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1. cover
Title: Doctors within borders: profession, ethnicity, and modernity in colonial Taiwan
Author: Lo, Ming-cheng Miriam
Published: University of California Press,  2002
Subjects: Asian Studies | Medical Anthropology | China | Asian History | Sociology
Publisher's Description: This book explores Japan's "scientific colonialism" through a careful study of the changing roles of Taiwanese doctors under Japanese colonial rule. By integrating individual stories based on interviews and archival materials with discussions of political and social theories, Ming-cheng Lo unearths . . . [more]
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2. cover
Title: Is Taiwan Chinese?: the impact of culture, power, and migration on changing identities
Author: Brown, Melissa J
Published: University of California Press,  2004
Subjects: Anthropology | Asian Studies | China | Sociology
Publisher's Description: The "one China" policy officially supported by the People's Republic of China, the United States, and other countries asserts that there is only one China and Taiwan is a part of it. The debate over whether the people of Taiwan are Chinese or independently Taiwanese is, Melissa J. Brown argues, a matter of identity: Han ethnic identity, Chinese national identity, and the relationship of both of these to the new Taiwanese identity forged in the 1990s. In a unique comparison of ethnographic and historical case studies drawn from both Taiwan and China, Brown's book shows how identity is shaped by social experience - not culture and ancestry, as is commonly claimed in political rhetoric.   [brief]
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3. cover
Title: Cinderella dreams: the allure of the lavish wedding
Author: Otnes, Cele
Published: University of California Press,  2003
Subjects: Sociology | Anthropology | Women's Studies | Consumerism | United States History
Publisher's Description: The fabulous gown, the multitiered cake, abundant flowers, attendants and guests in their finery. The white wedding does more than mark a life passage. It marries two of the most sacred tenets of American culture - romantic love and excessive consumption. For anyone who has ever wondered about the meanings behind a white dress, a diamond ring, rice, and traditions such as cake cutting, bouquet tossing, and honeymooning, this book offers an entertaining and enlightening look at the historical, social, and psychological strains that come together to make the lavish wedding the most important cultural ritual in contemporary consumer culture. With an emphasis on North American society, Cele C. Otnes and Elizabeth H. Pleck show how the elaborate wedding means far more than a mere triumph for the bridal industry. Through interviews, media accounts, and wide-ranging research and analysis, they expose the wedding's reflection - or reproduction - of fundamental aspects of popular consumer culture: its link with romantic love, its promise of magical transformation, its engendering of memories, and its legitimization of consumption as an expression of perfection. As meaningful as any prospective bride might wish, the lavish wedding emerges here as a lens that at once reveals, magnifies, and reveres some of the dearest wishes and darkest impulses at the heart of our culture.   [brief]
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4. cover
Title: Body work: beauty and self-image in American culture
Author: Gimlin, Debra L 1967-
Published: University of California Press,  2002
Subjects: Sociology | Gender Studies | American Studies
Publisher's Description: Today women are lifting weights to build muscle, wrapping their bodies in seaweed to reduce unwanted water retention, attending weigh-ins at diet centers, and devoting themselves to many other types of "body work." Filled with the voices of real women, this book unravels the complicated emotional and intellectual motivations that drive them as they confront American culture's unreachable beauty ideals. This powerful feminist study lucidly and compellingly argues against the idea that the popularity of body work means that women are enslaved to a male-fashioned "beauty myth." Essential reading for understanding current debates on beauty, Body Work demonstrates that women actually use body work to escape that beauty myth. Debra Gimlin focuses on four sites where she conducted in-depth research--a beauty salon, aerobics classes, a plastic surgery clinic, and a social and political organization for overweight women. The honest and provocative interviews included in this book uncover these women's feelings about their bodies, their reasons for attempting to change or come to terms with them, and the reactions of others in their lives. These interviews show that women are redefining their identities through their participation in body work, that they are working on their self-images as much as on their bodies. Plastic surgery, for example, ultimately is an empowering life experience for many women who choose it, while hairstyling becomes an arena for laying claim to professional and social class identities. This book develops a convincing picture of how women use body work to negotiate the relationship between body and self, a process that inevitably involves coming to terms with our bodies' deviation from cultural ideals. One of the few studies that includes empirical evidence of women's own interpretations of body work, this important project is also based firmly in cultural studies, symbolic interactionism, and feminism. With this book, Debra Gimlin adds her voice to those of scholars who are now looking beyond the surface of the beauty myth to the complex reality of women's lives.   [brief]
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5. cover
Title: Romance on a global stage: pen pals, virtual ethnography, and "mail-order" marriages
Author: Constable, Nicole
Published: University of California Press,  2003
Subjects: Anthropology | American Studies | Asian American Studies | Postcolonial Studies | Sociology | Gender Studies | Gender Studies
Publisher's Description: By the year 2000 more than 350 Internet agencies were plying the email-order marriage trade, and the business of matching up mostly Western men with women from Asia, Eastern Europe, and Latin America had become an example of globalization writ large. This provocative work opens a window onto the complex motivations and experiences of the people behind the stereotypes and misconceptions that have exploded along with the practice of transnational courtship and marriage. Combining extensive Internet ethnography and face-to-face fieldwork, Romance on a Global Stage looks at the intimate realities of Filipinas, Chinese women, and U.S. men corresponding in hopes of finding a suitable marriage partner. Through the experiences of those engaged in pen pal relationships - their stories of love, romance, migration, and long-distance dating - this book conveys the richness and dignity of women's and men's choices without reducing these correspondents to calculating opportunists or naive romantics. Attentive to the structural, cultural, and personal factors that prompt women and men to seek marriage partners abroad, Romance on a Global Stage questions the dichotomies so frequently drawn between structure and agency, and between global and local levels of analysis.   [brief]
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6. cover
Title: Deeply into the bone: re-inventing rites of passage
Author: Grimes, Ronald L 1943-
Published: University of California Press,  2000
Subjects: Religion | Anthropology | Social Science
Publisher's Description: Over the past two decades, North Americans have become increasingly interested in understanding and reclaiming the rites that mark significant life passages. In the absence of meaningful rites of passage, we speed through the dangerous intersections of life and often come to regret missing an opportunity to contemplate a child's birth, mark the arrival of maturity, or meditate on the loss of a loved one. Providing a highly personal, thoroughly informed, and cross-cultural perspective on rites of passage for general readers, this book illustrates the power of rites to help us navigate life's troublesome transitions. The work of a major scholar who has spent years writing and teaching about ritual, Deeply into the Bone instigates a conversation in which readers can fruitfully reflect on their own experiences of passage. Covering the significant life events of birth, initiation, marriage, and death, chapters include first-person stories told by individuals who have undergone rites of passage, accounts of practices from around the world, brief histories of selected ritual traditions, and critical reflections probing popular assumptions about ritual. The book also explores innovative rites for other important events such as beginning school, same-sex commitment ceremonies, abortion, serious illness, divorce, and retirement. Taking us confidently into the abyss separating the spiritual from the social scientific, the personal from the scholarly, and the narrative from the analytical, Grimes synthesizes an impressive amount of information to help us find more insightful ways of comprehending life's great transitions. As we face our increasingly complex society, Deeply into the Bone will help us reclaim the power of rites and understand their effect on our lives.   [brief]
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7. cover
Title: Monster/beauty: building the body of love
Author: Frueh, Joanna
Published: University of California Press,  2001
Subjects: Art | Art Theory | Gender Studies | Art Theory | Gender Studies
Publisher's Description: This daring, intensely personal book challenges both conventional and feminist ideas about beauty by asking us to take pleasure in beauty without shame, and to see and feel the erotic in everyday life. Bringing together her varied experiences as a poet, art historian, bodybuilder, and noted performance artist, Joanna Frueh shows us how to move beyond society's equation of youth with beauty toward an aesthetic for the fully erotic human being. A lush combination of autobiography, theory, photography, and poetry, this book continues to develop the ideas about the erotic, beauty, older women, sex, and pleasure that Frueh first addressed in Erotic Faculties. Monster/Beauty examines these issues using a provocative, often explicit, set of examples. Frueh admiringly looks at the bodies and mindsets of midlife female bodybuilders, rethinks the vampire, and revises our ideas about traditional models of beauty, such as Aphrodite. Above all, she boldly brings her personal experience into the text, weaving her reflections on female sensuality with contemporary theory. These linked essays are as much a performance as they are a discussion, breaking down the barriers between the personal and the academic, and the erotic and the intellectual. Frueh writes passionately and beautifully, and the result is a much-needed exploration of beauty myths and taboos.   [brief]
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8. cover
Title: The most beautiful girl in the world: beauty pageants and national identity
Author: Banet-Weiser, Sarah 1966-
Published: University of California Press,  1999
Subjects: Gender Studies | Women's Studies | American Studies | Sociology
Publisher's Description: Sarah Banet-Weiser complicates the standard feminist take on beauty pageants in this intriguing look at a hotly contested but enduringly popular American ritual. She focuses on the Miss America pageant in particular, considering its claim to be an accurate representation of the diversity of contemporary American women. Exploring the cultural constructions and legitimations that go on during the long process of the pageant, Banet-Weiser depicts the beauty pageant stage as a place where concerns about national identity, cultural hopes and desires, and anxieties about race and gender are crystallized and condensed. The beauty pageant, she convincingly demonstrates, is a profoundly political arena deserving of serious study.Drawing on cultural criticism, ethnographic research, and interviews with pageant participants and officials, The Most Beautiful Girl in the World illustrates how contestants invent and reinvent themselves while articulating the female body as a national body. Banet-Weiser finds that most pageants are characterized by the ambivalence of contemporary "liberal" feminism, which encourages individual achievement, self-determination, and civic responsibility, while simultaneously promoting very conventional notions of beauty. The book explores the many different aspects of the Miss America pageant, including the swimsuit, the interview, and the talent competitions. It also takes a closer look at some extraordinary Miss Americas, such as Bess Myerson, the first Jewish Miss America; Vanessa Williams, the first African American Miss America; and Heather Whitestone, the first Miss America with a disability.   [brief]
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9. cover
Title: Reconcilable differences: confronting beauty, pornography, and the future of feminism online access is available to everyone
Author: Chancer, Lynn S 1954-
Published: University of California Press,  1998
Subjects: Gender Studies | Sociology | Women's Studies | Social Problems
Publisher's Description: This volume examines controversial faultlines in contemporary feminism - pornography, the beauty myth, sadomasochism, prostitution, and the issue of rape - from an original and provocative perspective. Lynn Chancer focuses on how, among many feminists, the concepts of sex and sexism became fragmented and mutually exclusive. Exploring the dichotomy between sex and sexism as it has developed through five current feminist debates, Chancer seeks to forge positions that bridge oppositions between unnecessary (and sometimes unwitting) "either/or" binaries. Chancer's book attempts to incorporate both the need for sexual freedom and the depth of sexist subordination into feminist thought and politics.   [brief]
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10. cover
Title: The family romance of the French Revolution
Author: Hunt, Lynn Avery
Published: University of California Press,  1992
Subjects: History | European History | French Studies | Gender Studies
Publisher's Description: This latest work from an author known for her contributions to the new cultural history is a multidisciplinary investigation of the foundations of modern politics. "Family Romance" was coined by Freud to describe the fantasy of being freed from one's family and joining one of higher social standing. Lynn Hunt uses the term broadly to describe the images of the familial order underlying revolutionary politics. In a wide-ranging account using novels, engravings, paintings, speeches, newspaper editorials, pornographic writing, and revolutionary legislation about the family, Hunt shows that politics were experienced through the grid of the family romance.   [brief]
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11. cover
Title: Birth as an American rite of passage
Author: Davis-Floyd, Robbie
Published: University of California Press,  1992
Subjects: Anthropology | Medical Anthropology | Women's Studies | Cultural Anthropology | Medicine | Gender Studies
Publisher's Description: Why do so many American women allow themselves to become enmeshed in the standardized routines of technocratic childbirth - routines that can be insensitive, unnecessary, and even unhealthy? And why, in spite of the natural childbirth movement, has hospital birth become even more intensely technologized? Robbie Davis-Floyd argues that these obstetrical procedures are rituals that reflect a cultural belief in the superiority of science over nature. Her interviews with 100 mothers and many health care professionals reveal in detail both the trauma and the satisfaction women derive from childbirth. She also calls for greater cultural and medical tolerance of the alternative beliefs of women who choose to birth at home.   [brief]
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12. cover
Title: Framing the sexual subject: the politics of gender, sexuality, and power
Author: Parker, Richard G. (Richard Guy) 1956-
Published: University of California Press,  2000
Subjects: Anthropology | Cultural Anthropology | Gender Studies | Public Policy | Sociology
Publisher's Description: This collection brings together the work of writers from a range of disciplines and cultural traditions to explore the social and political dimensions of sexuality and sexual experience. The contributors reconfigure existing notions of gender and sexuality, linking them to deeper understandings of power, resistance, and emancipation around the globe. They map areas that are currently at the cutting edge of social science writing on sexuality, as well as the complex interface between theory and practice. Framing the Sexual Subject highlights the extent to which populations and communities that once were the object of scientific scrutiny have increasingly demanded the right to speak on their own behalf, as subjects of their own sexualities and agents of their own sexual histories.   [brief]
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13. cover
Title: Framing American divorce: from the revolutionary generation to the Victorians
Author: Basch, Norma
Published: University of California Press,  1999
Subjects: History | Law | United States History | Gender Studies | Victorian History
Publisher's Description: Divorce has become one of the most widely discussed issues in America. In this innovative exploration of the phenomenon of divorce in American society, Norma Basch uses a variety of analytic perspectives to enrich our understanding of the meaning of divorce during the formative years of both the nation and its law, roughly 1770 to 1870. She provides a fascinating, thoughtful look at divorce as a legal action, as an individual experience, and as a cultural symbol in its era of institutionalization and traces the powerful legacy of the first American divorce experiences for us today.Using a unique methodology, Basch fragments her story into three discrete but chronologically overlapping perspectives. In Part I, "Rules," she analyzes the changing legal and legislative aspects of divorce and the public response to them. Part II, "Mediations," focuses on individual cases and presents a close-up analysis of the way ordinary women and men tested the law in the courts. And Part III, "Representations," charts the spiraling imagery of divorce through various fiction and non-fiction narratives that made their way into American popular culture during the nineteenth century.The composite picture that emerges in Framing American Divorce is a vividly untidy one that exposes the gulf between legal and moral abstractions and everyday practices. Divorce, Basch argues, was always a focal point of conflict between the autonomy of women and the authority of men. Tracing the legal, social, and cultural experience of divorce allows Basch to provide a searching exploration of the limits of nineteenth-century ideals of domesticity, romantic love, and marriage, and their legacy for us today. She brings her findings up-to-date with a provocative discussion of the current debate over fault or no-fault divorce.   [brief]
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14. cover
Title: Marketing the menacing fetus in Japan
Author: Hardacre, Helen 1949-
Published: University of California Press,  1997
Subjects: Religion | Anthropology | Women's Studies | Asian Studies
Publisher's Description: Helen Hardacre provides new insights into the spiritual and cultural dimensions of abortion debates around the world in this careful examination of mizuko kuyo - a Japanese religious ritual for aborted fetuses. Popularized during the 1970s, when religious entrepreneurs published frightening accounts of fetal wrath and spirit attacks, mizuko kuyo offers ritual atonement for women who, sometimes decades previously, chose to have abortions. As she explores the complex issues that surround this practice, Hardacre takes into account the history of Japanese attitudes toward abortion, the development of abortion rituals, the marketing of religion, and the nature of power relations in intercourse, contraception, and abortion.Although abortion in Japan is accepted and legal and was commonly used as birth control in the early postwar period, entrepreneurs used images from fetal photography to mount a surprisingly successful tabloid campaign to promote mizuko kuyo . Enthusiastically adopted by some religionists as an economic strategy, it was soundly rejected by others on doctrinal, humanistic, and feminist grounds.In four field studies in different parts of the country, Helen Hardacre observed contemporary examples of mizuko kuyo as it is practiced in Buddhism, Shinto, and the new religions. She also analyzed historical texts and contemporary personal accounts of abortion by women and their male partners and conducted interviews with practitioners to explore how a commercialized ritual form like mizuko kuyo can be marketed through popular culture and manipulated by the same forces at work in the selling of any commodity. Her conclusions reflect upon the deep current of misogyny and sexism running through these rites and through feto-centric discourse in general.   [brief]
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15. cover
Title: The Arnolfini betrothal: medieval marriage and the enigma of Van Eyck's double portrait online access is available to everyone
Author: Hall, Edwin 1928-
Published: University of California Press,  1997
Subjects: Art | Art History | Art Criticism | Medieval History
Publisher's Description: Commonly known as the "Arnolfini Wedding" or "Giovanni Arnolfini and His Bride," Jan van Eyck's double portrait, painted in 1434, is probably the most widely recognized panel painting of the fifteenth century. One of the great masterpieces of early Flemish art, this enigmatic picture has also aroused intense speculation as to its precise meaning. Edwin Hall's accessible study - firmly grounded in Roman and canon law, theology, literature, and the social history of the period - offers a compelling new interpretation of this wonderful painting.Instead of depicting the sacrament of marriage, Hall argues, the painting commemorates the alliance between two wealthy and important Italian mercantile families, a ceremonious betrothal that reflects the social conventions of the time. Hall not only unlocks the mystery that has surrounded this work of art, he also makes a unique contribution to the fascinating history of betrothal and marriage custom, ritual, and ceremony, tracing their evolution from the late Roman Empire through the fifteenth century and providing persuasive visual evidence for their development. His illuminating view of Van Eyck's quintessential work is a striking example of how art continues to endure and engage us over the centuries.   [brief]
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16. cover
Title: The romance of democracy: compliant defiance in contemporary Mexico
Author: Gutmann, Matthew C 1953-
Published: University of California Press,  2002
Subjects: Anthropology | Latino Studies | Latin American Studies | Sociology | Urban Studies
Publisher's Description: The Romance of Democracy gives a unique insider perspective on contemporary Mexico by examining the meaning of democracy in the lives of working-class residents in Mexico City today. A highly absorbing and vividly detailed ethnographic study of popular politics and official subjugation, the book provides a detailed, bottom-up exploration of what men and women think about national and neighborhood democracy, what their dreams are for a better society, and how these dreams play out in their daily lives. Based on extensive fieldwork in the same neighborhood he discussed in his acclaimed book The Meanings of Macho, Matthew C. Gutmann now explores the possibilities for political and social change in the world's most populous city. In the process he provides a new perspective on many issues affecting Mexicans countrywide.   [brief]
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17. cover
Title: Purified by fire: a history of cremation in America
Author: Prothero, Stephen R
Published: University of California Press,  2001
Subjects: Religion | American Studies | United States History | Environmental Studies
Publisher's Description: Just one hundred years ago, Americans almost universally condemned cremation. Today, nearly one-quarter of Americans choose to be cremated. The practice has gained wide acceptance as a funeral rite, in both our private and public lives, as the cremations of icons such as John Lennon and John F. Kennedy Jr. show. Purified by Fire tells the fascinating story of cremation's rise from notoriety to legitimacy and takes a provocative new look at important transformations in the American cultural landscape over the last 150 years. Stephen Prothero synthesizes a wide array of previously untapped source material, including newspapers, consumer guides, mortician trade journals, and popular magazines such as Reader's Digest to provide this first historical study of cremation in the United States. He vividly describes many noteworthy events - from the much-criticized first American cremation in 1876 to the death and cremation of Jerry Garcia in the late twentieth century. From the Gilded Age to the Progressive Era to the baby boomers of today, this book takes us on a tour through American culture and traces our changing attitudes toward death, religion, public health, the body, and the environment.   [brief]
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18. cover
19. cover
Title: Ceremonial costumes of the Pueblo Indians: their evolution, fabrication, and significance in the prayer drama online access is available to everyone
Author: Roediger, Virginia More
Published: University of California Press,  1991
Subjects: Anthropology | Cultural Anthropology | Dance | Art
Publisher's Description: When the University of California Press first published Roediger's Ceremonial Costumes of the Pueblo Indians in 1941, it was immediately hailed as both a beautiful book and the most comprehensive description ever of the making and meaning of the Pueblo costumes of New Mexico and Arizona. It has been widely acknowledged as a classic and eagerly sought after in antiquarian bookstores.Exactly fifty years after its original publication, here is the book back in print, with a new introduction by the renowned anthropologist Fred Eggan. Roediger's vivid paintings are reproduced once more in full color, capturing the beauty and drama of the Pueblo ceremonies - the turquoise dance moccasins, the tableted headdress of the Zuni corn maidens, the bright-blanketed Kachina maiden, and the buffalo, brilliant eagle, and horned deer costumes.It was Roediger who first viewed the ceremony and ritual of the Pueblo peoples as dramatic performance, a view that has gained great currency since. As a student of drama at Yale University she was fascinated by the intensely theatrical dimension to Pueblo worship, and it is this original perspective that informs and illuminates her study.After a brief survey of the history, location, and life of the Pueblo peoples, Roediger embarks on a thorough analysis of the materials used in the Pueblo costumes. She explains both their symbolic significance and their manufacture - from the weaving of cloth and the tanning of leather to the preparation of birds' feathers, evergreens, paints, and dyes. She then provides a meticulous description of the costumed dancer - body paint, garments, ornaments, accessories, and dance properties such as rattles, headdresses, and masks.In her final section, Roediger explores the relation of the costumes to the prayer dramas, particularly to the reverential, solemn, ecstatic public dance with which these climax. Vivid details emerge here about such rituals as the animal dances from the Rio Grande region and the Rain Dance of the Zuni.Fifty years after its original publication, Virginia Roediger's book remains the most comprehensive study of the ceremonial costumes of the Pueblo peoples. A book of great visual appeal and unrivaled detail, it will be welcomed back by scholars and general readers alike.   [brief]
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20. cover
Title: Showing signs of violence: the cultural politics of a twentieth-century headhunting ritual online access is available to everyone
Author: George, Kenneth M 1950-
Published: University of California Press,  1996
Subjects: Anthropology | Cultural Anthropology | Southeast Asia
Publisher's Description: Showing Signs of Violence deals with the ceremonies of pangngae, a mock headhunt that lingers stubbornly at the center of political life in a marginal upland community in Sulawesi, Indonesia. No killing takes place in this ritual - no actual heads are taken - but its rhetoric of violence is unmistakable and real.Kenneth M. George vividly details the rites of pangngae, from the headhunters' secret and predatory journey downriver to the week of public festivity that follows their exuberant return. He puts special emphasis on the songs, speeches, and liturgies of the headhunt and shows how this ritual is neither a relic form of primitive violence nor an obsolete discourse on the social horizons of a remote community. In fact, the themes, purposes, and circumstances of pangngae make it the most public and community-defining form of ceremonial violence for this small mountain enclave as it confronts the dilemmas presented by Indonesian modernity and state culture.   [brief]
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