INDEX OF AUTHOR'S WORKS
A
Ajia kenchiku no genzai (Asian architecture today), coauthored, xxxiv
"Amerika inshoki[*] " (Impressions of America), xxiv
"Amerika ni manabi risei o motomeru tame no hoho[*] josetsu" (Methodology for acquiring the American sense of reason), xvii –xviii
"Amerika 1964," xxv
"Andore Jido[*] to bungei hihyo[*] no mondai" (André Gide and the question of literary criticism), xviii
"Ankoku o hirake!" (Lift the curtain of darkness!), xvii
"Anpo joyaku[*] to chishikijin" (The Japan-U.S. Security Treaty and intellectuals), xxiv
Arai Hakuseki , coannotated, xxviii
"Arai Hakuseki no sekai" (The world of Arai Hakuseki), xxix
"Aruban Beruku Votsekku " (Alban Berg's Wozzeck [by Georg Büchner]), xxi
Aru hareta hi ni (One fine day), serialized, xviii , 240
"Aru kanso[*] :
Seiyo[*] kenbutsu tochu[*] de kangaeta Nihon bungaku no koto" (Some reflections on Japanese literature during my journey in the West), xxi
Aru ryokosha[*] no shiso[*] :
Seiyo[*] kenbutsu shimatsuki (A traveler's thoughts: An account of my journey to the West), xxi
"Aspects de la littérature japonaise contemporaine," xxv
Atama no kaiten o yoku suru dokusho-jutsu (Reading strategies for quick thinking), xxiv
B
"Beichu[*] sekkin–kanso[*] mittsu" (The U.S.-China rapprochement: Three thoughts), xxvii
"Beikoku saiho[*] " (Revisiting the United States), xxvi
"Ein Beitrag zur Methodologie der japanischen Literaturgeschichte," xxvii
"Berunaru[*] Byuffe to wareware no jidai" (Bernard Buffet and our time), xxiv
"Betonamu senso[*] to heiwa" (Vietnam: War and peace), xxviii
"Betonamu senso to Nihon" (The Vietnam War and Japan), xxv
"Betonamu to Zen to Anpo ni tsuite" (On Vietnam, Zen, and the Japan-U.S. Security Treaty), xxvi
"Bodoreeru[*] ni kansuru kogi[*] soan[*] " (Lecture draft on Baudelaire), xviii
Bosch's Enfants de l'absurde (Warera fujori[*] no ko), translation, xxii
"Bungaku no gainen to chuseiteki[*] ningen" (Idea of literature and the medieval man), xxiii
"Bungaku no koyo[*] " (The uses of literature), xxxiii
"Bungaku no shakaiteki koka[*] " (The social effects of literature), xxvi –xxvii
"Bungaku no yogo–Kyogi[*] no bungaku gainen kara kogi[*] no bungaku gainen e" (In support of literature: From a narrow to a broad definition of literature), xxix
"Bungakusha no seijiteki hatsugen" (Political statements by literary intellectuals), xx
"Bungakuteki Amerika ron" (Discussion of literary America), xxiv
"Bungakuteki jiden no tame no danpen" (Fragmentary piece on literary autobiographies), coauthored, xxiii
Bungaku to genjitsu (Literature and reality), xviii
"Bungaku to hihyo[*] " (Literature and criticism), xx
Bungaku to wa nani ka (What is literature?), xix ;
new ed., xxvii
"Bungei hihyo to shujigaku[*] " (Literary criticism and rhetoric), xviii
"Bungei jihyo[*] 1977" (Criticism of current works, 1977), xxix
"Bungei zasshi no urenai wake" (Why literary magazines don't sell), xix
"Bunka Daikakumei kikigaki" (What I heard about the Cultural Revolution), xxvi
"Buntai ni tsuite" (On literary style), xviii
"Burehito no shi ni tsuite" (On Brecht's poetry), xxii
"Buruno[*] Tauto to Nihon" (Bruno Taut and Japan), xix
"Butsuzo[*] no yoshiki[*] " (Styles of Buddhist sculpture), xxvi
C
"Cha no bigaku-Futatsu no kasetsu" (The aesthetics of tea: Two assumptions), xxv
"Chehofu[*]Sakura no sono sono ta" (Chekhov's The Cherry Orchard and others), xxi
"Chishikijin de aru joken[*] " (Qualifications of an intellectual), xxvi
Chishikijin no seisei to yakuwari, Kindai Nihon shisoshi[*] koza[*] 4 (The formation and role of the intelligentsia, Lectures on modern Japanese thought [vol. 4]), coedited, xxiii
"Chugoku[*] –futatsu no kao" (Two faces of China), xxvii
"Chugoku[*] mata wa hansekai" (China: Against world trends), xxvii
Chugoku[*] okan[*] (A traveler in China), xxvii , 434
"Chugoku shonin[*] mondai" (On the recognition of China), xxiii
Chugoku to tsukiau ho[*] (How to keep company with China), coauthored, xxix
"Churitsushugi[*] no nijunen[*] " (Twenty years of neutrality), xxvi
"Churitsu[*] to Anpo joyaku[*] to Chugoku shonin" (Neutrality, Japan-U.S. Security Treaty, and the recognition of China), xxiii
Condillac's Traité des sensations (Kankakuron [2 vols.]), cotranslated, xviii
D
Dainiji sekai taisen to gendai (The Second World War and the contemporary period), coedited, xxxi
"Dare ga hoshi no sora o mita ka–Shigosen no matsuri o megutte" (Who saw the starry sky: Focusing on [Kinoshita Junji's] The Meridian Festival ), xxx
"Dogijo[*] no mondai futatsu" (Two moral questions), xxviii
Dokeshi[*] no asa no uta (Morning song of a clown [short stories]), xviii
E
"Edo shiso[*] no kanosei[*] to jitsugen"
(The possibilities of Edo thought and their realization), xxvii
"E. H. Noman–sono[*] ichimen" (E. H. Norman: One aspect of him), xxix
"Eiga ni okeru kotenshugi no tanjo[*] " (The birth of classicism in film), xxii
"E–Kakusareta imi" (The hidden meaning in painting), serialized for Taiyo[*] , xxxi
"E. M. Fosuta[*] to hyumanizumu[*] " (E. M. Forster and humanism), xxiii
"Engeki no runessansu" (The renaissance of drama), xix
"Engeki no tanjo" (The birth of plays), xx
E no naka no onna tachi (Images of women in painting), xxxi ;
serialized for Madamu , xxx
Erosu no bigaku (The aesthetics of eroticism), coauthored with Ikeda Masuo, xxx
Eryuaru[*] shishu[*] (The poetry of [Paul] Eluard), coauthored and cotranslated, xx
"Etsunan jiaibun" (Personal statement on the tragedy of Vietnam), xxviii
"Etude morphologique des leucocytes dans l'anti-sérum contre la rate myéloide," xx
F
Form, Style, Tradition :
Reflections on Japanese Art and Society , xxvii
"Fujiwara Teika Shui[*] guso[*] no shochoshugi[*] " (Symbolism of Fujiwara Teika's Meager Gleanings ), xviii
"Fuko[*] hodo shiru koto no konnanna mono wa nai" (Nothing is more difficult than realizing one's misfortune), xxii
"Fukunaga Takehiko," xxi
"Fukunaga Takehiko no shi" (The death of Fukunaga Takehiko), xxx
"Fukunaga Takehiko o ronzu" (On Fukunaga Takehiko), xxviii
"Fukuzawa Yukichi Bunmeiron no gairyaku " (On Fukuzawa Yukichi's A Brief Outline of Civilization ), xxv
Furansu bungaku tokuhon (French literature reader), xx
"Furansujin no shinsetsu ni tsuite" (On the kindness of the French people), xx
"Furansu kokumin no teiko[*] no rekishi" (History of the French people's resistance), xx
"Furansu no jutaku[*] mondai" (Housing problems in France), xx
"Furansu no Katorishizumu" (French Catholicism), xxi
"Furansu no sayoku sakka" (Leftwing French writers), xvii
Futatsu no kyoku no aida de (Between two extremes), xxiv
"Futsuin senso[*] to Gurahamu Gurin[*] " (The French-Indochina war and Graham Greene), xxii
G
"Gaikoku bungaku no uketorikata to sengo" (Reception of foreign literature and the postwar era), xxiv
"Gaikokugo kyoiku[*] no mondai ni tsuite" (On foreign-language education), xxi
"Gakumon no hokatsusei[*] to ningen no shutaisei" (The comprehensiveness of knowledge and the subjectivity of man), xxviii
Gakumon no shiso[*] :
Sengo Nihon shisoshi[*] taikei 10 (Ideas of learning: A comprehensive collection on postwar Japanese thought [vol. 10]), coedited, xxvii
Geijutsu :
Iwanami koza[*] tetsugaku 14 (Art: Iwanami lectures on philosophy, [vol. 14]), coedited, xxvi
"Geijutsuka no kosei" (The artist's personality), xxiv
"Geijutsuron oboegaki" (Note on art), xxiv
Geijutsu ronshu[*] (Collected essays on art), xxvi , 419
"Geijutsu to gendai" (Art and the contemporary age), xxix
"Geijutsu to keishiki–Gendai Furansu no sozoryoku[*] " (Art and form: The creativity of contemporary France), xxv
"Gendai Chugoku[*] o meguru sobokuna gimon" (Some plain questions about contemporary China), xxvi
Gendai Furansu bungaku (Contemporary French literature), coauthored, xix
"Gendai Furansu bungaku no mondai" (Issues in contemporary French literature), xviii
Gendai Furansu bungaku ron (On contemporary French literature), xx ;
vol. 1, xviii
Gendai Furansu shijin gaisetsu" (Brief discussions on contemporary French poets), xx
Gendai Kankoku jijo[*] (Contemporary Korea [Kyoto]), coauthored, xxxiv
"Gendai Nihon bungaku no jokyo–Seikatsu[*] no geijutsuka to geijutsu no seikatsuka" (The state of contemporary Japanese literature: The artification of life and the domestication of art), xxiv
"Gendai Nihongo to shakai" (Contemporary Japanese and society), xxv
Gendai Nihon shichu[*] (Personal interpretations of contemporary Japan), xxxii
"Gendai ni okeru chishiki no keitai" (The configuration of contemporary knowledge), xxvi
"Gendai no geijutsuteki sozo[*] " (The creation of contemporary art), xxv
"Gendai no shakai to ningen no mondai" (The question of contemporary society and humankind), xxiii
Gendai sekai o yomu (Interpreting the contemporary world [Kyoto]), xxxiii
"Gendai shakai ni okeru geijutsuka no yakuwari" (The artist's role in contemporary society), xxvi
"Gendaishi daini geijutsu ron" (Contemporary poetry as second-class art), xix
Gendai shijin ron (On contemporary poets), xx
"Gendaishi ni nozomu" (My hopes in contemporary poetry), xxiii
"Gendai Yoroppa[*] ni okeru hando[*] no ronri" (The reactionary logic in contemporary Europe), xxii
Gendai Yoroppa[*] no seishin (The spirit of contemporary Europe), xxiii
"Gengo to bungaku ni tsuite no ron ni tsuite no ron" (About [Nishio Minoru's] "A Discussion of Language and Literature "), xxv
"Genjitsushugi to iu koto no imi" (Meaning of realism), xix
Genzai no naka no rekishi (History in the present), xxix
"Giryu[*] zuihitsu" (Random thoughts on Gion Nankai and Yanagisawa Kien), xxix
"Gosho Heinosuke shi no iken" (Views of Mr. Gosho Heinosuke), xxi
"Gottofurito[*] Ben to gendai Doitsu no seishin" (Gottfried Benn and the spirit of contemporary Germany), xxii
"Goya no sobyo[*] to hanga" (Goya's sketches and prints), xxi
"Gunkaku no mekanizumu" (The mechanism of military expansion), xxxii
"Gureamu Gurin[*] to Katorishizumu no ichimen" (Graham Greene and an aspect of Catholicism), xxii
H
Hayashi Tatsuo chosakushu[*] I (Selected writings of Hayashi Tatsuo [vol. 1]), "kaisetsu" (commentary) for, xxvii
"Hayashi Tatsuo o omou" (Remembering Hayashi Tatsuo), xxxi
"Hi-Rin Hi-Ko[*] shichu[*] " (Personal intrepretation of the anti-Lin [Biao] and anti-Confucius campaigns), xxviii
History of Japanese Literature : The First Thousand Years , trans. David Chibbett (vol. 1), xxx
History of Japanese Literature : From the Man'yoshu[*] to Modern Times (abridged ed.), xxxv
History of Japanese Literature (The Years of Isolation and The Modern Years ), xxxi
Hitsuji no uta : sono go (Postscript to A Sheep's Song ), xxxv
Hitsuji no uta :
Waga kaiso[*] (A sheep's song: My reminiscences), vii –xiv, 409 , 411 ;
serialized in Asahi Janaru[*] , xxvi , 409 ;
trans. Chia-ning Chang, 434 ;
2 vols., xxvi
"Hon'yaku koten bungaku shimatsu" (Translating classical literature), xxxiii
"Hon'yaku no idai to hisan" (Greatness and pathos of translation), xxii
"Hotta Yoshie shiki" (My private account of Hotta Yoshie), xxxiv
"Hyumanizumu[*] to shakaishugi" (Humanism and socialism), xvii
I
"Igirisujin no taido" (The attitude of the British), xxi
"Igirisu to kyosanshugi[*] " (England and communism), xxi
"Ikkyu[*] to iu gensho[*] " (The phenomenon of Ikkyu), xxx
"Imoto[*] ni" (To my little sister), xvii
"Isha no shigoto to bunshi no shigoto" (The work of a physician and the work of a writer), xxii
"Ishikawa Jun: Kotoba no chikara" (Ishikawa Jun: The power of words), xxx
"Ishikawa Jun oboegaki" (Note on Ishikawa Jun), xxiii
"Iwayuru Apure-geruha[*] to wa nani ka" (What is the so-called aprèsguerre school?), xix
"Iwayuru dekadansu ni tsuite" (On "decadence"), xvii
Izakaya no Kato[*] Shuichi[*] (Kato[*] Shuichi's[*] conversations at a tavern [Kyoto]), xxxiii ;
vol. 2, xxxiv
J
"Jakometti mata wa junsui geijutsuka" (Giacometti the pure artist), xxvii
"Jan Geno ni tsuite" (On Jean Guéhenno), xvii
"Jan Jirodo[*] shoron[*] " (Short discussion of Jean Giraudoux), xxi
Japan: Spirit and Form , xxxiv
Japan-China Phenomenon :
Conflict or Compatibility ?, xxviii , 434
"Japanese Writers and Modernization," xxv
"Jean Guéhenno," xix
Jidai o yomu (Interpreting the present), coauthored, xxxv
"Jindo[*] no eiyu[*] " (Hero of humanity), xxi , 298
Jinkosai[*] (Festival of the gods), xxiii , 368
Jinrui no chiteki isan–Sarutoru (The intellectual heritage for humankind: Sartre), xxxi
"Jitsuzonshugi no dento[*] ni tsuite" (On the traditions of existentialism), xix
"Jitsuzonshugisha no kafe[*] " (The existentialists' café), xx
K
"Kabuki zatsudan" (Miscellaneous thoughts on kabuki), xxxii
"Kafu[*] et la littérature française," xxiii
"Kafu to iu gensho[*] " (The Kafu phenomenon), xxiv
"Kaisetsu Ishikawa Jun shoron" (Commentary: A short discussion of Ishikawa Jun), xxi
"Kakeidaijo[*] no Jannu Daruku" ([Paul Claudel's] Jeanne d'Arc au bûcher ), xx
"'Kako no kokufuku' oboegaki" (Some comments on Vergangenheitsbewältigung [overcoming the past]), xxxiv
"Kakumei no bungaku to bungaku no kakumei" (Revolutionary literature and literary revolution), xviii
"Kamyu homon[*] " (Interviewing Camus), xxi
"Kanada kara mita Betonamu senso[*] " (The Vietnam War as seen from Canada), xxv –xxvi
"Karu[*] Baruto to Purotesutantizumu no ronri" (Karl Barth and the logic of Protestantism), xxiii
"Karuru Kurausu–Jinrui saigo no hibi ni tsuite" (Karl Kraus: On Die letzten Tage der Menschheit ), xxv
"Karu Yasupasu[*] no seishin byorigaku[*] " (Karl Jaspers's psychopathology), xviii
"Katei shosetsu[*] no mondai" (The question of domestic novels), xx
Kato[*] Shuichi[*] chosakushu[*] (Selected works of Kato[*] Shuichi[*] [1978–May 1980; 15 vols.]), xxx , 298
Kato Shuichi chosakushu dai'niki (Heibonsha, 1996-), xxxv
Kato Shuichi kashu[*] (The poetry collection of Kato Shuichi), xxix
Kato Shuichi Koenshu[*] I :
Dojidai[*] to wa nani ka (Lectures by Kato Shuichi: The question of contemporaneity [vol. 1; Kyoto]), xxxv
Kato Shuichi Koenshu II :
Dento[*] to gendai (Lectures by Kato Shuichi: Tradition and the present [vol. 2; Kyoto]), xxxv
"Kato Shuichi no sekai shuyuki[*] " (Kato Shuichi's[*] world travels), serialized weekly in Mainichi gurafu , xxv
Kato Shuichi sekai manyuki[*] (Kato Shuichi's world wanderings), xxv
Kato Shuichi shishu[*] (A poetry collection of Kato Shuichi), xxix
"Kenedi shigo no sekai" (The world after Kennedy's death), xxv
Kenpo[*] wa oshitsukerareta ka (Was the constitution forced upon Japan? [Kyoto]), xxxii
"Kenryoku seiji to shakai seigi" (Power politics and social justice), xxii
"Ketsuekigaku no shimpo 1941–48" (Advancements in hematology 1941–48), coauthored, xviii –xix
"Kindai Nihon no bunmeishiteki ichi" (Modern Japan's position in cultural history), xxii
Kindai no shijin 10 : Nakahara Chuya[*] (Modern poets: Nakahara Chuya[*] [vol. 10]), edited, xxxiii
"Kinoshita Junji shoron[*] " (Short discussion on Kinoshita Junji), xxii
"Kinoshita Mokutaro[*] no hoho[*] ni tsuite" (On the Methodology of Kinoshita Mokutaro), xix
klassische Japan, Das , coauthored, xxxii
"Kodai Naijeriya no chokoku[*] " (Ancient Nigerian sculpture), xxxiii
"Kodoku no ishiki to hiroba no ishiki" (Idea of solitude and the idea of the plaza), xviii
"Koetsu[*] oboegaki" (Note on [Hon'ami] Koetsu), xxix
Kokusai shimpojiumu–Sengo no Nihon : Tenkanki o mukaete (International symposium–postwar Japan in the face of transition), edited (with Ronald P. Dore), xxix
"Kondiyakku no Kankakuron ni tsuite" (On Condillac's Traité des sensations ), xviii
"Konnichi ni okeru geijutsu kyoiku[*] no imi to mondai" (The significance of and issues in contemporary art education), xxiv
"Koten no imi" (The meaning of classics), xxix
Koten o yomu 23 : Ryojin[*] hisho[*] (Reading the classics: The dance of dust on the rafters [vol. 23]), xxxi
"Kotoba to ningen" (Words and human beings), xxix
Kotoba to ningen , xxix
"Kotoba to sensha" (Words and tanks), xxvi , 426
"Koto hozon" (Preservation of the ancient capital), xxxiii
"Kuroderu[*] ni tsuite" (On Claudel), xxi
"Kurui gumo mori no harusame" (Wild clouds and spring rain in the woods), xxv
"Kyokasho[*] ken'etsu no byori[*] " (The pathology of textbook censorship), xxx
"Kyosanshugi[*] to shimpoteki Kirisutosha" (Communism and progressive Christians), xix
"Kyosho[*] Tomioka Tessai" (The great master Tomioka Tessai), xxviii
M
Maboroshi no bara no machi nite (The illusory city of roses), xxviii
"Machine Poetikku no kozai[*] " (Merits and shortcomings of the Matinée Poétique group), coauthored, xxii
Machine Poetikku shishu[*] (Poetry collection of Matinée Poétique), xviii , 179
"Machine Poetikku to sono sakuhin ni tsuite" (On the Matinée Poétique group and its works), xvii
"Majimena jodan[*] " (Serious jokes), xxix
"Masuko Jun'ichi soshite reddo paji[*] " (Masuko Jun'ichi and the red purge), xxxiv
"Masu komi wa yoron o tsukuru ka?" (Does the mass media create public opinion?), xxiii
"Mechanisms of Ideas: Society, Intellectuals, and Literature in the Postwar Period in Japan," in Legacies and Ambiguities : Postwar Fiction and Culture in West Germany and Japan , xxxiii
"Meiji shoki no buntai" (Literary style in the early Meiji period), xxxii
"Meiji shoki no hon'yaku–Naze nani o ikani yakushita ka" (Translations in the early Meiji period: The whys, whats, and hows), xxxiii
"Minshushugi bungaku ron" (On democratic literature), xix
"Minshushugi no gojunen[*] " (Fifty years of democracy), xxxiv
"Minzokushugi to kokkashugi" (Nationalism and statism), xxiii
"Mirano no annaisha" (A guide in Milan), xx
"Mittsu no shosetsu[*] ron" (Three views on the novel), xix
"Miyagi Otoya cho Kindaiteki ningen " (On Miyagi Otoya's Modern Man ), xix
"Mono to ningen to shakai" (Things, people, and society), xxiv
"Mori Ogai[*] ," xxv
"Motoori Norinaga oboegaki" (Note on Motoori Norinaga), xxiv
N
"Nagai Kafu[*] ," xix
"Nakahara Chuya[*] no Nihongo" (Nakahara Chuya's[*] Japanese), xxxiii
"Nakamoto Kogo[*] " ([Tominaga] Nakamoto's [Shutsujo[*] ] kogo[*] ), xxv
"Nakamura Minoru cho Miyazawa Kenji " (Nakamura Minoru's Miyazawa Kenji ), xxi
"Nakano Shigeharu danpen" (Fragmentary piece on Nakano Shigeharu), xxxv
"Nicchu[*] kankei no mirai" (The future of Sino-Japanese relations), xxxv
Nihon: Sono kokoro to katachi (Japan: Its essence and forms [ed. English translation appeared 1994 as Japan: Spirit and Form ]), coauthored 10-vol. series, xxxii
"Nihon bungaku" (Japanese literature), xxxi
"Nihon bungaku no dento[*] " (Traditions in Japanese literature), xviii
"Nihon bungaku no dento to 'warai' no yoso[*] " (The Japanese literary tradition and the comic element), xxvi
"Nihon bungaku no kakikae—Gaikoku bungaku no eikyo[*] to kanren shite" (Rewriting Japanese literature: In connection with the impact of foreign literatures), xxiv
Nihon bungakushi josetsu (Introduction to a history of Japanese literature), 411 –12, 419 , 434 ;
serialized in Asahi Janaru[*] , xxviii ;
vol. 1, xxviii , xxx ;
vol. 2, xxx
Nihon bunka no kakureta kata (Hidden forms in Japanese culture), coauthored, xxxi
"Nihon bunka no kihonteki kozo[*] —Genji monogatari emaki ni tsuite" (The fundamental structure of Japanese culture: On The Genji Scrolls ), xxv
"Nihon bunka no zasshusei" (Hybrid nature of Japanese culture), xxi
"Nihongo no unmei" (Destiny of the Japanese language), xix
Nihongo o kangaeru (Thoughts on the Japanese language [Kyoto]), xxxii
"Nihonjin no gaikokukan" (The Japanese view of the outside world), xxiv
"Nihonjin no sekaizo[*] " (The Japanese world view), xxiv
Nihonjin no shiseikan (The Japanese view on life and death [2 vols.]), coauthored, xxix , 430
Nihonjin to wa nani ka (What is a Japanese?), xxix
"Nihon kara mita Furansu to Furansu kara mita Nihon" (France as seen from Japan and Japan as seen from France), xx
Nihon kindai shiso[*] taikei 15 : Hon'yaku no shiso (Comprehensive collection of modern Japanese thought: The ideology of translation [vol. 15]), coedited, xxxiii
Nihon kindai shiso taikei 16 : Buntai (Comprehensive collection of modern Japanese thought: Literary style [vol. 16]), coedited, xxxii
"Nihon no bigaku—Sono kozo ni tsuite" (Design of Japanese aesthetics), xxvi
"Nihon no eigo kyoiku[*] " (English education in Japan), xxiv
"Nihon no geijutsuteki fudo[*] " (Japan's artistic landscape), xxiii
"Nihon no kokusai 'koken[*] ' " (Japan's international "contribution"), xxxiv
Nihon no koten (Japanese classics), coauthored, xxviii
"Nihon no niwa" (Japanese gardens), xix , 247
Nihon no uchi to soto (Perspectives on Japan), xxvii
Nihon wa doko e yuku no ka (Where is Japan heading?), xxxv
"Nikko[*] Toshogu[*] ron" (On Nikko's[*] Toshogu), xxv
"Ninen buri no Nihon" (Japan I haven't seen for two years), xxiv
1946: Bungakuteki kosatsu[*] (1946: A literary enquiry), coauthored, xvii , 232 –34, 239
"Nomura Manzo[*] no gei—bunka no fuhensei ni tsuite" (The art of Nomura Manzo: On the universality of culture), xxv
"No[*] to kindaigeki no kanosei[*] " (Possibilities of no[*] and modern drama), xviii
O
Ogai[*] :
Iwanami koza[*] Nihon bungakushi (vol. 15), xxiii
"Ogai[*] to yogaku[*] " (Ogai and Western learning), xix
"Oitsuki katei no kozo[*] ni tsuite—kotoni Nichi Doku kindaishi no baai" (Climbing on the bandwagon [of modernity]—with special reference to modern Japanese and German history), xxvii
"Ongaku no gendai" (The contemporary age of music), xxvii
"Ongaku no shiso[*] " (Ideas in music), xxvii
"On the Emperor," xxix
"Orudasu Hakkusuri no saishinsaku Jikan wa tomaranakereba naranai ni tsuite" (On Aldous Huxley's most recent work, Time Must Have a Stop ), xix
P
"Pari kara" (From Paris [a letter to Nakano Shigeharu]), xxi
"Pari no Nihonjin" (The Japanese in Paris), xxi
"Pari no ongakukai" (Concerts in Paris), xx
"Pari no shibai" (The Parisian theater), xxi
"Pikaso no saikin no saku" (Recent works by Picasso), xxi
Pita[*] Buryugeru[*] (Pieter Brueghel), translation, xxii
"Political Modernization and Mass Media," xxv
"Postmodernism and Asia," xxxiii
"Problèmes des écrivains japonais d'aujourd'hui," xxvi
R
"Reisen no shuen[*] o do[*] miru ka" (How to assess the end of the Cold War), xxxiv
"Reisen no unda higeki" (Tragedy created by the Cold War), xx
Rekishi, Kagaku, Gendai—Kato[*] Shuichi[*] taidanshu[*] (History, science, and modernity: Conversations of Kato[*] Shuichi[*] ), xxviii
Rekishi o miru me—Mata wa rekishi ni okeru "nichijo[*] " no hakken (Viewing history: The discovery of mundanity in history), coauthored, xxix
"Rekishi to bungaku to hihyo[*] seishin" (History, literature, and the critical spirit), xxvi
"Re-sen tairyo[*] ichiji shosha[*] no ketsueki narabi ni zoketsuki[*] ni oyobosu eikyo[*] " (Impact of one-time massive x-ray irradiation on blood and hematogenous tissues), coauthored, xviii
"Riarizumu to shosetsu[*] " (Realism and the novel), xvii
"Romanshugi[*] no bungaku undo[*] " (The romantic movement in literature), xx
"Rosserini[*] no Itaria" (Rossellini's Italy), xix
"Ruo[*] no geijutsu" (The art of Rouault), xx
"Ryunosuke[*] to hanzokuteki seishin" (Ryunosuke's[*] anti-conventional spirit), xix –xx
S
"Sabetsu no kokusaika" (The internationalization of discrimination), xxxiii
Saito[*] Mokichi : Kindai no shijin III , edited, xxxiv
"Saito[*] Mokichi no sekai" (The world of Saito Mokichi), xxxiv
"Sakoku no shinri" (Psychology of national seclusion), xxii
"Sakuhin, hoho[*] , kanjusei oyobi jidai" (Creative works, methodology, sensibility, and time), xxxiii
Sanchujin[*] kanwa (Idle talks by a mountain recluse), xxxi , 412 ;
rev. ed., xxxii ;
serialized in evening edition of Asahi Shimbun , xxx
"Saraba Kawabata Yasunari" (Goodbye, Kawabata Yasunari), xxvii –xxviii
Sartre's "Qu'est-ce que la littérature?" (Bungaku to wa nani ka) and "Jitsuzonshugisha no kafe[*] " (The existentialists' café), cotranslated, xx
"Sarutoru no gokai" (Misunderstandings of Sartre), xvii
"Sarutoru no ichizuke" (Positioning Sartre), xix
"Sarutoru ron izen" (Before discussing Sartre), xxx
"Sarutoru to kakumei no tetsugaku" (Sartre and the philosophy of revolution), xviii
"Sarutoru to kyosanshugi[*] " (Sartre and communism), xxii
"Seijika no mono no kangaekata" (The politicians' way of thinking), xxiv
Seiji to bungaku (Politics and literature), xxiii
"Seio[*] no chishikijin to Nihon no chishikijin" (Intellectuals in Western Europe and intellectuals in Japan), xxii
"Seio[*] to wa nani ka" (What does Western Europe mean?), xxiii
"Seishin no ofuku[*] undo[*] " (The revolution of the spirit), xxxiv
Seiyo[*] sanbi (In praise of the West), xxiii
"Sekai bungaku kara mita Nihon bungaku" (Japanese literature as seen from world literature), xxii
"Sekaishi no tenkanten to shite no Vetonamu senso[*] " (The Vietnam War as a transitional point in world history), xxviii
Sekiyo[*] mogo[*] (Untempered utterances), 412 ;
serialized in evening edition of Asahi Shimbun , x , xxxi ;
vol. 1, xxxii ;
vol. 2, xxvii ;
vol. 3, xxxiii ;
vol. 4, xxxiv ;
vol. 5, xxxv
Sengo : Gaikokujin no mita Nihon 5 (Postwar era: Japan as seen by foreigners [vol. 5]), edited, xxiv
Sengo no Furansu : Watashi no mita Furansu (Postwar France: The France I saw), xx
"Sengo no Furansu eiga" (Postwar French films), xix
"Sengo no Katorishizumu" (Postwar Catholicism), xix
Sengo sedai no senso[*] sekinin (War responsibility of the postwar generation [Kyoto]), xxxiv
"Sengo to Nihon" (The postwar period and Japan), xxxi
"Sengo yonjunen[*] —Nani ga kawari nani ga kawaranakatta ka" (Forty years after the war: What has changed and what hasn't), xxxi
"Senso[*] bungaku ni tsuite" (On war literature), xx
"Senso to bungaku to ni kansuru danso[*] " (Fragmentary thoughts on war and literature), xvi
"Senso to chishikijin" (War and intellectuals), xxiii
"Shakaishugi no mittsu no kao" (Three faces of socialism), xxiii
"Shakaishugi saiho[*] " (Revisiting socialism), xxxiii
"Shakaishugisha to kyosanshugi[*] " (Socialists and communism), xxii
"Shibungaku no fukko[*] " (Revival of privatized literature), xxi
"Shijin keizaigakusha" (Poet and economist), xxxiv
"Shijin no taido—Raina[*] Maria Riruke no baai" (The poet's attitude: The case of Rainer Maria Rilke), xx
Shimpan sekai man'yuki[*] (World travels: New edition), xxvii
"Shinko[*] no seiki to shichinin no senkusha" (Century of faith and seven precursors), xviii
"Shi no mikata—Edo jidai to kindai" (Views on death: The Tokugawa and the modern periods), xxiii
"Shinpishugi kaigi" (Interpretation of mysticism), xviii
Shinran : Jusanseiki[*] shiso[*] no ichimen (Shinran: One aspect of thirteenth-century thought), xxiv
"Shinshu[*] no tabi kara" (From my trip to Shinshu), xxi
Shi oyobi shijin (Poetry and poets), xxvii
Shirarezaru Nihon (The unknown Japan), xxii
"Shisendo[*] shi" (Account of the hall of poetry immortals), xxv , 247
"Shochoshugiteki[*] fudo[*] " (Landscape of symbolism), xviii
"Shokuminchi bunka ni tsuite" (On colonial culture), xix
"Shopan no tegami" (Letters of Chopin), xxi
"Shoshiminteki[*] hanno[*] ni tsuite" (On the reactions of the petty bourgeoisie), xxvii
Shoshin[*] dokugo (Gratifying Monologues) , xxvii
"Shozoga[*] ni tsuite: Fan Aiku o megutte" (On portraits: Focusing on Van Eyck), xxi
"Shukumei to yobareta eiga" (A film called Destiny [Celui qui doit mourir ]), xxii
Six Lives Six Deaths : Portraits from Modern Japan , coauthored, xxx , 430
"Sorenpo[*] nikagetsu no tabi" (Two-month trip in the Soviet Union), xxiii
"Sorenpo no insho[*] " (Impressions of the Soviet Union), xxiii
"Soseki[*] ni okeru genjitsu" (Soseki's[*] idea of reality), xviii
"Soseki shoron[*] " (Short discussion of Soseki), xxxiv
"Sotatsu[*] no sekai" (The world of [Tawaraya] Sotatsu), xxviii
"Soto kara mita Nihon" (Japan as seen from the outside), xxiv
"Sozoryoku[*] no yukue—Nihon bunka no kanosei[*] " (Creativity's where-abouts: The possibility of Japanese culture), xxv
"Subarashii kuni" (Wonderful country), xxiv
"Suisu no ukiyo-e ten" (Ukiyo-e exhibition in Switzerland), xxi
T
"Taisei no jizoku to danzetsu" (Continuities and discontinuities in the established structure), xxxiv
"Taisho[*] Democracy as the Pre-Stage for Japanese Militarism," xxviii
"Takamaru Beichu[*] ; senso[*] no ashioto" (War clouds gathering between the United States and China), xxvi
"Takeuchi Yoshimi no hihyo[*] sochi[*] " (The critical apparatus of Takeuchi Yoshimi), xxvi
"Tana:[*]
Bijutsushi no shukuzu" (Turner: Art history in epitome), xxi
"Tawaraya Sotatsu," xxvi
Teiko[*] no bungaku (Literature of resistance), xx
Teiko no bunka (Culture of resistance), xx
Tenkanki : Ima to mukashi (Transitional period: Past and present [Kyoto]), xxxiv
Tenkeiki hachiju[*] nendai e (Into the eighties as a time of transformation), coauthored, xxx
"Tennosei[*] o ronzu—Fugorishugi[*] no gensen" (On the emperor system: The origin of irrationalism), xvii
"Tohiteki[*] bungaku o sare!" (Escapist literature, out you go!), xvii
"Tokyo et le nouvel ordre mondial," xxxiii
Tokyo nikki : Gaikoku no tomo e (Tokyo diary: To my foreign friends), xxiv
"Tominaga Nakamoto: A Tokugawa Iconoclast," xxvi
"Tomioka Tessai," xxxi
"Toshi no kosei" (The individuality of cities), xxviii
"Tsuru wa shinazu" (The crane will not die), xxxiv
U
"Uchikomi to sotokomi no mondai" (Intra-group and inter-group communication), xxvii
Umibe no machi nite :
kasetsu to iken (At a seaside town: Hypotheses and opinions), xxv
Unmei (Destiny), xxii , 368
Utsukushii Nihon (Beautiful Japan), xix
Uzubekku Kuroachia Kerara kiko[*] (Travels in Uzbekistan, Croatia, and Kerala), xxiii , 382
V
"Valeri[*] sho[*] " (In praise of Valéry), xvii
Vercors's Le Silence de la mer and La Marche à l'étoile as Umi no chinmoku [Kono[*] ] and Hoshi e no ayumi [Kato[*] ], cotranslated (with Kono Yoichi), xx
"Vin[*] konjaku" (Vienna past and present), xxiii
"Vin no omoide" (Memories of Vienna), xxi
W
"Waga shisaku waga fudo[*] " (My meditations, my landscapes), xxvii
"Watakushi-shosetsu[*] no eikoseisui" (Rise and decline of the I-novel), xix
Watashi no Showa[*] shi (A personal Showa[*] history), edited, xxxii
Y
"Yakeato no bigaku" (The aesthetics of burned-down ruins), xvii
Yakushiji : Nihon no tera 8 (Yakushiji temple [vol. 8]), coauthored, xxiii
"Yakushi zatsudan" (Miscellaneous topics on the translation of poetry), xxxiv
"Yamatogokoro saisetsu" (More on the Japanese spirit), xxv
"Yokomitsu Riichi," xvii
"Yokubo[*] to iu na no densha to yokubo[*] to iu na de nai densha" (A Streetcar Named Desire and a streetcar not named desire), xxix
"Yonaoshi kotohajime" (The beginnings of social reform), xxvi
Yoroppa[*] futatsu no mado—Toredo to Venetia (Two windows to Europe—Toledo and Venice), coauthored, xxxi
"Yoroppa[*] shiso[*] : Atarashii genjitsu to no taiketsu" (European thought: Confronting a new reality), xxii
"Yoshida Hidekazu cho Ongakuka no sekai kaisetsu" (Commentary on Yoshida Hidekazu's The Musician's World ), xx
Yoshimitsu Yoshihiko zenshu[*] 5 (The collected works of Yoshimitsu Yoshihiko [vol. 5]), coedited, xxxi
Yukawa Hideki chosakushu[*] 7 (Selected works of Yukawa Hideki [vol. 7]), edited, xxxii
Z
Zasshu bunka : Nihon no chiisana kibo[*] (Hybrid culture: A small hope for Japan), xxii , xxviii
"Zasshuteki Nihon bunka no kadai" (Question about the hybrid nature of Japanese culture), xxi
"Zeami no senjutsu mata wa nogakuron[*] " (Zeami's strategy: Treatises on No[*] ), xxviii
"Zoku Nihon bungakushi josetsu" (Introduction to a history of Japanese literature, a sequel), serialized in Asahi Janaru[*] , xxix
"Zuiso[*] dokusho" (Random thoughts on reading), xxv
"Zur Situation der modernen japanischen Literatur," xx