Title: Collected prose
Author: Olson, Charles 1910-1970
Published: University of California Press,  1997
Subjects: Literature | Literary  Theory  and  Criticism | American Literature | Poetry | Literature | Literary  Theory  and  Criticism | American Literature | Poetry
Publisher's Description: The prose writings of Charles Olson (1910-1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse.The Collected Prose brings together in one volume the works published for the most part between 1946 and 1969, many of which are now out of print. A valuable companion to editions of Olson's poetry, the book backgrounds the poetics, preoccupations, and fascinations that underpin his great poems. Included are Call Me Ishmael , a classic of American literary criticism; the influential essays "Projective Verse" and "Human Universe"; and essays, book reviews, and Olson's notes on his studies. In these pieces one can trace the development of his new science of man, called "muthologos," a radical mix of myth and phenomenology that Olson offered in opposition to the mechanistic discourse and rationalizing policy he associated with America's recent wars in Europe and Asia. Editors Donald Allen and Benjamin Friedlander offer helpful annotations throughout, and poet Robert Creeley, who enjoyed a long and mutually influential relationship with Olson, provides the book's introduction.   [brief]
Similar Items

Title: Walter Benjamin, an aesthetic of redemption
Author: Wolin, Richard
Published: University of California Press,  1994
Subjects: Philosophy | Literary  Theory  and  Criticism
Publisher's Description: Few twentieth-century thinkers have proven as influential as Walter Benjamin, the German-Jewish philosopher and cultural and literary critic. Richard Wolin's book remains among the clearest and most insightful introductions to Benjamin's writings, offering a philosophically rich exposition of his complex relationship to Adorno, Brecht, Jewish Messianism, and Western Marxism. Wolin provides nuanced interpretations of Benjamin's widely studied writings on Baudelaire, historiography, and art in the age of mechanical reproduction. In a new Introduction written especially for this edition, Wolin discusses the unfinished Arcades Project , as well as recent tendencies in the reception of Benjamin's work and the relevance of his ideas to contemporary debates about modernity and postmodernity.   [brief]
Similar Items

Title: Montaigne's unruly brood: textual engendering and the challenge to paternal authority 
Author: Regosin, Richard L 1937-
Published: University of California Press,  1996
Subjects: Literature | Literary  Theory  and  Criticism | French Studies
Publisher's Description: Perhaps as old as writing itself, the metaphor of the book as child has depicted textuality as an only son conceived to represent its father uniformly and to assure the integrity of his name. Richard L. Regosin demonstrates how Montaigne's Essais both departs from and challenges this conventional figure of textuality. He argues that Montaigne's writing is best described as a corpus of siblings with multiple faces and competing voices, a hybrid textuality inclined both to truth and dissimulation, to faithfulness and betrayal, to form and deformation. And he analyzes how this unruly, mixed brood also discloses a sexuality and gender dynamic in the Essais that is more conflicted than the traditional metaphor of literary paternity allows.Regosin challenges traditional critics by showing how the "logic" of a faithful filial text is disrupted and how the writing self displaces the author's desire for mastery and totalization. He approaches the Essais from diverse critical and theoretical perspectives that provide new ground for understanding both Montaigne's complex textuality and the obtrusive reading that it simultaneously invites and resists. His analysis is informed by poststructuralist criticism, by reception theory, and by gender and feminist studies, yet at the same time he treats the Essais as a child of sixteenth-century Humanism and late Renaissance France. Regosin also examines Montaigne's self-proclaimed taste for Ovid and the role played by the seminal texts of self-representation and aesthetic conception (Narcissus and Pygmalion) and the myth of sexual metamorphosis (Iphis).   [brief]
Similar Items

Title: Reading voices: literature and the phonotext 
Author: Stewart, Garrett
Published: University of California Press,  1990
Subjects: Literature | Literary  Theory  and  Criticism | English Literature
Similar Items

Title: Fifteen jugglers, five believers: literary politics and the poetics of American social movements 
Author: Reed, T. V. (Thomas Vernon)
Published: University of California Press,  1992
Subjects: Literature | American Literature | Literary  Theory  and  Criticism
Publisher's Description: T.V. Reed urges an affiliation between literary theory and political action - and between political action and literary theory. What can the "new literary theory" learn from "new social movements"; and what can social activists learn from poststructuralism, new historicism, feminist theory, and neomarxism?In strikingly new interpretations of texts in four different genres - Agee and Evans's Let Us Now Praise Famous Men , Ellison's Invisible Man, Mailer's Armies of the Night , and the ecofeminist Women's Pentagon Actions of the early 1980s - Reed shows how reading literary texts for their political strategies and reading political movements as texts can help us overcome certain rhetorical traps that have undermined American efforts to combat racism, sexism, and economic inequality.   [brief]
Similar Items

Title: Music as cultural practice, 1800-1900 
Author: Kramer, Lawrence 1946-
Published: University of California Press,  1990
Subjects: Music | Musicology | European History | Literary  Theory  and  Criticism
Publisher's Description: In Music as Cultural Practice , Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society.In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Thus Beethoven's last piano sonata, Op. 111, forms both a realization and a critique of Romantic utopianism; Liszt's Faust Symphony takes bourgeois gender ideology into a troubled embrace; Wagner's Tristan und Isolde articulates a basic change in the cultural construction of sexuality. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness. Anyone interested in music, literary criticism, or nineteenth-century culture will find this book pertinent and provocative.   [brief]
Similar Items

Title: J.M. Coetzee: South Africa and the politics of writing 
Author: Attwell, David
Published: University of California Press,  1993
Subjects: Literature | African Studies | Literary  Theory  and  Criticism
Publisher's Description: David Attwell defends the literary and political integrity of South African novelist J.M. Coetzee by arguing that Coetzee has absorbed the textual turn of postmodern culture while still addressing the ethical tensions of the South African crisis. As a form of "situational metafiction," Coetzee's writing reconstructs and critiques some of the key discourses in the history of colonialism and apartheid from the eighteenth century to the present. While self-conscious about fiction-making, it takes seriously the condition of the society in which it is produced.Attwell begins by describing the intellectual and political contexts surrounding Coetzee's fiction and then provides a developmental analysis of his six novels, drawing on Coetzee's other writings in stylistics, literary criticism, translation, political journalism and popular culture. Elegantly written, Attwell's analysis deals with both Coetzee's subversion of the dominant culture around him and his ability to see the complexities of giving voice to the anguish of South Africa.   [brief]
Similar Items

Title: The disenchanted self: representing the subject in the Canterbury tales 
Author: Leicester, H. Marshall (Henry Marshall) 1942-
Published: University of California Press,  1990
Subjects: Literature | Literary  Theory  and  Criticism | Medieval Studies
Publisher's Description: The question of the "dramatic principle" in the Canterbury Tales , of whether and how the individual tales relate to the pilgrims who are supposed to tell them, has long been a central issue in the interpretation of Chaucer's work. Drawing on ideas from deconstruction, psychoanalysis, and social theory, Leicester proposes that Chaucer can lead us beyond the impasses of contemporary literary theory and suggests new approaches to questions of agency, representation, and the gendered imagination.Leicester reads the Canterbury Tales as radically voiced and redefines concepts like "self" and "character" in the light of current discussions of language and subjectivity. He argues for Chaucer's disenchanted practical understanding of the constructed character of the self, gender, and society, building his case through close readings of the Pardoner's, Wife of Bath's, and Knight's tales. His study is among the first major treatments of Chaucer's poetry utilizing the techniques of contemporary literary theory and provides new models for reading the poems while revising many older views of them and of Chaucer's relation to his age.   [brief]
Similar Items

Title: Vanishing points: Dickens, narrative, and the subject of omniscience 
Author: Jaffe, Audrey
Published: University of California Press,  1991
Subjects: Literature | English Literature | Literary  Theory  and  Criticism
Publisher's Description: In traditional narrative theory, the term "omniscience" refers to a narrator's absolute knowledge and authority. Narrative theory provides no social, historical, or psychological context for omniscience, nor does it attempt to explain the predominance of omniscient narration in nineteenth-century British fiction. Audrey Jaffe uses Dickens's novels and sketches to redefine narrative omniscience as a problematic that has implications for the construction of Victorian subjectivity, giving us new insights into Dickens and into other fiction as well.Jaffe demonstrates that omniscience is the effect of a series of oppositions - between narrator and character, knowledge and its absence, sympathy and irony, privacy and publicity. Showing how these oppositions participate in and enforce Victorian ideas about family, the subject, and private life, this study illuminates connections between ideology and narrative form.   [brief]
Similar Items

Title: Cool conduct: the culture of distance in Weimar Germany 
Author: Lethen, Helmut
Published: University of California Press,  2002
Subjects: History | Sociology | German Studies | Literary  Theory  and  Criticism
Publisher's Description: Cool Conduct is an elegant interpretation of attitudes and mentalities that informed the Weimar Republic by a scholar well known for his profound knowledge of this period. Helmut Lethen writes of "cool conduct" as a cultivated antidote to the heated atmosphere of post-World War I Germany, as a way o . . . [more]
Similar Items

Title: The feminine sublime: gender and excess in women's fiction 
Author: Freeman, Barbara Claire
Published: University of California Press,  1997
Subjects: Literature | Literary  Theory  and  Criticism | Women's Studies
Publisher's Description: The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime.Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime."   [brief]
Similar Items

Title: Foregone conclusions: against apocalyptic history 
Author: Bernstein, Michael André 1947-
Published: University of California Press,  1994
Subjects: Philosophy | Jewish Studies | Literature | Literary  Theory  and  Criticism
Publisher's Description: Michael André Bernstein's passionate denunciation of apocalyptic thinking provides a moral, philosophical, and literary challenge to the way most of us make sense of our worlds. In our search for coherence, Bernstein argues, we tend to see our lives as moving toward a predetermined fate. This "foreshadowing" demeans the variety, the richness, and especially the unpredictability of everyday life. Apocalyptic history denies the openness and choice available to its actors.Bernstein chooses the Holocaust as the prime example of our tendency toward foregone conclusions. He argues eloquently against politicians and theologians who depict the Holocaust as foreordained and its victims as somehow implicated in a fate they should have been able to foresee. But his argument ranges wider. From recent biographies of Kafka to the Israeli-P.L.O. peace accords, from campus cultural diversity debates to the Crown Heights riots, Bernstein warns against our passive acceptance of historical or personal victimization.An essential contribution to Holocaust studies, this book is also a lucid call to transform the way we read and write history and the way we make sense of our lives.   [brief]
Similar Items

Title: Orphans of Petrarch: poetry and theory in the Spanish Renaissance 
Author: Navarrete, Ignacio Enrique 1954-
Published: University of California Press,  1994
Subjects: Literature | Literary  Theory  and  Criticism | Poetry | Renaissance Literature
Publisher's Description: In Spain as elsewhere, Renaissance poets transformed the lyric tradition by using Petrarch as a source of poetic renewal. But political unity and military hegemony, coupled with a sense of cultural inferiority and an obsession with ethnic purity, made Spain different. Drawing on modern critical theory, Ignacio Navarrete offers a new exposition of the development of Spanish Renaissance poetics. Grounded in both philology and cultural theory, Orphans of Petrarch is the first book to integrate the "Spanish difference" into an understanding of Renaissance lyric as a European phenomenon.   [brief]
Similar Items

Title: Representation and its discontents: the critical legacy of German romanticism 
Author: Seyhan, Azade
Published: University of California Press,  1992
Subjects: Philosophy | Literary  Theory  and  Criticism | German Studies
Publisher's Description: Azade Seyhan provides a concise, elegantly argued introduction to the critical theory of German Romanticism and demonstrates how its approach to the metaphorical and linguistic nature of knowledge is very much alive in contemporary philosophy and literary theory. Her analysis of key thinkers such as Friedrich Schlegel and Novalis explores their views on rhetoric, systematicity, hermeneutics, and cultural interpretation. Seyhan examines German Romanticism as a critical intervention in the debates on representation, which developed in response to the philosophical revolution of German Idealism.Facing a chaotic political and intellectual landscape, the eighteenth-century theorists sought new models of understanding and new objectives for criticism and philosophy. Representation and Its Discontents identifies the legacy of this formative moment in modern criticism and suggests its relevance to contemporary discussions of post-structuralism, orientalism, theories of textuality, and the nature of philosophical discourse.   [brief]
Similar Items

Title: Dreams of difference: the Japan romantic school and the crisis of modernity
Author: Doak, Kevin Michael
Published: University of California Press,  1994
Subjects: History | Asian History | Japan | Literary  Theory  and  Criticism
Publisher's Description: From 1935 to 1945, the Japan Romantic School (Nihon Romanha), a group of major intellectuals and literary figures, explored issues concerning politics, literature, and nationalism in ways that still influence cultural discourse in Japan today. Kevin Doak's timely study is a broad critique of modernity in early twentieth-century Japan. He uses close readings and translations of texts and poems to suggest that the school's interest in romanticism stemmed from its attempt to surmount the "cultural crisis" of lost traditions. This attempt to overcome modernity eventually reduced the movement's earlier critical impulses to expressions of nationalist longing.   [brief]
Similar Items

Title: The Irish Ulysses 
Author: Tymoczko, Maria
Published: University of California Press,  1997
Subjects: Literature | Literary  Theory  and  Criticism | English Literature
Publisher's Description: In a radical new reading of Ulysses , Maria Tymoczko argues that previous scholarship has distorted our understanding of Joyce's epic novel by focusing on its English and continental literary sources alone. Challenging conventional views that Joyce rejected Irish literature, Tymoczko demonstrates how he used Irish imagery, myth, genres, and literary modes. For the first time, Joyce emerges as an author caught between the English and Irish literary traditions, one who, like later postcolonial writers, remakes English language literature with his own country's rich literary heritage.The author's exacting scholarship makes this book required reading for Joyce scholars, while its theoretical implications - for such issues as canon formation, the role of criticism in literary reception, and the interface of literary cultures - make it an important work for literary theorists.   [brief]
Similar Items

Title: The rhetoric of confession: shishōsetsu in early twentieth-century Japanese fiction 
Author: Fowler, Edward
Published: University of California Press,  1988
Subjects: Literature | Japan | Literary  Theory  and  Criticism | Asian Literature
Publisher's Description: The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu , and discusses its linguisti . . . [more]
Similar Items

Title: Time and the crystal: studies in Dante's Rime petrose 
Author: Durling, Robert M
Published: University of California Press,  1990
Subjects: Literature | European Literature | Literary  Theory  and  Criticism
Publisher's Description: The Rime petrose , Dante's powerful lyrics about a woman as beautiful and as hard as a precious stone, are generally acknowledged to be an important moment in his stylistic development. In this first full-length investigation of the poetics of the petrose and of their relation to the Divine Comedy , Durling and Martinez uncover much new material, especially from medieval science (astrology and mineralogy), philosophy, and theology. The authors argue that the Rime petrose represent a major turning point in Dante's conception of a "microcosmic poetics" that became the fundamental mode of the Commedia . They demonstrate how Dante here attempts his first full account of his relation to the universe as a whole.This work offers many new insights into the intrinsic significance of these remarkable poems and their place in Dante's development - especially far-reaching are the implications for the interpretation of the Divine Comedy . The book will be of interest not only to students of Dante but also to intellectual historians, historians of science, students of poetics and poetic theory, and to all those interested in medieval literature.   [brief]
Similar Items

Title: Getting to be Mark Twain 
Author: Steinbrink, Jeffrey
Published: University of California Press,  1991
Subjects: Literature | American Literature | Literary  Theory  and  Criticism
Publisher's Description: Mark Twain is one of our most accessible cultural icons, a figure familiar to virtually every American and renowned internationally. But he was not always as we know him today. Mark Twain began life as a loose gathering of postures, attitudes, and voices in the mind of Samuel Clemens. It was some time before he took full possession of the personality the world now recognizes.This is the story of the coming of age of Mark Twain. It begins in 1867, with Clemens stepping off the steamship Quaker City and almost immediately declaring himself "in a fidget to move." It comes to a close in 1871, with Clemens settling in Hartford. Mark Twain was substantially formed during the intervening years, as Clemens came East, gained fame and fortune with the publication of Innocents Abroad , courted and married Olivia Langdon, and established himself as a professional writer. Each of these steps represented a profound change in the former Wild Humorist of the Pacific Slope as he sifted through the elements in his personality and began to assume the qualities we now associate with him. The tale that unfolds here shows how, through that process, the Mark Twain of the late 1860s became the Mark Twain of all time.   [brief]
Similar Items

Title: The other modernism: F.T. Marinetti's futurist fiction of power
Author: Blum, Cinzia Sartini
Published: University of California Press,  1996
Subjects: Art | Literary  Theory  and  Criticism | Women's Studies
Publisher's Description: Drawing on recent feminist and psychoanalytic criticism, Cinzia Sartini Blum provides the first analysis of the rhetoric, politics, and psychology of gender in the avant-garde writings of the Italian Futurist F.T. Marinetti. Her book explores the relations between the seemingly unrelated goals of Italian Futurism: technical revolution, espousal of violence, avowed misogyny, and rejection of literary tradition.Blum argues for the centrality of the rhetoric of gender in Marinetti's work. She also investigates a diverse array of his futurist textual practices that range from formal experimentation with "words in freedom" to nationalist manifestos that advocate intervention in World War I and anticipate subsequent fascist rhetoric of power and virility. A major contribution to the study of the twentieth-century avant-garde and the first full-length study of Marinetti in English, The Other Modernism will interest all those concerned with twentieth-century literature, culture, and society and the problem of modern subjectivity.   [brief]
Similar Items