N
Nagler, Alois M., 214 n64
Napoleonic conquest, 14
Narrative art:
and Catholic Reformation, 19 , 87 , 213 n58;
and Council of Trent, 43 , 80 , 94 , 147 , 216 n11;
and doctrine of salvation, 87 , 88 ;
and Giambologna's Equestrian Monument of Cosimo I , 4 ;
and Giambologna's Grimaldi Chapel reliefs, 4 -5, 48 , 80 -81, 88 -89, 116 , 131 , 147 , 149 ;
and Giambologna's Rape of the Sabines , 93 ;
and Giambologna's Salviati Chapel reliefs, 4 , 41 , 42 , 43 , 92 ;
and histori-
Narrataive art (continued )
cal accuracy, 80 ;
maniera style of, 128 -29, 131 ;
scholarly study of, 5 -6;
and viewers' relation to images, 3 , 19 , 44 , 218 n25;
Hayden White's analysis of, 87
Nativity, Christ's, depictions of, 191 -92n28, 196 n15
Negrone, Giulio, 21 , 24 , 58 -59, 61 , 195 n11, 206 n31
Neptune Fountain (Giambologna), in Bologna, 91 , 91 , 187 n1
Nessus and Deianira (Giambologna), 195 n12
Netherlands, 201 n39
Niches:
in Chapel of San Luca, 36 , 37 ;
in Del Monte Chapel, 36 ;
in Grimaldi Chapel, 35 , 38 , 39 , 47 , 51 , 54 ;
in later emulations of Grimaldi Chapel, 38 ;
in Lercari Chapel, 36 , 38 ;
in Salviati Chapel, 28-29 , 29 , 31 , 35 , 54 ;
in Soccorso Chapel, 31
Nicodemus, depictions of, 141 -43
Nobility, old, in Genoa:
and Republican government, 6 ;
and San Francesco di Castelletto, 9 , 10 , 13 , 70 ;
Strada Nuova dwellings of, 9 , 198 n23