R
Radio Dynamics (Fischinger), 226 , 228
Rainy Evening (Reiffel), 164 , 165
Ramos Martínez, Alfredo, 122 , 129 -31, 134 , 281 ;
Chapman Park Hotel mural, 131 ;
exhibition at Louis Stern Gallery (Beverly Hills), 135 n.8;
Margaret Fowler Memorial Garden mural (Scripps College, Claremont), 131 , 131-32 ;
Open Air Painting Schools, 129 , 130 ;
retrospective at Museo Nacional de Arte (Mexico), 135 n.8;
Santa Barbara Cemetery murals, 130 -31;
Vendedora de Frutas (Fruit Seller) , plate 6
Ransome, Ernest L., 144
Raoul Dufy (Peterson), 238
rationality mistrust of, 33
Ray, Man (pseud . of Emmanuel Rudnitsky), 283 ;
circle of friends of, 192 -93;
dadaism of, 191 -93;
exhibitions, 192 , 205 n.25, 284 , 285 ;
involvement in experimental film, 211 ;
La Fortune, III , 192 , 205 n.23;
lectures on surrealism, 194 ;
NightSun —Abandoned Playground , 192 ;
Optical Hopes and Illusions , 192 ;
Optical Longings and Illusions , 192 ;
and pop art, 201 ;
Rayographs, 192 , 201 ;
relationship with the Arensbergs, 205 n.19;
Shakespearian Equations , 193 ;
on surrealism in Hollywood, 181
realism, 172 , 173 ;
academic, 164 -65;
allegories of strife and despair, 45
Rebay yon Ehrenwiesen, Baroness Hilla, 226 , 230 -32, 240 n.17
Recreation and Park Department, 105 -6
Reed, Alma, 122
Refregier, Anton, 76 ;
conservative style of, 90 n.3;
depiction of Indians, 86 , 87 , 88 ;
suspected radical politics of, 69 , 79 . See also Rincon Annex murals
regionalism, 1 -2, 149 , 151 ;
and independence, 13 ;
versus internationalism, 61 -62;
marginalization of regional art, 5 ;
photography, 201 . See also American Scene painting
Reichek, Jesse, 113
Reiffel, Charles, 13 , 166 , 174 ;
memorial exhibition at San Diego Fine Arts Gallery, 164 ;
Rainy Evening , 165
Reinhardt, Ad, 55 , 286
religion and freedom, 33
religious allegory and war, 45 , 46
representationalism, 25 , 118 , 161 -63;
fictional nature of, 30 ;
figurative expressionism in, 62 , 165 ;
versus modernism, 15 n.7, 30
Republican Party, 78 -79
residual cultures, 36 n.6
Ret, Etienne, 282
Rexroth, Kenneth, 280
Rich, Daniel Catton, 66 -67n.76
Richey, Roubaix de L'Abrie, 126
Richter, Hans: Ghosts before Noon , 219 , 221
Rincon Annex murals (Refregier), 10 , 74 , 74 -93, 76 , 92 n.43;
Building the Railroad , 80 ;
The Civil War , 81 ;
Discovery of Gold , 81 ;
The Four Freedoms , 75 , 82 ;
hearings on subversiveness of, 69 , 78 -79, 81 -86, 88 -89, 92 nn.39, 49;
objections from Catholic Church, 75 ;
objections from Public Buildings Administration, 75 , 77 ;
objections from Veterans of Foreign Wars, 75 ;
The Overland Trail , 81 ;
Preaching and Farming at Mission Dolores , 88 ;
Preparedness Day Bombing and Mooney Trial , 81 ;
Renaissance roots of, 90 n.3;
Sand Lot Riots , 80 , 81 ;
support from artists and unions, 77 , 78 , 83 , 89 ;
support from museums, 84 ;
Vigilante Days , 85 ;
The Waterfront —1934 , 77 , 81
Ritual in Transfigured Time (Deren), 223
Rivera, Diego, 103 -6, 108 , 122 , 123 -24;
California School of Fine Arts mural, 281 ;
Chapingo murals, 126 ;
Detroit Institute of Art murals, 124 ;
Día de Flores , 127 , 128 ;
exhibitions, 125 , 281 ;
Golden Gate International Exposition mural, 284 ;
The Making of a Fresco Showing the Building of a City , 104 , 104 -5;
Man at the Crossroads , 73 ;
Ministry of Public Education murals, 124 ;
Rockefeller Center mural, 105 , 124 ;
Stock Exchange Lunch Club mural (San Francisco), 281 ;
Stock Exchange Tower mural, 103
Riviera/Capri Theatre (Los Angeles), 233
Robbins, LeRoy: Even as You and I , 219 , 220-21 ;
Suicide , 221 -22
Roberts House (Los Angeles; Corbett), 146 , 147
Robledo, Ricardo Gémez, 126
Rock and Shell Arrangement (E. Weston), 263
Rockefeller, Abby, 122
Rockefeller, Nelson, 73 , 122
Rockefeller Foundation, 127 , 129
Rock of Ages (Deutsch), 167
Rodia, Sabato, 10 ;
Nuestro Pueblo (Watts Towers), 28 -32, 29 , 278
Raymond Rohauer's Film Society, 233
The Rolling Fort (Spohn), 50 , 51 , 52
Rollins, Lloyd La Page, 257
Romains, Jules, 110
Roosevelt, Franklin Delano, 105 ;
New Deal, 72 , 243 -45
Rose, Stanley, 122 , 282
Rosenberg, Harold, 4
Rothko, Mark, 202 ;
exhibition at Santa Barbara Museum of Art, 285 ;
influence of surrealism on, 208 n.64;
Slow Swirl by the Edge of the Sea , 208 n.64
Ruscha, Edward, xv , 11 , 176
Russell, C. H.: arcades at Venice, Calif., 3
Russell, Morgan, 8 , 163 , 281 ;
Synchromism exhibition (Los Angeles County Museum), 280
Ryder, Worth, 107