Title: The naked text: Chaucer's Legend of good women 
Author: Delany, Sheila
Published: University of California Press,  1994
Subjects: Literature | Literary Theory and Criticism | Medieval Studies | English Literature | Gender Studies
Publisher's Description: A sequel to her seminal book on Chaucer's House of Fame , Sheila Delany's elegant and innovative study of Chaucer's Legend of Good Women explores what it meant to be a reader and a writer, and to be English and a courtier, in the late fourteenth century. The richness of late medieval art, philosophy, and history are powerfully brought to bear on one of Chaucer's most controversial works. So too are the insights of modern critical theory - semiotics, historicism, and gender studies especially - making this a unique achievement in medieval and Chaucerian studies.Delany's strikingly original readings of Chaucer's Orientalism, his sexual wordplay, his theological attitudes, and his treatment of sex and gender have given us a Chaucer for our time.   [brief]
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Title: Selected letters
Author: Olson, Charles 1910-1970
Published: University of California Press,  2001
Subjects: Literature | Poetry | Autobiographies and Biographies | American Literature | American Studies | Letters
Publisher's Description: For Charles Olson, letters were not only a daily means of communication with friends but were at the same time a vehicle for exploratory thought. In fact, many of Olson's finest works, including Projective Verse and the Maximus Poems, were formulated as letters. Olson's letters are important to an understanding of his definition of the postmodern, and through the play of mind exhibited here we recognize him as one of the vital thinkers of the twentieth century. In this volume, edited and annotated by Ralph Maud, we see Olson at the height of his powers and also at his most human. Nearly 200 letters, selected from a known 3,000, demonstrate the wide range of Olson's interests and the depth of his concern for the future. Maud includes letters to friends and loved ones, job and grant applications, letters of recommendation, and Black Mountain College business letters, as well as correspondence illuminating Olson's poetics. As we read through the letters, which span the years from 1931, when Olson was an undergraduate, to his death in 1970, a fascinating portrait of this complex poet and thinker emerges.   [brief]
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Title: Wordsworth and the cultivation of women 
Author: Page, Judith W 1951-
Published: University of California Press,  1994
Subjects: Literature | Literary Theory and Criticism | English Literature | Poetry | Women's Studies | Autobiographies and Biographies
Publisher's Description: Focusing on the poems of Wordsworth's "Great Decade," feminist critics have tended to see Wordsworth as an exploiter of women and "feminine" perspectives. In this original and provocative book, Judith Page examines works from throughout Wordsworth's long career to offer a more nuanced feminist account of the poet's values. She asks questions about Wordsworth and women from the point of view of the women themselves and of eighteenth- and nineteenth-century culture. Making extensive use of family letters, journals, and other documents, as well as unpublished material by the poet's daughter Dora Wordsworth, Page presents Wordsworth as a poet not defined primarily by egotistical sublimity but by his complicated and conflicted endorsement of domesticity and familial life.   [brief]
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Title: Roads to Rome: the antebellum Protestant encounter with Catholicism 
Author: Franchot, Jenny 1953-
Published: University of California Press,  1994
Subjects: Literature | Literary Theory and Criticism | American Literature | American Studies | United States History | Christianity
Publisher's Description: The mixture of hostility and fascination with which native-born Protestants viewed the "foreign" practices of the "immigrant" church is the focus of Jenny Franchot's cultural, literary, and religious history of Protestant attitudes toward Roman Catholicism in nineteenth-century America.Franchot analyzes the effects of religious attitudes on historical ideas about America's origins and destiny. She then focuses on the popular tales of convent incarceration, with their Protestant "maidens" and lecherous, tyrannical Church superiors. Religious captivity narratives, like those of Indian captivity, were part of the ethnically, theologically, and sexually charged discourse of Protestant nativism.Discussions of Stowe, Longfellow, Hawthorne, and Lowell - writers who sympathized with "Romanism" and used its imaginative properties in their fiction - further demonstrate the profound influence of religious forces on American national character.   [brief]
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Title: A life's mosaic: the autobiography of Phyllis Ntantala 
Author: Ntantala, Phyllis
Published: University of California Press,  1986
Subjects: Literature | Gender Studies | Latin American Studies | Women's Studies | Autobiographies and Biographies
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Title: Ethnocriticism: ethnography, history, literature 
Author: Krupat, Arnold
Published: University of California Press,  1992
Subjects: Literature | Anthropology | American Literature | Literary Theory and Criticism | Native American Studies
Publisher's Description: Ethnocriticism moves cultural critique to the boundaries that exist between cultures. The boundary traversed in Krupat's dexterous new book is the contested line between native and mainstream American literatures and cultures.For over a century the discourses of ethnography, history, and literature have sought to represent the Indian in America. Krupat considers all these discourses and the ways in which Indians have attempted to "write back," producing an oppositional - or at least a parallel - discourse.   [brief]
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Title: Fathering the nation: American genealogies of slavery and freedom 
Author: Castronovo, Russ 1965-
Published: University of California Press,  1996
Subjects: Literature | American Literature | Literary Theory and Criticism | American Studies | Postcolonial Studies
Publisher's Description: Russ Castronovo underscores the inherent contradictions between America's founding principles of freedom and the reality of slavery in a book that probes mid-nineteenth-century representations of the founding fathers. He finds that rather than being coherent and consensual, narratives of nationhood are inconsistent, ambivalent, and ironic. He examines competing expressions of national memory in a wide range of mid-nineteenth-century artifacts: slave autobiography, classic American fiction, monumental architecture, myths of the Revolution, proslavery writing, and landscape painting.Castronovo theorizes a new American cultural studies which takes into consideration what Toni Morrison calls the "Africanist presence" that permeates American literature. He presents a genealogy that recovers those members of the national family whose status challenges the body politic and its history. The forgotten orphans in Melville's Moby-Dick and Israel Potter , the rebellious slaves in the work of Frederick Douglass and William Wells Brown, the citizens afflicted with amnesia in Lincoln's speeches, and the dispossessed sons in slave narratives all provide dissenting voices that provoke insurrectionary plots and counter-memories. Viewed here as a miscegenation of stories, the narrative of "America" resists being told of an intelligible story of uncontested descent. National identity rests not on rituals of consensus but on repressed legacies of parricide and rebellion.   [brief]
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Title: The master and Minerva: disputing women in French medieval culture 
Author: Solterer, Helen
Published: University of California Press,  1995
Subjects: Literature | European Literature | Literary Theory and Criticism | Medieval Studies | Women's Studies | French Studies
Publisher's Description: Can words do damage? For medieval culture, the answer was unambiguously yes. And as Helen Solterer contends, in French medieval culture the representation of women exemplified the use of injurious language.Solterer investigates the debates over women between masters and their disciples. Across a broad range of Old French literature to the early modern Querelle des femmes , she shows how the figure of the female respondent became an instrument for disputing the dominant models of representing women. The female respondent exploited the criterion of injurious language that so preoccupied medieval masters, and she charged master poets ethically and legally with libel. Solterer's work thus illuminates an early, decisive chapter in the history of defamation.   [brief]
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Title: October cities: the redevelopment of urban literature 
Author: Rotella, Carlo 1964-
Published: University of California Press,  1998
Subjects: Literature | American Studies | Urban Studies | United States History | American Literature | Sociology
Publisher's Description: Returning to his native Chicago after World War II, Nelson Algren found a city transformed. The flourishing industry, culture, and literature that had placed prewar Chicago at center stage in American life were entering a time of crisis. The middle class and economic opportunity were leaving the inner city, and Black Southerners arriving in Chicago found themselves increasingly estranged from the nation's economic and cultural resources. For Algren, Chicago was becoming "an October sort of city even in the spring," and as Carlo Rotella demonstrates, this metaphorical landscape of fall led Algren and others to forge a literary form that traced the American city's transformation. Narratives of decline, like the complementary narratives of black migration and inner-city life written by Claude Brown and Gwendolyn Brooks, became building blocks of the postindustrial urban literature. October Cities examines these narratives as they played out in Chicago, Philadelphia, and Manhattan. Through the work of Algren, Brown, Brooks, and other urban writers, Rotella explores the relationship of this new literature to the cities it draws upon for inspiration. The stories told are of neighborhoods and families molded by dramatic urban transformation on a grand scale with vast movements of capital and people, racial succession, and an intensely changing urban landscape.   [brief]
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Title: Late modernism: politics, fiction, and the arts between the world wars 
Author: Miller, Tyrus 1963-
Published: University of California Press,  1999
Subjects: Literature | Fiction | Art Theory | Cinema and Performance Arts | Politics | Political Theory | History
Publisher's Description: Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years.In the post-World War I reconstruction and the worldwide crisis that followed, Miller argues, new technological media and the social forces of mass politics opened fault lines in individual and collective experience, undermining the cultural bases of the modernist movement. He shows how late modernists attempted to discover ways of occupying this new and often dangerous cultural space. In doing so they laid bare the ruin of the modernist aesthetic at the same time as they transcended its limits.In his wide-ranging theoretical and historical discussion, Miller relates developments in literary culture to tendencies in the visual arts, cultural and political criticism, mass culture, and social history. He excavates Wyndham Lewis's hidden borrowings from Al Jolson's The Jazz Singer ; situates Djuna Barnes between the imagery of haute couture and the intellectualism of Duchamp; uncovers Beckett's affinities with Giacometti's surrealist sculptures and the Bolshevik clowns Bim-Bom; and considers Mina Loy as both visionary writer and designer of decorative lampshades. Miller's lively and engaging readings of culture in this turbulent period reveal its surprising anticipation of our own postmodernity.   [brief]
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Title: The Renaissance Bible: scholarship, sacrifice, and subjectivity 
Author: Shuger, Debora K 1953-
Published: University of California Press,  1994
Subjects: Literature | Religion | Literary Theory and Criticism | Renaissance History | Christianity | Renaissance Literature
Publisher's Description: This is the first book on the Renaissance Bible by an Anglo-American scholar in nearly fifty years. Not confined to a history of exegesis, it is instead a study of Renaissance culture - a culture whose central text was the Bible. Shuger explores, among other topics, the links between late medieval Christology and early modern subjectivity; religious eroticism and the origins of the sexualized body; the transformation of humanist philology into comparative religion; and the representation of daughter-sacrifice and female erotic desire.   [brief]
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Title: Emerson: the mind on fire: a biography
Author: Richardson, Robert D 1934-
Published: University of California Press,  1995
Subjects: Literature | American Studies | Autobiographies and Biographies | Social and Political Thought | United States History
Publisher's Description: Ralph Waldo Emerson is one of the most important figures in the history of American thought, religion, and literature. The vitality of his writings and the unsettling power of his example continue to influence us more than a hundred years after his death. Now Robert D. Richardson Jr. brings to life an Emerson very different from the old stereotype of the passionless Sage of Concord. Drawing on a vast amount of new material, including correspondence among the Emerson brothers, Richardson gives us a rewarding intellectual biography that is also a portrait of the whole man.These pages present a young suitor, a grief-stricken widower, an affectionate father, and a man with an abiding genius for friendship. The great spokesman for individualism and self-reliance turns out to have been a good neighbor, an activist citizen, a loyal brother. Here is an Emerson who knew how to laugh, who was self-doubting as well as self-reliant, and who became the greatest intellectual adventurer of his age.Richardson has, as much as possible, let Emerson speak for himself through his published works, his many journals and notebooks, his letters, his reported conversations. This is not merely a study of Emerson's writing and his influence on others; it is Emerson's life as he experienced it. We see the failed minister, the struggling writer, the political reformer, the poetic liberator.The Emerson of this book not only influenced Thoreau, Fuller, Whitman, Dickinson, and Frost, he also inspired Nietzsche, William James, Baudelaire, Marcel Proust, Virginia Woolf, and Jorge Luis Borges. Emerson's timeliness is persistent and striking: his insistence that literature and science are not separate cultures, his emphasis on the worth of every individual, his respect for nature.Richardson gives careful attention to the enormous range of Emerson's readings - from Persian poets to George Sand - and to his many friendships and personal encounters - from Mary Moody Emerson to the Cherokee chiefs in Boston - evoking both the man and the times in which he lived. Throughout this book, Emerson's unquenchable vitality reaches across the decades, and his hold on us endures.   [brief]
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Title: Death before dying: the Sufi poems of Sultan Bahu
Author: Sult̤ān Bāhū 1630-1691
Published: University of California Press,  1998
Subjects: Literature | Religion | Poetry | Middle Eastern Studies | Literature in Translation | Islam | South Asia
Publisher's Description: These 115 poems introduce readers in English to Sultan Bahu (d. 1691), a Sufi mystical poet who continues to be one of the most beloved writers in Punjabi. Bahu, whose name translates as "With God," remains highly popular in Pakistan and India today - even illiterate Punjabis can recite his poetry b . . . [more]
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Title: The art of living: Socratic reflections from Plato to Foucault
Author: Nehamas, Alexander 1946-
Published: University of California Press,  1998
Subjects: Classics | Classical Philosophy | Classical Literature and Language | Philosophy | Social and Political Thought | Literature
Publisher's Description: For much of its history, philosophy was not merely a theoretical discipline but a way of life, an "art of living." This practical aspect of philosophy has been much less dominant in modernity than it was in ancient Greece and Rome, when philosophers of all stripes kept returning to Socrates as a model for living. The idea of philosophy as an art of living has survived in the works of such major modern authors as Montaigne, Nietzsche, and Foucault. Each of these writers has used philosophical discussion as a means of establishing what a person is and how a worthwhile life is to be lived. In this wide-ranging, brilliantly written account, Alexander Nehamas provides an incisive reevaluation of Socrates' place in the Western philosophical tradition and shows the importance of Socrates for Montaigne, Nietzsche, and Foucault.Why does each of these philosophers - each fundamentally concerned with his own originality - return to Socrates as a model? The answer lies in the irony that characterizes the Socrates we know from the Platonic dialogues. Socratic irony creates a mask that prevents a view of what lies behind. How Socrates led the life he did, what enabled or inspired him, is never made evident. No tenets are proposed. Socrates remains a silent and ambiguous character, forcing readers to come to their own conclusions about the art of life. This, Nehamas shows, is what allowed Montaigne, Nietzsche, and Foucault to return to Socrates as a model without thereby compelling them to imitate him.This highly readable, erudite study argues for the importance of the tradition within Western philosophy that is best described as "the art of living" and casts Montaigne, Nietzsche, and Foucault as the three major modern representatives of this tradition. Full of original ideas and challenging associations, this work will offer new ways of thinking about the philosophers Nehamas discusses and about the discipline of philosophy itself.   [brief]
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Title: Women and the war story 
Author: Cooke, Miriam
Published: University of California Press,  1997
Subjects: Literature | Gender Studies | Middle Eastern Studies | Literary Theory and Criticism | European History
Publisher's Description: In a book that radically and fundamentally revises the way we think about war, Miriam Cooke charts the emerging tradition of women's contributions to what she calls the "War Story," a genre formerly reserved for men. Concentrating on the contemporary literature of the Arab world, Cooke looks at how alternatives to the master narrative challenge the authority of experience and the permission to write. She shows how women who write themselves and their experiences into the War Story undo the masculine contract with violence, sexuality, and glory. There is no single War Story, Cooke concludes; the standard narrative - and with it the way we think about and conduct war - can be changed.As the traditional time, space, organization, and representation of war have shifted, so have ways of describing it. As drug wars, civil wars, gang wars, and ideological wars have moved into neighborhoods and homes, the line between combat zones and safe zones has blurred. Cooke shows how women's stories contest the acceptance of a dyadically structured world and break down the easy oppositions - home vs. front, civilian vs. combatant, war vs. peace, victory vs. defeat - that have framed, and ultimately promoted, war.   [brief]
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Title: High anxieties: cultural studies in addiction 
Author: Brodie, Janet Farrell
Published: University of California Press,  2002
Subjects: Literature | Media Studies | Gender Studies | Cognitive Science | Social and Political Thought | Art | Sociology
Publisher's Description: High Anxieties explores the history and ideological ramifications of the modern concept of addiction. Little more than a century old, the notions of "addict" as an identity and "addiction" as a disease of the will form part of the story of modernity. What is addiction? This collection of essays illuminates and refashions the term, delivering a complex and mature understanding of addiction. Brodie and Redfield's introduction provides a roadmap for readers and situates the fascinating essays within a larger, interdisciplinary framework. Stacey Margolis and Timothy Melley's pieces grapple with the psychology of addiction. Cannon Schmitt and Marty Roth delve into the relationship between opium and the British Empire's campaign to control and stigmatize China. Robyn R. Warhol and Nicholas O. Warner examine accounts of alcohol abuse in texts as disparate as Victorian novels, Alcoholics Anonymous literature, and James Fenimore Cooper's fiction. Helen Keane scrutinizes smoking, and Maurizio Viano turns to the silver screen to trace how the representation of drugs in films has changed over time. Ann Weinstone and Marguerite Waller's essays on addiction and cyberspace cap this impressive anthology.   [brief]
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Title: Caught in the act: theatricality in the nineteenth-century English novel 
Author: Litvak, Joseph
Published: University of California Press,  1992
Subjects: Literature | English Literature | Literary Theory and Criticism | GayLesbian and Bisexual Studies
Publisher's Description: Litvak demonstrates that private experience in the novels of Austen, Charlotte Brontë, Eliot, and James is a rigorous enactment of a public script that constructs normative gender and class identities. He suggests that the theatricality which pervades these novels enforces social norms while introdu . . . [more]
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Title: Nobody's story: the vanishing acts of women writers in the marketplace, 1670-1820 
Author: Gallagher, Catherine
Published: University of California Press,  1994
Subjects: Literature | English Literature | Literary Theory and Criticism | Women's Studies | European History
Publisher's Description: Exploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel. The "nobodies" of her title are not ignored, silenced, or anonymous women. Instead, they are literal nobodies: the abstractions of authorial personae, printed books, intellectual property rights, literary reputations, debts and obligations, and fictional characters. These are the exchangeable tokens of modern authorship that lent new cultural power to the increasing number of women writers through the eighteenth century. Women writers, Gallagher discovers, invented and popularized numerous ingenious similarities between their gender and their occupation. The terms "woman," "author," "marketplace," and "fiction" come to define each other reciprocally.Gallagher analyzes the provocative plays of Aphra Behn, the scandalous court chronicles of Delarivier Manley, the properly fictional nobodies of Charlotte Lennox and Frances Burney, and finally Maria Edgeworth's attempts in the late eighteenth century to reform the unruly genre of the novel.   [brief]
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Title: Joyce in America: cultural politics and the trials of Ulysses 
Author: Segall, Jeffrey
Published: University of California Press,  1993
Subjects: Literature | English Literature | American Studies | Literary Theory and Criticism | American Literature
Publisher's Description: When James Joyce's Ulysses was first published in America, it quickly became a dynamic symbol of both modern art and the modern age. Jeffrey Segall skillfully demonstrates how various political, ideological, and religious allegiances influenced the critical reception and eventual canonization of what is perhaps the twentieth century's greatest novel.In re-creating the polemical debates that erupted, Segall provides a dramatic reminder of just how challenging and controversial Ulysses was - and is. Seventy years after Ulysses was first banned, the novel remains at the center of contemporary debates among feminist, neo-Marxist, and poststructuralist critics.Segall allows us the opportunity to view Ulysses from the perspective of its early readers, and he also elucidates key moments in recent American cultural history.   [brief]
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Title: Take my word: autobiographical innovations of ethnic American working women 
Author: Goldman, Anne E 1960-
Published: University of California Press,  1996
Subjects: Literature | Literary Theory and Criticism | Ethnic Studies | Women's Studies | United States History | American Studies
Publisher's Description: In an innovative critique of traditional approaches to autobiography, Anne E. Goldman convincingly demonstrates that ethnic women can and do speak for themselves, even in the most unlikely contexts. Citing a wide variety of nontraditional texts - including the cookbooks of Nuevo Mexicanas, African American memoirs of midwifery and healing, and Jewish women's histories of the garment industry - Goldman illustrates how American women have asserted their ethnic identities and made their voices heard over and sometimes against the interests of publishers, editors, and readers. While the dominant culture has interpreted works of ethnic literature as representative of a people rather than an individual, the working women of this study insist upon their own agency in narrating rich and complicated self-portraits.   [brief]
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