Title: Real fantasies: Edward Steichen's advertising photography
Author: Johnston, Patricia A 1954-
Published: University of California Press,  1997
Subjects: Art | Art History | History | Cultural Anthropology
Publisher's Description: During the 1920s and 1930s, Edward Steichen was the most successful photographer in the advertising industry. Although much has been said about Steichen's fine-art photography, his commercial work - which appeared regularly in Vanity Fair, Vogue, Ladies Home Journal , and almost every other popular magazine published in the United States - has not received the attention it deserves. At a time when photography was just beginning to replace drawings as the favored medium for advertising, Steichen helped transform the producers of such products as Welch's grape juice and Jergens lotion from small family businesses to national household names. In this book, Patricia Johnston uses Steichen's work as a case study of the history of advertising and the American economy between the wars. She traces the development of Steichen's work from an early naturalistic style through increasingly calculated attempts to construct consumer fantasies. By the 1930s, alluring images of romance and class, developed in collaboration with agency staff and packaged in overtly manipulative and persuasive photographs, became Steichen's stock-in-trade. He was most frequently chosen by agencies for products targeted toward women: his images depicted vivacious singles, earnest new mothers, and other stereotypically female life stages that reveal a great deal about the industry's perceptions of and pitches to this particular audience.Johnston presents an intriguing inside view of advertising agencies, drawing on an array of internal documents to reconstruct the team process that involved clients, art directors, account executives, copywriters, and photographers. Her book is a telling chronicle of the role of mass media imagery in reflecting, shaping, and challenging social values in American culture.   [brief]
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Title: The dark mirror: German cinema between Hitler and Hollywood
Author: Koepnick, Lutz P. (Lutz Peter)
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | German Studies | Music | Film
Publisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema.   [brief]
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Title: Pilgrim stories: on and off the road to Santiago
Author: Frey, Nancy Louise 1968-
Published: University of California Press,  1998
Subjects: Religion | Anthropology | Christianity | European History
Publisher's Description: Each year thousands of men and women from more than sixty countries journey by foot and bicycle across northern Spain, following the medieval pilgrimage road known as the Camino de Santiago. Their destination is Santiago de Compostela, where the remains of the apostle James are said to be buried. These modern-day pilgrims and the role of the pilgrimage in their lives are the subject of Nancy Louise Frey's fascinating book.Unlike the religiously-oriented pilgrims who visit Marian shrines such as Lourdes, the modern Road of St. James attracts an ecumenical mix of largely well-educated, urban middle-class participants. Eschewing comfortable methods of travel, they choose physically demanding journeys, some as long as four months, in order to experience nature, enjoy cultural and historical patrimony, renew faith, or cope with personal trauma.Frey's anthropological study focuses on the remarkable reanimation of the Road that has gained momentum since the 1980s. Her intensive fieldwork (including making the pilgrimage several times herself) provides a colorful portrayal of the pilgrimage while revealing a spectrum of hopes, discontents, and desires among its participants, many of whom feel estranged from society. The Camino's physical and mental journey offers them closer community, greater personal knowledge, and links to the past and to nature.But what happens when pilgrims return home? Exploring this crucial question Frey finds that pilgrims often reflect deeply on their lives and some make significant changes: an artistic voice is discovered, a marriage is ended, meaningful work is found. Other pilgrims repeat the pilgrimage or join a pilgrims' association to keep their connection to the Camino alive. And some only remain pilgrims while on the road. In all, Pilgrim Stories is an exceptional prism through which to understand the desires and dissatisfactions of contemporary Western life at the end of the millennium."Feet are touched, discussed, massaged, [and] become signs of a journey well traveled: 'I did it all on foot!' . . . Pilgrims give feet a power and importance not recognized in daily life, as a causeway and direct channel to the road, the past, meaningful relations, nature, and the self."   [brief]
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Title: Backstory 2: interviews with screenwriters of the 1940s and 1950s 
Author: McGilligan, Patrick
Published: University of California Press,  1997
Subjects: Cinema and Performance Arts | Theatre
Publisher's Description: "Backstory" is the screenwriter's term for what happens in a plot before the screen story begins. In this companion volume to McGilligan's widely praised Backstory: Interviews with Screenwriters of Hollywood's Golden Age , fourteen studio scribes active in later decades rail and reminisce about their fifty-plus years of inventing and scripting movies. Richard Brooks, Garson Kanin and Ruth Gordon, Arthur Laurents, Ben Maddow, Stewart Stern, Daniel Taradash, and Philip Yordan are among the distinguished figures included.The 1940s were a period of transition for the motion picture industry, from an era of hope and glory and the upheavals of World War II to a postwar era of caution and confusion. The 1950s brought a great decline in the number of films produced and led to the extinction of that peculiar creature, the contract writer.The survivors of Hollywood's most productive years remain wonderfully talkative, however. In this lively collection of interviews they contribute useful writing tips, radical correctives to screen history and industry folklore, and just plain fascinating gossip. As a whole, the interviews provide a compelling biographical close-up of an entire generation of men and women whose talent, vision, and tenacity were critical to the institution we know as "Hollywood."   [brief]
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Title: The ones that are wanted: communication and the politics of representation in a photographic exhibition
Author: Kratz, Corinne Ann 1953-
Published: University of California Press,  2002
Subjects: Anthropology | Cultural Anthropology | African Studies | Photography | Art Theory
Publisher's Description: The Okiek people of Kenya's forested highlands have a long history of hunting, honey gathering, and trading with their Maasai and Kipsigis neighbors; several decades ago, they also began farming and herding. This book follows a traveling exhibition of anthropologist Corinne Kratz's photographs of the Okiek through showings at seven venues, including the National Museum in Nairobi and the Smithsonian Institution in Washington, D.C. Kratz tells the story of the exhibition--the stereotypes it sought to challenge, how commentaries by Okiek people were incorporated, and different ways that viewers in Kenya and the United States understood it. In addition to presenting wonderful images of a little-known people, this inviting book explores the exhibition medium itself, focusing on the complexities and possibilities of cultural representation. Walking a fine line between the photographic intimacy of a family album and the ethnographic distance of documentary photography, The Ones That Are Wanted reproduces the exhibition in full, with its vibrant color photographs, multilingual captions, and lively commentary. Throughout, Kratz incorporates insightful reflections on her changing involvement with the exhibition as anthropologist, photographer, and curator, and she provides perceptive discussions of such topics as photography in Kenya, stereotypes, and the post-1970s proliferation of the politics of representation.   [brief]
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Title: Writing tricksters: mythic gambols in American ethnic literature 
Author: Smith, Jeanne Rosier 1966-
Published: University of California Press,  1997
Subjects: Literature | Ethnic Studies | African American Studies | Asian Literature | Native American Studies
Publisher's Description: Writing Tricksters examines the remarkable resurgence of tricksters - ubiquitous shape-shifters who dwell on borders, at crossroads, and between worlds - on the contemporary cultural and literary scene. Depicting a chaotic, multilingual world of colliding and overlapping cultures, many of America's most successful and important women writers are writing tricksters. Taking up works by Maxine Hong Kingston, Louise Erdrich, and Toni Morrison, Jeanne Rosier Smith accessibly weaves together current critical discourses on marginality, ethnicity, feminism, and folklore, illuminating a "trickster aesthetic" central to non-Western storytelling traditions and powerfully informing American literature today.   [brief]
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Title: Hollywood diva: a biography of Jeanette MacDonald
Author: Turk, Edward Baron
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | American Studies | Gender Studies | Autobiographies and Biographies
Publisher's Description: Jeanette MacDonald, the movie musical's first superstar, was an American original whose onscreen radiance mirrored a beguiling real-life personality. Based in large part on the author's exclusive access to MacDonald's private papers, including her unpublished memoir, this vivid, often touching biography transports us to a time when lavish musical films were major cultural events and a worldwide public eagerly awaited each new chance to fall under the singer's spell. Edward Baron Turk shows how MacDonald brilliantly earned her Hollywood nickname of "Iron Butterfly," and why she deserves a privileged position in the history of music and motion pictures.What made MacDonald a woman for our times, readers will discover, was her uncommon courage: Onscreen, the actress portrayed strong charcters in pursuit of deep emotional fulfillment, often in defiance of social orthodoxy, while offscreen she personified energy, discipline, and practical intellect. Drawing on interviews with individuals who knew her and on MacDonald's own words, Turk brings to life the intricate relations between the star and her legendary costars Maurice Chevalier, Clark Gable, and, above all, baritone Nelson Eddy. He reveals the deep crushes she inspired in movie giants Ernst Lubitsch and Louis B. Mayer and the extraordinary love story she shared with her husband of twenty-seven years, actor Gene Raymond.More than simply another star biography, however, this is a chronicle of American music from 1920s Broadway to 1960s television, in which Turk details MacDonald's fearless efforts to break down distinctions between High Art and mass-consumed entertainment. Hollywood Diva will attract fans of opera and concert music as much as enthusiasts of the great Hollywood musicals. It is first-rate cultural and film history.   [brief]
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Title: Picturing Chinatown: art and orientalism in San Francisco
Author: Lee, Anthony W 1960-
Published: University of California Press,  2001
Subjects: Art | California and the West | Asian American Studies | Photography | Art History
Publisher's Description: This visually and intellectually exciting book brings the history of San Francisco's Chinatown alive by taking a close look at images of the quarter created during its first hundred years, from 1850 to 1950. Picturing Chinatown contains more than 160 photographs and paintings, some well known and many never reproduced before, to illustrate how this famous district has acted on the photographic and painterly imagination. Bringing together art history and the social and political history of San Francisco, this vividly detailed study unravels the complex cultural encounter that occurred between the women and men living in Chinatown and the artists who walked its streets, observed its commerce, and visited its nightclubs. Artistic representations of San Francisco's Chinatown include the work of some of the city's most gifted artists, among them the photographers Laura Adams Armer, Arnold Genthe, Dorothea Lange, Eadweard Muybridge, and Carleton Watkins and the painters Edwin Deakin, Yun Gee, Theodore Wores, and the members of the Chinese Revolutionary Artists' Club. Looking at the work of these artists and many others, Anthony Lee shows how their experiences in the district helped encourage, and even structured, some of their most ambitious experiments with brush and lens. In addition to discussing important developments in modern art history, Lee highlights the social and political context behind these striking images. He demonstrates the value of seeing paintings and photographs as cultural documents, and in so doing, opens a fascinating new perspective on San Francisco's Chinatown.   [brief]
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Title: Hollywood in Berlin: American cinema and Weimar Germany 
Author: Saunders, Thomas J
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | German Studies | Film | United States History | European History
Publisher's Description: The setting is 1920s Berlin, cultural heart of Europe and the era's only serious cinematic rival to Hollywood. In his engaging study, Thomas Saunders explores an outstanding example of one of the most important cultural developments of this century: global Americanization through the motion picture.The invasion of Germany by American films, which began in 1921 with overlapping waves of sensationalist serials, slapstick shorts, society pictures, and historical epics, initiated a decade of cultural collision and accommodation. On the one hand it fueled an impassioned debate about the properties of cinema and the specter of wholesale Americanization. On the other hand it spawned unprecedented levels of cooperation and exchange.In Berlin, American motion pictures not only entertained all social classes and film tastes but also served as a vehicle for American values and a source of sharp economic competition. Hollywood in Berlin correlates the changing forms of Hollywood's contributions to Weimar culture and the discourses that framed and interpreted them, restoring historical contours to a leading aspect of cultural interchange in this century. At the same time, the book successfully embeds Weimar cinema in its contemporary international setting.   [brief]
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Title: Framing the bride: globalizing beauty and romance in Taiwan's bridal industry
Author: Adrian, Bonnie 1970-
Published: University of California Press,  2003
Subjects: Asian Studies | Cultural Anthropology | East Asia Other | Gender Studies | Anthropology
Publisher's Description: With a wedding impending, the Taiwanese bride-to-be turns to bridal photographers, makeup artists, and hair stylists to transform her image beyond recognition. They give her fairer skin, eyes like a Western baby doll, and gowns inspired by sources from Victorian England to MTV. An absorbing consideration of contemporary bridal practices in Taiwan, Framing the Bride shows how the lavish photographs represent more than mere conspicuous consumption. They are artifacts infused with cultural meaning and emotional significance, products of the gender- and generation-based conflicts in Taiwan's hybrid system of modern matrimony. From the bridal photographs, the book opens out into broader issues such as courtship, marriage, kinship, globalization, and the meaning of the "West" and "Western" cultural images of beauty. Bonnie Adrian argues that in compiling enormous bridal albums full of photographs of brides and grooms in varieties of finery, posed in different places, and exuding romance, Taiwanese brides engage in a new rite of passage - one that challenges the terms of marriage set out in conventional wedding rites. In Framing the Bride, we see how this practice is also a creative response to U.S. domination of transnational visual imagery - how bridal photographers and their subjects take the project of globalization into their own hands, defining its terms for their lives even as they expose the emptiness of its images.   [brief]
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Title: Romance and the "yellow peril": race, sex, and discursive strategies in Hollywood fiction
Author: Marchetti, Gina
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema.The author begins with a discussion of D. W. Griffith's Broken Blossoms , then considers later films such as Shanghai Express , Madame Butterfly , and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now.Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.   [brief]
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Title: Hollywood quarterly: film culture in postwar America, 1945-1957 
Author: Smoodin, Eric Loren
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts
Publisher's Description: The first issue of Hollywood Quarterly, in October 1945, marked the appearance of the most significant, successful, and regularly published journal of its kind in the United States. For its entire life, the Quarterly held to the leftist utopianism of its founders, several of whom would later be blacklisted. The journal attracted a collection of writers unmatched in North American film studies for the heterogeneity of their intellectual and practical concerns: from film, radio, and television industry workers to academics; from Sam Goldwyn, Edith Head, and Chuck Jones to Theodor Adorno and Siegfried Kracauer. For this volume, Eric Smoodin and Ann Martin have selected essays that reflect the astonishing eclecticism of the journal, with sections on animation, the avant-garde, and documentary to go along with a representative sampling of articles about feature-length narrative films. They have also included articles on radio and television, reflecting the contents of just about every issue of the journal and exemplifying the extraordinary moment in film and media studies that Hollywood Quarterly captured and helped to create. In 1951, Hollywood Quarterly was renamed the Quarterly of Film, Radio, and Television, and in 1958 it was replaced by Film Quarterly, which is still published by the University of California Press. During those first twelve years, the Quarterly maintained an intelligent, sophisticated, and critical interest in all the major entertainment media, not just film, and in issue after issue insisted on the importance of both aesthetic and sociological methodologies for studying popular culture, and on the political significance of the mass media.   [brief]
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Title: Echo and Narcissus: women's voices in classical Hollywood cinema 
Author: Lawrence, Amy
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus , Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of women in film, enabling us to see individual films in new ways, and to ask new questions of other films.Using Sadie Thompson (1928), Blackmail (1929), Rain (1932), The Spiral Staircase , Sorry,Wrong Number , Notorious , Sunset Boulevard (1950) and To Kill a Mockingbird (1962), Lawrence illustrates how women's voices are positioned within narratives that require their submission to patriarchal roles and how their attempts to speak provoke increasingly severe repression. She also shows how women's natural ability to speak is interrupted, made difficult, or conditioned to a suffocating degree by sound technology itself. Telephones, phonographs, voice-overs, and dubbing are foregrounded, called upon to silence women and to restore the primacy of the image.Unlike the usage of "voice" by feminist and literary critics to discuss broad issues of authorship and point of view, in film studies the physical voice itself is a primary focus. Echo and Narcissus shows how assumptions about the "deficiencies" of women's voices and speech are embedded in sound's history, technology, uses, and marketing. Moreover, the construction of the woman's voice is inserted into the ideologically loaded cinematic and narrative conventions governing the representation of women in Hollywood film.   [brief]
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Title: Music in other words: Victorian conversations Ruth A. Solie
Author: Solie, Ruth A
Published: University of California Press,  2004
Subjects: Music | Classical Music | Musicology | Women's Studies | Victorian History
Publisher's Description: Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to "what goes without saying" on the subject - that cultural information so present and pervasive as to go unsaid - fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people - English and others - experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, Macmillan's Magazine, George Eliot's Daniel Deronda, opera tropes in literature, and the Victorian myth of the girl at the piano. They evoke common themes - including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility - and in turn suggest the complex links between the history of music and the history of ideas.   [brief]
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Title: Blackface, white noise: Jewish immigrants in the Hollywood melting pot
Author: Rogin, Michael 1937-
Published: University of California Press,  1998
Subjects: American Studies | Film | United States History | Jewish Studies | Popular Culture
Publisher's Description: The tangled connections that have bound Jews to African Americans in popular culture and liberal politics are at the heart of Michael Rogin's arresting and unnerving book. Looking at films from Birth of a Nation to Forrest Gump , Rogin explores blackface in Hollywood films as an aperture to broader issues: the nature of "white" identity in America, the role of race in transforming immigrants into "Americans," the common experiences of Jews and African Americans that made Jews key supporters in the fight for racial equality, and the social importance of popular culture. Rogin's forcefully argued study challenges us to confront the harsh truths behind the popularity of racial masquerade.   [brief]
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Title: For documentary: twelve essays
Author: Vaughan, Dai
Published: University of California Press,  1999
Subjects: Cinema and Performance Arts | Anthropology | Photography | Popular Culture
Publisher's Description: These essays, which span twenty-five years of writing and a lifetime of experience, offer fresh and challenging insights into documentary. Dai Vaughan, one of the most highly regarded documentary editors to have worked in Britain in recent decades, makes his starting point plain: "Most of us would feel that the word 'documentary' had not justified its place in the dictionary if the films so called did not manifest some relationship with the world not shared by others." That elusive relationship is the subject of his eloquent reflections and analyses.As critic, Vaughan contrasts the Olympic Games films of Riefenstahl (1936) and Ichikawa (1964); as participant, he tells how the introduction of portable 16mm equipment gave rise to cinéma vérité and observational visual anthropology. The twin perspective of analyst and practitioner results in a radical restatement of the documentary project, one in which documentary is seen as engaging the viewer's freedom in a way that fiction does not. A chapter near the end, "From Today, Cinema Is Dead," is uncompromising in its pessimistic view that digitalization threatens the privileged relationship we have always granted between a photograph and its object. Film theorists and filmmakers, indeed everyone who cares about how our society represents itself to itself, will find For Documentary engrossing as well as illuminating.   [brief]
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Title: Balancing water: restoring the Klamath Basin
Author: Blake, Tupper Ansel
Published: University of California Press,  2000
Subjects: Environmental Studies | Photography | Water
Publisher's Description: The Klamath Basin is a land of teeming wildlife, expansive marshes, blue-ribbon trout streams, tremendous stretches of forests, and large ranches in southern Oregon and northern California. Known to waterfowl, songbirds, and shorebirds, the Klamath Basin's marshlands are a mecca for birds along the Pacific Flyway. This gorgeously illustrated book is a paean to the beauty of the Klamath Basin and at the same time a sophisticated environmental case study of an endangered region whose story parallels that of watershed development throughout the west. A collaboration between two photographers and a writer, Balancing Water tells the story in words and pictures of the complex relationship between the human and natural history of this region. Spectacular images by Tupper Ansel Blake depict resident species of the area, migratory birds, and dramatic landscapes. Madeleine Graham Blake has contributed portraits of local residents, while archival photographs document the history of the area. William Kittredge's essay on the conjunction of conflicting interests in this wildlands paradise is by turns lyrically personal and brimming with historical and scientific facts. He traces the water flowing through the Klamath Basin, the human history of the watershed, and the land-use conflicts that all touch on the availability of water. Ranchers, loggers, town settlers, Native Americans, tourists, and environmentalists are all represented in the narrative, and their diverse perspectives form a complicated web like that of the interactions among organisms in the ecosystem. Kittredge finds hope in the endangered Klamath Basin, both in successful restoration projects recently begun there, and in the community involvement he sees as necessary for watershed restoration and biodiversity preservation. Emphasizing that we must take care of both human economies and the natural environment, he shows how the two are ultimately interconnected. The Klamath Basin can be a model for watershed restoration elsewhere in the west, as we search for creative ways of solving our intertwined ecological and social problems.   [brief]
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Title: The wood duck and the mandarin: the northern wood ducks
Author: Shurtleff, Lawton L
Published: University of California Press,  1996
Subjects: Environmental Studies | Zoology | Environmental Studies | Biology
Publisher's Description: This is a story of conservation told through the natural histories of two of the world's most fascinating birds, the Wood Duck of North America and the Mandarin of Asia. The only two species in their genus ( Aix ), these Northern Wood Ducks are native to different continents but have long been kept together in captivity. Now, for the first time in history, they are also flying side by side in the wild in a small area of northern California. This rare circumstance has given Lawton L. Shurtleff and Christopher Savage the opportunity to observe the Northern Wood Ducks' close relationship and is the starting point of this informative and beautifully rendered book.The opening chapters tell how the Wood Duck and the Mandarin came to inhabit the Pacific Flyway and explain their extraordinary similarities. Subsequent chapters discuss the distinctive histories of the two species and describe the birds throughout the seasons in their native flyways. The Mandarins' place in Asian art and literature is the subject of Chapter Five. The final chapter illuminates the successful work done to protect the North American Wood Duck, which has made a remarkable recovery from near extinction, and the beginning efforts to protect the Mandarin, whose existence in East Asia is seriously threatened.Stunning full-color photographs by renowned wildlife photographers, along with photographs by the authors, capture the exquisite beauty of these much revered birds. Detailed maps show the Wood Ducks' territory in North America and the Mandarins' territory in East Asia and Great Britain. Three appendices - plans for building nestboxes, instructions for banding birds, and lists of books and conservation organizations - and a thorough index are valuable resources in a book that will delight bird-lovers and general readers alike.   [brief]
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Title: Storm over Mono: the Mono Lake battle and the California water future 
Author: Hart, John 1948-
Published: University of California Press,  1996
Subjects: Environmental Studies | Environmental Studies | Natural History | California and the West
Publisher's Description: A dramatic environmental saga unfolds in John Hart's compelling story of the fight to save Mono Lake. This ancient inland sea, in the eastern Sierra near Yosemite National Park, is among the oldest in North America. But over the past fifty years, as its feeder streams were steadily drained to supply water to ever-growing, ever-thirsty Los Angeles, the lake's water volume eventually was reduced by half. Mono Lake's bizarre but productive ecosystem began to collapse: salinity greatly increased, nesting and migrating birds were threatened, and fierce alkali dust storms became a common occurrence.Then, in the mid-1970s, a handful of people, most of them students with minimal financial resources, began a campaign to save the dying lake. They took on not only Los Angeles but the entire state government and a whole way of thinking about water. Their fight seemed doomed in the beginning, but long years of grassroots education and effort finally paid off. In 1994, the California Water Resources Control Board ruled that Los Angeles's use of Mono Lake's waters be restricted. Over time, the lake will return to a healthy condition.John Hart integrates natural, social, and political history into a story that is a source of hope for anyone concerned about the environment. Storm over Mono demonstrates the important role of science in public policy debates and validates the concept of the public trust, the idea that certain things belong to us all, not metaphorically but in simple legal fact.Complementing Hart's narrative are 32 stunning color photographs by a dozen leading nature photographers, along with numerous black-and-white photographs, illustrations, and maps.   [brief]
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Title: Mother without child: contemporary fiction and the crisis of motherhood 
Author: Hansen, Elaine Tuttle 1947-
Published: University of California Press,  1997
Subjects: Gender Studies | Literature | GayLesbian and Bisexual Studies | Women's Studies | American Literature | Ethnic Studies | American Studies | Literary Theory and Criticism
Publisher's Description: Revealing the maternal as not a core identity but a site of profound psychic and social division, Hansen illuminates recent decades of feminist thought and explores novels by Jane Rule, Alice Walker, Louise Erdrich and Michael Dorris, Marge Piercy, Margaret Atwood, and Fay Weldon. Unlike traditional stories of abandoned children and bad mothers, these narratives refuse to sentimentalize motherhood's losses and impasses. Hansen embraces the larger cultural story of what it means to be a mother and illuminates how motherhood is being reimagined today.   [brief]
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