Title: Rethinking the borderlands: between Chicano culture and legal discourse 
Author: Gutiérrez-Jones, Carl Scott
Published: University of California Press,  1995
Subjects: American Studies | Chicano Studies | Literature | Language and Linguistics | Law | Social and Political Thought | Rhetoric | Postcolonial Studies | United States History | United States History
Publisher's Description: Challenging the long-cherished notion of legal objectivity in the United States, Carl Gutiérrez-Jones argues that Chicano history has been consistently shaped by racially biased, combative legal interactions. Rethinking the Borderlands is an insightful and provocative exploration of the ways Chicano and Chicana artists, writers, musicians, and filmmakers engage this history in order to resist the disenfranchising effects of legal institutions, including the prison and the court.Gutiérrez-Jones examines the process by which Chicanos have become associated with criminality in both our legal institutions and our mainstream popular culture and thereby offers a new way of understanding minority social experience. Drawing on gender studies and psychoanalysis, as well as critical legal and race studies, Gutiérrez-Jones's approach to the law and legal discourse reveals the high stakes involved when concepts of social justice are fought out in the home, in the workplace and in the streets.   [brief]
Similar Items

Title: Nerves and narratives: a cultural history of hysteria in nineteenth-century British prose 
Author: Logan, Peter Melville 1951-
Published: University of California Press,  1997
Subjects: Literature | History | History and Philosophy of Science | Literary Theory and Criticism | Victorian History | English Literature | Women's Studies
Publisher's Description: The British middle class of the early nineteenth century was defined by its nervous complaints - hysteria, hypochondria, vapours, melancholia, and other maladies. Peter Melville Logan explores the link between medical theories of nervous physiology and narrative issues central to the literary writing of the period. He examines the assumption, implicit in medical thinking at the time, that the nervous body - unlike its non-nervous counterpart - has a narrative inscribed on its nerve fibers. It becomes "the body with a story to tell."Logan takes up several literary works whose nervous narrators connect their present disorder with an unnatural, unhealthy social order. Concentrating on novels by Godwin, Hays, and Edgeworth, and on De Quincey's Confessions of an English Opium-Eater , Logan weaves cultural phenomena such as crowd psychology and attitudes toward opium addiction into the basic paradigm of the nervous narrative. He explains why these social critiques always tended to promote the same distempered civilization that brought them into being. He then looks at the emergence of the working-class body in the 1840s, changing medical theories, and George Eliot's treatment of medicine in Middlemarch .Logan's book is especially valuable for its rethinking of disciplinary categories that separate medicine from literature and for bringing to light lesser-known literary texts. With a foreword by Roy Porter, it will be a welcome addition to literary, gender, and cultural studies.   [brief]
Similar Items

Title: The trauma of gender: a feminist theory of the English novel
Author: Moglen, Helene 1936-
Published: University of California Press,  2001
Subjects: Literature | Gender Studies | Women's Studies | European Studies | European History | Literary Theory and Criticism | English Literature
Publisher's Description: Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel princi- pally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts.   [brief]
Similar Items

Title: The imaginary puritan: literature, intellectual labor, and the origins of personal life 
Author: Armstrong, Nancy
Published: University of California Press,  1992
Subjects: Literature | Literary Theory and Criticism | American Literature
Publisher's Description: Nancy Armstrong and Leonard Tennenhouse challenge traditional accounts of the origins of modern Anglo-American culture by focusing on the emergence of print culture in England and the North American colonies. They postulate a modern middle class that consisted of authors and intellectuals who literally wrote a new culture into being.Milton's Paradise Lost marks the emergence of this new literacy. The authors show how Milton helped transform English culture into one of self-enclosed families made up of self-enclosed individuals. However, the authors point out that the popularity of Paradise Lost was matched by that of the Indian captivity narratives that flowed into England from the American colonies. Mary Rowlandson's account of her forcible separation from the culture of her origins stresses the ordinary person's ability to regain those lost origins, provided she remains truly English. In a colonial version of the Miltonic paradigm, Rowlandson sought to return to a family of individuals much like the one in Milton's depiction of the fallen world.Thus the origin both of modern English culture and of the English novel are located in North America. American captivity narratives formulated the ideal of personal life that would be reproduced in the communities depicted by Defoe, Richardson, and later domestic fiction.   [brief]
Similar Items

Title: Roads to Rome: the antebellum Protestant encounter with Catholicism 
Author: Franchot, Jenny 1953-
Published: University of California Press,  1994
Subjects: Literature | Literary Theory and Criticism | American Literature | American Studies | United States History | Christianity
Publisher's Description: The mixture of hostility and fascination with which native-born Protestants viewed the "foreign" practices of the "immigrant" church is the focus of Jenny Franchot's cultural, literary, and religious history of Protestant attitudes toward Roman Catholicism in nineteenth-century America.Franchot analyzes the effects of religious attitudes on historical ideas about America's origins and destiny. She then focuses on the popular tales of convent incarceration, with their Protestant "maidens" and lecherous, tyrannical Church superiors. Religious captivity narratives, like those of Indian captivity, were part of the ethnically, theologically, and sexually charged discourse of Protestant nativism.Discussions of Stowe, Longfellow, Hawthorne, and Lowell - writers who sympathized with "Romanism" and used its imaginative properties in their fiction - further demonstrate the profound influence of religious forces on American national character.   [brief]
Similar Items

Title: Fathering the nation: American genealogies of slavery and freedom 
Author: Castronovo, Russ 1965-
Published: University of California Press,  1996
Subjects: Literature | American Literature | Literary Theory and Criticism | American Studies | Postcolonial Studies
Publisher's Description: Russ Castronovo underscores the inherent contradictions between America's founding principles of freedom and the reality of slavery in a book that probes mid-nineteenth-century representations of the founding fathers. He finds that rather than being coherent and consensual, narratives of nationhood are inconsistent, ambivalent, and ironic. He examines competing expressions of national memory in a wide range of mid-nineteenth-century artifacts: slave autobiography, classic American fiction, monumental architecture, myths of the Revolution, proslavery writing, and landscape painting.Castronovo theorizes a new American cultural studies which takes into consideration what Toni Morrison calls the "Africanist presence" that permeates American literature. He presents a genealogy that recovers those members of the national family whose status challenges the body politic and its history. The forgotten orphans in Melville's Moby-Dick and Israel Potter , the rebellious slaves in the work of Frederick Douglass and William Wells Brown, the citizens afflicted with amnesia in Lincoln's speeches, and the dispossessed sons in slave narratives all provide dissenting voices that provoke insurrectionary plots and counter-memories. Viewed here as a miscegenation of stories, the narrative of "America" resists being told of an intelligible story of uncontested descent. National identity rests not on rituals of consensus but on repressed legacies of parricide and rebellion.   [brief]
Similar Items

Title: The master and Minerva: disputing women in French medieval culture 
Author: Solterer, Helen
Published: University of California Press,  1995
Subjects: Literature | European Literature | Literary Theory and Criticism | Medieval Studies | Women's Studies | French Studies
Publisher's Description: Can words do damage? For medieval culture, the answer was unambiguously yes. And as Helen Solterer contends, in French medieval culture the representation of women exemplified the use of injurious language.Solterer investigates the debates over women between masters and their disciples. Across a broad range of Old French literature to the early modern Querelle des femmes , she shows how the figure of the female respondent became an instrument for disputing the dominant models of representing women. The female respondent exploited the criterion of injurious language that so preoccupied medieval masters, and she charged master poets ethically and legally with libel. Solterer's work thus illuminates an early, decisive chapter in the history of defamation.   [brief]
Similar Items

Title: Late modernism: politics, fiction, and the arts between the world wars 
Author: Miller, Tyrus 1963-
Published: University of California Press,  1999
Subjects: Literature | Fiction | Art Theory | Cinema and Performance Arts | Politics | Political Theory | History
Publisher's Description: Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years.In the post-World War I reconstruction and the worldwide crisis that followed, Miller argues, new technological media and the social forces of mass politics opened fault lines in individual and collective experience, undermining the cultural bases of the modernist movement. He shows how late modernists attempted to discover ways of occupying this new and often dangerous cultural space. In doing so they laid bare the ruin of the modernist aesthetic at the same time as they transcended its limits.In his wide-ranging theoretical and historical discussion, Miller relates developments in literary culture to tendencies in the visual arts, cultural and political criticism, mass culture, and social history. He excavates Wyndham Lewis's hidden borrowings from Al Jolson's The Jazz Singer ; situates Djuna Barnes between the imagery of haute couture and the intellectualism of Duchamp; uncovers Beckett's affinities with Giacometti's surrealist sculptures and the Bolshevik clowns Bim-Bom; and considers Mina Loy as both visionary writer and designer of decorative lampshades. Miller's lively and engaging readings of culture in this turbulent period reveal its surprising anticipation of our own postmodernity.   [brief]
Similar Items

Title: American literary realism and the failed promise of contract 
Author: Thomas, Brook
Published: University of California Press,  1997
Subjects: Literature | American Literature | American Studies | Law | United States History
Publisher's Description: In law, the late nineteenth century is often called the Age of Contract; in literature, the Age of Realism. Brook Thomas's new book brings contract and realism together to offer groundbreaking insights into both while exploring the social and cultural crises that accompanied America's transition from industrial capitalism to the corporate capitalism of the twentieth century.Thomas argues that, radically conceived, contract promised to generate an equitable social order - one organized around interpersonal exchange rather than conformity to a transcendental standard. But as the idea of contract took center stage in American culture after the Civil War, the law failed to deliver on this promise, instead legitimating hierarchies of race, class, and gender. Moving expertly from legal analysis to social history, to profoundly recontextualized literary critique, Thomas shows how writers like Twain, James, Howells, and Chopin took up contract as a model, formally and thematically, evoking its possibilities and dramatizing its failures.Thomas investigates a host of issues at the forefront of public debate in the nineteenth century: race and the meaning of equality, miscegenation, marriage, labor unrest, economic transformation, and changes in notions of human agency and subjectivity. Cross-examining a wide range of key literary and legal texts, he rethinks the ways they relate to each other and to their social milieu.As recent political rhetoric demonstrates, the promise of contract is still very much alive. American Literary Realism and the Failed Promise of Contract challenges conventional critical wisdom and makes a broad, provocative, and nuanced contribution to legal and literary studies, as well as to intellectual and social history. It promises to revise and enrich our understanding of American culture, law, and letters.   [brief]
Similar Items

Title: The sexual education of Edith Wharton 
Author: Erlich, Gloria C
Published: University of California Press,  1992
Subjects: Literature | American Literature | Autobiographies and Biographies | Women's Studies
Publisher's Description: Starting with the tensions in the early family constellation, Gloria C. Erlich traces Edith Wharton's erotic evolution - from her early repression of sexuality and her celibate marriage to her discovery of passion in a rapturous midlife love affair with the bisexual Morton Fullerton. Analyzing the n . . . [more]
Similar Items

Title: The feminine sublime: gender and excess in women's fiction 
Author: Freeman, Barbara Claire
Published: University of California Press,  1997
Subjects: Literature | Literary Theory and Criticism | Women's Studies
Publisher's Description: The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime.Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime."   [brief]
Similar Items

Title: The rest is silence: death as annihilation in the English Renaissance 
Author: Watson, Robert N
Published: University of California Press,  1995
Subjects: Literature | English Literature | Literary Theory and Criticism | Renaissance Literature
Publisher's Description: How did the fear of death coexist with the promise of Christian afterlife in the culture and literature of the English Renaissance? Robert Watson exposes a sharp edge of blasphemous protest against mortality that runs through revenge plays such as The Spanish Tragedy and Hamlet , and through plays of procreation such as Measure for Measure and Macbeth . Tactics of denial appear in the vengefulness that John Donne directs toward female bodies for failing to bestow immortality, and in the promise of renewal that George Herbert sets against the threat of closure.Placing these literary manifestations in the context of specific Jacobean deathbed crises and modern cultural distortions, Watson explores the psychological roots and political consequences of denying that death permanently erases sensation and consciousness.   [brief]
Similar Items

Title: Learned girls and male persuasion: gender and reading in Roman love elegy
Author: James, Sharon L
Published: University of California Press,  2003
Subjects: Classics | Classical Literature and Language | Literature | Poetry | Women's Studies
Publisher's Description: This study transforms our understanding of Roman love elegy, an important and complex corpus of poetry that flourished in the late first century b.c.e. Sharon L. James reads key poems by Propertius, Tibullus, and Ovid for the first time from the perspective of the woman to whom they are addressed - the docta puella, or learned girl, the poet's beloved. By interpreting the poetry not, as has always been done, from the stance of the elite male writers - as plaint and confession - but rather from the viewpoint of the women - thus as persuasion and attempted manipulation - James reveals strategies and substance that no one has listened for before.   [brief]
Similar Items

Title: Transpacific displacement: ethnography, translation, and intertextual travel in twentieth-century American literature
Author: Huang, Yunte
Published: University of California Press,  2002
Subjects: Literature | Asian Literature | Comparative Literature | Poetry | Anthropology | Asian Studies | China
Publisher's Description: Yunte Huang takes a most original "ethnographic" approach to more and less well-known American texts as he traces what he calls the transpacific displacement of cultural meanings through twentieth-century America's imaging of Asia. Informed by the politics of linguistic appropriation and disappropriation, <I>Transpacific Displacement </I>opens with a radically new reading of Imagism through the work of Ezra Pound and Amy Lowell. Huang relates Imagism to earlier linguistic ethnographies of Asia and to racist representations of Asians in American pop culture, such as the book and movie character Charlie Chan, then shows that Asian American writers subject both literary Orientalism and racial stereotyping to double ventriloquism and countermockery. Going on to offer a provocative critique of some textually and culturally homogenizing tendencies exemplified in Maxine Hong Kingston's work and its reception, Huang ends with a study of American translations of contemporary Chinese poetry, which he views as new ethnographies that maintain linguistic and cultural boundaries.   [brief]
Similar Items

Title: The custom of the castle: from Malory to Macbeth 
Author: Ross, Charles Stanley
Published: University of California Press,  1997
Subjects: Literature | European History | English Literature | Medieval Studies | Renaissance Literature
Publisher's Description: The "custom of the castle" imposes strange ordeals on knights and ladies seeking hospitality - daunting, mostly evil challenges that travelers must obey or even defend. This seemingly fantastic motif, first conceived by Chrètien de Troyes in the twelfth century and widely imitated in medieval French romance, flowered again when Italian and English authors adopted it during the century before Shakespeare's plays and the rise of the novel. Unlike other scholars who have dismissed it as pure literary convention, Charles Ross finds serious social purpose behind the custom of the castle.Ross explores the changing legal and cultural conceptions of custom in France, Italy, and England to uncover a broad array of moral issues in the many castle stories. He concentrates on single scenes that are common to a series of epics, showing how their nuanced narratives reflect real social limits of order, violence, justice, civility, and political conformity. His investigation of masterpieces from the thirteenth-century Lancelot to The Faerie Queene - by way of Malory, Boiardo, and Ariosto - demonstrates for the first time the impact on Shakespeare's plays, particularly Macbeth , of an earlier way of thinking about the strengths and weaknesses of social customs.   [brief]
Similar Items

Title: Nobody's story: the vanishing acts of women writers in the marketplace, 1670-1820 
Author: Gallagher, Catherine
Published: University of California Press,  1994
Subjects: Literature | English Literature | Literary Theory and Criticism | Women's Studies | European History
Publisher's Description: Exploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel. The "nobodies" of her title are not ignored, silenced, or anonymous women. Instead, they are literal nobodies: the abstractions of authorial personae, printed books, intellectual property rights, literary reputations, debts and obligations, and fictional characters. These are the exchangeable tokens of modern authorship that lent new cultural power to the increasing number of women writers through the eighteenth century. Women writers, Gallagher discovers, invented and popularized numerous ingenious similarities between their gender and their occupation. The terms "woman," "author," "marketplace," and "fiction" come to define each other reciprocally.Gallagher analyzes the provocative plays of Aphra Behn, the scandalous court chronicles of Delarivier Manley, the properly fictional nobodies of Charlotte Lennox and Frances Burney, and finally Maria Edgeworth's attempts in the late eighteenth century to reform the unruly genre of the novel.   [brief]
Similar Items

Title: Licensing entertainment: the elevation of novel reading in Britain, 1684-1750 
Author: Warner, William Beatty
Published: University of California Press,  1998
Subjects: Literature | European History | Print Media | English Literature
Publisher's Description: Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by novel reading in the eighteenth century. William Warner shows how the earliest novels in Britain, published in small-format print media, provoked early instances of the modern anxiety about the effects of new media on consumers.Warner uncovers a buried and neglected history of the way in which the idea of the novel was shaped in response to a newly vigorous market in popular narratives. In order to rein in the sexy and egotistical novel of amorous intrigue, novelists and critics redefined the novel as morally respectable, largely masculine in authorship, national in character, realistic in its claims, and finally, literary. Warner considers early novelists in their role as entertainers and media workers, and shows how the short, erotic, plot-driven novels written by Behn, Manley, and Haywood came to be absorbed and overwritten by the popular novels of Defoe, Richardson, and Fielding. Considering these novels as entertainment as well as literature, Warner traces a different story - one that redefines the terms within which the British novel is to be understood and replaces the literary history of the rise of the novel with a more inclusive cultural history.   [brief]
Similar Items

Title: The tragedy of Mariam, the fair queen of Jewry
Author: Cary, Elizabeth, Lady 1585 or 6-1639
Published: University of California Press,  1994
Subjects: Literature | Renaissance Literature | English Literature | Literary Theory and Criticism | Women's Studies | Autobiographies and Biographies
Publisher's Description: The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. Mariam is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition.With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century.   [brief]
Similar Items

Title: An empire nowhere: England, America, and literature from Utopia to The tempest 
Author: Knapp, Jeffrey
Published: University of California Press,  1991
Subjects: Literature | Literary Theory and Criticism | United States History | Renaissance Literature | European History
Publisher's Description: What caused England's literary renaissance? One answer has been such unprecedented developments as the European discovery of America. Yet England in the sixteenth century was far from an expanding nation. Not only did the Tudors lose England's sole remaining possessions on the Continent and, thanks to the Reformation, grow spiritually divided from the Continent as well, but every one of their attempts to colonize the New World actually failed.Jeffrey Knapp accounts for this strange combination of literary expansion and national isolation by showing how the English made a virtue of their increasing insularity. Ranging across a wide array of literary and extraliterary sources, Knapp argues that English poets rejected the worldly acquisitiveness of an empire like Spain's and took pride in England's material limitations as a sign of its spiritual strength. In the imaginary worlds of such fictions as Utopia , The Faerie Queene , and The Tempest , they sought a grander empire, founded on the "otherworldly" virtues of both England and poetry itself.   [brief]
Similar Items

Title: Good with their hands: boxers, bluesmen, and other characters from the Rust Belt
Author: Rotella, Carlo 1964-
Published: University of California Press,  2002
Subjects: History | American Studies | Sociology | Literature | Labor Studies | Urban Studies | Ethnic Studies | Gender Studies
Publisher's Description: This eloquent, streetwise book is a paean to America's Rust Belt and a compelling exploration of four milieus caught up in a great transformation of city life. With loving attention to detail and a fine sense of historical context, Carlo Rotella explores women's boxing in Erie, Pennsylvania; Buddy Guy and the blues scene in Chicago; police work and crime stories in New York City, especially as they converged in the making of the movie The French Connection; and attempts at urban renewal in the classic mill city of Brockton, Massachusetts. Navigating through accrued layers of cultural, economic, and personal history, Rotella shows how stories of city life can be found in a boxing match, a guitar solo, a chase scene in a movie, or a landscape. The stories he tells dramatize the coming of the postindustrial era in places once defined by their factories, a sweeping set of changes that has remade the form and meaning of American urbanism. A native of the Rust Belt whose own life resonates with these stories, Rotella has gone to the home turfs of his characters, hanging out in boxing gyms and blues clubs, riding along with cops and moviemakers, discussing the future of Brockton with a visionary artist and a pitbull-fancying janitor who both plan to save the city's soul. These people make culture with their hands, and hands become an expressive metaphor for Rotella as he traces the links between their individual talents and the urban scenes in which they flourish. His writing elegantly connects what happens on the street to the larger story of urban transformation, especially the shift from a way of life that demanded individuals be "good with their hands" to one that depends on the intellectual and social skills fostered by formal education and service work. Strong feelings emerge in this book about what has been lost and gained in the long, slow aging-out of the industrial city. But Rotella's journey through the streets has its ultimate reward in discovering deep-rooted instances of what he calls "truth and beauty in the Rust Belt."   [brief]
Similar Items