Title: The real environmental crisis: why poverty, not affluence, is the environment's number one enemy
Author: Hollander, Jack M
Published: University of California Press,  2003
Subjects: EcologyEvolutionEnvironment | Conservation | Politics | Social Science | Politics
Publisher's Description: Drawing a completely new road map toward a sustainable future, Jack M. Hollander contends that our most critical environmental problem is global poverty. His balanced, authoritative, and lucid book challenges widely held beliefs that economic development and affluence pose a major threat to the world's environment and resources. Pointing to the great strides that have been made toward improving and protecting the environment in the affluent democracies, Hollander makes the case that the essential prerequisite for sustainability is a global transition from poverty to affluence, coupled with a transition to freedom and democracy. The Real Environmental Crisis takes a close look at the major environment and resource issues - population growth; climate change; agriculture and food supply; our fisheries, forests, and fossil fuels; water and air quality; and solar and nuclear power. In each case, Hollander finds compelling evidence that economic development and technological advances can relieve such problems as food shortages, deforestation, air pollution, and land degradation, and provide clean water, adequate energy supplies, and improved public health. The book also tackles issues such as global warming, genetically modified foods, automobile and transportation technologies, and the highly significant Endangered Species Act, which Hollander asserts never would have been legislated in a poor country whose citizens struggle just to survive. Hollander asks us to look beyond the media's doomsday rhetoric about the state of the environment, for much of it is simply not true, and to commit much more of our resources where they will do the most good - to lifting the world's population out of poverty.   [brief]
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Title: The price of poverty: money, work, and culture in the Mexican-American barrio
Author: Dohan, Daniel 1965-
Published: University of California Press,  2003
Subjects: Anthropology | Sociology | Social Problems | Urban Studies | Latin American Studies | Chicano Studies | Labor Studies
Publisher's Description: Drawing on two years of ethnographic fieldwork in two impoverished California communities - one made up of recent immigrants from Mexico, the other of U.S.-born Chicano citizens - this book provides an invaluable comparative perspective on Latino poverty in contemporary America. In northern California's high-tech Silicon Valley, author Daniel Dohan shows how recent immigrants get by on low-wage babysitting and dish-cleaning jobs. In the housing projects of Los Angeles, he documents how families and communities of U.S.-born Mexican Americans manage the social and economic dislocations of persistent poverty. Taking readers into worlds where public assistance, street crime, competition for low-wage jobs, and family, pride, and cross-cultural experiences intermingle, The Price of Poverty offers vivid portraits of everyday life in these Mexican American communities while addressing urgent policy questions such as: What accounts for joblessness? How can we make sense of crime in poor communities? Does welfare hurt or help?   [brief]
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Title: Missing persons: a critique of the social sciences
Author: Douglas, Mary
Published: University of California Press,  1998
Subjects: Sociology | Anthropology | Public Policy | Economics and Business
Publisher's Description: The Western cultural consensus based on the ideas of free markets and individualism has led many social scientists to consider poverty as a personal experience, a deprivation of material things, and a failure of just distribution. Mary Douglas and Steven Ney find this dominant tradition of social thought about poverty and well-being to be full of contradictions. They argue that the root cause is the impoverished idea of the human person inherited through two centuries of intellectual history, and that two principles, the idea of the solipsist self and the idea of objectivity, cause most of the contradictions.Douglas and Ney state that Economic Man, from its semitechnical niche in eighteenth-century economic theory, has taken over the realms of psychology, consumption, public assistance, political science, and philosophy. They say that by distorting the statistical data presented for policy analysis, the ideas of the solipsist self and objectivity indeed often protect a political bias. The authors propose to correct this by revising the current model of the person. Taking cultural bias into account and giving full play to political dissent, they restore the "persons" who have been missing from the social science debates.Drawing from anthropology, economics, political science, and sociology, the authors set forth a fundamental critique of the social sciences. Their book will find a wide audience among social scientists and will also interest anyone engaged in current discussions of poverty.This book is a copublication with the Russell Sage Foundation.   [brief]
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Title: The state and the poor: public policy and political development in India and the United States
Author: Echeverri-Gent, John
Published: University of California Press,  1993
Subjects: Politics | Public Policy | Asian Studies | South Asia
Publisher's Description: This comparison of rural development in India and the United States develops important departures from economic and historical institutionalism. It elaborates a new conceptual framework for analyzing state-society relations beginning from the premise that policy implementation, as the site of tangible exchanges between state and society, provides strategic interaction among self-interested individuals, social groups, and bureaucracies. It demonstrates how this interaction can be harnessed to enhance the effectiveness of public policy. Echeverri-Gent's application of this framework to poverty alleviation programs generates provocative insights about the ways in which institutions and social structure constrain policy-makers. In the process, he illuminates new implications for the concepts of state autonomy and state capacity.The book's original conceptual framework and intriguing findings will interest scholars of South Asia and American politics, social theorists, and policy-makers.   [brief]
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Title: Cross-cultural filmmaking: a handbook for making documentary and ethnographic films and videos
Author: Barbash, Ilisa 1959-
Published: University of California Press,  1997
Subjects: Cinema and Performance Arts | Ethnic Studies | Photography
Publisher's Description: This extraordinary handbook was inspired by the distinctive concerns of anthropologists and others who film people in the field. The authors cover the practical, technical, and theoretical aspects of filming, from fundraising to exhibition, in lucid and complete detail - information never before assembled in one place. The first section discusses filmmaking styles and the assumptions that frequently hide unacknowledged behind them, as well as the practical and ethical issues involved in moving from fieldwork to filmmaking. The second section concisely and clearly explains the technical aspects, including how to select and use equipment, how to shoot film and video, and the reasons for choosing one or the other, and how to record sound. Finally, the third section outlines the entire process of filmmaking: preproduction, production, postproduction, and distribution. Filled with useful illustrations and covering documentary and ethnographic filmmaking of all kinds, Cross-Cultural Filmmaking will be as essential to the anthropologist or independent documentarian on location as to the student in the classroom.   [brief]
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Title: Not by bread alone: social support in the new Russia
Author: Caldwell, Melissa L 1969-
Published: University of California Press,  2004
Subjects: Anthropology | Russian and Eastern European Studies | European Studies
Publisher's Description: What Muscovites get in a soup kitchen run by the Christian Church of Moscow is something far more subtle and complex - if no less necessary and nourishing - than the food that feeds their hunger. In Not by Bread Alone, the first full-length ethnographic study of poverty and social welfare in the postsocialist world, Melissa L. Caldwell focuses on the everyday operations and civil transactions at CCM soup kitchens to reveal the new realities, the enduring features, and the intriguing subtext of social support in Russia today. In an international food aid community, Caldwell explores how Muscovites employ a number of improvisational tactics to satisfy their material needs. She shows how the relationships that develop among members of this community - elderly Muscovite recipients, Russian aid workers, African student volunteers, and North American and European donors and volunteers - provide forms of social support that are highly valued and ultimately far more important than material resources. In Not by Bread Alone we see how the soup kitchens become sites of social stability and refuge for all who interact there - not just those with limited financial means - and how Muscovites articulate definitions of hunger and poverty that depend far more on the extent of one's social contacts than on material factors. By rethinking the ways in which relationships between social and economic practices are theorized - by identifying social relations and social status as Russia's true economic currency - this book challenges prevailing ideas about the role of the state, the nature of poverty and welfare, the feasibility of Western-style reforms, and the primacy of social connections in the daily lives of ordinary people in post-Soviet Russia.   [brief]
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Title: Laughter out of place: race, class, violence, and sexuality in a Rio shantytown
Author: Goldstein, Donna M
Published: University of California Press,  2003
Subjects: Anthropology | Ethnic Studies | Gender Studies | Latin American Studies | Sociology | Urban Studies | Urban Studies
Publisher's Description: Donna M. Goldstein challenges much of what we think we know about the "culture of poverty." Drawing on more than a decade of experience in Brazil, Goldstein provides an intimate portrait of everyday life among the women of the favelas, or urban shantytowns. These women have created absurdist and black-humor storytelling practices in the face of trauma and tragedy. Goldstein helps us to understand that such joking and laughter is part of an emotional aesthetic that defines the sense of frustration and anomie endemic to the political and economic desperation of the shantytown.   [brief]
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Title: Hollywood in Berlin: American cinema and Weimar Germany 
Author: Saunders, Thomas J
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | German Studies | Film | United States History | European History
Publisher's Description: The setting is 1920s Berlin, cultural heart of Europe and the era's only serious cinematic rival to Hollywood. In his engaging study, Thomas Saunders explores an outstanding example of one of the most important cultural developments of this century: global Americanization through the motion picture.The invasion of Germany by American films, which began in 1921 with overlapping waves of sensationalist serials, slapstick shorts, society pictures, and historical epics, initiated a decade of cultural collision and accommodation. On the one hand it fueled an impassioned debate about the properties of cinema and the specter of wholesale Americanization. On the other hand it spawned unprecedented levels of cooperation and exchange.In Berlin, American motion pictures not only entertained all social classes and film tastes but also served as a vehicle for American values and a source of sharp economic competition. Hollywood in Berlin correlates the changing forms of Hollywood's contributions to Weimar culture and the discourses that framed and interpreted them, restoring historical contours to a leading aspect of cultural interchange in this century. At the same time, the book successfully embeds Weimar cinema in its contemporary international setting.   [brief]
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Title: The activist's handbook: a primer for the 1990s and beyond
Author: Shaw, Randy 1956-
Published: University of California Press,  1996
Subjects: Politics | Sociology | California and the West | Urban Studies | American Studies | Public Policy
Publisher's Description: The Activist's Handbook is a hard-hitting guide to winning social change in the 1990s. Randy Shaw, attorney and longtime activist for urban issues, shows how positive change can still be accomplished despite an increasingly grim political order, if activists employ the strategies set forth in this desperately needed primer.Inspiring "fear and loathing" in politicians, building diverse coalitions, and harnessing the media, the courts, and the electoral process to one's cause are only some of the key tactics Shaw advocates and explains. Central to all social-change activism, Shaw shows, is being proactive: rather than simply reacting to right-wing proposals, activists must develop an agenda and focus their resources on achieving it. The Activist's Handbook details the impact of specific strategies on campaigns across the country: battles over homelessness, the environment, AIDS policies, neighborhood preservation, and school reform among others. Though activist groups can have widely different aims, similar tactics are shown to produce success.Further, the book offers a sophisticated analysis of the American power structure by someone on the front lines. In showing how people can and must make a difference at both local and national levels, this is an indispensable guide not only for activists, but for everyone interested in the future of progressive politics in America.   [brief]
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Title: The white scourge: Mexicans, Blacks, and poor whites in Texas cotton culture
Author: Foley, Neil
Published: University of California Press,  1998
Subjects: History | Ethnic Studies | American Studies
Publisher's Description: In a book that fundamentally challenges our understanding of race in the United States, Neil Foley unravels the complex history of ethnicity in the cotton culture of central Texas. This engrossing narrative, spanning the period from the Civil War through the collapse of tenant farming in the early 1940s, bridges the intellectual chasm between African American and Southern history on one hand and Chicano and Southwestern history on the other. The White Scourge describes a unique borderlands region, where the cultures of the South, West, and Mexico overlap, to provide a deeper understanding of the process of identity formation and to challenge the binary opposition between "black" and "white" that often dominates discussions of American race relations.In Texas, which by 1890 had become the nation's leading cotton-producing state, the presence of Mexican sharecroppers and farm workers complicated the black-white dyad that shaped rural labor relations in the South. With the transformation of agrarian society into corporate agribusiness, white racial identity began to fracture along class lines, further complicating categories of identity. Foley explores the "fringe of whiteness," an ethno-racial borderlands comprising Mexicans, African Americans, and poor whites, to trace shifting ideologies and power relations. By showing how many different ethnic groups are defined in relation to "whiteness," Foley redefines white racial identity as not simply a pinnacle of status but the complex racial, social, and economic matrix in which power and privilege are shared.Foley skillfully weaves archival material with oral history interviews, providing a richly detailed view of everyday life in the Texas cotton culture. Addressing the ways in which historical categories affect the lives of ordinary people, The White Scourge tells the broader story of racial identity in America; at the same time it paints an evocative picture of a unique American region. This truly multiracial narrative touches on many issues central to our understanding of American history: labor and the role of unions, gender roles and their relation to ethnicity, the demise of agrarian whiteness, and the Mexican-American experience.   [brief]
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Title: First cut: conversations with film editors
Author: Oldham, Gabriella
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film | Media Studies
Publisher's Description: First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, thi . . . [more]
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Title: Cultures in conflict: social movements and the state in Peru
Author: Stokes, Susan Carol
Published: University of California Press,  1995
Subjects: Latin American Studies | Politics | Sociology | Anthropology | Urban Studies
Publisher's Description: In this vivid ethnography set in contemporary Peru, Susan Stokes provides a compelling analysis of the making and unmaking of class consciousness among the urban poor. Her research strategy is multifaceted; through interviews, participant observation, and survey research she digs deeply into the popular culture of the social activists and shantytown residents she studies. The result is a penetrating look at how social movements evolve, how poor people construct independent political cultures, and how the ideological domination of oppressed classes can shatter.This work is a new and vital chapter in the growing literature on the formation of social movements. It chronicles the transformation of Peru's poor from a culture of deference and clientelism in the late 1960s to a population mobilized for radical political action today.   [brief]
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Title: Romance and the "yellow peril": race, sex, and discursive strategies in Hollywood fiction
Author: Marchetti, Gina
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema.The author begins with a discussion of D. W. Griffith's Broken Blossoms , then considers later films such as Shanghai Express , Madame Butterfly , and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now.Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.   [brief]
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Title: The unvarnished truth: personal narratives in nineteenth-century America
Author: Fabian, Ann
Published: University of California Press,  2000
Subjects: American Studies | United States History | American Literature
Publisher's Description: The practice of selling one's tale of woe to make a buck has long been a part of American culture. The Unvarnished Truth: Personal Narratives in Nineteenth-Century America is a powerful cultural history of how ordinary Americans crafted and sold their stories of hardship and calamity during the nineteenth century. Ann Fabian examines the tales of beggars, convicts, ex-slaves, prisoners of the Confederacy, and others to explore cultural authority, truth-telling, and the nature of print media as the country was shifting to a market economy. This well-crafted book describes the fascinating controversies surrounding these little-read tales and returns them to the social worlds where they were produced.Drawing on an enormous number of personal narratives - accounts of mostly poor, suffering, and often uneducated Americans - The Unvarnished Truth analyzes a long-ignored tradition in popular literature. Historians have treated the spread of literacy and the growth of print culture as a chapter in the democratization of refinement, but these tales suggest that this was not always the case. Producing stories that purported to be the plain, unvarnished truth, poor men and women edged their way onto the cultural stage, using storytelling strategies far older than those relying on a Renaissance sense of refinement and polish. This book introduces a unique collection of tales to explore the nature of truth, authenticity, and representation.   [brief]
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Title: Writing about music: a style sheet from the editors of 19th-century music
Author: Holoman, D. Kern 1947-
Published: University of California Press,  1988
Subjects: Music | Music
Publisher's Description: How do you spell Rachmaninov?Where do you place the hyphen in Hofmannsthal if it breaks across two lines? Is it premiere or première? The answers and much more can be found in a new, essential resource for authors, students, editors, concert producers - anyone who deals with music in print. An expanded version of the style sheet for the well-known journal 19th-Century Music , this small volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, another explains the requirements of submitting manuscripts written on a word processor. An appendix lists common problem words.   [brief]
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Title: Refiguring American film genres: history and theory
Author: Browne, Nick
Published: University of California Press,  1998
Subjects: American Studies | Film | Cultural Anthropology
Publisher's Description: This collection of essays by leading American film scholars charts a whole new territory in genre film criticism. Rather than assuming that genres are self-evident categories, the contributors offer innovative ways to think about types of films, and patterns within films, in a historical context. Challenging familiar attitudes, the essays offer new conceptual frameworks and a fresh look at how popular culture functions in American society. The range of essays is exceptional, from David J. Russell's insights into the horror genre to Carol J. Clover's provocative take on "trial films" to Leo Braudy's argument for the subject of nature as a genre. Also included are essays on melodrama, race, film noir , and the industrial context of genre production. The contributors confront the poststructuralist critique of genre head-on; together they are certain to shape future debates concerning the viability and vitality of genre in studying American cinema.   [brief]
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Title: The red rooster scare: making cinema American, 1900-1910
Author: Abel, Richard 1941-
Published: University of California Press,  1999
Subjects: Cinema and Performance Arts | Cultural Anthropology | Sociology
Publisher's Description: Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathé company's "Red Rooster" films could be found "everywhere." Through extensive original research, Richard Abel demonstrates how crucial French films were in making "going to the movies" popular in the United States, first in vaudeville houses and then in nickelodeons.Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested site of Americanization. Pathé's Red Rooster films came to be defined as dangerously "foreign" and "alien" and even "feminine" (especially in relation to "American" subjects like westerns). Their impact was thwarted, and they were nearly excluded from the market, all in order to ensure that the American cinema would be truly American. The Red Rooster Scare offers a revealing and readable cultural history of American cinema's nationalization, by one of the most distinguished historians of early cinema.   [brief]
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Title: Writing the character-centered screenplay
Author: Horton, Andrew
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film | Writing
Publisher's Description: "We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures.With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging - covering American, international, mainstream, and "off-Hollywood" films, as well as television - the book offers creative strategies and essential practical information.Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer - whether new or experienced - build more vivid characters and screenplays. Centering his discussion around four film examples - including Thelma & Louise and The Silence of the Lambs - and the television series, Northern Exposure , he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals.Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.   [brief]
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Title: Window shopping: cinema and the postmodern
Author: Friedberg, Anne
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film | Popular Culture | Women's Studies
Publisher's Description: Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences - photography, urban strolling, panorama and diorama entertainments - anticipate contemporary pleasures provided by cinema, video, shopping malls, and emerging "virtual reality" technologies.Comparing the visual practices of shopping, tourism, and film-viewing, Friedberg identifies the experience of "virtual" mobility through time and space as a key determinant of postmodern cultural identity. Evaluating the theories of Jameson, Lyotard, Baudrillard, and others, she adds critical insights about the role of gender and gender mobility in the configurations of consumer culture.A strikingly original work, Window Shopping challenges many of the existing assumptions about what exactly post modern is. This book marks the emergence of a compelling new voice in the study of contemporary culture.   [brief]
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Title: Echo and Narcissus: women's voices in classical Hollywood cinema 
Author: Lawrence, Amy
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus , Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of women in film, enabling us to see individual films in new ways, and to ask new questions of other films.Using Sadie Thompson (1928), Blackmail (1929), Rain (1932), The Spiral Staircase , Sorry,Wrong Number , Notorious , Sunset Boulevard (1950) and To Kill a Mockingbird (1962), Lawrence illustrates how women's voices are positioned within narratives that require their submission to patriarchal roles and how their attempts to speak provoke increasingly severe repression. She also shows how women's natural ability to speak is interrupted, made difficult, or conditioned to a suffocating degree by sound technology itself. Telephones, phonographs, voice-overs, and dubbing are foregrounded, called upon to silence women and to restore the primacy of the image.Unlike the usage of "voice" by feminist and literary critics to discuss broad issues of authorship and point of view, in film studies the physical voice itself is a primary focus. Echo and Narcissus shows how assumptions about the "deficiencies" of women's voices and speech are embedded in sound's history, technology, uses, and marketing. Moreover, the construction of the woman's voice is inserted into the ideologically loaded cinematic and narrative conventions governing the representation of women in Hollywood film.   [brief]
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