Title: How fascism ruled women: Italy, 1922-1945
Author: De Grazia, Victoria
Published: University of California Press,  1992
Subjects: History | European History | Women's Studies
Publisher's Description: Italy has been made; now we need to make the Italians," goes a familiar Italian saying. Mussolini was the first head of state to include women in this mandate. How the fascist dictatorship defined the place of women in modern Italy and how women experienced the Duce 's rule are the subjects of Victoria de Grazia's new work. De Grazia draws on an array of sources - memoirs and novels, the images, songs, and events of mass culture, as well as government statistics and archival reports. She offers a broad yet detailed characterization of Italian women's ambiguous and ambivalent experience of a regime that promised modernity, yet denied women emancipation.Always attentive to the great diversity among women and careful to distinguish fascist rhetoric from the practices that really shaped daily existence, the author moves with ease from the public discourse about femininity to the images of women in propaganda and commercial culture. She analyzes fascist attempts to organize women and the ways in which Mussolini's intentions were received by women as social actors. The first study of women's experience under Italian fascism, this is also a history of the making of contemporary Italian society.   [brief]
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Title: Fascist modernities: Italy, 1922-1945
Author: Ben-Ghiat, Ruth
Published: University of California Press,  2001
Subjects: European Studies | History | Intellectual History | European History
Publisher's Description: Ruth Ben-Ghiat's innovative cultural history of Mussolini's dictatorship is a provocative discussion of the meanings of modernity in interwar Italy. Eloquent, pathbreaking, and deft in its use of a broad range of materials, this work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the contemporary European crisis as well as long-standing problems of the national past. Ben-Ghiat shows that - at a time of fears over the erosion of national and social identities - Mussolini presented fascism as a movement that would allow economic development without harm to social boundaries and national traditions. She demonstrates that although the regime largely failed in its attempts to remake Italians as paragons of a distinctly fascist model of mass society, twenty years of fascism did alter the landscape of Italian cultural life. Among younger intellectuals in particular, the dictatorship left a legacy of practices and attitudes that often continued under different political rubrics after 1945.   [brief]
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Title: Jewish life in renaissance Italy
Author: Bonfil, Roberto
Published: University of California Press,  1994
Subjects: Jewish Studies | Renaissance History | European History
Publisher's Description: With this heady exploration of time and space, rumors and silence, colors, tastes, and ideas, Robert Bonfil recreates the richness of Jewish life in Renaissance Italy. He also forces us to rethink conventional interpretations of the period, which feature terms like "assimilation" and "acculturation." Questioning the Italians' presumed capacity for tolerance and civility, he points out that Jews were frequently uprooted and persecuted, and where stable communities did grow up, it was because the hostility of the Christian population had somehow been overcome.After the ghetto was imposed in Venice, Rome, and other Italian cities, Jewish settlement became more concentrated. Bonfil claims that the ghetto experience did more to intensify Jewish self-perception in early modern Europe than the supposed acculturation of the Renaissance. He shows how, paradoxically, ghetto living opened and transformed Jewish culture, hastening secularization and modernization.Bonfil's detailed picture reveals in the Italian Jews a sensitivity and self-awareness that took into account every aspect of the larger society. His inside view of a culture flourishing under stress enables us to understand how identity is perceived through constant interplay - on whatever terms - with the Other.   [brief]
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Title: The houses of Roman Italy, 100 B.C.-A.D. 250: ritual, space, and decoration
Author: Clarke, John R 1945-
Published: University of California Press,  1992
Subjects: Classics | Art and Architecture | Architectural History | Art History
Publisher's Description: In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house "with Roman eyes." Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them.In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the "Four Styles" (100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gemlike Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers' social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century.In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.   [brief]
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Title: Possessing nature: museums, collecting, and scientific culture in early modern Italy
Author: Findlen, Paula
Published: University of California Press,  1994
Subjects: History | History and Philosophy of Science | European History | Renaissance History
Publisher's Description: In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory.Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.   [brief]
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Title: The view from Vesuvius: Italian culture and the southern question
Author: Moe, Nelson 1961-
Published: University of California Press,  2002
Subjects: European Studies | European History | Intellectual History | Politics | European Literature
Publisher's Description: The vexed relationship between the two parts of Italy, often referred to as the Southern Question, has shaped that nation's political, social, and cultural life throughout the twentieth century. But how did southern Italy become "the south," a place and people seen as different from and inferior to the rest of the nation? Writing at the rich juncture of literature, history, and cultural theory, Nelson Moe explores how Italy's Mezzogiorno became both backward and picturesque, an alternately troubling and fascinating borderland between Europe and its others. This finely crafted book shows that the Southern Question is far from just an Italian issue, for its origins are deeply connected to the formation of European cultural identity between the mid-eighteenth and late nineteenth centuries. Moe examines an exciting range of unfamiliar texts and visual representations including travel writing, political discourse, literary texts, and etchings to illuminate the imaginative geography that shaped the divide between north and south. His narrative moves from a broad examination of the representation of the south in European culture to close readings of the literary works of Leopardi and Giovanni Verga. This groundbreaking investigation into the origins of the modern vision of the Mezzogiorno is made all the more urgent by the emergence of separatism in Italy in the 1990s.   [brief]
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Title: Fascist spectacle: the aesthetics of power in Mussolini's Italy
Author: Falasca-Zamponi, Simonetta 1957-
Published: University of California Press,  1997
Subjects: History | European History | Popular Culture | European Studies | Politics
Publisher's Description: This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history.Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.   [brief]
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Title: A place in the sun: Africa in Italian colonial culture from post-unification to the present
Author: Palumbo, Patrizia
Published: University of California Press,  2003
Subjects: History | Postcolonial Studies | European History | African History | Immigration
Publisher's Description: Given the centrality of Africa to Italy's national identity, a thorough study of Italian colonial history and culture has been long overdue. Two important developments, the growth of postcolonial studies and the controversy surrounding immigration from Africa to the Italian peninsula, have made it clear that the discussion of Italy's colonial past is essential to any understanding of the history and construction of the nation. This collection, the first to gather articles by the most-respected scholars in Italian colonial studies, highlights the ways in which colonial discourse has pervaded Italian culture from the post-unification period to the present. During the Risorgimento, Africa was invoked as a limb of a proudly resuscitated Imperial Rome. During the Fascist era, imperialistic politics were crucial in shaping both domestic and international perceptions of the Italian nation. These contributors offer compelling essays on decolonization, exoticism, fascist and liberal politics, anthropology, and historiography, not to mention popular literature, feminist studies, cinema, and children's literature. Because the Italian colonial past has had huge repercussions, not only in Italy and in the former colonies but also in other countries not directly involved, scholars in many areas will welcome this broad and insightful panorama of Italian colonial culture.   [brief]
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Title: Italo Balbo: a Fascist life
Author: Segrè, Claudio G
Published: University of California Press,  1990
Subjects: History | European History | Autobiographies and Biographies | Politics
Publisher's Description: Pioneering aviator, blackshirt leader, colonial governor, confidante and heir-apparent to Benito Mussolini, the dashing and charismatic Italo Balbo exemplified the ideals of Fascist Italy during the 1920s and 30s. He earned national notoriety after World War I as a ruthless squadrista whose blackshirt forces crushed socialist and trade union organizations. As Minister of Aviation from 1926 to 1933, he led two internationally heralded mass trans-Atlantic flights. When his aerial armada reached the U. S., Chicago honored him with a Balbo Avenue, New York staged a ticker-tape parade, and President Roosevelt invited him to lunch. As colonial governor from 1933 to 1940, Balbo transformed Libya from backward colony to model Italian province. To many, Italo Balbo seemed to embody a noble vision of Fascism and the New Italy.   [brief]
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Title: Italian music incunabula: printers and type 
Author: Duggan, Mary Kay Conyers
Published: University of California Press,  1992
Subjects: Music | Musicology | Medieval Studies
Publisher's Description: Musical notation presented unusual challenges to the new craft of printing in the fifteenth century. Its demands were so difficult that the first impression of music from metal type was not made until a full twenty years after the first printed alphabetic texts. By the end of the century dozens of such fonts had appeared throughout Europe. The books that resulted were often impressive volumes of folio or large-folio size, printed in two colors, with woodcut illustrations.Mary Kay Duggan focuses on the technological processes developed in Italy to print music books. She begins by tracing the history and analyzing the techniques of casting and setting type and staves. She then identifies, classifies, and examines thirty-eight specific types. Finally, the author has compiled a descriptive bibliography of Italian music incunabula, including books containing either printed music or blank spaces for the insertion of manuscript music. Italian Music Incunabula marks a major advance in the study of the paleotypography of music. It greatly enhances our understanding of the impact of the printing press on music and the importance of music books in the work of early printers. Its meticulous bibliography of over 150 incunabula, concordances, and indices will make it the standard reference work for many years to come.   [brief]
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Title: Preachers of the Italian ghetto 
Author: Ruderman, David B
Published: University of California Press,  1992
Subjects: Jewish Studies | Medieval History | European History | History
Publisher's Description: By the mid-sixteenth century, Jews in the cities of Italy were being crowded into compulsory ghettos as a result of the oppressive policies of Pope Paul IV and his successors.The sermons of Jewish preachers during this period provide a remarkable vantage point from which to view the early modern Jewish social and cultural landscape.In this eloquent collection, six leading scholars of Italian Jewish history reveal the important role of these preachers: men who served as a bridge between the ghetto and the Christian world outside, between old and new conventions, and between elite and popular modes of thought. The story of how they reflected and shaped the culture of their listeners, who felt the pressure of cramped urban life as well as of political, economic, and religious persecution, is finally beginning to be told. Through the words of the Italian ghetto preachers, we discover a richly textured panorama of Jewish life more than 400 years ago.   [brief]
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Title: Venice's hidden enemies: Italian heretics in a Renaissance city
Author: Martin, John Jeffries
Published: University of California Press,  1993
Subjects: History | European History | Christianity | Renaissance History
Publisher's Description: How could early modern Venice, a city renowned for its political freedom and social harmony, also have become a center of religious dissent and inquisitorial repression? To answer this question, John Martin develops an innovative approach that deftly connects social and cultural history. The result is a profoundly important contribution to Renaissance and Reformation studies.Martin offers a vivid re-creation of the social and cultural worlds of the Venetian heretics - those men and women who articulated their hopes for religious and political reform and whose ideologies ranged from evangelical to anabaptist and even millenarian positions. In exploring the connections between religious beliefs and social experience, he weaves a rich tapestry of Renaissance urban life that is sure to intrigue all those involved in anthropological, religious, and historical studies - students and scholars alike.   [brief]
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Title: Merchants and reform in Livorno, 1814-1868 
Author: LoRomer, David G
Published: University of California Press,  1987
Subjects: History | European History
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Title: Two churches: England and Italy in the thirteenth century
Author: Brentano, Robert 1926-
Published: University of California Press,  1988
Subjects: History | European History | Medieval History | Medieval Studies | Religion
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Title: Apocalypse in Rome: Cola di Rienzo and the politics of the New Age
Author: Musto, Ronald G
Published: University of California Press,  2003
Subjects: History | European Studies | Medieval History | Medieval Studies | Autobiographies and Biographies | Classical Politics | Autobiographies and Biographies
Publisher's Description: On May 20, 1347, Cola di Rienzo overthrew without violence the turbulent rule of Rome's barons and the absentee popes. A young visionary and the best political speaker of his time, Cola promised Rome a return to its former greatness. Ronald G. Musto's vivid biography of this charismatic leader - whose exploits have enlivened the work of poets, composers, and dramatists, as well as historians - peels away centuries of interpretation to reveal the realities of fourteenth-century Italy and to offer a comprehensive account of Cola's rise and fall. A man of modest origins, Cola gained a reputation as a talented professional with an unparalleled knowledge of Rome's classical remains. After earning the respect and friendship of Petrarch and the sponsorship of Pope Clement VI, Cola won the affections and loyalties of all classes of Romans. His buono stato established the reputation of Rome as the heralded New Jerusalem of the Apocalypse and quickly made the city a potent diplomatic and religious center that challenged the authority - and power - of both pope and emperor. At the height of Cola's rule, a conspiracy of pope and barons forced him to flee the city and live for years as a fugitive until he was betrayed and taken to Avignon to stand trial as a heretic. Musto relates the dramatic story of Cola's subsequent exoneration and return to central Italy as an agent of the new pope. But only weeks after he reestablished his government, he was slain by the Romans atop the Capitoline hill. In his exploration, Musto examines every known document pertaining to Cola's life, including papal, private, and diplomatic correspondence rarely used by earlier historians. With his intimate knowledge of historical Rome - its streets and ruins, its churches and palaces, from the busy Tiber riverfront to the lost splendor of the Capitoline - he brings a cinematic flair to this fascinating historical narrative.   [brief]
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Title: A Renaissance court: Milan under Galeazzo Maria Sforza
Author: Lubkin, Gregory
Published: University of California Press,  1994
Subjects: History | Renaissance History
Publisher's Description: Ambitious, extravagant, progressive, and sexually notorious, Galeazzo Maria Sforza inherited the ducal throne of Milan in 1466, at the age of twenty-two. Although his reign ended tragically only ten years later, the young prince's court was a dynamic community where arts, policy making, and the panoply of state were integrated with the rhythms and preoccupations of daily life. Gregory Lubkin explores this vital but overlooked center of power, allowing the members of the Milanese court to speak for themselves and showing how dramatically Milan and its ruler exemplified the political, cultural, religious, and economic aspirations of Renaissance Italy.   [brief]
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Title: Society and individual in Renaissance Florence
Author: Connell, William J
Published: University of California Press,  2002
Subjects: History | Renaissance History | European History
Publisher's Description: Renaissance Florence has often been described as the birthplace of modern individualism, as reflected in the individual genius of its great artists, scholars, and statesmen. The historical research of recent decades has instead shown that Florentines during the Renaissance remained enmeshed in relationships of family, neighborhood, guild, patronage, and religion that, from a twenty-first-century perspective, greatly limited the scope of individual thought and action. The sixteen essays in this volume expand the groundbreaking work of Gene Brucker, the historian in recent decades who has been most responsible for the discovery and exploration of these pre-modern qualities of the Florentine Renaissance. Exploring new approaches to the social world of Florentines during this fascinating era, the essays are arranged in three groups. The first deals with the exceptionally resilient and homogenous Florentine merchant elite, the true protagonist of much of Florentine history. The second considers Florentine religion and Florence's turbulent relations with the Church. The last group of essays looks at criminals, expatriates, and other outsiders to Florentine society.   [brief]
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Title: Selected letters of Alessandra Strozzi
Author: Macinghi Strozzi, Alessandra 1407-1471
Published: University of California Press,  1997
Subjects: History | Renaissance History | Women's Studies | European Studies | Literature in Translation | Autobiography | European History | Letters
Publisher's Description: The letters of Alessandra Strozzi provide a vivid and spirited portrayal of life in fifteenth-century Florence. Among the richest autobiographical materials to survive from the Italian Renaissance, the letters reveal a woman who fought stubbornly to preserve her family's property and position in adverse circumstances, and who was an acute observer of Medicean society. Her letters speak of political and social status, of the concept of honor, and of the harshness of life, including the plague and the loss of children. They are also a guide to Alessandra's inner life over a period of twenty-three years, revealing the pain and sorrow, and, more rarely, the joy and triumph, with which she responded to the events unfolding around her.This edition includes translations, in full or in part, of 35 of the 73 extant letters. The selections carry forward the story of Alessandra's life and illustrate the range of attitudes, concerns, and activities which were characteristic of their author.   [brief]
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Title: City culture and the madrigal at Venice 
Author: Feldman, Martha
Published: University of California Press,  1995
Subjects: Music | Musicology | European History
Publisher's Description: Martha Feldman's exploration of sixteenth-century Venetian madrigals centers on the importance to the Venetians of Ciceronian rhetorical norms, which emphasized decorum through adherence to distinct stylistic levels. She shows that Venice easily adapted these norms to its long-standing mythologies of equilibrium, justice, peace, and good judgment. Feldman explains how Venetian literary theorists conceived variety as a device for tempering linguistic extremes and thereby maintaining moderation. She further shows how the complexity of sacred polyphony was adapted by Venetian music theorists and composers to achieve similar ends.At the same time, Feldman unsettles the kinds of simplistic alignments between the collectivity of the state and its artistic production that have marked many historical studies of the arts. Her rich social history enables a more intricate dialectics among sociopolitical formations; the roles of individual printers, academists, merchants, and others; and the works of composers and poets. City Culture offers a new model for situating aesthetic products in a specific time and place, one that sees expressive objects not simply against a cultural backdrop but within an integrated complex of cultural forms and discursive practices.   [brief]
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Title: Papal patronage and the music of St. Peter's, 1380-1513 
Author: Reynolds, Christopher A
Published: University of California Press,  1996
Subjects: Music | Musicology | European History
Publisher's Description: A new picture of music at the basilica of St. Peter's in the fifteenth century emerges in Christopher A. Reynolds's fascinating chronicle of this rich period of Italian musical history. Reynolds examines archival documents, musical styles, and issues of artistic patronage and cultural context in a fertile consideration of the ways historical and musical currents affected each other.This work is both a historical account of performers and composers and an examination of how their music revealed their cultural values and educational backgrounds. Reynolds analyzes several anonymous masses copied at St. Peter's, proposing attributions that have biographical implications for the composers. Taken together, the archival records and the music sung at St. Peter's reveal a much clearer picture of musical life at the basilica than either source would alone. The contents of the St. Peter's choirbook help document musical life as surely as that musical life - insofar as it can be reconstructed from the archives - illumines the choirbook.   [brief]
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