Title: Christian souls and Chinese spirits: a Hakka community in Hong Kong 
Author: Constable, Nicole
Published: University of California Press,  1994
Subjects: Anthropology | Cultural Anthropology | Christianity | China
Publisher's Description: How do the people of a village that is both Chinese and Christian reconcile the contradictions between their religious and ethnic identities? This ethnographic study explores the construction and changing meanings of ethnic identity in Hong Kong. Established at the turn of the century by Hakka Christians who sought to escape hardships and discrimination in China, Shung Him Tong was constructed as an "ideal" Chinese and Christian village. The Hakka Christians translate "traditional" Chinese beliefs - such as ancestral worship and death rituals - that are incompatible with their Christian ideals into secular form, providing a crucial link with the past and with a Chinese identity. Despite accusations to the contrary, these villagers maintain that while they are Christian, they are still Chinese.   [brief]
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Title: Contemplating the ancients: aesthetic and social issues in early Chinese portraiture 
Author: Spiro, Audrey
Published: University of California Press,  1990
Subjects: Art | Architecture | China
Publisher's Description: Drawing on a wide variety of contemporaneous sources from Chinese history, literature, religious writings, and art and literary criticism, Spiro provides the modern reader with an aesthetic and social context for understanding early Chinese portraiture. Contemplating the Ancients introduces portraits that were never intended to be physical likenesses of their subjects and illuminates the meaning they held for the viewers for whom they were made.Spiro focusses on fourth- and fifth-century sets of almost identi- cal portraits of individuals known collectively in Chinese history as the Seven Worthies of the Bamboo Grove. Unlike the earlier Han dynasty portraits whose messages were universal, these exemplary portraits addressed a specific elitist audience. The subjects of these portraits served as idealized representations for a largely nouvel-arrivé aristocracy.Spiro examines the complex and sometimes ironic changes that occur when historical individuals are transformed by tradition into classical exemplars. She shows how the visual arts translate ideals of personal character into stylistic cues and how these cues, in turn, affect the values and behavior of human beings.   [brief]
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Title: Essential subtleties on the silver sea: the Yin-hai jing-wei: a Chinese classic on ophthalmology
Author: Sun, Simiao 581-682
Published: University of California Press,  1999
Subjects: Anthropology | Medical Anthropology | China | History and Philosophy of Science
Publisher's Description: Here is the first translation into English of the complete Yin-Hai Jing-Wei , a classic fifteenth-century text on Chinese ophthalmology. As one of the few original manuscripts on traditional Chinese medicine translated into a Western language, this work offers an unprecedented view of the practice of medicine, and specifically eye care, in premodern China. Superbly rendered from the classical Chinese and extensively annotated by Paul U. Unschuld and Jürgen Kovacs, the text provides detailed descriptions of the etiology, symptomatology, and therapy of every eye disease known to fifteenth-century Chinese practitioners. The translators' introduction also provides the first in-depth analysis of the development of this specialty within Chinese medicine. As a source for comparative studies of Chinese and Western medicine and numerous other issues in the history of medicine and Chinese thought, the Yin-Hai Jing-Wei has no equal in the Western world.   [brief]
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Title: Cultural curiosity: thirteen stories about the search for Chinese roots
Author: Khu, Josephine M.T 1964-
Published: University of California Press,  2001
Subjects: Ethnic Studies | Asian Studies | Anthropology | Social Science | Asian American Studies | China
Publisher's Description: This anthology of autobiographical essays reveals the human side of the Chinese diaspora. Written by ethnic Chinese who were born or raised outside of China, these moving pieces, full of the poignant details of everyday life, describe the experience of growing up as a visible minority and the subsequent journey each author made to China. The authors - whose diverse backgrounds in countries such as New Zealand, Denmark, Sri Lanka, England, Indonesia, and the United States mirror the complex global scope of the Chinese diaspora - describe in particular how their journey to the country of their ancestors transformed their sense of what it means to be Chinese. The collection as a whole provides important insights into what ethnic identity has come to mean in our transnational era. Among the pieces is Brad Wong's discussion of his visit to his grandfather's poverty-stricken village in China's southern Guangdong province. He describes working with a few of the peasants tilling vegetables and compares life in the village with his middle-class upbringing in a San Francisco suburb. In another essay, Milan Lin-Rodrigo tells of her life in Sri Lanka and of the trip she made to China as an adult. She describes the difficult and sometimes humorous cultural differences she experienced when she met her Chinese half-sister and her father's first wife. Josephine Khu's lively afterword provides background information on the Chinese diaspora and gives a theoretical framework for understanding the issues raised in the essays. This intimate and rich anthology will be compelling reading for all who are seeking answers to the increasingly complex issue of ethnic and personal identity.   [brief]
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Title: Unbound voices: a documentary history of Chinese women in San Francisco
Author: Yung, Judy
Published: University of California Press,  1999
Subjects: History | Asian American Studies | Women's Studies | California and the West | Californian and Western History | Social Science
Publisher's Description: Unbound Voices brings together the voices of Chinese American women in a fascinating, intimate collection of documents - letters, essays, poems, autobiographies, speeches, testimonials, and oral histories - detailing half a century of their lives in America. Together, these sources provide a captivating mosaic of Chinese women's experiences in their own words, as they tell of making a home for themselves and their families in San Francisco from the Gold Rush years through World War II.The personal nature of these documents makes for compelling reading. We hear the voices of prostitutes and domestic slavegirls, immigrant wives of merchants, Christians and pagans, homemakers, and social activists alike. We read the stories of daughters who confronted cultural conflicts and racial discrimination; the myriad ways women coped with the Great Depression; and personal contributions to the causes of women's emancipation, Chinese nationalism, workers' rights, and World War II. The symphony of voices presented here lends immediacy and authenticity to our understanding of the Chinese American women's lives.This rich collection of women's stories also serves to demonstrate collective change over time as well as to highlight individual struggles for survival and advancement in both private and public spheres. An educational tool on researching and reclaiming women's history, Unbound Voices offers us a valuable lesson on how one group of women overcame the legacy of bound feet and bound lives in America. The selections are accompanied by photographs, with extensive introductions and annotation by Judy Yung, a noted authority on primary resources relating to the history of Chinese American women.   [brief]
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Title: Brushes with power: modern politics and the Chinese art of calligraphy
Author: Kraus, Richard Curt
Published: University of California Press,  1991
Subjects: Politics | China | Art
Publisher's Description: Chinese calligraphy has traditionally been an emblem of the ruling class and its authority. After a century of mass revolution, what is the fate of this elite art? Richard Kraus explores the relationship beween politics and the art of writing in China today to explicate the complex relationship between tradition and modernity in Chinese culture. His study draws upon a wide range of sources, from political documents, memoirs, and interviews with Chinese intellectuals to art exhibitions and television melodramas.Mao Zedong and other Communist leaders gave calligraphy a revolutionary role, believing that their beloved art reflected the luster of authoritative words and deeds. Calligraphy was joined with new propagandistic mass media to become less a private art and more a public performance. It provided politically engaged citizens with subtle cues to changing power relationships in the People's Republic.Claiming neither that the Communists obliterated traditional culture nor that revolution failed to relieve the burden of China's past, this study subtly examines the changing uses of tradition in a modernizing society.   [brief]
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Title: The limits of realism: Chinese fiction in the revolutionary period 
Author: Anderson, Marston
Published: University of California Press,  1990
Subjects: Literature | Asian Literature
Publisher's Description: Chinese intellectuals of the early twentieth century were attracted to realism primarily as a tool for social regeneration. Realism encouraged writers to adopt the stance of the independent cultural critic and drew into the compass of serious literature the disenfranchised "others" of Chinese society. As historical pressures forced new ideological commitments in the late twenties and thirties, however, writers grew suspicious both of the "individualism" implicit in the realist model and of the often superficial nature of the sympathies that their fiction evoked in the middle class. Anderson argues that realism must be defined negatively as a "discourse of limitations" and is of minimal utility in the Chinese search for political and cultural empowerment. He shows how hesitations about the realist model affect the fiction of four representative authors, Lu Xun, Ye Shaojun, Mao Dun, and Zhang Tianyi. He also considers the demise of critical realism in the face of a new collectivist understanding of Chinese reality.   [brief]
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Title: In Search of equality: the Chinese struggle against discrimination in nineteenth-century America
Author: McClain, Charles J
Published: University of California Press,  1994
Subjects: Law | California and the West | History | United States History | Californian and Western History | American Studies | Asian American Studies
Publisher's Description: Charles McClain's illuminating new study probes Chinese efforts to battle manifold discrimination - in housing, employment, and education - in nineteenth-century America. Challenging the stereotypical image of a passive, insular group, McClain reveals a politically savvy population capable of mobilizing to fight mistreatment. He draws on English- and Chinese-language documents and rarely studied sources to chronicle the ways the Chinese sought redress and change in American courts.McClain focuses on the San Francisco Bay Area, the home of almost one-fifth of the fifty thousand Chinese working in California in 1870. He cites cases in which Chinese laundrymen challenged the city of San Francisco's discriminatory building restrictions, and lawsuits brought by parents to protest the exclusion of Chinese children from public schools. While vindication in the courtroom did not always bring immediate change (Chinese schoolchildren in San Francisco continued to be segregated well into the twentieth century), the Chinese community's efforts were instrumental in establishing several legal landmarks.In their battles for justice, the Chinese community helped to clarify many judicial issues, including the parameters of the Fourteenth Amendment and the legal meanings of nondiscrimination and equality. Discussing a wide range of court cases and gleaning their larger constitutional significance, In Search of Equality brings to light an important chapter of American cultural and ethnic history. It should attract attention from American and legal historians, ethnic studies scholars, and students of California culture.   [brief]
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Title: A Chinese bestiary: strange creatures from the guideways through mountains and seas = [Shan hai jing]
Author: Strassberg, Richard E
Published: University of California Press,  2003
Subjects: Art | Asian Literature | China | Folklore and Mythology | Asian History
Publisher's Description: A Chinese Bestiary presents a fascinating pageant of mythical creatures from a unique and enduring cosmography written in ancient China. The Guideways through Mountains and Seas, compiled between the fourth and first centuries b.c.e., contains descriptions of hundreds of fantastic denizens of mountains, rivers, islands, and seas, along with minerals, flora, and medicine. The text also represents a wide range of beliefs held by the ancient Chinese. Richard Strassberg brings the Guideways to life for modern readers by weaving together translations from the work itself with information from other texts and recent archaeological finds to create a lavishly illustrated guide to the imaginative world of early China. Unlike the bestiaries of the late medieval period in Europe, the Guideways was not interpreted allegorically; the strange creatures described in it were regarded as actual entities found throughout the landscape. The work was originally used as a sacred geography, as a guidebook for travelers, and as a book of omens. Today, it is regarded as the richest repository of ancient Chinese mythology and shamanistic wisdom. The Guideways may have been illustrated from the start, but the earliest surviving illustrations are woodblock engravings from a rare 1597 edition. Seventy-six of those plates are reproduced here for the first time, and they provide a fine example of the Chinese engraver's art during the late Ming dynasty. This beautiful volume, compiled by a well-known specialist in the field, provides a fascinating window on the thoughts and beliefs of an ancient people, and will delight specialists and general readers alike.   [brief]
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Title: Land without ghosts: Chinese impressions of America from the mid-nineteenth century to the present
Author: Arkush, R. David 1940-
Published: University of California Press,  1993
Subjects: History | Politics | United States History | China | American Studies | Californian and Western History
Publisher's Description: Americans have long been fascinated with European views of the United States. The many Chinese commentaries on America, however, have remained largely unavailable to the English reader. Land without Ghosts presents for the first time selections on America from Chinese writings over the last 150 year . . . [more]
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Title: Huang Di nei jing su wen: nature, knowledge, imagery in an ancient Chinese medical text, with an appendix, The doctrine of the five periods and six qi in the Huang Di nei jing su wen
Author: Unschuld, Paul U. (Paul Ulrich) 1943-
Published: University of California Press,  2003
Subjects: Anthropology | Asian Studies | Medical Anthropology | China | History of Medicine
Publisher's Description: The Huang Di nei jing su wen, known familiarly as the Su wen, is a seminal text of ancient Chinese medicine, yet until now there has been no comprehensive, detailed analysis of its development and contents. At last Paul U. Unschuld offers entry into this still-vital artifact of China's cultural and intellectual past. Unschuld traces the history of the Su wen to its origins in the final centuries B.C.E., when numerous authors wrote short medical essays to explain the foundations of human health and illness on the basis of the newly developed vessel theory. He examines the meaning of the title and the way the work has been received throughout Chinese medical history, both before and after the eleventh century when the text as it is known today emerged. Unschuld's survey of the contents includes illuminating discussions of the yin-yang and five-agents doctrines, the perception of the human body and its organs, qi and blood, pathogenic agents, concepts of disease and diagnosis, and a variety of therapies, including the new technique of acupuncture. An extensive appendix, furthermore, offers a detailed introduction to the complicated climatological theories of Wu yun liu qi ("five periods and six qi"), which were added to the Su wen by Wang Bing in the Tang era. In an epilogue, Unschuld writes about the break with tradition and innovative style of thought represented by the Su wen. For the first time, health care took the form of "medicine," in that it focused on environmental conditions, climatic agents, and behavior as causal in the emergence of disease and on the importance of natural laws in explaining illness. Unschuld points out that much of what we surmise about the human organism is simply a projection, reflecting dominant values and social goals, and he constructs a hypothesis to explain the formation and acceptance of basic notions of health and disease in a given society. Reading the Su wen, he says, not only offers a better understanding of the roots of Chinese medicine as an integrated aspect of Chinese civilization; it also provides a much needed starting point for discussions of the differences and parallels between European and Chinese ways of dealing with illness and the risk of early death.   [brief]
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Title: Is Taiwan Chinese?: the impact of culture, power, and migration on changing identities
Author: Brown, Melissa J
Published: University of California Press,  2004
Subjects: Anthropology | Asian Studies | China | Sociology
Publisher's Description: The "one China" policy officially supported by the People's Republic of China, the United States, and other countries asserts that there is only one China and Taiwan is a part of it. The debate over whether the people of Taiwan are Chinese or independently Taiwanese is, Melissa J. Brown argues, a matter of identity: Han ethnic identity, Chinese national identity, and the relationship of both of these to the new Taiwanese identity forged in the 1990s. In a unique comparison of ethnographic and historical case studies drawn from both Taiwan and China, Brown's book shows how identity is shaped by social experience - not culture and ancestry, as is commonly claimed in political rhetoric.   [brief]
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Title: The attic: memoir of a Chinese landlord's son 
Author: Cao, Guanlong 1945-
Published: University of California Press,  1996
Subjects: Literature | Autobiography | Literature in Translation | China | Asian Literature
Publisher's Description: Novelist Guanlong Cao's autobiographical account of growing up in urban Shanghai affords a rare glimpse into daily life during the forty turbulent years following the Communist Revolution. Forced to the bottom of Chinese society as "class enemies," Cao's family eked out a meager existence in a cramped attic. The details of their day-to-day existence - the endless quest for enough food, its preparation, Cao's schooling and friends, the stirrings of sexual desire, his dreams and fantasies - are brought brilliantly to life in spare yet evocative prose. The memoir illuminates a world largely unknown to Westerners, one where human pettiness, cruelty, joy, and tenderness play themselves out against a backdrop of political upheaval and material scarcity.Reminiscent of the concise style of classical Chinese memoirs, Cao's lean, elegant prose heightens the emotional intensity of his story. Perceptive and humorous, his voice is deeply original. It is a voice that demands to be heard - for the historical moment it captures as well as for the personal revelations it distills.   [brief]
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Title: Fascist modernities: Italy, 1922-1945
Author: Ben-Ghiat, Ruth
Published: University of California Press,  2001
Subjects: European Studies | History | Intellectual History | European History
Publisher's Description: Ruth Ben-Ghiat's innovative cultural history of Mussolini's dictatorship is a provocative discussion of the meanings of modernity in interwar Italy. Eloquent, pathbreaking, and deft in its use of a broad range of materials, this work argues that fascism appealed to many Italian intellectuals as a new model of modernity that would resolve the contemporary European crisis as well as long-standing problems of the national past. Ben-Ghiat shows that - at a time of fears over the erosion of national and social identities - Mussolini presented fascism as a movement that would allow economic development without harm to social boundaries and national traditions. She demonstrates that although the regime largely failed in its attempts to remake Italians as paragons of a distinctly fascist model of mass society, twenty years of fascism did alter the landscape of Italian cultural life. Among younger intellectuals in particular, the dictatorship left a legacy of practices and attitudes that often continued under different political rubrics after 1945.   [brief]
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Title: Chinese femininities, chinese masculinities: a reader
Author: Brownell, Susan
Published: University of California Press,  2002
Subjects: Gender Studies | Cultural Anthropology | Asian History | China
Publisher's Description: The past two centuries have witnessed tremendous upheavals in every aspect of Chinese culture and society. At the level of everyday life, some of the most remarkable transformations have occurred in the realm of gender. Chinese Femininities/Chinese Masculinities is a mix of illuminating historical and ethnographic studies of gender from the 1700s to the present. The essays in this highly creative collection are organized in pairs that alternate in focus between femininity and masculinity, between subjects traditionally associated with feminism (such as family life) and those rarely considered from a gendered point of view (like banditry). The chapters provide a wealth of interesting detail on such varied topics as court cases involving widows and homosexuals; ideal spouses of early-twentieth-century radicals; changing images of prostitutes; the masculinity of qigong masters; sexuality in the era of reform; and the eroticization of minorities. While most of the essays were specifically written for this volume, a few are reprinted as a testament to their enduring value. Exploring the central role of gender as an organizing principle of Chinese social life, Chinese Femininities/ Chinese Masculinities is an innovative reader that will spark new debate in a wide range of disciplines.   [brief]
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Title: Diffusion of distances: dialogues between Chinese and Western poetics 
Author: Yip, Wai-lim
Published: University of California Press,  1993
Subjects: Literature | Asian Studies | Philosophy | China | Asian Literature
Publisher's Description: In this collection of passionately argued essays, the internationally acclaimed poet and critic Wai-lim Yip calls Western scholarship to account for its treacherous representation of non-Western literature. Yip moves from Plato to Hans-Georg Gadamer, from Chuang-tzu to Mao Tse-tung, from John Donne to Robert Creeley, as he attempts to create a double consciousness that includes the state of mind of the original author and the expressive potentials of the target language. He aims, first, to expose the types of distortions that have occurred in the process of translation from one language to another and, second, to propose guidelines that will prevent this kind of linguistic violence in the future.   [brief]
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Title: Transpacific displacement: ethnography, translation, and intertextual travel in twentieth-century American literature
Author: Huang, Yunte
Published: University of California Press,  2002
Subjects: Literature | Asian Literature | Comparative Literature | Poetry | Anthropology | Asian Studies | China
Publisher's Description: Yunte Huang takes a most original "ethnographic" approach to more and less well-known American texts as he traces what he calls the transpacific displacement of cultural meanings through twentieth-century America's imaging of Asia. Informed by the politics of linguistic appropriation and disappropriation, <I>Transpacific Displacement </I>opens with a radically new reading of Imagism through the work of Ezra Pound and Amy Lowell. Huang relates Imagism to earlier linguistic ethnographies of Asia and to racist representations of Asians in American pop culture, such as the book and movie character Charlie Chan, then shows that Asian American writers subject both literary Orientalism and racial stereotyping to double ventriloquism and countermockery. Going on to offer a provocative critique of some textually and culturally homogenizing tendencies exemplified in Maxine Hong Kingston's work and its reception, Huang ends with a study of American translations of contemporary Chinese poetry, which he views as new ethnographies that maintain linguistic and cultural boundaries.   [brief]
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Title: Provincial passages: culture, space, and the origins of Chinese communism
Author: Yeh, Wen-hsin
Published: University of California Press,  1996
Subjects: Asian Studies | Asian History | China | History
Publisher's Description: Revealing information that has been suppressed in the Chinese Communist Party's official history, Wen-hsin Yeh presents an insightful new view of the Party's origins. She moves away from an emphasis on Mao and traces Chinese Communism's roots to the country's culturally conservative agrarian heartland. And for the first time, her book shows the transformation of May Fourth radical youth into pioneering Communist intellectuals from a social and cultural history perspective.Yeh's study provides a unique description of the spatial dimensions of China's transition into modernity and vividly evokes the changing landscapes, historical circumstances, and personalities involved. The human dimension of this transformation is captured through the biography of Shi Cuntong (1899-1970), a student from the Neo-Confucian county of Jinhua who became a founding member of the Party. Yeh's in-depth analysis of the dynamics of change is combined with a compelling narrative of the moral dilemmas in the lives of Shi Cuntong and other early leaders. Using sources previously closed to scholars, including recently discovered documents in the archives of the First United Front, Yeh shows the urban Communist movement as an intellectual revolution in social consciousness.The Maoist legacy has often been associated with the excesses of the Cultural Revolution. Yeh's historical reconstruction of a pre-Mao, non-organizational dimension of Chinese socialism is thus of vital interest to those seeking to redefine the place of the Communist Party in a post-Mao political order.   [brief]
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Title: Reconfiguring modernity: concepts of nature in Japanese political ideology
Author: Thomas, Julia Adeney 1958-
Published: University of California Press,  2002
Subjects: History | Japan | Intellectual History | Asian History
Publisher's Description: Julia Adeney Thomas turns the concept of nature into a powerful analytical lens through which to view Japanese modernity, bringing the study of both Japanese history and political modernity to a new level of clarity. She shows that nature necessarily functions as a political concept and that changing ideas of nature's political authority were central during Japan's transformation from a semifeudal world to an industrializing colonial empire. In political documents from the nineteenth to the early twentieth century, nature was redefined, moving from the universal, spatial concept of the Tokugawa period, through temporal, social Darwinian ideas of inevitable progress and competitive struggle, to a celebration of Japan as a nation uniquely in harmony with nature. The so-called traditional "Japanese love of nature" masks modern state power. Thomas's theoretically sophisticated study rejects the supposition that modernity is the ideological antithesis of nature, overcoming the determinism of the physical environment through technology and liberating denatured subjects from the chains of biology and tradition. In making "nature" available as a critical term for political analysis, this book yields new insights into prewar Japan's failure to achieve liberal democracy, as well as an alternative means of understanding modernity and the position of non-Western nations within it.   [brief]
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Title: Symptoms of modernity: Jews and queers in late-twentieth-century Vienna
Author: Bunzl, Matti 1971-
Published: University of California Press,  2004
Subjects: Anthropology | Jewish Studies | European History | Sociology | GayLesbian and Bisexual Studies
Publisher's Description: In the 1990s, Vienna's Jews and queers abandoned their clandestine existence and emerged into the city's public sphere in unprecedented numbers. Symptoms of Modernity traces this development in the context of Central European history. Jews and homosexuals are signposts of an exclusionary process of nation-building. Cast in their modern roles in the late nineteenth century, they functioned as Others, allowing a national community to imagine itself as a site of ethnic and sexual purity. In Matti Bunzl's incisive historical and cultural analysis, the Holocaust appears as the catastrophic culmination of this violent project, an attempt to eradicate modernity's abject by-products from the body politic. As Symptoms of Modernity shows, though World War II brought an end to the genocidal persecution, the nation's exclusionary logic persisted, accounting for the ongoing marginalization of Jews and homosexuals. Not until the 1970s did individual Jews and queers begin to challenge the hegemonic subordination - a resistance that, by the 1990s, was joined by the state's attempts to ensure and affirm the continued presence of Jews and queers. Symptoms of Modernity gives an account of this radical cultural reversal, linking it to geopolitical transformations and to the supersession of the European nation-state by a postmodern polity.   [brief]
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