Title: Antigonos the One-eyed and the creation of the Hellenistic state
Author: Billows, Richard A
Published: University of California Press,  1997
Subjects: Classics | Ancient History
Publisher's Description: Called by Plutarch "the oldest and greatest of Alexander's successors," Antigonos the One-Eyed (382-301 BC) was the dominant figure during the first half of the Diadoch period, ruling most of the Asian territory conquered by the Macedonians during his final twenty years. Billows provides the first detailed study of this great general and administrator, establishing him as a key contributor to the Hellenistic monarchy and state. After a successful career under Philip and Alexander, Antigonos rose to power over the Asian portion of Alexander's conquests. Embittered by the persistent hostility of those who controlled the European and Egyptian parts of the empire, he tried to eliminate these opponents, an ambition which led to his final defeat in 301. In a corrective to the standard explanations of his aims, Billows shows that Antigonos was scarcely influenced by Alexander, seeking to rule West Asia and the Aegean, rather than the whole of Alexander's Empire.   [brief]
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Title: The making of fornication: eros, ethics, and political reform in Greek philosophy and early Christianity
Author: Gaca, Kathy L
Published: University of California Press,  2003
Subjects: Classics | Classical Philosophy | Classical Religions | Classical Politics | Christianity | Ethics | Social and Political Thought | Ancient History | Intellectual History
Publisher's Description: This provocative work provides a radical reassessment of the emergence and nature of Christian sexual morality, the dominant moral paradigm in Western society since late antiquity. While many scholars, including Michel Foucault, have found the basis of early Christian sexual restrictions in Greek ethics and political philosophy, Kathy L. Gaca demonstrates on compelling new grounds that it is misguided to regard Greek ethics and political theory - with their proposed reforms of eroticism, the family, and civic order - as the foundation of Christian sexual austerity. Rather, in this thoroughly informed and wide-ranging study, Gaca shows that early Christian goals to eradicate fornication were derived from the sexual rules and poetic norms of the Septuagint, or Greek Bible, and that early Christian writers adapted these rules and norms in ways that reveal fascinating insights into the distinctive and largely non-philosophical character of Christian sexual morality. Writing with an authoritative command of both Greek philosophy and early Christian writings, Gaca investigates Plato, the Stoics, the Pythagoreans, Philo of Alexandria, the apostle Paul, and the patristic Christians Clement of Alexandria, Tatian, and Epiphanes, freshly elucidating their ideas on sexual reform with precision, depth, and originality. Early Christian writers, she demonstrates, transformed all that they borrowed from Greek ethics and political philosophy to launch innovative programs against fornication that were inimical to Greek cultural mores, popular and philosophical alike. The Septuagint's mandate to worship the Lord alone among all gods led to a Christian program to revolutionize Gentile sexual practices, only for early Christians to find this virtually impossible to carry out without going to extremes of sexual renunciation. Knowledgeable and wide-ranging, this work of intellectual history and ethics cogently demonstrates why early Christian sexual restrictions took such repressive ascetic forms, and casts sobering light on what Christian sexual morality has meant for religious pluralism in Western culture, especially among women as its bearers.   [brief]
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Title: Prayers in stone: Greek architectural sculpture ca. 600-100 B.C.E
Author: Ridgway, Brunilde Sismondo 1929-
Published: University of California Press,  1999
Subjects: Classics | Art | Art and Architecture | Art History
Publisher's Description: The meaning of architectural sculpture is essential to our understanding of ancient Greek culture. The embellishment of buildings was common for the ancient Greeks, and often provocative. Some ornamental sculpture was placed where, when the building was finished, no mortal eye could view it. And unlike much architectural ornamentation of other cultures, Greek sculpture was often integral to the building, not just as decoration, and could not be removed without affecting the integrity of the building structure. This book is the first comprehensive treatment of the significance of Greek architectural sculpture. Brunilde Sismondo Ridgway, a world-class authority on ancient Greek sculpture, provides a highly informative tour of many dimensions of Greek public buildings - especially temples, tombs, and treasuries - in a text that is at once lucid, accessible, and authoritative.Ridgway's pragmatism and common sense steer us tactfully and clearly through thickets of uncertainty and scholarly disagreement. She refers to a huge number of monuments, and documents her discussions with copious and up-to-date bibliographies. This book is sure to be acknowledged at once as the standard treatment of its important topic.   [brief]
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Title: Homosexuality in Greece and Rome: a sourcebook of basic documents
Author: Hubbard, Thomas K
Published: University of California Press,  2003
Subjects: Gender Studies | Classics | GayLesbian and Bisexual Studies
Publisher's Description: The most important primary texts on homosexuality in ancient Greece and Rome are translated into modern, explicit English and collected together for the first time in this comprehensive sourcebook. Covering an extensive period - from the earliest Greek texts in the late seventh century b.c.e. to Greco-Roman texts of the third and fourth centuries c.e. - the volume includes well-known writings by Plato, Sappho, Aeschines, Catullus, and Juvenal, as well as less well known but highly relevant and intriguing texts such as graffiti, comic fragments, magical papyri, medical treatises, and selected artistic evidence. These fluently translated texts, together with Thomas K. Hubbard's valuable introductions, clearly show that there was in fact no more consensus about homosexuality in ancient Greece and Rome than there is today. The material is organized by period and by genre, allowing readers to consider chronological developments in both Greece and Rome. Individual texts each are presented with a short introduction contextualizing them by date and, where necessary, discussing their place within a larger work. Chapter introductions discuss questions of genre and the ideological significance of the texts, while Hubbard's general introduction to the volume addresses issues such as sexual orientation in antiquity, moral judgments, class and ideology, and lesbianism. With its broad, unexpurgated, and thoroughly informed presentation, this unique anthology gives an essential perspective on homosexuality in classical antiquity.   [brief]
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Title: The shadows of poetry: Vergil in the mind of Augustine
Author: MacCormack, Sabine
Published: University of California Press,  1998
Subjects: Classics | Classical Literature and Language | Ancient History | Christianity | Poetry
Publisher's Description: Imperial ceremony was a vital form of self-expression for late antique society. Sabine MacCormack examines the ceremonies of imperial arrivals, funerals, and coronations from the late third to the late sixth centuries A.D., as manifest in the official literature and art of the time. Her study offers . . . [more]
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Title: Whose pharaohs?: archaeology, museums, and Egyptian national identity from Napoleon to World War I
Author: Reid, Donald M. (Donald Malcolm) 1940-
Published: University of California Press,  2002
Subjects: History | Middle Eastern History | European History | Middle Eastern Studies | Classics | Art History
Publisher's Description: Egypt's rich and celebrated ancient past has served many causes throughout history--in both Egypt and the West. Concentrating on the era from Napoleon's conquest and the discovery of the Rosetta Stone to the outbreak of World War I, this book examines the evolution of Egyptian archaeology in the context of Western imperialism and nascent Egyptian nationalism. Traditionally, histories of Egyptian archaeology have celebrated Western discoverers such as Champollion, Mariette, Maspero, and Petrie, while slighting Rifaa al-Tahtawi, Ahmad Kamal, and other Egyptians. This exceptionally well-illustrated and well-researched book writes Egyptians into the history of archaeology and museums in their own country and shows how changing perceptions of the past helped shape ideas of modern national identity. Drawing from rich archival sources in Egypt, the United Kingdom, and France, and from little-known Arabic publications, Reid discusses previously neglected topics in both scholarly Egyptology and the popular "Egyptomania" displayed in world's fairs and Orientalist painting and photography. He also examines the link between archaeology and the rise of the modern tourist industry. This richly detailed narrative discusses not only Western and Egyptian perceptions of pharaonic history and archaeology but also perceptions of Egypt's Greco-Roman, Coptic, and Islamic eras. Throughout this book, Reid demonstrates how the emergence of archaeology affected the interests and self-perceptions of modern Egyptians. In addition to uncovering a wealth of significant new material on the history of archaeology and museums in Egypt, Reid provides a fascinating window on questions of cultural heritage--how it is perceived, constructed, claimed, and contested.   [brief]
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Title: Senecan drama and stoic cosmology 
Author: Rosenmeyer, Thomas G
Published: University of California Press,  1989
Subjects: Classics | Classical Literature and Language | Classical Philosophy | Theatre
Publisher's Description: Lucius Annaeus Seneca, Nero's tutor and advisor, wrote philosophical essays, some of them in the form of letters, and dramas on Greek mythological topics, which since the early Renaissance have exercised a powerful influence on the European theater. Because in his essays Seneca, in his own eclectic way, subscribes to the philosophy of the Stoic school, scholars and critics have long been asking the question whether the plays, also, could be regarded as transmitters of Stoic thought. Various answers, ranging from a categorical no to an uneasy yes, have been given.With few exceptions, the students who have concerned themselves with this question have looked for their enlightenment in Stoic psychology and Stoic ethics. In this book, Thomas G. Rosenmeyer proposes instead to look at the Stoic science of nature, of the world and human beings in the world, as a more plausible grounding for the difference between Senecan drama and its Greek predecessors. In the process of looking at what the Stoics, especially the early Stoics, had to say about the forces determining natural phenomena, the author uncovers a deeply pessimistic strain in Stoic cosmology, and an interest in physicality and environmental tension, that he finds replicated in the theater, not only of Seneca, but also of the later European tradition indebted to him.   [brief]
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Title: The beginnings of Jewishness: boundaries, varieties, uncertainties
Author: Cohen, Shaye J. D
Published: University of California Press,  1999
Subjects: Religion | Judaism | Classical Religions | Classics | Jewish Studies
Publisher's Description: In modern times, various Jewish groups have argued whether Jewishness is a function of ethnicity, of nationality, of religion, or of all three. These fundamental conceptions were already in place in antiquity. The peculiar combination of ethnicity, nationality, and religion that would characterize Jewishness through the centuries first took shape in the second century B.C.E. This brilliantly argued, accessible book unravels one of the most complex issues of late antiquity by showing how these elements were understood and applied in the construction of Jewish identity - by Jews, by gentiles, and by the state.Beginning with the intriguing case of Herod the Great's Jewishness, Cohen moves on to discuss what made or did not make Jewish identity during the period, the question of conversion, the prohibition of intermarriage, matrilineal descent, and the place of the convert in the Jewish and non-Jewish worlds. His superb study is unique in that it draws on a wide range of sources: Jewish literature written in Greek, classical sources, and rabbinic texts, both ancient and medieval. It also features a detailed discussion of many of the central rabbinic texts dealing with conversion to Judaism.   [brief]
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Title: Merovingian mortuary archaeology and the making of the early Middle Ages
Author: Effros, Bonnie 1965-
Published: University of California Press,  2003
Subjects: Classics | European Studies | Archaeology | Ancient History | Medieval History | Archaeology
Publisher's Description: Clothing, jewelry, animal remains, ceramics, coins, and weaponry are among the artifacts that have been discovered in graves in Gaul dating from the fifth to eighth century. Those who have unearthed them, from the middle ages to the present, have speculated widely on their meaning. This authoritative book makes a major contribution to the study of death and burial in late antique and early medieval society with its long overdue systematic discussion of this mortuary evidence. Tracing the history of Merovingian archaeology within its cultural and intellectual context for the first time, Effros exposes biases and prejudices that have colored previous interpretations of these burial sites and assesses what contemporary archaeology can tell us about the Frankish kingdoms. Working at the intersection of history and archaeology, and drawing from anthropology and art history, Effros emphasizes in particular the effects of historical events and intellectual movements on French and German antiquarian and archaeological studies of these grave goods. Her discussion traces the evolution of concepts of nationhood, race, and culture and shows how these concepts helped shape an understanding of the past. Effros then turns to contemporary multidisciplinary methodologies and finds that we are still limited by the types of information that can be readily gleaned from physical and written sources of Merovingian graves. For example, since material evidence found in the graves of elite families and particularly elite men is more plentiful and noteworthy, mortuary goods do not speak as directly to the conditions in which women and the poor lived. The clarity and sophistication with which Effros discusses the methods and results of European archaeology is a compelling demonstration of the impact of nationalist ideologies on a single discipline and of the struggle toward the more pluralistic vision that has developed in the post-war years.   [brief]
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Title: Traditional oral epic: the Odyssey, Beowulf, and the Serbo-Croatian return song 
Author: Foley, John Miles
Published: University of California Press,  1991
Subjects: Literature | Literary Theory and Criticism | European Literature | Folklore and Mythology | Religion | Language and Linguistics | Classics | Medieval Studies
Publisher's Description: John Miles Foley offers an innovative and straightforward approach to the structural analysis of oral and oral-derived traditional texts. Professor Foley argues that to give the vast and complex body of oral "literature" its due, we must first come to terms with the endemic heterogeneity of traditional oral epics, with their individual histories, genres, and documents, as well as both the synchronic and diachronic aspects of their poetics.Until now, the emphasis in studies of oral traditional works has been placed on addressing the correspondences among traditions - shared structures of "formula," "theme," and "story-pattern." Traditional Oral Epic explores the incongruencies among traditions and focuses on the qualities specific to certain oral and oral-derived works. It is certain to inspire further research in this field.   [brief]
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Title: The eye expanded: life and the arts in Greco-Roman antiquity
Author: Titchener, Frances B 1954-
Published: University of California Press,  1999
Subjects: Classics | Classical History | Classical Literature and Language | Art and Architecture | Classical Politics | Classical Religions | Ancient History
Publisher's Description: Plato and Aristotle both believed that the arts were mimetic creations of the human mind that had the power to influence society. In this they were representative of a widespread consensus in ancient culture. Cultural and political impulses informed the fine arts, and these in turn shaped - and were often intended to shape - the living world. The contributors to this volume, all of whom have been encouraged and inspired by the work of Peter Green, document the interaction between life and the arts that has made art more lively and life more artful in sixteen essays with subjects ranging from antiquity to modern times.With topics ranging from Antigone to D. H. Lawrence and Norman Douglas, and from Bactrian coins to Livy's characterization of women, the scope, the zest, and the scholarship of these essays will illuminate new avenues in our understanding of the relationship between classics and culture, and in our appreciation of both the artistic products that have come down to us and the varieties of life from which they spring.   [brief]
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Title: Thucydides and the ancient simplicity: the limits of political realism 
Author: Crane, Gregory 1957-
Published: University of California Press,  1998
Subjects: Classics | Politics | Political Theory | History | Intellectual History
Publisher's Description: Thucydides' History of the Peloponnesian War is the earliest surviving realist text in the European tradition. As an account of the Peloponnesian War, it is famous both as an analysis of power politics and as a classic of political realism. From the opening speeches, Thucydides' Athenians emerge as a new and frightening source of power, motivated by self-interest and oblivious to the rules and shared values under which the Greeks had operated for centuries. Gregory Crane demonstrates how Thucydides' history brilliantly analyzes both the power and the dramatic weaknesses of realist thought. The tragedy of Thucydides' history emerges from the ultimate failure of the Athenian project. The new morality of the imperialists proved as conflicted as the old; history shows that their values were unstable and self-destructive. Thucydides' history ends with the recounting of an intellectual stalemate that, a century later, motivated Plato's greatest work. Thucydides and the Ancient Simplicity includes a thought-provoking discussion questioning currently held ideas of political realism and its limits. Crane's sophisticated claim for the continuing usefulness of the political examples of the classical past will appeal to anyone interested in the conflict between the exercise of political power and the preservation of human freedom and dignity.   [brief]
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Title: Homer the theologian: Neoplatonist allegorical reading and the growth of the epic tradition
Author: Lamberton, Robert
Published: University of California Press,  1989
Subjects: Classics | Classical Literature and Language | Literary Theory and Criticism
Publisher's Description: Here is the first survey of the surviving evidence for the growth, development, and influence of the Neoplatonist allegorical reading of the Iliad and Odyssey. Professor Lamberton argues that this tradition of reading was to create new demands on subsequent epic and thereby alter permanently the nature of European epic. The Neoplatonist reading was to be decisive in the birth of allegorical epic in late antiquity and forms the background for the next major extension of the epic tradition found in Dante.   [brief]
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Title: Rome and the enemy: imperial strategy in the principate
Author: Mattern, Susan P 1966-
Published: University of California Press,  1999
Subjects: Classics | Classical History | Classical Politics | Classical Literature and Language | Military History | Ancient History
Publisher's Description: How did the Romans build and maintain one of the most powerful and stable empires in the history of the world? This illuminating book draws on the literature, especially the historiography, composed by the members of the elite who conducted Roman foreign affairs. From this evidence, Susan P. Mattern reevaluates the roots, motivations, and goals of Roman imperial foreign policy especially as that policy related to warfare. In a major reinterpretation of the sources, Rome and the Enemy shows that concepts of national honor, fierce competition for status, and revenge drove Roman foreign policy, and though different from the highly rationalizing strategies often attributed to the Romans, dictated patterns of response that remained consistent over centuries. Mattern reconstructs the world view of the Roman decision-makers, the emperors, and the elite from which they drew their advisers. She discusses Roman conceptions of geography, strategy, economics, and the influence of traditional Roman values on the conduct of military campaigns. She shows that these leaders were more strongly influenced by a traditional, stereotyped perception of the enemy and a drive to avenge insults to their national honor than by concepts of defensible borders. In fact, the desire to enforce an image of Roman power was a major policy goal behind many of their most brutal and aggressive campaigns. Rome and the Enemy provides a fascinating look into the Roman mind in addition to a compelling reexamination of Roman conceptions of warfare and national honor. The resulting picture creates a new understanding of Rome's long mastery of the Mediterranean world.   [brief]
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Title: The mask of Socrates: the image of the intellectual in antiquity 
Author: Zanker, Paul
Published: University of California Press,  1996
Subjects: Classics | Art History | Art and Architecture | Ancient History
Publisher's Description: This richly illustrated work provides a new and deeper perspective on the interaction of visual representation and classical culture from the fifth century B.C. to the fourth century A.D. Drawing on a variety of source materials such as Graeco-Roman literature, historiography, and philosophy, in addition to artistic renderings, Paul Zanker forges the first comprehensive history of the visual representation of Greek and Roman intellectuals. He takes the reader from the earliest visual images of Socrates and Plato to the figures of Christ, the Apostles, and contemporaneous pagan and civic dignitaries.Through his interpretations of postures, gestures, facial expressions, and stylistic changes of particular set pieces, we come to know these great poets and philosophers through all of their various personas - the prophetic wise man, the virtuous democratic citizen, or the self-absorbed bon vivant. Zanker's analysis of how the iconography of influential thinkers and writers changed demonstrates the rise and fall of trends and the movement of schools of thought and belief, each successively embodying the most valued characteristics of the period and culture.   [brief]
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Title: Fiction as history: Nero to Julian 
Author: Bowersock, G. W. (Glen Warren) 1936-
Published: University of California Press,  1997
Subjects: Classics | Literature | European History | Classical Religions | Christianity | Ancient History
Publisher's Description: Using pagan fiction produced in Greek and Latin during the early Christian era, G. W. Bowersock investigates the complex relationship between "historical" and "fictional" truths. This relationship preoccupied writers of the second century, a time when apparent fictions about both past and present were proliferating at an astonishing rate and history was being invented all over again. With force and eloquence, Bowersock illuminates social attitudes of this period and persuasively argues that its fiction was influenced by the emerging Christian Gospel narratives.Enthralling in its breadth and enhanced by two erudite appendices, this is a book that will be warmly welcomed by historians and interpreters of literature.   [brief]
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Title: Plato's Parmenides
Author: Plato
Published: University of California Press,  2003
Subjects: Classics | Philosophy | Classical Philosophy
Publisher's Description: Of all Plato's dialogues, the Parmenides is notoriously the most difficult to interpret. Scholars of all periods have disagreed about its aims and subject matter. The interpretations have ranged from reading the dialogue as an introduction to the whole of Platonic metaphysics to seeing it as a collection of sophisticated tricks, or even as an elaborate joke. This work presents an illuminating new translation of the dialogue together with an extensive introduction and running commentary, giving a unified explanation of the Parmenides and integrating it firmly within the context of Plato's metaphysics and methodology. Scolnicov shows that in the Parmenides Plato addresses the most serious challenge to his own philosophy: the monism of Parmenides and the Eleatics. In addition to providing a serious rebuttal to Parmenides, Plato here re-formulates his own theory of forms and participation, arguments that are central to the whole of Platonic thought, and provides these concepts with a rigorous logical and philosophical foundation. In Scolnicov's analysis, the Parmenides emerges as an extension of ideas from Plato's middle dialogues and as an opening to the later dialogues. Scolnicov's analysis is crisp and lucid, offering a persuasive approach to a complicated dialogue. This translation follows the Greek closely, and the commentary affords the Greekless reader a clear understanding of how Scolnicov's interpretation emerges from the text. This volume will provide a valuable introduction and framework for understanding a dialogue that continues to generate lively discussion today.   [brief]
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Title: The houses of Roman Italy, 100 B.C.-A.D. 250: ritual, space, and decoration
Author: Clarke, John R 1945-
Published: University of California Press,  1992
Subjects: Classics | Art and Architecture | Architectural History | Art History
Publisher's Description: In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house "with Roman eyes." Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them.In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the "Four Styles" (100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gemlike Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers' social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century.In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.   [brief]
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Title: Dioscorus of Aphrodito: his work and his world 
Author: MacCoull, Leslie B
Published: University of California Press,  1989
Subjects: Classics
Publisher's Description: From the hand of Dioscorus of Aphrodito, sixth-century Coptic lawyer and poet, we have the only autograph poems to come down to us on papyrus from the late ancient world. Both the poetry he wrote for special occasions and the documents he produced in his legal career, in Greek and Coptic, reflect the major preoccupations of Dioscorus' society and his age: the nature of Byzantine imperial government, the patronage of the powerful elite, and the spirituality of the Egyptian Christian church. Thanks to residence in Egypt and many years of work with the original papyri, Leslie S. B. MacCoull is able to present a comprehensive picture of Dioscorus and his times. Through detailed analyses of the documents and poems, some previously unknown, she leads us to a fresh perception of the Coptic culture of Byzantine Egypt. She reveals the man and his world as inheritors of and contributors to the Egyptian-Classical-Christian fusion of society and intellectual life that gave birth to Gnosticism and the Desert Fathers. Dioscorus of Aphrodito epitomizes the little-known cultural flowering of late antique Egypt, which is now seen not as a place of sterility and decadence, but as the home of a strikingly original and creative culture whose subsequent eclipse still remains unexplained.   [brief]
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Title: Looking at lovemaking: constructions of sexuality in Roman art, 100 B.C.-A.D. 250
Author: Clarke, John R 1945-
Published: University of California Press,  1998
Subjects: Art | Classics | Art and Architecture | Art History | History | Gender Studies
Publisher's Description: What did sex mean to the ancient Romans? In this lavishly illustrated study, John R. Clarke investigates a rich assortment of Roman erotic art to answer this question - and along the way, he reveals a society quite different from our own. Clarke reevaluates our understanding of Roman art and society in a study informed by recent gender and cultural studies, and focusing for the first time on attitudes toward the erotic among both the Roman non-elite and women. This splendid volume is the first study of erotic art and sexuality to set these works - many newly discovered and previously unpublished - in their ancient context and the first to define the differences between modern and ancient concepts of sexuality using clear visual evidence.Roman artists pictured a great range of human sexual activities - far beyond those mentioned in classical literature - including sex between men and women, men and men, women and women, men and boys, threesomes, foursomes, and more. Roman citizens paid artists to decorate expensive objects, such as silver and cameo glass, with scenes of lovemaking. Erotic works were created for and sold to a broad range of consumers, from the elite to the very poor, during a period spanning the first century B.C. through the mid-third century of our era. This erotic art was not hidden away, but was displayed proudly in homes as signs of wealth and luxury. In public spaces, artists often depicted outrageous sexual acrobatics to make people laugh. Looking at Lovemaking depicts a sophisticated, pre-Christian society that placed a high value on sexual pleasure and the art that represented it. Clarke shows how this culture evolved within religious, social, and legal frameworks that were vastly different from our own and contributes an original and controversial chapter to the history of human sexuality.   [brief]
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