| Victorian Literature and the Victorian Visual Imagination |
| Contributors |
| Introduction |
| Were They Having Fun Yet? Victorian Optical Gadgetry, Modernist Selves |
| Shared Lines Pen and Pencil as Trace |
| Image versus Text in the Illustrated Novels of William Makepeace Thackeray |
| "The Right Thing in the Right Place" P. H. Emerson and the Picturesque Photograph |
| Dust Piles and Damp Pavements Excrement, Repression, and the Victorian City in Photography and Literature |
| Making Darkness Visible Capturing the Criminal and Observing the Law in Victorian Photography and Detective Fiction |
| Victoria's Sovereign Obedience Portraits of the Queen as Wife and Mother |
| The Author as Spectacle and Commodity Elizabeth Barrett Browning and Thomas Hardy |
| The Hero as Spectacle Carlyle and the Persistence of Dandyism |
 | Street Figures Victorian Urban Iconography |
| Seeing the Unseen Pictorial Problematics and Victorian Images of Class, Poverty, and Urban Life |
| John Millais's Children Faith and Erotics: The Woodman's Daughter (1851) |
| Seeing Is Believing in Enoch Arden |
| Spectacular Sympathy Visuality and Ideology in Dickens's A Christmas Carol |
| Reading Figures The Legible Image of Victorian Textuality |
| Notes |
| Index |
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