Title: Faultlines: cultural materialism and the politics of dissident reading 
Author: Sinfield, Alan
Published: University of California Press,  1992
Subjects: Literature | Renaissance Literature | English Literature | Literary Theory and Criticism
Publisher's Description: If we come to consciousness within a language that is complicit with the social order, how can we conceive, let alone organize, resistance to that social order? This key question in the politics of reading and subcultural practice informs Alan Sinfield's book on writing in early-modern England.New historicism has often shown people trapped in a web of language and culture. In lively discussions of writings by Shakespeare, Marlowe, Sidney, and Donne, Sinfield reassesses the scope of dissidence and control. The early-modern state, Christianity, and the cultural apparatus, despite an ideology of unity and explicit violence, could not but allow space to challenging voices. Sinfield shows that disruptions in concepts of hierarchy, nationality, gender, and sexuality force their way into literary texts.Sinfield is often provocative. He "rewrites" Julius Caesar to produce a different politics, compares Sidney's idea of poetry to Leonid Brezhnev's, and reinstates the concept of character in the face of post-structuralist theory. He keeps the current politics of literary study in view, especially in a substantial chapter on Shakespeare in the U.S. Sinfield subjects interactions between class, ethnicity, sexuality, and the professional structures of the humanities to a detailed and hard-hitting critique, and argues for new commitments to collectivities and subcultures.   [brief]
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Title: The feminine sublime: gender and excess in women's fiction 
Author: Freeman, Barbara Claire
Published: University of California Press,  1997
Subjects: Literature | Literary Theory and Criticism | Women's Studies
Publisher's Description: The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime.Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime."   [brief]
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Title: Fiction as history: Nero to Julian 
Author: Bowersock, G. W. (Glen Warren) 1936-
Published: University of California Press,  1997
Subjects: Classics | Literature | European History | Classical Religions | Christianity | Ancient History
Publisher's Description: Using pagan fiction produced in Greek and Latin during the early Christian era, G. W. Bowersock investigates the complex relationship between "historical" and "fictional" truths. This relationship preoccupied writers of the second century, a time when apparent fictions about both past and present were proliferating at an astonishing rate and history was being invented all over again. With force and eloquence, Bowersock illuminates social attitudes of this period and persuasively argues that its fiction was influenced by the emerging Christian Gospel narratives.Enthralling in its breadth and enhanced by two erudite appendices, this is a book that will be warmly welcomed by historians and interpreters of literature.   [brief]
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Title: Fifteen jugglers, five believers: literary politics and the poetics of American social movements 
Author: Reed, T. V. (Thomas Vernon)
Published: University of California Press,  1992
Subjects: Literature | American Literature | Literary Theory and Criticism
Publisher's Description: T.V. Reed urges an affiliation between literary theory and political action - and between political action and literary theory. What can the "new literary theory" learn from "new social movements"; and what can social activists learn from poststructuralism, new historicism, feminist theory, and neomarxism?In strikingly new interpretations of texts in four different genres - Agee and Evans's Let Us Now Praise Famous Men , Ellison's Invisible Man, Mailer's Armies of the Night , and the ecofeminist Women's Pentagon Actions of the early 1980s - Reed shows how reading literary texts for their political strategies and reading political movements as texts can help us overcome certain rhetorical traps that have undermined American efforts to combat racism, sexism, and economic inequality.   [brief]
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Title: Flight from Eden: the origins of modern literary criticism and theory 
Author: Cassedy, Steven
Published: University of California Press,  1990
Subjects: Literature | European Literature
Publisher's Description: Steven Cassedy takes aim at two of the most enduring myths of modern criticism: that it is secular, and that it is new and autonomous. He argues that though modern criticism is often forbiddingly scientific and technical, the modern critic remains something of a mystic. Every school of modern criticism - from structuralism to postmodern criticism - rests on a faith in an "Eden," an irreducible essence, a myth, like the common myth that there is an intrinsic distinction between "poetic" language and "ordinary" language. The modern critic attempts to abandon all mystical faith; this is the "flight from Eden." But it is always in vain.It is traditionally assumed that modern literary criticism and theory came from France, and relatively recently. In fact, according to Cassedy, the entire modern critical consciousness was already formed by the early twentieth century in the minds of writers who were primarily neither professional critics nor philosophers, but poets. Some were French (Mallarmé, and Valéry); others were not (Rilke, Bely, and the Russian avant-garde poet Velimir Khlebnikov). In them we find the same Edenic faith, the same effort to abandon it, and the same failure of that effort.   [brief]
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Title: The flight of the mind: Virginia Woolf's art and manic-depressive illness 
Author: Caramagno, Thomas C
Published: University of California Press,  1992
Subjects: Literature | English Literature | Autobiographies and Biographies | Women's Studies
Publisher's Description: In this major new book on Virginia Woolf, Caramagno contends psychobiography has much to gain from a closer engagement with science. Literary studies of Woolf's life have been written almost exclusively from a psychoanalytic perspective. They portray Woolf as a victim of the Freudian "family romance," reducing her art to a neurotic evasion of a traumatic childhood.But current knowledge about manic-depressive illness - its genetic transmission, its biochemistry, and its effect on brain function - reveals a new relationship between Woolf's art and her illness. Caramagno demonstrates how Woolf used her illness intelligently and creatively in her theories of fiction, of mental functioning, and of self structure. Her novels dramatize her struggle to imagine and master psychic fragmentation. They helped her restore form and value to her own sense of self and lead her readers to an enriched appreciation of the complexity of human consciousness.   [brief]
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Title: A flowering tree: and other oral tales from India A.K. Ramanujan ; edited with a preface by Stuart Blackburn and Alan Dundes 
Author: Ramanujan, A. K 1929-
Published: University of California Press,  1997
Subjects: Literature | Fiction | Language and Linguistics | Asian Literature | Folklore and Mythology | South Asia
Publisher's Description: This book of oral tales from the south Indian region of Kannada represents the culmination of a lifetime of research by A. K. Ramanujan, one of the most revered scholars and writers of his time. The result of over three decades' labor, this long-awaited collection makes available for the first time a wealth of folktales from a region that has not yet been adequately represented in world literature. Ramanujan's skill as a translator, his graceful writing style, and his profound love and understanding of the subject enrich the tales that he collected, translated, and interpreted.With a written literature recorded from about 800 A.D., Kannada is rich in mythology, devotional and secular poetry, and more recently novels and plays. Ramanujan, born in Mysore in 1929, had an intimate knowledge of the language. In the 1950s, when working as a college lecturer, he began collecting these tales from everyone he could - servants, aunts, schoolteachers, children, carpenters, tailors. In 1970 he began translating and interpreting the tales, a project that absorbed him for the next three decades. When Ramanujan died in 1993, the translations were complete and he had written notes for about half of the tales.With its unsentimental sympathies, its laughter, and its delightfully vivid sense of detail, the collection stands as a significant and moving monument to Ramanujan's memory as a scholar and writer.   [brief]
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Title: Foregone conclusions: against apocalyptic history 
Author: Bernstein, Michael André 1947-
Published: University of California Press,  1994
Subjects: Philosophy | Jewish Studies | Literature | Literary Theory and Criticism
Publisher's Description: Michael André Bernstein's passionate denunciation of apocalyptic thinking provides a moral, philosophical, and literary challenge to the way most of us make sense of our worlds. In our search for coherence, Bernstein argues, we tend to see our lives as moving toward a predetermined fate. This "foreshadowing" demeans the variety, the richness, and especially the unpredictability of everyday life. Apocalyptic history denies the openness and choice available to its actors.Bernstein chooses the Holocaust as the prime example of our tendency toward foregone conclusions. He argues eloquently against politicians and theologians who depict the Holocaust as foreordained and its victims as somehow implicated in a fate they should have been able to foresee. But his argument ranges wider. From recent biographies of Kafka to the Israeli-P.L.O. peace accords, from campus cultural diversity debates to the Crown Heights riots, Bernstein warns against our passive acceptance of historical or personal victimization.An essential contribution to Holocaust studies, this book is also a lucid call to transform the way we read and write history and the way we make sense of our lives.   [brief]
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Title: From my grandmother's bedside: sketches of postwar Tokyo 
Author: Field, Norma 1947-
Published: University of California Press,  1997
Subjects: Literature | Autobiography | Asian History | Japan | Politics
Publisher's Description: From My Grandmother's Bedside is an experiment in genre, a moving and evocative reflection on contemporary Japan, human desire, family relations, life, and death. Norma Field, the daughter of a Japanese woman and an American G.I., and author of the acclaimed In the Realm of a Dying Emperor , returned to Japan in 1995 to tend to her slowly dying grandmother, who had been rendered speechless by multiple strokes. What she finds - both in the memories of her childhood in her grandmother's household and in the altered face of postmodern Japan - forms the substance of her narrative that transcends both memoir and essay to reveal, through crafted fragments, a refraction of the whole of Japan.Having spent her childhood in Japan and her adulthood in the United States, Field speaks from the position of one who straddles two worlds. Her testimony is highly personal, her voice is intimate, her observations are keen and clear. She juxtaposes details from daily life - conversations overheard on the subway; arguments between her mother and aunts; the struggle to feed, bathe, and care for her grandmother - with observations on the political and social changes that have transformed Japan. She shows how the belated coming to terms with the war and continuing avoidance of the same are intimately related to the look and feel of Japanese society today. She gently folds back the complicated layers of blame and responsibility for the war, touching in the process on subjects as diverse as the effects of the atomic bomb, comfort women, biracial/bicultural families, the farewells of Kamikaze pilots, and the dehumanizing effects of Japan's postwar economic boom. A recurrent theme is the observation of the fiftieth anniversary of the end of the war. From My Grandmother's Bedside is also a contemplation of the many facets of language: the kinds of language with which her grandmother's illness has been negotiated, the wordless language her grandmother speaks, her own relationship to these languages. Through it all runs the realization that the personal and the political are perpetually entangled, that past and present converge and overlap.   [brief]
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Title: Getting to be Mark Twain 
Author: Steinbrink, Jeffrey
Published: University of California Press,  1991
Subjects: Literature | American Literature | Literary Theory and Criticism
Publisher's Description: Mark Twain is one of our most accessible cultural icons, a figure familiar to virtually every American and renowned internationally. But he was not always as we know him today. Mark Twain began life as a loose gathering of postures, attitudes, and voices in the mind of Samuel Clemens. It was some time before he took full possession of the personality the world now recognizes.This is the story of the coming of age of Mark Twain. It begins in 1867, with Clemens stepping off the steamship Quaker City and almost immediately declaring himself "in a fidget to move." It comes to a close in 1871, with Clemens settling in Hartford. Mark Twain was substantially formed during the intervening years, as Clemens came East, gained fame and fortune with the publication of Innocents Abroad , courted and married Olivia Langdon, and established himself as a professional writer. Each of these steps represented a profound change in the former Wild Humorist of the Pacific Slope as he sifted through the elements in his personality and began to assume the qualities we now associate with him. The tale that unfolds here shows how, through that process, the Mark Twain of the late 1860s became the Mark Twain of all time.   [brief]
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Title: Green thoughts, green shades: essays by contemporary poets on the early modern lyric 
Author: Post, Jonathan F. S 1947-
Published: University of California Press,  2002
Subjects: Literature | Poetry | Renaissance Literature
Publisher's Description: Green Thoughts, Green Shades is a strikingly original book, the first and only of its kind. Edited and introduced by noted seventeenth-century scholar Jonathan Post, it enlists the analytic and verbal power of some of today's most celebrated poets to illuminate from the inside out a number of the greatest lyric poets writing in English during the sixteenth and seventeenth century. Written by people who spend much of their time thinking in verse and about verse, these original essays herald the return of the early modern lyric as crucial to understanding the present moment of poetry in the United States. This work provides fascinating insights into what today's poets find of special interest in their forebears. In addition, these discussions shed light on the contributors' own poetry and offer compelling clues to how the poetry of the past continues to inform that of the present.   [brief]
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Title: Grounds for play: the Nauṭaṅkī theatre of North India 
Author: Hansen, Kathryn
Published: University of California Press,  1991
Subjects: Literature | Cultural Anthropology | South Asia
Publisher's Description: The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In Grounds for Play , Kathryn Hansen draws on field research to describe the different elements of nautanki performance: music, dance, poetry, popular story lines, and written texts. She traces the social history of the form and explores the play of meanings within nautanki narratives, focusing on the ways important social issues such as political authority, community identity, and gender differences are represented in these narratives.Unlike other styles of Indian theater, the nautanki does not draw on the pan-Indian religious epics such as the Ramayana or the Mahabharata for its subjects. Indeed, their storylines tend to center on the vicissitudes of stranded heroines in the throes of melodramatic romance. Whereas nautanki performers were once much in demand, live performances now are rare and nautanki increasingly reaches its audiences through electronic media - records, cassettes, films, television. In spite of this change, the theater form still functions as an effective conduit in the cultural flow that connects urban centers and the hinterland in an ongoing process of exchange.   [brief]
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Title: Henry David Thoreau and the moral agency of knowing 
Author: Tauber, Alfred I
Published: University of California Press,  2001
Subjects: Philosophy | Literature | History and Philosophy of Science | Ethics
Publisher's Description: In his graceful philosophical account, Alfred I. Tauber shows why Thoreau still seems so relevant today - more relevant in many respects than he seemed to his contemporaries. Although Thoreau has been skillfully and thoroughly examined as a writer, naturalist, mystic, historian, social thinker, Transcendentalist, and lifelong student, we may find in Tauber's portrait of Thoreau the moralist a characterization that binds all these aspects of his career together. Thoreau was caught at a critical turn in the history of science, between the ebb of Romanticism and the rising tide of positivism. He responded to the challenges posed by the new ideal of objectivity not by rejecting the scientific worldview, but by humanizing it for himself. Tauber portrays Thoreau as a man whose moral vision guided his life's work. Each of Thoreau's projects reflected a self-proclaimed "metaphysical ethics," an articulated program of self-discovery and self-knowing. By writing, by combining precision with poetry in his naturalist pursuits and simplicity with mystical fervor in his daily activity, Thoreau sought to live a life of virtue - one he would characterize as marked by deliberate choice. This unique vision of human agency and responsibility will still seem fresh and contemporary to readers at the start of the twenty-first century.   [brief]
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Title: High anxieties: cultural studies in addiction 
Author: Brodie, Janet Farrell
Published: University of California Press,  2002
Subjects: Literature | Media Studies | Gender Studies | Cognitive Science | Social and Political Thought | Art | Sociology
Publisher's Description: High Anxieties explores the history and ideological ramifications of the modern concept of addiction. Little more than a century old, the notions of "addict" as an identity and "addiction" as a disease of the will form part of the story of modernity. What is addiction? This collection of essays illuminates and refashions the term, delivering a complex and mature understanding of addiction. Brodie and Redfield's introduction provides a roadmap for readers and situates the fascinating essays within a larger, interdisciplinary framework. Stacey Margolis and Timothy Melley's pieces grapple with the psychology of addiction. Cannon Schmitt and Marty Roth delve into the relationship between opium and the British Empire's campaign to control and stigmatize China. Robyn R. Warhol and Nicholas O. Warner examine accounts of alcohol abuse in texts as disparate as Victorian novels, Alcoholics Anonymous literature, and James Fenimore Cooper's fiction. Helen Keane scrutinizes smoking, and Maurizio Viano turns to the silver screen to trace how the representation of drugs in films has changed over time. Ann Weinstone and Marguerite Waller's essays on addiction and cyberspace cap this impressive anthology.   [brief]
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Title: Himalayan voices: an introduction to modern Nepali literature 
Author: Hutt, Michael
Published: University of California Press,  1991
Subjects: Literature | Literature in Translation | South Asia
Publisher's Description: While the natural splendor of Nepal has been celebrated in many books, very little of the substantial body of Nepali literature has appeared in English translation. Himalayan Voices provides admirers of Nepal and lovers of literature with their first glimpse of the vibrant literary scene in Nepal today.An introduction to the two most developed genres of modern Nepali literature - poetry and the short story - this work profiles eleven of Nepal's most distinguished poets and offers translations of more than eighty poems written from 1916 to 1986. Twenty of the most interesting and best-known examples of the Nepali short story are translated into English for the first time by Michael Hutt. All provide vivid descriptions of life in twentieth-century Nepal.Although the days when Nepali poets were regularly jailed for their writings have passed, until 1990 the strictures of various laws governing public security and partisan political activity still required writers and publishers to exercise a certain caution. In spite of these conditions, poetry in Nepal remained the most vital and innovative genre, in which sentiments and opinions on contemporary social and political issues were frequently expressed.While the Nepali short story adapted its present form only during the early 1930s, it has rapidly developed a surprisingly high degree of sophistication. These stories offer insights into the workings of Nepali society: into caste, agrarian relations, social change, the status of women, and so on. Such insights are more immediate than those offered by scholarly works and are conveyed by implication and assumption rather than analysis and exposition.This book should appeal not only to admirers of Nepal, but to all readers with an interest in non-Western literatures. Himalayan Voices establishes for the first time the existence of a sophisticated literary tradition in Nepal and the eastern Himalaya.   [brief]
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Title: The honeysuckle and the hazel tree: medieval stories of men and women 
Author: Terry, Patricia Ann 1929-
Published: University of California Press,  1995
Subjects: Literature | Literature in Translation | European Literature | Poetry | Literary Theory and Criticism | French Studies | Medieval Studies | Gender Studies
Publisher's Description: Known for her fine translations of octosyllabic narrative verse, Patricia Terry presents translations of four major practitioners of this dominant literary form of twelfth- and thirteenth-century France. Her introduction discusses the varying views of women and love in the texts and their place in the courtly tradition.From Chrétien de Troyes Terry includes an early work, Philomena , here translated into verse for the first time. The other great writer of this period was Marie de France, the first woman in the European narrative tradition. Lanval is newly translated for this edition, which also features four of Marie's other poems. The collection further includes The Reflection by Jean Renart, known for his realistic settings; and the anonymous Chatelaine of Vergi , a fatalistic and perhaps more modern depiction of love.   [brief]
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Title: Hysteria beyond Freud 
Author: Gilman, Sander L
Published: University of California Press,  1993
Subjects: History | Literature | Women's Studies | Psychiatry | Medicine
Publisher's Description: "She's hysterical." For centuries, the term "hysteria" has been used by physicians and laymen alike to diagnose and dismiss the extreme emotionality and mysterious physical disorders presumed to bedevil others - especially women. How has this medical concept assumed its power? What cultural purposes does it serve? Why do different centuries and different circumstances produce different kinds of hysteria?These are among the questions pursued in this absorbing, erudite reevaluation of the history of hysteria. The widely respected authors draw upon the insights of the new social and cultural history, rather than Freudian psychoanalysis, to examine the ways in which hysteria has been conceived by doctors and patients, writers and artists, in Europe and North America, from antiquity to the early years of the twentieth century. In so doing, they show that a history of hysteria is a history of how we understand the mind.   [brief]
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Title: The imaginary puritan: literature, intellectual labor, and the origins of personal life 
Author: Armstrong, Nancy
Published: University of California Press,  1992
Subjects: Literature | Literary Theory and Criticism | American Literature
Publisher's Description: Nancy Armstrong and Leonard Tennenhouse challenge traditional accounts of the origins of modern Anglo-American culture by focusing on the emergence of print culture in England and the North American colonies. They postulate a modern middle class that consisted of authors and intellectuals who literally wrote a new culture into being.Milton's Paradise Lost marks the emergence of this new literacy. The authors show how Milton helped transform English culture into one of self-enclosed families made up of self-enclosed individuals. However, the authors point out that the popularity of Paradise Lost was matched by that of the Indian captivity narratives that flowed into England from the American colonies. Mary Rowlandson's account of her forcible separation from the culture of her origins stresses the ordinary person's ability to regain those lost origins, provided she remains truly English. In a colonial version of the Miltonic paradigm, Rowlandson sought to return to a family of individuals much like the one in Milton's depiction of the fallen world.Thus the origin both of modern English culture and of the English novel are located in North America. American captivity narratives formulated the ideal of personal life that would be reproduced in the communities depicted by Defoe, Richardson, and later domestic fiction.   [brief]
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Title: Immanent visitor: selected poems of Jaime Saenz 
Author: Sáenz, Jaime
Published: University of California Press,  2002
Subjects: Literature | Poetry | Latin American Studies | Literature in Translation
Publisher's Description: Immanent Visitor is the first English-language translation of the work of Bolivia's greatest and most visionary twentieth-century poet. A poète maudit, Jaime Saenz rejected the conventions of polite society and became a monk in service of his own imagination. Apocalyptic and occult in his politics, a denizen of slum taverns, unashamedly bisexual, insistently nocturnal in his artistic affairs, and secretive in his leadership of a select group of writers, Saenz mixed the mystical and baroque with the fantastic, the psychological, and the symbolic. In masterly translations by two poet-translators, Kent Johnson and Forrest Gander, Saenz's strange, innovative, and wildly lyrical poems reveal a literary legacy of fierce compassion and solidarity with indigenous Bolivian cultures and with the destitute, the desperate, and the disenfranchised of that unreal city, La Paz. In long lines, in odes that name desire, with Whitmanesque anaphora, in exclamations and repetitions, Saenz addresses the reader, the beloved, and death in one extended lyrical gesture. The poems are brazenly affecting. Their semantic innovation is notable in the odd heterogeneity of formal and tonal structures that careen unabashedly between modes and moods; now archly lyrical, now arcanely symbolic, now colloquial, now trancelike. As Saenz's reputation continues to grow throughout the world, these inspired translations and the accompanying Spanish texts faithfully convey the poet's unique vision and voice to English-speaking readers.   [brief]
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Title: In a cold crater: cultural and intellectual life in Berlin, 1945-1948 
Author: Schivelbusch, Wolfgang 1941-
Published: University of California Press,  1998
Subjects: History | German Studies | European History | Literature | Film | Music
Publisher's Description: Although the three conspicuous cultures of Berlin in the twentieth century - Weimar, Nazi, and Cold War - are well documented, little is known about the years between the fall of the Third Reich and the beginning of the Cold War. In a Cold Crater is the history of this volatile postwar moment, when the capital of the world's recently defeated public enemy assumed great emotional and symbolic meaning.This is a story, not of major intellectual and cultural achievements (for there were none in those years), but of enormous hopes and plans that failed. It is the story of members of the once famous volcano-dancing Berlin intelligentsia, torn apart by Nazism and exile, now re-encountering one another. Those who had stayed in Berlin in 1933 crawled out of the rubble, while many of the exiles returned with the Allied armies as members of the various cultural and re-educational units. All of them were eager to rebuild a neo-Weimar republic of letters, arts, and thought. Some were highly qualified and serious. Many were classic opportunists. A few came close to being clowns. After three years of "carnival," recreated by Schivelbusch in all its sound and fury, they were driven from the stage by the Cold War.As Berlin once again becomes the German capital, Schivelbusch's masterful cultural history is certain to captivate historians and general readers alike.   [brief]
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