Preferred Citation: Freitag, Sandria B., editor Culture and Power in Banaras: Community, Performance, and Environment, 1800-1980. Berkeley:  University of California Press,  c1989 1989. http://ark.cdlib.org/ark:/13030/ft6p3007sk/


 
Seven— State and Community: Symbolic Popular Protest in Banaras's Public Arenas

Renegotiating the Relationships

Reacting to the administrative innovations introduced in the wake of the 1809 riots, the House Tax Protest of 1810 provides a clear symbolic

[18] This control operated more in public awareness than in actuality, for the Magistrate was instructed to exercise broad tolerance in permitting collective gatherings.

[19] His perception was seconded in London, where the India Office copy has been underlined, with indignant marginal notes.


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statement of the second phase in the early-nineteenth-century process during which residents of the city reiterated the distinct Banarsi-styled relationship between state and community. In 1809, the first phase, Indians had acted out symbolic protests against other Indians. In 1810, however, these antagonists turned instead against the British, concentrating on issues that intruded into their preexisting system of urban self-rule. In the first phase, moreover, Banarsis had faced symbolic challenges to the internal relationship established between the ruling group (referred to here as the "triumvirate" of Ramnagar dynasty, merchant-bankers and Gosains) and artisans within the city; the style of the second phase suggests that the participants had resisted these challenges. In 1810, then, it is the underlying continuity of structure and protest that, together, stand out as the principal components of public arena activity.

Pre-British structures of community organization provided critical lines of mobilization to protest the house tax:[20] while "all ranks and description of Banarsis joined in the protest" (Acting Magistrate Bird quoted in Dharampal 1971:6), the initial petitions were submitted by each neighborhood or muhalla[*] (Boards Collections no. 7407:94; Heitler 1972:241). Occupation as well as neighborhood provided organizational networks, as the administration recognized when it tried to negotiate with occupational chaudhuri s[*] (headmen).

Forms of protest followed time-honored merchant patterns, described as "sitting dharna." Once again taking oaths to shut down the bazaars and withdraw their services until "the outcry and distress" in the city induced the magistrate to accede, more than twenty thousand inhabitants "sat" in an open field in the city. Caste panchayats not only maintained order, they coerced those whose support was wavering for this "panch" form of protest.[21] Symbolically, the orderly withdrawal to the field demonstrated as well to the British the effectiveness of mechanisms of urban self-rule:

Vast multitudes came forth in a state of perfect organization: each caste trade and profession occupied a distinct spot of ground, and was regulated in all its acts by the orders of its own punchayat, who invariably punished all instances of misconduct or disobedience on the part of any

[20] Regulation XV of 1810 called for a levy for 5 percent on the "annual rent" of all dwellings and 10 percent on all shops. Sources for this protest are contained in IOR. F/4/323, Board's Collections no 7407; and Dharampal 1971 (which, unfortunately, does not contain the texts of any of the petitions). See also the excellent article by Heitler (1972). Where possible I have cited the latter sources, since they will be the most accessible for the readers.

[21] Contrary to the impression conveyed by Heitler's article, these tactics are never characterized in the petitions as hartals. Rather, the terms used are "panch" and "sitting dharna."


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of its members. This state of things continued for more than a month; and whilst the authority of the British Government was, in a manner, suspended, the influence of the punchayat was sufficient to maintain the greatest order and tranquility.[22]

As was suggested in the Introduction to Part 2, such "combinations" became possible by working through urban linkages that overarched particular caste- and occupation-specific units. By the early nineteenth century such social integration proved capable of bringing to the field of protest representatives of most families in Banaras and its rural environs (see Dharampal 1971:13, 6). Money was raised through these same networks to support family members whose wage earners had withdrawn to the field: "The individuals of every class, contributed each in proportion to his means, to enable them to persevere, and considerable sums were thus raised."[23]

This was, then, a popular protest, supported by virtually all levels of society and ordered by a variety of mechanisms reflecting local community organization. Even when the government decided to exempt religious buildings and lower-class dwellings, the protest remained general. Moreover, beyond the organizational level, the rhetoric and symbolic action of the protest provides important evidence of the symbolic structures brought to bear during this conflict.

To begin with, as the petitions make clear, Banarsis viewed this new taxation as an intrusion into their customary charitable practices. The city was filled, they noted, with widows, Brahmins, and other poor who were housed in structures that could not be maintained if taxes had to be paid on them as well. Threats to this practice undermined basic tenets on which Banaras had been established: "In this holy city the rajas of ancient times from a principle of virtue and in the hopes of everlasting fame built houses and fixed salaries and settled perpetual donations for the subsistence and residence of brahmins, paupers and mendicants, there are hundreds of such houses appropriated to brahmins" (Boards Collections no. 7407:106–13).

Furthermore, both rhetoric and action deliberately posed their system of self-rule against state perceptions of appropriate behavior. In their final petition to government, the protestors insisted they had not

[22] J. D. Erskine, Acting Third Judge of the Court of Appeal and Circuit for the Division of Banaras, included in Selections of Papers from the Records of the East India House  . . . , Vol. 2:89 (quoted in Heitler 1972:246).

[23] Letter from Collector W. O. Salmon, quoted in Dharampal 1971:15. Landlord connections can be inferred from the extensive holdings possessed by Banarsi bankers; see descriptions in Nevill 1909a:117 et seq. Connections in the opposite direction (i.e., from moneylenders located in the countryside who helped contribute to the trading activities centered in Banaras) are discussed in Bayly 1983:103–6. References to fundraising, Bird quoted in Dharampal 1971:13.


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created a "disturbance," as the magistrate charged, but had registered a complaint in a legitimate manner. They noted that

the manner and custom in this country from time immemorial is this: that, whenever any act affecting every one generally is committed by the Government, the poor, the aged, the infirm, the women, all forsake their families and their homes, expose themselves to the inclemency of the seasons and to other kinds of inconveniences, and make known their affliction and distress. (Quoted in Heitler 1972:250)

It is significant, too, that their objections to the tax centered, not on the rate at which it was pitched, but on the very legitimacy of the form of demand. Their petition noted that

in the Shera and Shaster, together with the customs of Hindostan . . . houses are reckoned one of the principal necessaries of life, and are not accounted disposable property . . . in this country, in the times of Mohamedan and Hindoo princes, houses were never rendered liable to contributions for the service of the state. (Quoted in Heitler 1972:253)

They objected, as well, to the notion that representatives of government should go into their houses to determine the value to be assessed. Finally, they pointed out that already they were paying other taxes, such as stamp, transit, and town duties; in particular they referred to the phatakbundi .

The contrast between the new house-tax and the phatakbundi was an important one. The phatakbundi operation had been organized locally within each muhalla[*] ; the substantial sums, collected by the inhabitants themselves, then were used to pay chaukidar s—also chosen and supervised by the inhabitants. The new taxing arrangements would have represented a very substantial infringement on local self-rule. Thus the antagonists clearly perceived the conflict to be between British authority and Banarsi community control. In early January the government of the East India Company responded to Bird with the observation that Bird should announce the compromise of the phatakbundi in the way "best calculated to allay the disposition to riot and resistance to public authority, which appears so generally prevalent among the lower orders in the city of Banaras." Yet three weeks later, Bird despairingly noted that "the people still continue collected as they were," and only fatigue and disappointment were likely to break up the tent city. He was fully aware of the implications of the month-long protest: "I cannot but feel very forcibly, that such a state of things being permitted to continue in defiance of public authority, has already weakened, and weakens daily still more and more, those sentiments of respect, which it is so essential that the community should entertain for the government of the country" (Boards Collections no. 7407:121–24, 185–88).


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The tactics with which Banarsi communities fought the state had been carefully designed to protect their legitimacy. The crowd's careful adherence to nonviolence tied Bird's hands, for he felt that only violence would justify use of the military. The tactics, as he noted, thus forced city life to a standstill, leaving the administration little choice but to rescind the tax. Beyond the petition cited above, we have other evidence that the crowd felt itself fully justified in its action. Another petition, with a "style and contents" characterized as "disrespectful" by the judges of the Provincial Court to which it was addressed, baldly declared the "deadly evil" that the tax represented. Indeed, the petitioners continued, "if our bad fortune be such, that you are induced to wish our leaving this for other countries, we trust that you will be pleased to order what we have expended in buildings to be paid to us out of your treasury" (Boards Collections no. 7407:203).

Demands for an appropriate state-community relationship moved beyond the actual issue of taxation, to the increasing reluctance of the new government to symbolically participate in public arenas. The protestors underscored this last grievance by their demand on January 23 that "they were willing to disperse, providing [the Acting Magistrate] came to them [in the field where they were residing] in person to request it" (Bird, 28.1.1811, quoted in Dharampal 1971:30; emphasis added). After his indignation in 1809, the magistrate flatly refused this time. Instead, he turned to the Raja of Banaras to represent the state in public. The Raja

proceeded with all the distinctions of his rank to the place where the people were collected, the mob soon listened to his exhortations, and returned to their homes, and the Rajah, selecting from among them, fifty of the persons principally concerned in the disturbance, brought them, to [the magistrate] to acknowledge their offences; while the Rajah himself interceded in their behalf and solicited [the magistrate] to endeavour to procure both for themselves and for the subject of their complaint, the indulgence of the Government. (Bird 28.1.1811, quoted in Dharampal 1971:32–33)

The role of the Raja in this process thus proved critical. While his power was doubtless bounded by the British government, his behavior matched public expectations for a traditional ruler. On the one hand, he could represent symbolically the culture shared by upper and lower classes, by Hindus and Muslims alike. On the other hand, he provided the only symbol of authority on which both the Banarsi and the British could agree—the only figure who could operate both in the reformulated system of self-rule emerging in Banaras and as an intermediary figure judged legitimate by British administrators. We might note that his symbolic usefulness continued even after he convinced the residents


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to abandon their tent city. Once the crowds had dispersed and business and services resumed, the Raja returned to the magistrate. On this visit he again acted on behalf of Banarsi residents, bearing their petition addressed to the Governor General in Council.[24]

In this second phase in Banaras, then, we find that the rituals of protest had resulted in creating a structure in which urban residents— rallied by merchants, Gosains, and Brahmins, and brought together around the figure of the Raja—moved against the imperial government. That they joined together to focus their protest, not against each other but against government measures imposed from above, reflected a society more culturally integrated than that of any other urban center in U.P. Where, in other urban centers public arena activities became increasingly focused on conflicts among communities, in Banaras they focused instead on the relationship between state and community.

This is not to say that Banaras was wracked by collective protest in the nineteenth or early twentieth centuries. On the contrary: for a variety of reasons—relating to its relative economic stability (compared, for instance, with Kanpur) and its Bhojpuri cultural continuity with the surrounding countryside (see Pandey 1983)—very few collective confrontations occurred in Banaras. Those few, however, until the 1930s followed the pattern we saw established early in the nineteenth century. They centered on issues affecting the relationship between state and community. We turn now to an examination of examples of collective protest in Banaras in 1891 and 1931 to discern further shifts in the processual character of public arena activities.


Seven— State and Community: Symbolic Popular Protest in Banaras's Public Arenas
 

Preferred Citation: Freitag, Sandria B., editor Culture and Power in Banaras: Community, Performance, and Environment, 1800-1980. Berkeley:  University of California Press,  c1989 1989. http://ark.cdlib.org/ark:/13030/ft6p3007sk/