Works in European Languages

Ahn, Byung-joon. Chinese Politics and the Cultural Revolution: Dynamics of Policy Processes . Seattle: University of Washington Press, 1976.

Andrews, Julia F. "The Peasant's Pen: Some Thoughts on Realism in Modern Chinese Art." Search, Research, and Discovery in the Arts (Columbus, Ohio) 8 (Autumn 1987): 6-9.

———. "Traditional Painting in New China." Journal of Asian Studies 49, no. 3 (Aug. 1990): 555-585.

———. "Wang Yani and Contemporary Chinese Painting." In Yani: The Brush of Innocence , edited by Wai-ching Ho, pp. 39-50. New York: Hudson Hills Press, 1989.

"Art That Serves Proletarian Politics." China Reconstructs , Feb. 1968, pp. 18-20, 25.

Berliner, Nancy Zeng. Chinese Folk Art: The Small Skills of Carving Insects . Boston: New York Graphics Society/Little, Brown, 1986.

Bodde, Derk. Peking Diary, 1948-1949: A Year of Revolution . New York: Fawcett, 1967.

Boorman, Howard, ed. Biographical Dictionary of Republican China . New York: Columbia University Press, 1967.

Bunge, Frederica M., and Rinn-sup Shinn. China: A Country Study . Washington, D.C.: U.S. Government Printing Office, 1981.

Cahill, James Francis. An Index of Early Chinese Painters and Paintings: Tang, Sung, Yuan . Berkeley and Los Angeles: University of California Press, 1980.

———. The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting . Cambridge, Mass.: Harvard University Press, 1982.

———. The Distant Mountains: Chinese Painting of the Late Ming Dynasty, 1570-1644 . New York and Tokyo: Weatherhill, 1982.

Chang, Arnold. Painting in the People's Republic of China: The Politics of Style . Boulder: Westview Press, 1980.

Chang, Parris. Power and Policy in China . 2d ed. University Park: Pennsylvania State University Press, 1978.

Chen, Jack. Inside the Cultural Revolution . New York: Macmillan, 1975.

China News Reported in the Press . N.p., n.d.

China Pictorial . Beijing, 1951-.

China Reconstructs . Beijing: China Welfare Institute, 1952-1989.

Chinese Literature . Beijing: Foreign Language Press, 1951-.

Clark, John. "Materials on Painting and Other Fine Arts in the People's Republic of China Since 1949." Unpublished manuscript.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986 . New York: Abrams, 1987.

Croizier, Ralph. Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906-1951 . Berkeley and Los Angeles: University of California Press, 1988.

Das, Naranarayan. China's Hundred Weeds: A Study of the Anti-Rightist Campaign in China [1957-1958]. Calcutta: K. P. Bagchi, 1979.

Duiker, William J. Ts'ai Yuan-p'ei: Educator of Modern China . University Park: Pennsylvania State University Press, 1977.

Eight Dynasties of Chinese Painting: Collections of the Nelson Gallery-Atkins Museum, Kansas City, and The Cleveland Museum of Art . Edited by Sherman Lee and Wai-kam Ho. Bloomington: Indiana University Press, 1980,

Ellsworth, Robert. Later Chinese Painting and Calligraphy, 1800-1950 . New York: Random House, 1988.

Farrer, Anne. Wu Guanzhong: A Twentieth-Century Chinese Painter . London: British Museum, 1992.

Fokkema, D.W. Literary Doctrine in China and Soviet Influence, 1956-1960 . The Hague: Mouton, 1965.

Fong, Wen C., ed. Images of the Mind: Selections from the Edward L. Elliott Collections of Chinese Calligraphy and Painting at the Art Museum, Princeton University . Princeton: The Art Museum, Princeton University, 1984.

Goldman, Merle. Literary Dissent in Communist China . Cambridge, Mass.: Harvard University Press, 1967.

———. "Mao's Obsession with the Political Role of Literature and the Intellectuals." In The Secret Speeches of Chairman Mao: From the Hundred Flowers to the Great Leap Forward , edited by Roderick MacFarquhar, Timothy Cheek, and Eugene Wu, pp. 39-58. Cambridge, Mass.: Harvard University Press, 1989.

Hájek, Lubor, Adolph Hoffmeister, and Eva Rychterová. Contemporary Chinese Painting . Translated by Jean Layton. London: Spring Books, 1961.

Harbsmeier, Christoph. The Cartoonist Feng Zikai: Social Realism with a Buddhist Face . Oslo: Universitetsforlaget, 1984.

Hawks, Shelley Drake. "Painting by Candlelight During the Cultural Revolution: An Examination of Cheng Shifa's Album Series at the Museum of Fine Arts, Boston." Paper presented at a conference entitled "Uses of 'Culture' in Historical Writing," Cornell University, April 3, 1993.

Hearn, Maxwell. "Document and Portrait: The Southern Tour Paintings of Kangxi and Qianlong." Phoebus (Tucson) 6, no. 1 (1988): special issue entitled "Chinese Painting Under the Qianlong Emperor."

Hejzlar, Josef. Chinese Watercolors . London: Octopus Books, 1978.

Hergé The Blue Lotus . Boston: Little, Brown, 1984.

———. Tintin in Tibet . Boston: Little, Brown, 1975.

Ho, Wai-kam. "Aspects of Chinese Painting from 1100 to 1350." In Eight Dynasties of

Chinese Painting , ed. Sherman Lee and Wai-kam Ho, pp. xxv-xxxiv. Bloomington: Indiana University Press, 1980.

Hsü, Kaiyü. Literature in the People's Republic of China . Bloomington: Indiana University Press, 1980.

Hua Junwu, ed. Contemporary Chinese Painting . Beijing: New World Press, 1984.

Hunt, R.N. Carew. "Communist Jargon." In Readings in Russian Civilization , edited by Thomas Riha. Chicago: University of Chicago Press, 1965.

James, C. Vaughn. Soviet Socialist Realism: Origins and Theory . New York: St. Martin's Press, 1973.

Joseph, William A., Christine P.W. Wong, and David Zweig. New Perspectives on the Cultural Revolution . Cambridge: Harvard University Press, 1991.

Kao, Mayching Margaret. "The Beginning of the Western-Style Painting Movement in Relationship to Reforms in Education in Early Twentieth-Century China." New Asia Academic Bulletin (Xinya xueshu jikan) (Hong Kong) 4 (1983): 373-397.

———. "China's Response to the West in Art, 1898-1937." Ph.D. diss., Stanford University, 1972.

———, ed. Twentieth-Century Chinese Painting . Oxford: Oxford University Press, 1988.

Karnow, Stanley. Mao and China: Inside China's Cultural Revolution . New York: Penguin Books, 1984.

Karol, K.S. The Second Chinese Revolution . Translated by Mervyn Jones. New York: Hill & Wang, 1974.

Kraus, Richard C. "Arts Policies of the Cultural Revolution: The Rise and Fall of Culture Minister Yu Huiyong." In William A. Joseph, Christine P.W. Wong, and David Zweig, New Perspectives on the Cultural Revolution , pp. 219-241. Cambridge: Harvard University Press, 1991.

———. Pianos and Politics in China: Middle-Class Ambitions and the Struggle over Western Music . Oxford, England: Oxford University Press, 1989.

Kuptsov, I.I. Konstantin Mefod'evich Maksimov . Leningrad: Khudozhnik RSFSR, 1984.

Laing, Ellen Johnston. "Chinese Peasant Painting, 1958-1976: Amateur and Professional." Art International 27, no. 1 (Jan.-Mar. 1984): 1-12.

———. An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists . Asian Studies Program, publication no. 6. Eugene: University of Oregon, 1984.

———. "Li Sung and Some Aspects of Southern Sung Figure Painting." Artibus Asiae 37, nos. 1-2 (1975): 5-38.

———. The Winking Owl: Art in the People's Republic of China . Berkeley and Los Angeles: University of California Press, 1988.

Lane, Richard. Images From the Floating World: The Japanese Print, Including an Illustrated Dictionary of Ukiyo-e . New York: Dorset Press, 1978.

Lee, Hong Yung. The Politics of the Chinese Cultural Revolution: A Case Study . Berkeley and Los Angeles: University of California Press, 1978.

Lehmann-Haupt, Hellmut. Art Under a Dictatorship . New York: Oxford University Press, 1954.

Li, Chu-tsing. Trends in Modern Chinese Painting (The C.A. Drenowatz Collection ). Artibus Asiae Supplementum 36. Ascona, Switz.: Artibus Asiae Publishers, 1979.

Liao Jingwen. Xu Beihong: Life of a Master Painter . Beijing: Foreign Languages Press, 1987. (Translation of Xu Beihong yisheng [Beijing: China Youth Press, 1982].)

Link, Perry, ed. Roses and Thorns: The Second Blooming of the Hundred Flowers in

Chinese Fiction, 1979-1980 . Berkeley and Los Angeles: University of California Press, 1984.

———, ed. Stubborn Weeds: Popular and Controversial Chinese Literature After the Cultural Revolution . Bloomington: Indiana University Press, 1983.

Lippe, Aschwinn. "Kung Hsien and the Nanking School." Oriental Art , n.s., 2, no. 1 (1956): 3-11; 4, no. 4 (1958): 3-14.

Liu Binyan, Ruan Ming, and Xu Gang. "Tell the World": What Happened in China and Why . New York: Pantheon Books, 1989.

Liu Chunhua. "Painting Pictures of Chairman Mao is Our Greatest Happiness." China Reconstructs 17, no. 10 (Oct. 1968): 2-6.

———. "Singing the Praises of Our Great Leader Is Our Greatest Happiness." Chinese Literature , 1968, no. 9, pp. 32-40.

Liu I-ch'ing. A New Account of Tales of the World . Translated by Richard Mather. Minneapolis: University of Minnesota Press, 1976.

McDougall, Bonnie S. Mao Zedong's "Talks at the Yan'an Conference on Literature and Art": A Translation of the 1943 Text with Commentary . Michigan Papers in Chinese Studies, no. 39. Ann Arbor: University of Michigan Center for Chinese Studies, 1980.

———, ed. Popular Chinese Literature and Performing Arts in the People's Republic of China, 1949-1979 . Berkeley and Los Angeles: University of California Press, 1984.

MacFarquhar, Roderick. The Origins of the Cultural Revolution . Vol. 1: Contradictions Among the People, 1956-1957 ; vol. 2: The Great Leap Forward, 1958-1960 . London: Oxford University Press, 1974-1983.

MacFarquhar, Roderick, Timothy Cheek, and Eugene Wu, eds. The Secret Speeches of Chairman Mao: From the Hundred Flowers to the Great Leap Forward . Cambridge, Mass.: Harvard University Press, 1989.

Mao Zedong Poems . Beijing: Commercial Press, 1976.

Meisner, Maurice. Mao's China: A History of the People's Republic . New York: Free Press, 1977.

Minick, Scott, and Jiao Ping. Chinese Graphic Design in the Twentieth Century . New York: Van Nostrand Reinhold, 1990.

Modern Paintings in the Chinese Style . Supplement to China Reconstructs , Sept. 1960.

Murray, Julia K. "Ts'ao Hsün and Two Southern Sung History Scrolls." Ars Orientalis 15 (1985): 1-29.

"My Family." China Pictorial , 1953, no. 12, p. 34.

Nieh, Hualing, ed. Literature of the Hundred Flowers . Vol. 1: Criticism and Polemics ; vol. 2: Poetry and Fiction . New York: Columbia University Press, 1981.

Novak, Barbara. Nature and Culture: American Landscape and Painting, 1825-1875 . New York: Oxford University Press, 1980.

"Painting in a New Way." China Reconstructs , May 1955, pp. 15-17.

Rinden, Robert, and Roxanne Witke. The Red Flag Waves: A Guide to the Hung-ch'i p'iao-p'iao Collection . China Research Monographs, no. 3. Berkeley: University of California, Center for Chinese Studies, Aug. 1968.

Russian and Soviet Painting: An Exhibition from the Museums of the USSR Presented at the Metropolitan Museum of Art, New York, and the Fine Arts Museums of San Francisco . New York: Metropolitan Museum of Art/Rizzoli International, 1977.

Schneider, Laurence A. "National Essence and the New Intelligentsia." In The Limits of Change: Essays on Conservative Alternatives in Republican China , edited by Charlotte Furth, pp. 57-89. Cambridge, Mass.: Harvard University Press, 1976.

Schurmann, Franz. Ideology and Organization in Communist China· Berkeley and Los Angeles: University of California Press, 1968.

Sheridan, James E. Chinese Warlord: The Career of Feng Yü-hsiang . Stanford: Stanford University Press, 1966.

Shih, Shou-chien. "The Mind Landscape of Hsieh Yu-yü." In Images of the Mind: Selections from the Edward L. Elliott Collections of Chinese Calligraphy and Painting at the Art Museum, Princeton University , edited by Wen C. Fong, pp. 237-254. Princeton: The Art Museum, Princeton University, 1984.

Silbergeld, Jerome. "Political Symbolism in the Landscape Painting and Poetry of Kung Hsien (c. 1620-1689)." Ph.D. diss., Stanford University, 1974.

Silbergeld, Jerome, with Gong Jisui. Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng . Seattle: University of Washington Press, 1993.

Siren, Osvald. Chinese Painting: Leading Masters and Principles . 7 vols. New York: Ronald Press, 1956-1958.

Sotheby Parke Bernet. "Chinese Ceramics and Works of Art, Modern and Contemporary Chinese Paintings." Sale catalogue, New York, March 12, 13, 1981.

Spence, Jonathan. The Gate of Heavenly Peace: The Chinese and Their Revolution, 1895-1980 . New York: Viking Press, 1981.

———. The Search for Modern China . New York: W.W. Norton, 1990.

Sullivan, Michael. "Art and Reality in Twentieth-Century Painting." In Twentieth-Century Chinese Painting , edited by Mayching M. Kao, pp. 1-20. Oxford: Oxford University Press, 1988.

———. Chinese Art in the Twentieth Century . Berkeley and Los Angeles: University of California Press, 1959; rev. ed. forthcoming.

———. The Meeting of Eastern and Western Art . Berkeley and Los Angeles: University of California Press, 1989.

Sun Lung-kee. "Out of the Wilderness: Chinese Intellectual Odysseys from the 'May Fourth' to the 'Thirties.'" Ph.D. diss., Stanford University, 1985.

Sun, Shirley. Modern Chinese Woodcuts . San Francisco: Chinese Culture Foundation, 1979.

Takashina, Shuji^[*] . "Eastern and Western Dynamics in the Development of Western-Style Oil Painting During the Meiji Era." In Shuji^[*] Takashina and J. Thomas Rimer, with Gerald D. Bolas, Paris in Japan: The Japanese Encounter with European Painting , pp. 21-31. Tokyo: Japan Foundation/St. Louis: Washington University, 1987.

Union Research Institute. CCP Documents of the Great Proletarian Cultural Revolution, 1966-1967 . Hong Kong: Union Press, n.d.

———. Unselected Works of Mao Zedong, 1957 . Hong Kong: Union Press, 1976.

Wakeman, Frederic, Jr. The Fall of Imperial China . New York: Free Press, 1975.

Woo, Catherine Yi-yu. Chinese Aesthetics and Ch'i Pai-shih . Hong Kong: Joint Publishing Co., 1986.

Wu Guanzhong: A Contemporary Chinese Artist . Edited by Lucy Lim. San Francisco: Chinese Culture Foundation, 1989.

Wu Hung. "Official Space to Public Space: The Chinese Art Gallery." Lecture, Columbus, Ohio, October 9, 1993.

———. The Wu Liang Shrine: The Ideology of Early Chinese Pictorial Art . Stanford: Stanford University Press, 1989.

Wu, William Ding Yee. "Kung Hsien (ca. 1619-1689)." Ph.D. diss., Princeton University, 1979.

Yen Chia-chi and Kao Kao. The Ten-Year History of the Chinese Cultural Revolution .

China Studies Series no. 7. Taipei: Institute of Current Chinese Studies, 1988. (Translation of Gao Gao and Yan Jiaqi, Wenhua dageming shinianshi [Tianjin: Tianjin People's Press, 1986].)

Zhou Enlai. Selected Works of Zhou Enlai . Vol 1. Beijing: Foreign Languages Press, 1981.