Preferred Citation: Van Vleck, Amelia E. Memory and Re-Creation in Troubadour Lyric. Berkeley:  University of California Press,  c1991 1991. http://ark.cdlib.org/ark:/13030/ft358004pc/


 

R

Raimbaut d'Aurenga, 17 ;

and literary property, 163 ;

songbook, 65 -66;

and stanzaic linkage, 84 ;

and transposition, 79 -80, 218 , 219 , 222 , App. A;

"Aissi mou" (P.-C. 389, 3; Pattison 18), 133 ;

"Apres mon vers" (389, 10; Pattison 4), 193 ;

"Ara·m platz Guiraut" (389, 10a; Pattison 31), 134 -46;

"Ara·m so del tot" (389, 11; Pattison 29), 155 -56;

"Ar resplan" (389, 16; Pattison 39), 121 ;

"Ar vei escur" (392, 5; Pattison 10), 59 -60;

"Ben s'eschai" (389, 20; Pattison 21), 260 n.10;

"Cars dous" (389, 22; Pattison 1), 101 -2, 171 ;

"Domna si m'auzes" (389, 25; Pattison 26), 20 ;

"En aital rimeta" (389, 26; Pattison 2), 170 , 174 ;

"Escotatz mas no say que s'es" (389, 28; Pattison 24), 194 -95;

"Joglar, fe qed eu dei" (389, 30; Pattison 33), 109 ;

"Parliers" (389, 33; Pattison 34), 148 ;

"Pos trobars plans" (389, 37; Pattison 16), 156 ;

"Una chansoneta fera" (389, 40; Pattison 3), 161 -62;

"Un vers farai" (398, 41; Pattison 5), 161

Raimbaut de Vaqueiras:

"Kalenda Maia" (P.-C. 392, 9), 175

Raimon de Miraval, 80 , App. A;

"A Dieu mi coman Bajona" (P.-C. 406, 1; Topsfield 39), 97 -98

Raimon de Pau (jongleur), 254 n.1

Raimon Vidal, 35 -36

Raymond V, count of Toulouse, 135

Razo:

anecdote, 2 , 42 , 47 , 56 , 57 , 66 , 172 , 249 n.9, 259 n.13;

argument, 32 , 86 , 92 , 96 , 97 , 100 , 105 , 127 , 154 , 180 , 181 , 200 , 204 , 211

Razos de Trobar,51 .

See also Raimon Vidal

Reception:

medieval, 138 , 203 -5, 207 -10;

modern, 127 , 128 , 203 , 206 , 210 -11;

poet as auditor, 49

Recusatio, 148

Redundant safeguards, 103

Refrain words, 121 -24

Registers of language, 23

Regles de Trobar,29 , 30

Rhyme, 95 , 108 ;

closed, 152 ;

derivative, 257 n.13;

equal, 166 ;

equivocal, 188 ;

interlocking, 117 , 127 , 168 , 215 , 255 n.11;

in inverse order, 101 ;

patterns, 97 -102;

repetition, 90 , 147 , 162 , 186 , 304;

rotating, 98 , 103 , 117 , 118 -26;

scheme, 51 , 91 -129, 165 -66, 222 , 257 n.13;

scheme, guide to, 243 ;

scheme, as mnemonic aid, 49 , 51 , 73 , 83 , 84 , 179 ;

sounds, 91 , 92 , 109 ;

and stability, 74 , 81 , 86 -90, 96 , 100 , 181 -82, 203 ;

and stylistic complexity 74 , 81 , 89 , 255 n.9;

words, 108 , 124 , 154 .

See also Index of Provençal Terms: Rimar

Rich, Adrienne, 199

Rigaut de Berbezilh:

addressee as transmitter, 54 , 202 ;

coblas capfinidas,108 -9;

and idea of fixed text, 89 ;

and literary property, 67 ;

senhal, 73 ;

and stability, 67 , 84 , 222 , App. A;

"Atressi com l'orifans" (P.-C. 421, 2; Várvaro 2), 


279

23 , 45 -46, 193 -94;

"Lo nous mes d'abril" (421, 6; Várvaro 6), 54 ;

"Pauc sap d'amor" (421, 7; Várvaro 7), 122 -23, 127 ;

"Si co·l solilhs" (337,1; Várvaro dubia 5), 67 ;

"Tot atressi con la clartatz" (421,9; Várvaro 8), 108 -9

Roncaglia, Aurelio, 96

Rupert of Duize, 158


 

Preferred Citation: Van Vleck, Amelia E. Memory and Re-Creation in Troubadour Lyric. Berkeley:  University of California Press,  c1991 1991. http://ark.cdlib.org/ark:/13030/ft358004pc/