Ritual Incorporation
Whereas concubines in Han Chinese commoner households were purchased and entered without dowries or the wedding ritual, upper-ranking imperial concubines entered with dowries through the same process that selected empresses. Following precedents set by earlier dynasties (Soullière 1987: 179-85), the rituals of investiture for concubines of the upper four ranks were graded variations of the rituals that accompanied the taking of an empress. Although we shall focus on these rites of incorporation, we should note that postmortem commemoration in the Temple of the Ancestors and empirewide observance of their death days (Rawski 1988:236, 247) were accorded to all empresses and empress dowagers, regardless of their original status.
The model for all ranks was the "great wedding" (ta-hun ), carried out when a reigning monarch took an empress, which followed the Chinese imperial tradition concerning wedding rituals. During the entire dynasty, this ritual was carried out only five times. Marriage, the event that marked the coming of age, was a necessary prelude to the end of a regency for a child emperor. The Shun-chih emperor, six sui when he was put on the throne in 1643, was married with the full rites in 1651 at the age of fourteen sui ; K'ang-hsi, who ascended the throne at eight sui , was married at the age of twelve sui in 1665; T'ung-chih, who became emperor at six sui , was married at seventeen sui ; and Kuang-hsu, who was four sui when he ascended the throne, was married at age nineteen (TCYT ; also Hsin 1985).
The celebration of the imperial nuptials was an empirewide event that involved every citizen. During a "great wedding" (in 1888 lasting a total of twenty days) no punishments could be meted out. Officials wore special robes to mark the auspicious event; on the actual wedding day, everyone in the empire was required to wear red and green, the streets through which the wedding procession passed were cleaned, and the palace was decorated and refurbished. Of course, the state altars of Heaven and Earth as well as the ancestors were notified (with sacrifices) of the event, which was thus part of state as well as family ritual.
The sequence of events that comprised an imperial wedding began when the empress dowager, in consultation with the imperial princes, chose a bride (Wang Shu-ch'ing 1980; TCHTSL c. 324) and "ordered" the emperor to marry. To fix the betrothal (na-ts'ai li ), two emissaries went with gifts (prescribed in the regulations)[20] and the imperial edict announced the betrothal to the mansion of the bride's father. Here the chief emissary read the edict aloud before the bride's father, who performed the full ritual obeisance (three prostrations, nine kowtows) in acknowledgment of the imperial grace. This betrothal ceremony was followed by a second, the ta-cheng li, when items to be used in the wedding itself were delivered to the bride's house by the emissaries, who announced the wedding date selected by the Board of Astronomy.
The dowry, normally given by the bride's family, was in this case prepared by the Imperial Household Department. Large quantities of court clothing, jewelry, gold and silver utensils, and furniture were presented to the bride several days before the wedding day, then ceremonially carried back to the palace.[21] The core of the wedding ceremony was the conferral of the title of empress on the bride (ts'e-li ). The "gold seal" and "gold tablets" conferring the title of empress were presented to the bride at her father's house; the bride, dressed in the robes and accessories of an empress, was then carried to the palace in a sedan chair with the empress's regalia: she was the only female who (unescorted by the emperor) was permitted to enter through the Wu-men, the main gate to the palace (Shan 1960:100). The traditional nuptial chambers, in the east wing of the K'un-ning palace, were decorated with "double happiness" and other auspicious symbols (Yen Min 1980:13). The wedding ceremony was completed in the nuptial chambers, where the bride and groom sipped from the nuptial wine cup. On the next day the emperor and his bride paid their respects to the gods, immediate ancestors, and to his mother (the empress dowager). Several days later the couple received the congratulations of the court and officials; the empress dowager received congratulations; and the emperor and the empress dowager hosted banquets for the parents and relatives of the bride and bridegroom and for officials.
The "great wedding" parallels the ritual sequence found among Han
Chinese families. The betrothal, formalized with the presentation of gifts from the groom's family, is followed by the public transfer of the bride from her natal home to the palace, her appearance before her mother-in-law, and by banquets held to celebrate the event. But at critical points the ceremony modifies commoner practice to indicate the preeminent status of the groom. The bride's family members are his subjects; the bride's father must acknowledge the unequal relationship between wife-giver and emperor through obeisances; the rituals do not include the visit home by the bride, which was customary after a commoner wedding.
Gift exchanges also reflect the inequality of status between bride and groom. Here, as in the marriages of princes and princesses, the betrothal ceremony and the ta-cheng li are marked by presentations of gold, silver, livestock, furs, textiles, court clothing, and court accessories (including jewels) from the emperor to the bride, her mother, her father, her grandfather, and even her brothers. The banquet, held at the bride's father's house after the na-ts'ai rite, is provided by the Imperial Household Department and not by the bride's father. The Imperial Household Department provides all of the "dowry" as well as the bridewealth (Li P'eng-nien 1983) in a deliberate inversion of the commoner custom, which had the bride's family providing a dowry.
Archival documents concerning the "great weddings" of the T'ung-chih and Kuang-hsu emperors and information on the wedding of P'u-i, which was closely modeled on these historical precedents, provide evidence that imperial concubines entered the harem with rituals that resembled the taking of an empress. In the two "great weddings" of the nineteenth century, the empress's entry into the palace was preceded by the entry of concubines from highly ranked families. Four concubines, one of whom was the paternal aunt of the empress, entered the palace during the T'ung-chih emperor's "great wedding"; two sisters became the Kuang-hsu emperor's concubines during his "great wedding." And we know that the runner-up among the girls considered for empress was selected as his concubine during P'u-i's "great wedding" (P'u 1982).
A concubine also entered the palace with a "dowry" provided by the Imperial Household Department (KCTC nos. 2381, 2385; PAPS no. 2102). Unlike commoner women, whose namelessness reflected their subordinate status in Chinese society (R. Watson 1986), concubines of the upper four ranks, like empresses, were granted individual titles in life, and occasionally in death. The ritual for installation of concubines in the first three ranks, like the ceremonies for the installation of the empress, was also held in the T'ai-ho tien, the hall that was the center for court and state ritual (KCTL c. 2; TCHTSL c. 306). The patents of rank (a seal and tablets inscribed with the concubine's rank and name similar to those made for empresses and empresses dowager) were created whenever a woman was named to the first three
ranks of concubines; concubines of the fourth rank were installed with a gold tablet but no seal. The investiture of concubines of the first three ranks was marked by sacrifices at the Temple of the Ancestors and the Feng-hsien-tien on the day preceding the ceremony to notify the ancestors about the event; this was omitted for the investiture of a fourth-ranking concubine.
Concubines selected for a "great wedding" received these symbols of rank in their father's house before they were conveyed to the palace (P'u 1982: 129). In 1872 the two fourth-ranking and one fifth-ranking concubines entered the palace two days before the empress. The third-ranking concubine joined them the next day. After entering the palace, all concubines worshiped before the ancestral portraits, paid their respects to the empresses dowager, and lit incense before the Buddhist altar in the palace in which they were to reside in a ritual that the new empress would herself perform the day after the nuptials (KCTC nos. 2379, 2381, 2383; P'u 1982:129).
The archival materials indicate that the ritual distinctions between the wife and concubines found in commoner households were not present in the Ch'ing system of imperial marriage. The rituals accompanying installation of imperial concubines of the first through fourth ranks resembled those for the installation of an empress: patents of ranks were conferred with prior notification of the ancestors, and the newcomer performed domestic rituals before the palace equivalent of the domestic altar. The only ritual distinction enjoyed solely by the empress in a "great wedding" was her entry through the main gate;[22] concubines entered the palace through the Shen-wu, or back door. In a "great wedding," the newly installed concubines served as ladies-in-waiting for the empress on her wedding day and participated in the rites that took place on that occasion. They were also included in the major domestic court rituals that involved the empress during the course of the year (KTCL c. 2).
Not all concubines were so thoroughly integrated into the imperial family, however. The rituals show a clear distinction between the four highest ranks and lower-ranking concubines, who received no patents and who entered the palace without prior sacrifice at the ancestral altars (TCHTSL :306). These lower-ranking concubines were also the women most vulnerable to omission from the imperial genealogy.[23] At the same time, as we have already observed, it was entirely possible for even these low-ranking concubines to be promoted and even to attain the rank of empress.