay. University of North Carolina Studies in the Romance Languages and Literature, no. 4. Chapel Hill, 1942.

Hanning, Robert W., and David Rosand, eds. Castiglione: The Ideal and the Real in Renaissance Culture. New Haven, 1983.

Harrán, Don. "Elegance as a Concept in Sixteenth-Century Music Criticism." RQ 41 (1988): 413-38.

———. "Hubert Naich, Musicien, Académicien." Fontes artes musicae 28 (1981): 177-94.

———. In Search of Harmony: Hebrew and Humanistic Elements in Sixteenth-Century Musical Thought. Musicological Studies and Documents, no. 42. AIM. Neuhausen-Stuttgart, 1988.

———. "New Light on the Question of Text Underlay prior to Zarlino." Acta musicologica 45 (1973): 24-56.

———. "Rore and the Madrigale Cromatico." Music Review 34 (1973): 66-81.

———. "The Theorist Giovanni del Lago: A New View of the Man and His Writings." Musica disciplina 27 (1973): 107-51.

———. "Verse Types in the Early Madrigal." JAMS 22 (1969): 27-53.

———. Word-Tone Relations in Musical Thought: From Antiquity to the Seventeenth Century. Musicological Studies and Documents, no. 40. AIM. Neuhausen-Stuttgart, 1986.

———, ed. "Maniera" e il madrigale: una raccolta di poesie musicali del cinquecento. Biblioteca dell' "Archivum Romanicum," vol. 158. Florence, 1980.

Hathaway, Baxter. The Age of Criticism: The Late Renaissance in Italy. Ithaca, 1962.

———. Marvels and Commonplaces: Renaissance Literary Criticism. New York, 1968.

Hay, Denys. The Italian Renaissance in Its Historical Background. 2d ed. Cambridge, 1977.

Herczeg, Giulio. "La struttura della frase nei versi del Petrarca." Studi petrarcheschi 8 (1976): 169-96.

———. "La struttura delle antitesi nel Canzoniere petrarchesco." Studi petrarcheschi 7 (1961): 195-208.

Hermelink, Siegfried. Dispositiones modorum: Die Tonarten in der Musik Palestrinas und seiner Zeitgenossen. Tutzing, 1960.

———. "Über Zarlinos Kadenzbegriff." In Scritti in onore di Luigi Ronga, pp. 253-73. Milan, 1973.

Herrick, Marvin T. The Fusion of Horatian and Aristotelian Literary Criticism, 1531-1555. Illinois Studies in Language and Literature, vol. 32, no. 1. Urbana, Ill., 1946.

Hersh, Donald Lee [Don Harrán]. "Philippe Verdelot and the Early Madrigal." Ph.D. diss. University of California at Berkeley, 1963.

Hertzmann, Erich. Adrian Willaert in der weltlichen Vokalmusik seiner Zeit: Ein Beitrag zur Entwicklungsgeschichte der niederländisch-französischen und italienischen Liedformen in der ersten Hälfte des 16. Jahrhunderts. Leipzig, 1931.

Hindman, Sandra L., ed. Printing the Written Word: The Social History of Books, Circa 1450-1520. Ithaca, 1991.

Hofer, P. "Early Book Illustration in the Intaglio Medium." The Print Collector's Quarterly 21 (1934): 203-27; 295-316.

Hol, J. C. "Cipriano de Rore." In Festschrift für Karl Nef zum 60. Geburtstag (22. August 1933), pp. 134-49. Zurich, 1933.

Howard, Deborah. The Architectural History of Venice. London, 1980.

———. Jacopo Sansovino: Architecture and Patronage in Renaissance Venice. New Haven, 1975. Inventari dei manoscritti delle biblioteche d'Italia. Ed. Giuseppe Mazzatinti et al. 106 vols. Vol. 1:

Turin, 1887; vols. 2-106: Forli and Florence, 1890-1990.

Javitch, Daniel. "Self-Justifying Norms in the Genre Theories of Italian Renaissance Poets." Philological Quarterly 67 (1988): 195-217.

Jeppesen, Knud. "Eine musiktheoretische Korrespondenz des früheren Cinquecento." Acta musicologica 12 (1940): 3-39.

———. La frottola. 3 vols. Copenhagen, 1968.

Johnson, Alvin H. "The 1548 Editions of Cipriano de Rore's Third Book of Madrigals." Studies in Musicology in Honor of Otto E. Albrecht. Ed. John Walter Hill, pp. 110-24. Kassel, 1980.

———. "The Liturgical Music of Cipriano de Rore." Ph.D. diss. Yale University, 1954.

———. "Rore, Cipriano de." The New Grove 16:185-90.

Jones, Ann Rosalind. "City Women and Their Audiences: Louise Labé and Veronica Franco." In Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe. Ed. Mar-


456

garet W. Ferguson, Maureen Quilligan, and Nancy J. Vickers, pp. 299-316 and 390-92. Chicago, 1986.

———. The Currency of Eros: Women's Love Lyric in Europe, 1540-1620. Indianapolis, 1990.

———. "Surprising Fame: Renaissance Gender Ideologies and Women's Lyric." In The Poetics of Gender. Ed. Nancy K. Miller, pp. 74-95. New York, 1986.

Jonnson, Ritva, and Leo Treitler. "Medieval Music and Language: A Reconsideration of the Relationship." In Music and Language, pp. 1-23. Studies in the History of Music, vol. 1. New York, 1983.

Jordan, Constance. Renaissance Feminism: Literary Texts and Political Models. Ithaca, 1990.

Kaufmann, Henry William. The Life and Works of Nicola Vicentino (1511-c.1576). Musicological Studies and Documents, no. 11. AIM. Rome, 1966.

Kennedy, William J. Rhetorical Norms in Renaissance Literature. New Haven, 1978.

———. "Petrarchan Audiences and Print Technology." Journal of Medieval and Renaissance Studies 14 (1984): 1-20.

———. "Petrarchan Textuality: Commentaries and Gender Revisions." In Discourses of Authority in Medieval and Renaissance Literature. Ed. Kevin Brownlee and Walter Stephens, pp. 151-68 and 277. Hanover and London, 1989.

Kent, Francis William. Household and Lineage in Renaissance Florence: The Family Life of the Capponi, Ginori, and Rucellai. Princeton, 1977.

King, Margaret L. Venetian Humanism in an Age of Patrician Dominance. Princeton, 1986.

Kirkendale, Warren. "Ciceronians versus Aristotelians on the Ricercar as Exordium, from Bembo to Bach." JAMS 32 (1979): 1-44.

Kleinhenz, Christoph. "The Art of the Sonnet." In Francis Petrarch, Six Centuries Later: A Symposium. Ed. Aldo Scaglione, pp. 177-91. North Carolina Studies in the Romance Languages and Literature, Symposia, no. 3. Chapel Hill and Chicago, 1975.

Kristeller, Paul Oskar. "Music and Learning in the Early Italian Renaissance." Journal of Renaissance and Baroque Music 1 (1947): 255-74.

———. The Philosophy of Marsilio Ficino. Trans. Virginia Conant. Gloucester, Mass., 1964.

———. Renaissance Thought and Its Sources. Ed. Michael Mooney. New York, 1979.

———. Renaissance Thought: The Classic, Scholastic, and Humanist Strains. New York, 1961. Rev. and enlarged ed. of The Classics and Renaissance Thought. Cambridge, Mass., 1955.

Kroyer, Theodor. Die Anfänge der Chromatik im italienischen Madrigal des XVI. Jahrhunderts. Publikationen der Internationalen Musikgesellschaft, vol. 4. Leipzig, 1902.

Labalme, Patricia H. Bernardo Giustiniani: A Venetian of the Quattrocento. Uomini e dottrini, no. 13. Rome, 1969.

———. "Personality and Politics in Venice: Pietro Aretino." In Titian: His World and His Legacy, ed. David Rosand. pp. 119-32. New York, 1982.

Labande-Jeanroy, Thérèse. La question de la langue en Italie. Strasbourg and Paris, 1925.

Lane, Frederic C. Venice: A Maritime Republic. Baltimore, 1973.

Lanza, Alfonso. La lirica amorosa veneziana del secolo XVI. Verona, 1938.

La Via, Stefano. "Cipriano de Rore as Reader and as Read: A Literary Study of Madrigals from Rore's Later Collections (1557-1566)." Ph.D. diss. Princeton University, 1991.

———. "Madrigale e rapporto fra poesia e musica nella critica letteraria del cinquecento." Studi musicali 19 (1990): 33-70.

Lawner, Lynne. Lives of the Courtesans: Portraits of the Renaissance. New York, 1987.

Lazzarini, Lino. "Francesco Petrarca e il primo umanesimo a Venezia." In Umanesimo europeo e umanesimo veneziano. Ed. Vittore Branca, pp. 63-92. Fondazione Giorgio Cini, Centro di Cultura e Civiltà. Florence, 1963.

Lenaerts, René. "La Chapelle de Sainte-Marc à Venise sous Adriaen Willaert (1527-1562): Documents inédits." Bulletin de l'Institut Historique Belge de Rome 19 (1938): 205-55.

———. "Notes sur Adrien Willaert maître de chapelle de Saint Marc à Venise de 1527 à 1562." Bulletin de l'Institut Historique Belge de Rome 15 (1935): 107-17.

———. "Voor de biographie van Adriaen Willaert." In Hommage à Charles van den Borren: Mélanges. Ed. Suzanne Clercx and Albert vander Linden, pp. 205-15. Antwerp, 1945.

Lester, Libby J. "Venetian History and Political Thought after 1509." Studies in the Renaissance 20 (1973): 7-45.


457

Lewis, Douglas. "Jacopo Sansovino, Sculptor of Venice." In Titian: His World and His Legacy. Ed. David Rosand, pp. 133-90. New York, 1982.

Lewis, Mary S. "Antonio Gardane and His Publications of Sacred Music, 1538-55." Ph.D. diss. Brandeis University, 1979.

———. Antonio Gardane, Venetian Music Printer, 1538-1569: A Descriptive Bibliography and Historical Study. Vol. 1, 1538-49. New York, 1988.

———. "Antonio Gardane's Early Connections with the Willaert Circle." In Music in Medieval and Early Modern Europe: Patronage, Sources and Texts. Ed. Iain Fenlon, pp. 209-26. Cambridge, 1981.

———. "Rore's Setting of Petrarch's Vergine bella: A History of Its Composition and Early Transmission." Journal of Musicology 4 (1985-86): 365-409.

———. "Zarlino's Theories of Text Underlay as Illustrated in His Motet Book of 1549." Music Library Association Notes 42 (1985-86): 239-67.

Litta, Pompeo, ed. Le famiglie celebri italiane. 15 vols. Milan, 1819-1902.

Llorens, Josephus M. Cappellae Sixtinae codices, musicis notis instructi sive manu scripti sive praelo excussi. Studi e testi, no. 202. Vatican City, 1960.

Lockwood, Lewis. "Adrian Willaert and Cardinal Ippolito I d'Este: New Light on Willaert's Early Career in Italy, 1515-21." Early Music History 5 (1985): 85-112.

———. The Counter-Reformation and the Masses of Vincenzo Ruffo. Vienna, 1970.

———. "Jean Mouton and Jean Michel: French Music and Musicians in Italy, 1505-1520." JAMS 32 (1979): 191-246.

———. "Josquin at Ferrara: New Documents and Letters." Josquin des Prez: Proceedings of the International Josquin Festival-Conference, New York, 21-25 June 1971. Ed. Edward E. Lowinsky and Bonnie J. Blackburn, pp. 103-37. London, 1976.

Lockwood, Lewis, and Jessie Ann Owens. "Willaert, Adrian." The New Grove 20:421-28.

Logan, Oliver. Culture and Society in Venice, 1470-1790: The Renaissance and Its Heritage. New York, 1972.

"Londariti, Francesco." The New Grove 11:142.

Long, Joan Anne. "The Motets, Psalms, and Hymns of Adrian Willaert: A Liturgico-Musical Study." Ph.D. diss. Columbia University, 1971.

Lowinsky, Edward E. "A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome." JAMS 3 (1950): 173-232. Rev. version in his Music in the Culture of the Renaissance 2:433-82.

———. "A Treatise on Text Underlay by a German Disciple of Francisco de Salinas." In Festschrift Heinrich Besseler zum sechzigsten Geburtstag, pp. 231-51. Leipzig, 1962. Repr. in his Music in the Culture of the Renaissance 2:868-83.

———. "Calami sonum ferentes: A New Interpretation." In his Music in the Culture of the Renaissance 2:595-626.

———. Cipriano de Rore's Venus Motet: Its Poetic and Pictorial Sources. Provo, Utah, 1986. Repr. in his Music in the Culture of the Renaissance 2:575-94.

———. "Humanism in the Music of the Renaissance." Medieval and Renaissance Studies 9. Proceedings of the Southeastern Institute of Medieval and Renaissance Studies, Summer, 1978. Ed. Frank Tirro. Durham, N.C., 1982. Repr. in his Music in the Culture of the Renaissance 1:154-218.

———. Music in the Culture of the Renaissance and Other Essays. Ed. Bonnie J. Blackburn. 2 vols. Chicago, 1989.

———. "Orlando di Lasso's Antwerp Motet Book and Its Relationship to the Contemporary Netherlandish Motet." In his Music in the Culture of the Renaissance 1:433-82. Orig. published as Das Antwerpener Motettenbuch Orlando di Lassos und seine Beziehungen zum Motettenschaffen der niederländischen Zeitgenossen. The Hague, 1937.

———. "The Problem of Mannerism in Music: An Attempt at a Definition." Studi musicali 3 (1974): 131-218. Repr. in his Music in the Culture of the Renaissance 1:106-53.

———. "Problems in Adrian Willaert's Iconography." In Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese. Ed. Jan La Rue et al., pp. 576-94. New York, 1966. Repr. in his Music in the Culture of the Renaissance 1:267-77.

———. "Rore's New Year's Gift for Albrecht V of Bavaria." In his Music in the Culture of the Renaissance 2:636-43.


458

———. "Zur Frage der Deklamationsrhythmik in der a-capella Musik des 16. Jahrhunderts." Acta musicologica 7 (1935): 62-67.

Lowry, Martin. The World of Aldus Manutius: Business and Scholarship in Renaissance Venice. Ithaca, 1979.

Lucchetta, Giuliano. "Viaggiatori e racconti di viaggi nel cinquecento." In Storia della cultura veneta: dal primo quattrocento al concilio di Trenta. Vol. 3, pt. 2. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 433-89. Vicenza, 1980.

Luoma, Robert G. "Relationships between Music and Poetry (Cipriano de Rore's Quando signor lasciaste)." Musica disciplina 31 (1977): 135-54.

Mace, Dean T. "Pietro Bembo and the Literary Origins of the Italian Madrigal." The Musical Quarterly 55 (1969): 65-86.

MacLuhan, Marshall. The Gutenberg Galaxy: The Making of Typographic Man. Toronto, 1962.

Malavasi, Stefania. "Giovanni Domenico Roncalli e l'Accademia degli Addormentati di Rovigo." Archivio veneto, 5th ser., 95 (1972): 47-58.

Maniates, Maria Rika. Mannerism in Italian Music and Culture, 1530-1630. Chapel Hill, 1979.

Marsh, David. The Quattrocento Dialogue: Classical Tradition and Humanist Innovation. Cambridge, Mass., 1980.

Marsili-Libelli, C. Ricottini. Anton Francesco Doni, scrittore e stampatore. Florence, 1960.

Martines, Lauro. "The Gentleman in Renaissance Italy: Strains of Isolation in the Body Politic." In The Darker Vision of the Renaissance: Beyond the Fields of Reason. Ed. Robert S. Kinsman, pp. 77-93. UCLA Center for Medieval and Renaissance Studies, Contributions, no. 6. Berkeley and Los Angeles, 1974.

———. Power and Imagination: City-States in Renaissance Italy. New York, 1979.

Mason, Kevin. "Per cantare e sonare: Lute Song Arrangements of Italian Vocal Polyphony at the End of the Renaissance." In Playing Lute, Guitar, and Vihuela: Historical Practice and Modern Interpretation. Ed. Victor Coelho. Cambridge, forthcoming.

Masson, Georgina. Courtesans of the Italian Renaissance. New York, 1975.

Maylender, Michele. Storia delle accademie d'Italia. 5 vols. Bologna, 1926-30.

Mazzacurati, Giancarlo. Misure del classicismo rinascimentale. Naples, 1967.

———. "Pietro Bembo." In Storia della cultura veneta: dal primo quattrocento al concilio di Trenta. Vol. 3, pt. 2. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 1-59. Vicenza, 1980.

Mazzotta, Giuseppe. "The Canzoniere and the Language of the Self." Studies in Philology 75 (1978): 271-96.

Medin, Antonio. "Il culto del Petrarca nel Veneto fino alla dittatura del Bembo." Archivio veneto 8 (1904): 421-65.

Meier, Bernhard. The Modes of Classical Vocal Polyphony Described according to the Sources. Trans. Ellen S. Beebe. Rev. ed. New York, 1988. Orig. published as Die Tonarten der klassischen Vokalpolyphonie. Utrecht, 1974.

———. "Rhetorical Aspects of Renaissance Modes." Journal of the Royal Musical Association 115 (1990): 182-90.

———. "Zur Modalität der ad equales disponierten Werke klassischer Vokalpolyphonie." In Festschrift Georg von Dadelsen zum 60. Geburtstag. Ed. Thomas Kohlhase and Volker Scherliess, pp. 230-39. Neuhausen-Stuttgart, 1978.

Meier, Helga. "Zur Chronologie der Musica Nova Adrian Willaerts." Analecta musicologica 12 (1973): 71-96.

Migliorini, Bruno. The Italian Language. Abridg., recast, and rev. T. Gwynfor Griffith. London, 1984.

Miller, Jonathan Marcus. "Word-Sound and Musical Texture in the Mid-Sixteenth-Century Venetian Madrigal." Ph.D. diss. University of North Carolina at Chapel Hill, 1991.

Molmenti, Pompeo. La storia di Venezia nella vita privata dalle origini alla caduta della repubblica. 7th ed. 3 vols. Bergamo, 1928.

Monterosso, Raffaello. "L'estetica di Gioseffo Zarlino." Chigiana: Rassegna annuale di studi musicologici 24 (1967): 13-28.

———. "Strutture ritmiche nel madrigale cinquecentesco." Studi musicali 3 (1974): 287-311.

Monterosso Vacchelli, Anna Maria. L'opera musicale di Antonfrancesco Doni. Instituta e monumenta, ser. 2, no. 1. Cremona, 1969.


459

Moore, James H. "Venezia favorita da Maria: Music for the Madonna Nicopeia and Santa Maria della Salute." JAMS 37 (1984): 299-355.

Morando di Custoza, Eugenio. Libro d'arme di Venezia. Verona, 1979.

Morelli, Jacopo, ed. Operette. Vol. 3. Venice, 1820.

Mortimer, Ruth. Harvard College Library, Department of Printing and Graphic Arts: Catalogue of Books and Manuscripts. Pt. 2: Italian Sixteenth-Century Books. 2 vols. Cambridge, Mass., 1974.

Moschini, l'Abbé. Itineraire de la ville de Venise et des îles circonvoisines. Venice, 1819.

Muir, Edward. Civic Ritual in Renaissance Venice. Princeton, 1981.

Muir, Edward, and Ronald F. E. Weissman. "Social and Symbolic Places in Renaissance Venice and Florence." In The Power of Place: Bringing Together Geographical and Sociological Imaginations. Ed. John A. Agnew and James S. Duncan, pp. 81-103. Boston, 1989.

Muraro, Maria Teresa. "La festa a Venezia e le sue manifestazioni rappresentative: La Compagnie della Calza e le Momarie." In Storia della cultura veneta: dal primo quattrocento al concilio di Trenta. Vol. 3, pt. 3. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 315-41. Vicenza, 1981.

Muraro, Michelangelo. Il "libro secondo" di Francesco e Jacopo dal Ponte. Bassano and Florence, 1992.

Murphy, James J., ed. Renaissance Eloquence: Studies in the Theory and Practice of Renaissance Rhetoric, pp. 303-30. Berkeley and Los Angeles, 1983.

Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Ed. Friedrich Blume. 17 vols. Kassel, 1949-70. Index, 2 vols. Kassel, 1986.

Newcomb, Anthony. "Courtesans, Muses, or Musicians? Professional Women Musicians in Sixteenth-Century Italy." In Women Making Music: The Western Art Tradition, 1150-1950. Ed. Jane Bowers and Judith Tick, pp. 90-115. Urbana and Chicago, 1986.

———. "Editions of Willaert's Musica Nova: New Evidence, New Speculations." JAMS 26 (1973): 132-45.

———. The Madrigal at Ferrara, 1579-1597. 2 vols. Princeton, 1980.

Niccolini, G[iovanni].-B[attista]. Filippo Strozzi, tragedia. Florence, 1847.

Nuernberger, Louis Dean. "The Five-Voice Madrigals of Cipriano de Rore." Ph.D. diss. University of Michigan, 1963.

Nugent, George. "The Jacquet Motets and Their Authors." Ph.D. diss. Princeton University, 1973.

Nutter, David Alan. "The Italian Polyphonic Dialogue of the Sixteenth Century." 2 vols. Ph.D. diss. University of Nottingham, 1978.

Olivieri, Achille. "L'intellettuale e le accademie fra '500 e '600: Verona e Venezia." Archivio veneto, 5th ser., 130 (1988): 31-56.

Ong, Walter J. Ramus, Method, and the Decay of Dialogue: From the Art of Discourse to the Art of Reason. Cambridge, Mass., 1958.

Ongaro, Giulio Maria. "The Chapel of St. Mark's at the Time of Adrian Willaert (1527-1562): A Documentary Study." Ph.D. diss. University of North Carolina at Chapel Hill, 1986.

———. "Willaert, Gritti e Luppato: miti e realtà." Studi musicali 17 (1988): 55-70.

Ossola, Carlo. Dal "Cortegiano" al' "Uomo di mondo": storia di un libro e di un modello sociale. Turin, 1987.

Osthoff, Wolfgang. Theatergesang und darstellende Musik in der italienischen Renaissance. 2 vols. Tutzing, 1969.

Owens, Jessie Ann. "The Milan Partbooks: Evidence of Cipriano de Rore's Compositional Process." JAMS 37 (1984): 270-98.

———. "Mode in the Madrigals of Cipriano de Rore." In Essays in Italian Music in the Cinquecento. Altro Polo. Ed. Richard Charteris, pp. 1-15. Sydney, 1990.

———. "Music and Meaning in Cipriano de Rore's Setting of Donec gratus eram tibi." In Music and Language, pp. 95-117. Studies in the History of Music, vol. 1. New York, 1983.

———. Review of Bonnie J. Blackburn, Edward E. Lowinsky, and Clement A. Miller, eds., A Correspondence of Renaissance Musicians (Oxford, 1991). In JAMS 46 (1993): 313-18.

Padley, G. A. Grammatical Theory in Western Europe, 1500-1700: Trends in Vernacular Grammar II. Cambridge, 1988.

Padoan, Giorgio. Momenti del rinascimento veneto. Padua, 1978.


460

———, ed. Petrarca, Venezia e il Veneto. Civiltà veneziana, Saggi, vol. 21. Fondazione Giorgio Cini, Centro di Cultura e Civiltà. Florence, 1976.

Pagan, Pietro. "Sulla Accademia 'Venetiana' o della 'Fama.'" Atti dell'Istituto Veneto di Scienze, Lettere ed Arti 132 (1973-74): 359-92.

Palisca, Claude V. Humanism in Italian Renaissance Musical Thought. New Haven, 1985.

———. "The Musical Humanism of Giovanni Bardi." In Poesia e musica nell'estetica del XVI e XVII secolo, 3-10 maggio 1976. Ed. Hagop Meyvalian, pp. 45-72. Florence, 1979.

Pappi, Lionello. "La teoria artistica nel cinquecento." In Storia della cultura veneta: dal primo quattrocento al concilio di Trenta. Vol. 3, pt. 3. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 173-92. Vicenza, 1981.

Parker, Deborah. Commentary and Ideology: Dante in the Renaissance. Durham, 1993.

Patterson, Annabel M. Hermogenes and the Renaissance: Seven Ideas of Style. Princeton, 1970.

Percival, Keith W. "Deep and Surface Structure Concepts in Renaissance and Medieval Syntactic Theory." In History of Linguistic Thought and Contemporary Linguistics. Ed. Herman Parret, pp. 238-53. Berlin and New York, 1976.

———. "Grammar and Rhetoric in the Renaissance." In Renaissance Eloquence: Studies in the Theory and Practice of Renaissance Rhetoric. Ed. James J. Murphy, pp. 303-30. Berkeley and Los Angeles, 1983.

Percopo, E[rasmo]. "Dragonetto Bonifacio, marchese d'Orio: rimatore napolitano del sec. XVI." Giornale storico della letteratura italiana 10 (1887): 197-233.

Perkins, Leeman L. Review of Edward E. Lowinsky, The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino (Monuments of Renaissance Music, vols. 3-5 [Chicago, 1968]). In The Musical Quarterly 55 (1969): 255-69.

Pesenti, Tiziana. "Stampatori e letterati nell'industria editoriale a Venezia e in terraferma." In Storia della cultura veneta: il seicento. Vol. 4, pt. 1. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 93-129. Vicenza, 1983.

Petrie, Jennifer. Petrarch: The Augustan Poets, the Italian Tradition and the Canzoniere. Dublin, 1983.

Petrocchi, Giorgio. La dottrina linguistica del Bembo. Messina, 1959.

Phillippy, Patricia. "Gaspara Stampa's Rime: Replication and Retraction." Philological Quarterly 68 (1989): 1-24.

Pigman, G. W., III. "Versions of Imitation in the Renaissance." RQ 33 (1980): 1-32.

Pilot, Antonio. "Gli ordini dell'Accademia Veneziana degli Uniti 1551." Ateneo veneto 35 (1912): 193-207.

———. Un peccataccio di Domenico Venier. Repr. Rome, 1906.

Pincus, Debra. The Arco Foscari: The Building of a Triumphal Gateway in Fifteenth-Century Venice. New York, 1976.

Pirotti, Umberto. "Benedetto Varchi e la questione della lingua." Convivium 28 (1960): 524-52.

Pirrotta, Nino. Music and Culture in Italy from the Middle Ages to the Baroque: A Collection of Essays. Cambridge, Mass., 1984.

———. "Musiche intorno a Tiziano." In Tiziano e Venezia: Convegno Internazionale di Studi, Venezia, 1976. Ed. Neri Pozza et al., pp. 29-34. Vicenza, 1980.

———. "The Oral and Written Traditions of Music." In his Music and Culture, pp. 72-79.

———. "Ricercare and Variations on O rosa bella." In his Music and Culture, pp. 145-58.

———. "Willaert and the Canzone villanesca." In his Music and Culture, pp. 175-97.

Pirrotta, Nino, and Elena Povoledo. Music and Theatre from Poliziano to Monteverdi. Trans. Karen Eales. Cambridge, 1982.

Plumb, J. H. The Italian Renaissance: A Concise Survey of Its History and Culture. New York, 1965.

Poulakos, Takis, ed. Rethinking the History of Rhetoric: Multidisciplinary Essays on the Rhetorical Tradition. Boulder, 1993.

Powers, Harold S. "Is Mode Real? Pietro Aron, the Octenary System, and Polyphony." Basler Jahrbuch für historische Musikpraxis 16 (1992): 9-52.

———. "The Modality of Vestiva i colli." In Studies in Renaissance and Baroque Music in Honor of Arthur Mendel, pp. 31-46. Kassel, 1974.

———. "Mode." The New Grove 12:376-450.

———. "Tonal Types and Modal Categories in Renaissance Polyphony." JAMS 34 (1981): 428-70.

Princeton Encyclopedia of Poetry and Poetics. Ed. Alex Preminger; Frank J. Warnke and O. B. Hardison, Jr., assoc. eds. Enlarged ed. Princeton, 1974.


461

Prizer, William F. "The Frottola and the Unwritten Tradition." Studi musicali 15 (1986): 3-37.

———. "Games of Venus: Secular Vocal Music in the Late Quattrocento and Early Cinquecento." Journal of Musicology 9 (1991): 3-56.

Pullan, Brian. "The Occupations and Investments of the Venetian Nobility in the Middle and Late Sixteenth Century." In Renaissance Venice. Ed. John R. Hale, pp. 379-408. London, 1973.

———. Rich and Poor in Renaissance Venice: The Social Institutions of a Catholic State to 1620. Oxford, 1971.

———, ed. Crisis and Change in the Venetian Economy in the Sixteenth and Seventeenth Centuries. London, 1958.

Queller, Donald E. The Venetian Patriciate: Reality versus Myth. Urbana and Chicago, 1986.

Queller, Donald E., and Thomas F. Madden. "Father of the Bride: Fathers, Daughters, and Dowries in Late Medieval and Early Renaissance Venice." RQ 46 (1993): 685-711.

Quilligan, Maureen. "Sidney and His Queen." In The Historical Renaissance. Ed. Heather Dubrow and Richard Strier, pp. 171-96. Chicago, 1989.

Quondam, Amedeo. Le "carte messaggiere": retorica e modelli di comunicazione epistolare, per un indice dei libri di lettere del cinquecento. Rome, 1981.

———. Petrarchismo mediato: per una critica della forma antologia. Rome, 1974.

Raimondi, Ezio. "Bernardo Daniello, lettore di poesia." In Rinascimento inquieto, pp. 23-69. Palermo, 1965.

———. Poesia come retorica. Florence, 1980.

Rashdall, Hastings. The Universities in the Middle Ages. Rev. ed. F. M. Powicke and A. B. Emden. 3 vols. Vol. 1, Salerno — Bologna — Paris. Oxford, 1936.

Rebhorn, Wayne A. Courtly Performances: Masking and Festivity in Castiglione's "Book of the Courtier." Detroit, 1978.

Reese, Gustave. Music in the Renaissance. Rev. ed. New York, 1959.

Richter, Bodo L. O. "Petrarchism and Anti-Petrarchism among the Veniers." Forum italicum 3 (1969): 20-42.

Rizzi, Fortunato. "La moda lirica del cinquecento: le forme e i gradi del petrarchismo." La rassegna nazionale 49 (1928): 178-85.

Rocca, Emilio Nasalli. I Farnese. Varese, 1969.

Roche, Jerome. The Madrigal. Oxford, 1972. 2d ed. 1990.

Romano, Dennis. "Aspects of Patronage in Fifteenth- and Sixteenth-Century Venice." RQ 46 (1993): 712-33.

———. Patricians and "Popolani": The Social Foundations of the Venetian Renaissance State. Baltimore, 1987.

Rosand, David. Painting in Cinquecento Venice: Titian, Veronese, Tintoretto. New Haven, 1982.

———. "So-and-So Reclining on Her Couch." In Titian: 500. Ed. Joseph Manca. Studies in the History of Art. Washington, D.C., 1994.

———. "Titian and the Critical Tradition." In Titian: His World and His Legacy. Ed. David Rosand, pp. 1-39. New York, 1982.

———. "Venereal Hermeneutics: Reading Titian's Venus of Urbino." In Renaissance Society and Culture: Essays in Honor of Eugene F. Rice, Jr. Ed. John Monfasani and Ronald G. Musto, pp. 263-80. New York, 1991.

———. "Venetia figurata: The Iconography of a Myth." In Interpretazioni veneziane: studi di storia dell'arte in onore di Michelangelo Muraro, pp. 177-96. Ed. David Rosand. Venice, 1984.

Rosand, Ellen. "Barbara Strozzi, virtuosissima cantatrice: The Composer's Voice." JAMS 31 (1978): 241-81.

———. "Music in the Myth of Venice." RQ 30 (1977): 511-37.

———. Opera in Seventeenth-Century Venice: The Creation of a Genre. Berkeley and Los Angeles, 1991.

Rose, Paul Lawrence. "The Accademia Venetiana: Science and Culture in Renaissance Venice." Studi veneziani 11 (1969): 191-242.

Rosenthal, Margaret F. The Honest Courtesan: Veronica Franco, Citizen and Writer in Sixteenth-Century Venice. Chicago, 1992.

———. "Veronica Franco: The Courtesan as Poet in the Sixteenth Century." Ph.D. diss. Yale University, 1985.


462

———. "Veronica Franco's Terze Rime: The Venetian Courtesan's Defense." RQ 42 (1989): 227-57.

Ross, James Bruce. "Venetian Schools and Teachers, Fourteenth to Early Sixteenth Century: A Survey and a Study of Giovanni Battista Egnazio." RQ 29 (1976): 521-60.

Rossi, Vittorio. "Appunti per la storia della musica alla corte di Francesco Maria e di Guidobaldo della Rovere." Rassegna emiliana 1 (1888): 453-69.

Rubsamen, Walter H. "From Frottola to Madrigal: The Changing Pattern of Secular Italian Vocal Music." In Chanson & Madrigal, 1480-1530: Studies in Comparison and Contrast. Isham Memorial Library, 13-14 September 1961. Ed. James Haar, pp. 51-87. Cambridge, Mass., 1964.

Rudmann, Valnea. "Lettura della canzone per la peste di Venezia di Maffio Venier." Atti dell'Istituto Veneto di Scienze, Lettere ed Arti 121 (1962-63): 599-641.

Ruggiero, Guido. The Boundaries of Eros: Sex Crime and Sexuality in Renaissance Venice. Oxford, 1985.

Sagredo, Agostino. "Statuti della Fraternità e Compagnia dei Fiorentini in Venezia dell'anno MDLVI dati in luce per cura e preceduti da un discorso." Archivio storico italiano, App. 9 (1853): 441-97.

Salza, Abdelkader. "Madonna Gasparina Stampa, secondo nuove indagini." Giornale storico della letteratura italiana 62 (1913): 1-101.

———. "Madonna Gasparina Stampa e la società veneziana del suo tempo (nuove discussioni)." Giornale storico della letteratura italiana 66 (1917): 217-306.

Santangelo, Giorgio. Le epistole "De imitatione" di Giovanfrancesco Pico della Mirandola e di Pietro Bembo. Florence, 1954.

———. Il petrarchismo del Bembo e di altri poeti del '500. Rome, 1967.

Saviotti, Alfredo. "Un'artista del cinquecento: Virginia Vagnoli." Bulletino senese di storia patria 26 (1919): 105-34.

Scaglione, Aldo, ed. Francis Petrarch, Six Centuries Later: A Symposium. North Carolina Studies in the Romance Languages and Literature, Symposia, no. 3. Chapel Hill and Chicago, 1975.

Schulz, Juergen. "Jacobo de' Barbari's View of Venice: Map Making, City Views, and Moralized Geography before the Year 1500." Art Bulletin 60, no. 31 (1978): 425-74.

———. The Printed Plans and Panoramic Views of Venice (1486-1797). Saggi e memorie di storia dell'arte, no. 7. Venice, 1970.

Schulz-Buschhaus, Ulrich. Das Madrigal: Zur Stilgeschichte der italienischen Lyrik zwischen Renaissance und Barock. Bad Homburg, 1969.

Schutte, Anne Jacobson. "Commemorators of Irene di Spilimbergo." RQ 45 (1992): 524-36.

———. "Irene di Spilimbergo: The Image of a Creative Woman in Late Renaissance Italy." RQ 44 (1991): 42-61.

———. "The Lettere Volgari and the Crisis of Evangelism in Italy." RQ 28 (1975): 639-88.

Scoppa, M. Ant. Rapport présenté au nom de la Section de Musique, et adopté par la Classe des Beaux-Arts de L'Institut Impérial de France, dans ses séances du 18 avril et des 2 et 9 mai 1812, sur un ouvrage intitulé: Les Vrais Principes de la versification, développés par un examen comparatif entre les langues italienne et française, etc. Paris, 1812.

Scott, Izora. Controversies over the Imitation of Cicero in the Renaissance. 1910; Davis, Calif., 1991.

Scrivano, Riccardo. "Cultura e letteratura in Sperone Speroni." In Cultura e letteratura nel cinquecento, pp. 117-42. Rome, 1966.

———. La norma e lo scarto: proposte per il cinquecento letterario italiano. Rome, 1980.

———. "La poetessa Veronica Franco." In Cultura e letteratura nel cinquecento, pp. 195-228. Rome, 1966.

Seigel, Jerrold. Rhetoric and Philosophy in Renaissance Humanism: The Union of Eloquence and Wisdom, Petrarch to Valla. Princeton, 1968.

Selfridge-Field, Eleanor. Venetian Instrumental Music from Gabrieli to Vivaldi. New York, 1975.

Sherr, Richard. "Verdelot in Florence, Coppini in Rome, and the Singer 'La Fiore'." JAMS 37 (1984): 402-11.

Simone, Raffaele. "Sperone Speroni et l'idée de diachronie dans la linguistique de la Renaissance italienne." In History of Linguistic Thought and Contemporary Linguistics. Ed. Herman Parret, pp. 302-16. New York, 1976.

Slim, H. Colin. "An Iconographical Echo of the Unwritten Tradition." Studi musicali 17 (1988): 33-54.

———. "Parabosco, Girolamo." The New Grove 14:173-77.


463

———. "A Royal Treasure at Sutton Coldfield." Early Music 6 (1978): 57-74.

———. "Verdelot, Philippe." The New Grove 19:631-35.

Smarr, Janet L. "Gaspara Stampa's Poetry for Performance." Journal of the Rocky Mountain Medieval and Renaissance Association 12 (1991): 61-84.

Smith, Barbara Herrnstein. Poetic Closure: A Study of How Poems End. Chicago, 1968.

Snyder, Jon R. Writing the Scene of Speaking: Theories of Dialogue in the Late Italian Renaissance. Stanford, 1989.

Spingarn, Joel E. Literary Criticism in the Renaissance. Repr. with introduction by Bernard Weinberg. 1899; New York, 1963.

Starn, Randolph. Contrary Commonwealth: The Theme of Exile in Medieval and Renaissance Italy. Berkeley and Los Angeles, 1982.

———. Donato Giannotti and His "Epistolae": Biblioteca Universitaria Alessandrina, Rome, M. 107. Travaux d'humanisme et renaissance, 97. Geneva, 1968.

Stocchi, Manlio Pastore. "Scuola e cultura umanistica fra due secoli." In Storia della cultura veneta: dal primo quattrocento al concilio di Trenta. Vol. 3, pt. 1. Ed. Girolamo Arnaldi and Manlio Pastore Stocchi, pp. 93-121. Vicenza, 1980.

Sybrandy, Henry. "Abondante, Giulio." The New Grove 1:20.

Taddeo, Edoardo. Il manierismo letterario e i lirici veneziani del tardo cinquecento. Rome, 1974.

Tagliavini, Luigi F. "Abondante, Giulio." Dizionario biografico degli italiani, 1:55-56.

Tanturli, Giuliano. "Il disprezzo per Dante dal Petrarca al Bruni." Rinascimento, 2d ser., 25 (1985): 199-220.

Tassini, Giuseppe. Alcuni palazzi ed antichi edifichi di Venezia storicamente illustrati con annotazioni. Venice, 1879.

———. Curiosità veneziane, ovvero origini delle denominazioni stradali di Venezia. 4th ed. Venice, 1887. Rev. ed. Lino Moretti. Venice, 1988.

Tenenti, Alberto. "The Sense of Space and Time in the Venetian World of the Fifteenth and Sixteenth Centuries." In Renaissance Venice. Ed. John R. Hale, pp. 17-46. London, 1973.

Tigerstedt, E. N. "Observations on the Reception of the Aristotelian Poetics in the Latin West." Studies in the Renaissance 15 (1968): 7-24.

Tiraboschi, Girolamo. Storia della letteratura italiana. Vol. 7, 4 pts. Milan, 1824.

Todorov, Tzvetan. Mikhail Bakhtin: The Dialogical Principle. Trans. Wlad Godzich. Minneapolis, 1984.

Toffanin, Giuseppe. Storia della letteratura d'Italia: il cinquecento. 3d ed. Milan, 1945.

Tomlinson, Gary. "Madrigal, Monody, and Monteverdi's via naturale alla immitatione." JAMS 34 (1981): 60-108.

———. Monteverdi and the End of the Renaissance. Berkeley and Los Angeles, 1987.

———. Music in Renaissance Magic: Toward a Historiography of Others. Chicago, 1993.

———. "Rinuccini, Peri, Monteverdi, and the Humanist Heritage of Opera." Ph.D. diss. University of California at Berkeley, 1979.

Trinkaus, Charles. The Poet as Philosopher: Petrarch and the Formation of Renaissance Consciousness. New Haven, 1979.

Tripet, Arnaud. Pétrarque, ou la connaissance de soi. Geneva, 1967.

Trovato, Paolo. Dante in Petrarca: per un inventario dei dantismi nei "Rerum vulgarium fragmenta." Florence, 1979.

Tucci, Ugo. "Il patrizio veneziano mercante e umanista." In Venezia centro di mediazione tra oriente e occidente (secoli XV-XVI): aspetti e problemi. 2 vols. Ed. Hans-Georg Beck et al., 1:335-58. Fondazione Giorgio Cini. Florence, 1977.

———. "The Psychology of the Venetian Merchant in the Sixteenth Century." In Renaissance Venice. Ed. John R. Hale, pp. 346-78. London, 1973.

Turrini, Giuseppe. L'Accademia Filarmonica di Verona dalla fondazione (maggio 1543) al 1600 e il suo patrimonio musicale antico. Atti e memorie della Accademia di Agricoltura, Scienze e Lettere di Verona, no. 18. Verona, 1941.

———. Catalogo delle opere musicali: città di Verona, Biblioteca della Società Accademia Filarmonica di Verona. BMB, ser. 1, no. 18. Bologna, 1983.

Tyson, Gerald P., and Sylvia S. Wagonheim, eds. Print and Culture in the Renaissance: Essays on the Advent of Printing in Europe. Newark, Del., 1986.


464

Vallone, Aldo. "Di alcuni aspetti del petrarchismo napoletano (con inediti di Scipione Ammirato)." Studi petrarcheschi 7 (1961): 355-75.

Vasoli, Cesare. Marsilio Ficino e il ritorno di Platone. Ed. Gian Carlo Garfagnini. Studi e documenti. 2 vols. Florence, 1986.

Vecchio, Edoardo del. I Farnese. Istituto di Studi Romani. Città di Castello, 1972.

Venezia e d'intorni. Guida d'Italia del Touring Club Italiano. 2d ed. Milan, 1969.

Ventura, A. "Contarini, Lorenzo." Dizionario biografico degli italiani, 28:231-33. Rome, 1983.

Vianello, Valerio. Il letterato, l'accademia, il libro: contributi sulla cultura veneta del cinquecento. Biblioteca Veneta, no. 6. Padua, 1988.

———. "Tra Firenze e Venezia: il fenomeno del fuoruscitismo." In Il letterato, l'accademia, il libro: contributi sulla cultura veneta del cinquecento, pp. 17-46. Biblioteca Veneta, no. 6. Padua, 1988.

Vickers, Nancy J. "Diana Described: Scattered Woman and Scattered Rhyme." In Writing and Sexual Difference. Ed. Elizabeth Abel, pp. 95-109. Chicago, 1982.

———. "Vital Signs: Petrarch and Popular Culture." Romanic Review 79 (1988): 184-95.

Villas, James. "The Petrarchan Topos Bel Piede: Generative Footsteps." Romance Notes 11 (1969-70): 167-73.

Vinciguerra, Mario. Interpretazione del petrarchismo. Turin, 1926.

Vogel, Emil. Bibliografia della musica italiana profana nuova ed. interamente rifatta e aumentata con gli indici dei musicisti, poeti, cantanti, dedicatari e dei capoversi dei testi letterari. [Il nuovo Vogel.] Rev. ed. François Lesure and Claudio Sartori. 3 vols. Pomezia, 1977.

———. Bibliothek der gedruckten weltlichen Vocalmusik Italiens, aus den Jahren 1500 bis 1700. Berlin, 1892. Rev., enlarged ed. Alfred Einstein. Hildesheim, 1962. Repr. from Music Library Association Notes 2-4 (1944-48).

Waisman, Leonardo Julio. "The Ferrarese Madrigal in the Mid-Sixteenth Century." 4 vols. Ph.D. diss. The University of Chicago, 1988.

Walker, D. P. Music, Spirit, and Language in the Renaissance. Ed. Penelope Gouk. London, 1985.

———. Spiritual and Demonic Magic from Ficino to Campanella. Notre Dame, Ind., 1975.

Waller, Marguerite R. Petrarch's Poetics and Literary History. Amherst, 1980.

Ward, John O. "Commentators on Ciceronian Rhetoric in the Renaissance." In Renaissance Eloquence: Studies in the Theory and Practice of Renaissance Rhetoric. Ed. James J. Murphy, pp. 126-73. Berkeley, 1983.

Weinberg, Bernard. A History of Literary Criticism in the Italian Renaissance. 2 vols. Chicago, 1961.

Wethey, Harold E. The Paintings of Titian: Complete Edition. 2 vols. New York, 1971.

Weyler, Walter. "Documenten betreffende de muziekkapel aan het hof van Ferrara." Vlaamsch Jaarboek voor Muziekgeschiedenis 1 (1939): 81-113.

Whigham, Frank. Ambition and Privilege: The Social Tropes of Elizabethan Courtesy Poetry. Berkeley and Los Angeles, 1984.

Wienpahl, Robert W. "Zarlino, the Senario, and Tonality." JAMS 12 (1959): 27-41.

Wilkins, Ernest Hatch. A History of Italian Literature. Rev. ed. Thomas Bergin. Cambridge, Mass., 1974.

———. The Making of the "Canzoniere" and Other Petrarchan Studies. Storia e Letteratura, Raccolta di Studi e Testi, no. 38. Rome, 1951.

Williams, Ralph C. "The Originality of Daniello." Romanic Review 15 (1924): 121-22.

Woodhouse, J. R. Baldesar Castiglione: A Reassessment of "The Courtier." Edinburgh, 1978.

Zancan, Marina. "L'intellettualità femminile nel primo cinquecento: Maria Savorgnan e Gaspara Stampa." In Women's Voices in Italian Literature. Ed. Rebecca West and Dino Cervigni. Annali d'italianistica 7 (1989): 42-65.

Zenck, Hermann. "Zarlinos Istitutioni harmoniche als Quelle zur Musikanschauung der italienischen Renaissance." Zeitschrift für Musikwissenschaft 12 (1929-30): 540-78.

Zimmerman, Susan, and Ronald F. E. Weissman, eds. Urban Life in the Renaissance. Newark, Del., 1989.

Zingarelli, Nicolò. Le rime di Francesco Petrarca. Bologna, 1963.

Zorzi, Alvise. Cortigiana veneziana: Veronica Franco e i suoi poeti. Milan, 1986.

———. Venezia scomparsa. 2d ed. Milan, 1984.

Zorzi, Marino, ed. Collezioni di antichità a Venezia nei secoli della repubblica (dai libri e documenti della Biblioteca Marciana). Rome, 1988.


465

 

Preferred Citation: Feldman, Martha. City Culture and the Madrigal at Venice. Berkeley:  University of California Press,  c1995 1995. http://ark.cdlib.org/ark:/13030/ft238nb1nr/