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1. |  | Title: Backstory 2: interviews with screenwriters of the 1940s and 1950s Author: McGilligan, Patrick Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | TheatrePublisher's Description: "Backstory" is the screenwriter's term for what happens in a plot before the screen story begins. In this companion volume to McGilligan's widely praised Backstory: Interviews with Screenwriters of Hollywood's Golden Age , fourteen studio scribes active in later decades rail and reminisce about thei . . . [more]Similar Items | 2. |  | Title: Backstory 3: interviews with screenwriters of the 1960s Author: McGilligan, Patrick Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | Film | WritingPublisher's Description: The Backstory series of unique "oral histories" chronicles the lives and careers of notable Hollywood screenwriters - in their own words. Backstory: Interviews with Screenwriters of Hollywood's Golden Age focused on the early sound era and the 1930s. Backstory 2 featured Interviews with Screenwriter . . . [more]Similar Items | 3. |  | Title: Before the nickelodeon: Edwin S. Porter and the Edison Manufacturing Company Author: Musser, Charles Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film | United States History | Popular CulturePublisher's Description: Musser takes us into the long-forgotten world of early cinema - unexpectedly sophisticated and yet radically different from current movie-making. Focusing on Edwin S. Porter, most often remembered as the producer of The Great Train Robbery , Musser situates Porter's achievements within the vibrant c . . . [more]Similar Items | 4. |  | Title: Cecil B. DeMille and American culture: the silent era Author: Higashi, Sumiko Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | History | Film | Women's StudiesPublisher's Description: Cecil B. DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMil . . . [more]Similar Items | 5. |  | Title: Echo and Narcissus: women's voices in classical Hollywood cinema Author: Lawrence, Amy Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Film | Women's StudiesPublisher's Description: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus , Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of wom . . . [more]Similar Items | 6. |  | Title: Eloquent gestures: the transformation of performance style in the Griffith Biograph films Author: Pearson, Roberta E Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | FilmPublisher's Description: Between 1908 and 1913, D. W. Griffith played a key role in the reformulating of film's narrative techniques, thus contributing to the creation of what we now think of as the classical Hollywood cinema. This book is the only extensive treatment of a critical period in the history of film acting: the . . . [more]Similar Items | 7. |  | Title: Empire of ecstasy: nudity and movement in German body culture, 1910-1935 Author: Toepfer, Karl Eric 1948- Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | German Studies | Gender Studies | DancePublisher's Description: Empire of Ecstasy offers a novel interpretation of the explosion of German body culture between the two wars - nudism and nude dancing, gymnastics and dance training, dance photography and criticism, and diverse genres of performance from solo dancing to mass movement choirs. Karl Toepfer presents t . . . [more]Similar Items | 8. |  | Title: Film quarterly: forty years--a selection Author: Henderson, Brian Published: University of California Press, 1999 Subjects: Cinema and Performance Arts | FilmPublisher's Description: During its forty years as a forum for scholars, filmmakers, critics, and film lovers, Film Quarterly has looked in depth at the most critical elements in the political, social, theoretical, and aesthetic history of the cinema. Once closely tied to Hollywood, the journal was investigated by the Tenne . . . [more]Similar Items | 9. |  | Title: From the royal to the republican body: incorporating the political in seventeenth- and eighteenth-century France Author: Melzer, Sara E Published: University of California Press, 1998 Subjects: History | European History | French Studies | European Literature | Cinema and Performance Arts | PoliticsPublisher's Description: In this innovative volume, leading scholars examine the role of the body as a primary site of political signification in seventeenth- and eighteenth-century France. Some essays focus on the sacralization of the king's body through a gendered textual and visual rhetoric. Others show how the monarchy . . . [more]Similar Items | 10. |  | Title: Hollywood in Berlin: American cinema and Weimar Germany Author: Saunders, Thomas J Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | German Studies | Film | United States History | European HistoryPublisher's Description: The setting is 1920s Berlin, cultural heart of Europe and the era's only serious cinematic rival to Hollywood. In his engaging study, Thomas Saunders explores an outstanding example of one of the most important cultural developments of this century: global Americanization through the motion picture. . . . [more]Similar Items | 11. |  | Title: Hollywood quarterly: film culture in postwar America, 1945-1957 Author: Smoodin, Eric Loren Published: University of California Press, 2002 Subjects: Cinema and Performance ArtsPublisher's Description: The first issue of Hollywood Quarterly, in October 1945, marked the appearance of the most significant, successful, and regularly published journal of its kind in the United States. For its entire life, the Quarterly held to the leftist utopianism of its founders, several of whom would later be blac . . . [more]Similar Items | 12. |  | Title: Inside the drama-house: Rama stories and shadow puppets in South India Author: Blackburn, Stuart H Published: University of California Press, 1996 Subjects: Anthropology | Asian Studies | South Asia | Cinema and Performance Arts | HinduismPublisher's Description: Stuart Blackburn takes the reader inside a little-known form of shadow puppetry in this captivating work about performing the Tamil version of the Ramayana epic. Blackburn describes the skill and physical stamina of the puppeteers in Kerala state in South India as they perform all night for as many . . . [more]Similar Items | 13. |  | Title: Landscapes of resistance: the German films of Danièle Huillet and Jean-Marie Straub Author: Byg, Barton 1953- Published: University of California Press, 1995 Subjects: Cinema and Performance Arts | Film | German Studies | Intellectual HistoryPublisher's Description: Fervently admired and frequently reviled, Jean-Marie Straub and Danièle Huillet - who have lived and worked together for almost forty years - may well be the most uncompromising, not to say intransigent, filmmakers in the history of the medium. Their radical and deeply political films placed them as . . . [more]Similar Items | 14. |  | Title: Late modernism: politics, fiction, and the arts between the world wars Author: Miller, Tyrus 1963- Published: University of California Press, 1999 Subjects: Literature | Fiction | Art Theory | Cinema and Performance Arts | Politics | Political Theory | HistoryPublisher's Description: Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution . . . [more]Similar Items | 15. |  | Title: Light moving in time: studies in the visual aesthetics of avant-garde film Author: Wees, William C. (William Charles) 1935- Published: University of California Press, 1992 Subjects: Cinema and Performance Arts | FilmPublisher's Description: To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing th . . . [more]Similar Items | 16. |  | Title: Mass mediations: new approaches to popular culture in the Middle East and beyond Author: Armbrust, Walter Published: University of California Press, 2000 Subjects: Middle Eastern Studies | Anthropology | Cultural Anthropology | Media Studies | Music | Cinema and Performance ArtsPublisher's Description: Offering a stimulating diversity of perspectives, this collection examines how popular culture through mass media defines the scale and character of social interaction in the Middle East. The contributors approach popular culture broadly, with an interest in how it creates new scales of communicatio . . . [more]Similar Items | 17. |  | Title: The memory of Tiresias: intertextuality and film Author: I︠A︡mpolʹskiĭ, M. B Published: University of California Press, 1998 Subjects: Cinema and Performance Arts | Literature | Popular CulturePublisher's Description: The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias , Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertex . . . [more]Similar Items | 18. |  | Title: Modern drama and the rhetoric of theater Author: Worthen, William B 1955- Published: University of California Press, 1991 Subjects: Cinema and Performance Arts | Theatre | RhetoricPublisher's Description: The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience.How are audiences manipulated? What makes drama meaningful? Worthen identi . . . [more]Similar Items | 19. |  | Title: Moving places: a life at the movies Author: Rosenbaum, Jonathan Published: University of California Press, 1995 Subjects: Cinema and Performance Arts | Film | AutobiographyPublisher's Description: Moving Places is the brilliant account of a life steeped in and shaped by the movies - part autobiography, part film analysis, part social history. Jonathan Rosenbaum, one of America's most gifted film critics, began his moviegoing in the 1950s in small-town Alabama, where his family owned and manag . . . [more]Similar Items | 20. |  | Title: The new German cinema: music, history, and the matter of style Author: Flinn, Caryl Published: University of California Press, 2003 Subjects: Cinema and Performance Arts | German Studies | MusicPublisher's Description: When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity - national, political, personal, and sexual - music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music . . . [more]Similar Items |
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