Title: Popular theater and society in Tsarist Russia
Author: Swift, Eugene Anthony
Published: University of California Press,  2002
Subjects: History | European History | Russian and Eastern European Studies | Popular Culture | European Literature | European Studies
Publisher's Description: This is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new "people's theaters" that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from the theater world of the day, shows how these people's theaters became a major arena in which the cultural contests of late imperial Russia were played out and how they contributed to the emergence of an urban consumer culture during this period of rapid social and political change. Swift illuminates many aspects of the story of these popular theaters - the cultural politics and aesthetic ambitions of theater directors and actors, state censorship politics and their role in shaping the theatrical repertoire, and the theater as a vehicle for social and political reform. He looks at roots of the theaters, discusses specific theaters and performances, and explores in particular how popular audiences responded to the plays.   [brief]
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Title: Revealing masks: exotic influences and ritualized performance in modernist music theater
Author: Sheppard, William Anthony 1969-
Published: University of California Press,  2001
Subjects: Music | American Music | Contemporary Music | Ethnomusicology | Opera | Musicology | Intellectual History
Publisher's Description: W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.   [brief]
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Title: Modern drama and the rhetoric of theater 
Author: Worthen, William B 1955-
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Theatre | Rhetoric
Publisher's Description: The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience.How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play.Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.   [brief]
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Title: Colonizing the body: state medicine and epidemic disease in nineteenth-century India
Author: Arnold, David 1946-
Published: University of California Press,  1993
Subjects: Asian Studies | South Asia | Asian History | Medicine | History
Publisher's Description: In this innovative analysis of medicine and disease in colonial India, David Arnold explores the vital role of the state in medical and public health activities, arguing that Western medicine became a critical battleground between the colonized and the colonizers.Focusing on three major epidemic diseases - smallpox, cholera, and plague - Arnold analyzes the impact of medical interventionism. He demonstrates that Western medicine as practiced in India was not simply transferred from West to East, but was also fashioned in response to local needs and Indian conditions.By emphasizing this colonial dimension of medicine, Arnold highlights the centrality of the body to political authority in British India and shows how medicine both influenced and articulated the intrinsic contradictions of colonial rule.   [brief]
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Title: No aging in India: Alzheimer's, the bad family, and other modern things 
Author: Cohen, Lawrence 1961-
Published: University of California Press,  1998
Subjects: Anthropology | Medical Anthropology | Aging | South Asia
Publisher's Description: From the opening sequence, in which mid-nineteenth-century Indian fishermen hear the possibility of redemption in an old woman's madness, No Aging in India captures the reader with its interplay of story and analysis. Drawing on more than a decade of ethnographic work, Lawrence Cohen links a detailed investigation of mind and body in old age in four neighborhoods of the Indian city of Varanasi (Banaras) with events and processes around India and around the world. This compelling exploration of senility - encompassing not only the aging body but also larger cultural anxieties - combines insights from medical anthropology, psychoanalysis, and postcolonial studies. Bridging literary genres as well as geographic spaces, Cohen responds to what he sees as the impoverishment of both North American and Indian gerontologies - the one mired in ambivalence toward demented old bodies, the other insistent on a dubious morality tale of modern families breaking up and abandoning their elderly. He shifts our attention irresistibly toward how old age comes to matter in the constitution of societies and their narratives of identity and history.   [brief]
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Title: India
Author: Wolpert, Stanley A 1927-
Published: University of California Press,  1990
Subjects: History | South Asia | Asian History
Publisher's Description: The history of India is the engrossing story of an ancient civilization, reborn as a modern nation. More a continent than a single nation, India is home to over one-fifth of humanity, yet it remains a mystery to most non-Indians, barely appreciated and poorly understood. Stanley Wolpert's India provides a much-needed, concise overview of Indian history and culture. His new preface brings the book up to date, discussing national elections, the economic effects of the new globalization, and the consequences of joining the nuclear arms race.   [brief]
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Title: Indian traffic: identities in question in colonial and postcolonial India 
Author: Roy, Parama
Published: University of California Press,  1998
Subjects: Postcolonial Studies | Literary Theory and Criticism | South Asia | Gender Studies
Publisher's Description: The continual, unpredictable, and often violent "traffic" between identities in colonial and postcolonial India is the focus of Parama Roy's stimulating and original book. Mimicry has been commonly recognized as an important colonial model of bourgeois/elite subject formation, and Roy examines its place in the exchanges between South Asian and British, Hindu and Muslim, female and male, and subaltern and elite actors. Roy draws on a variety of sources - religious texts, novels, travelogues, colonial archival documents, and films - making her book genuinely interdisciplinary. She explores the ways in which questions of originality and impersonation function, not just for "western" or "westernized" subjects, but across a range of identities. For example, Roy considers the Englishman's fascination with "going native," an Irishwoman's assumption of Hindu feminine celibacy, Gandhi's impersonation of femininity, and a Muslim actress's emulation of a Hindu/Indian mother goddess. Familiar works by Richard Burton and Kipling are given fresh treatment, as are topics such as the "muscular Hinduism" of Swami Vivekananda. Indian Traffic demonstrates that questions of originality and impersonation are in the forefront of both the colonial and the nationalist discourses of South Asia and are central to the conceptual identity of South Asian postcolonial theory itself.   [brief]
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Title: The travels of Dean Mahomet: an eighteenth-Century journey through India 
Author: Mahomet, Sake Deen 1759-1851
Published: University of California Press,  1997
Subjects: History | Asian History | South Asia | Travel | Autobiographies and Biographies
Publisher's Description: This unusual study combines two books in one: the 1794 autobiographical travel narrative of an Indian, Dean Mahomet, recalling his years as camp-follower, servant, and subaltern officer in the East India Company's army (1769 to 1784); and Michael H. Fisher's portrayal of Mahomet's sojourn as an insider/outsider in India, Ireland, and England. Emigrating to Britain and living there for over half a century, Mahomet started what was probably the first Indian restaurant in England and then enjoyed a distinguished career as a practitioner of "oriental" medicine, i.e., therapeutic massage and herbal steam bath, in London and the seaside resort of Brighton. This is a fascinating account of life in late eighteenth-century India - the first book written in English by an Indian - framed by a mini-biography of a remarkably versatile entrepreneur. Travels presents an Indian's view of the British conquest of India and conveys the vital role taken by Indians in the colonial process, especially as they negotiated relations with Britons both in the colonial periphery and the imperial metropole.Connoisseurs of unusual travel narratives, historians of England, Ireland, and British India, as well as literary scholars of autobiography and colonial discourse will find much in this book. But it also offers an engaging biography of a resourceful, multidimensional individual.   [brief]
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Title: Contentious traditions: the debate on Sati in colonial India
Author: Mani, Lata 1956-
Published: University of California Press,  1998
Subjects: History | South Asia | Postcolonial Studies
Publisher's Description: Contentious Traditions analyzes the debate on sati , or widow burning, in colonial India. Though the prohibition of widow burning in 1829 was heralded as a key step forward for women's emancipation in modern India, Lata Mani argues that the women who were burned were marginal to the debate and that the controversy was over definitions of Hindu tradition, the place of ritual in religious worship, the civilizing missions of colonialism and evangelism, and the proper role of the colonial state. Mani radically revises colonialist as well as nationalist historiography on the social reform of women's status in the colonial period and clarifies the complex and contradictory character of missionary writings on India.The history of widow burning is one of paradox. While the chief players in the debate argued over the religious basis of sati and the fine points of scriptural interpretation, the testimonials of women at the funeral pyres consistently addressed the material hardships and societal expectations attached to widowhood. And although historiography has traditionally emphasized the colonial horror of sati , a fascinated ambivalence toward the practice suffused official discussions. The debate normalized the violence of sati and supported the misconception that it was a voluntary act of wifely devotion.Mani brilliantly illustrates how situated feminism and discourse analysis compel a rewriting of history, thus destabilizing the ways we are accustomed to look at women and men, at "tradition," custom, and modernity.   [brief]
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Title: Inside the drama-house: Rama stories and shadow puppets in South India 
Author: Blackburn, Stuart H
Published: University of California Press,  1996
Subjects: Anthropology | Asian Studies | South Asia | Cinema and Performance Arts | Hinduism
Publisher's Description: Stuart Blackburn takes the reader inside a little-known form of shadow puppetry in this captivating work about performing the Tamil version of the Ramayana epic. Blackburn describes the skill and physical stamina of the puppeteers in Kerala state in South India as they perform all night for as many as ten weeks during the festival season. The fact that these performances often take place without an audience forms the starting point for Blackburn's discussion - one which explores not only this important epic tale and its performance, but also the broader theoretical issues of text, interpretation, and audience.Blackburn demonstrates how the performers adapt the narrative and add their own commentary to re-create the story from a folk perspective. At a time when the Rama story is used to mobilize political movements in India, the puppeteers' elaborate recitation and commentary presents this controversial tale from another ethical perspective, one that advocates moral reciprocity and balance.While the study of folk narrative has until now focused on tales, tellers, and tellings, this work explores the importance of audience - absent or otherwise. Blackburn's elegant translations of the most dramatic and pivotal sequences of the story enhance our appreciation of this unique example of performance art.   [brief]
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Title: Performance artists talking in the eighties: sex, food, money/fame, ritual/death
Author: Montano, Linda 1942-
Published: University of California Press,  2001
Subjects: Art | Art History | Cinema and Performance Arts
Publisher's Description: Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.   [brief]
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Title: Birth on the threshold: childbirth and modernity in South India
Author: Van Hollen, Cecilia Coale
Published: University of California Press,  2003
Subjects: Anthropology | Cultural Anthropology | Medical Anthropology | Sociology | Gender Studies | Hinduism | South Asia | Asian Studies | South Asia | South Asia
Publisher's Description: Even childbirth is affected by globalization - and in India, as elsewhere, the trend is away from home births, assisted by midwives, toward hospital births with increasing reliance on new technologies. And yet, as this work of critical feminist ethnography clearly demonstrates, the global spread of biomedical models of childbirth has not brought forth one monolithic form of "modern birth." Focusing on the birth experiences of lower-class women in the South Indian state of Tamil Nadu, Birth on the Threshold reveals the complex and unique ways in which modernity emerges in local contexts. Through vivid description and animated dialogue, this book conveys the birth stories of the women of Tamil Nadu in their own voices, emphasizing their critiques of and aspirations for modern births today. In light of these stories, author Cecilia Van Hollen explores larger questions about how the structures of colonialism and postcolonial international and national development have helped to shape the form and meaning of birth for Indian women today. Ultimately, her book poses the question: How is gender - especially maternity - reconfigured as birth is transformed?   [brief]
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Title: Roots of North Indian Shīʿism in Iran and Iraq: religion and state in Awadh, 1722-1859 
Author: Cole, Juan Ricardo
Published: University of California Press,  1989
Subjects: Asian Studies
Publisher's Description: In this pioneering study of the Twelver Shi'i branch of Islam prevalent in Iraq and Iran, J. R. I. Cole traces the influence of Shi'i rule on the development of religious communalism and conflict in the North Indian State of Awadh (Oudh). He also examines the relationship of the Shi'i clergy to the state and the clerical reaction to British imperialism and capitalism.Based on research in rare manuscripts and in archives, the book reveals that the Shi'i clergy advocated policies that caused resentment among Sunnis and Hindus, thereby promoting religious communalism and setting the stage for modern communal conflict. The Shi'i learned men took government posts in support of Awadh's Shi'i nawabs and shahs; Awadh state support, in turn, helped transform Shi'ism from a persecuted "sect" to a dominant, if still minority, religious establishment.Sociologically, the book draws attention to the specific role of the state in defining "sect" and "church." It also argues the importance of class divisions within the Shi'i community, showing that the dominant clerical ideology was often not accepted by the laboring strata. Cole's study supports the view that Muslim communalism in Northern India had genuine historical roots and was not simply an elite strategy of modern Muslim politicians. Contrary to the arguments of some writers and to the image projected by Iran's current ayatullahs, he claims that most Shi'i clergy did not play a role of opposition to the state.   [brief]
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Title: Bazaar India: markets, society, and the colonial state in Gangetic Bihar 
Author: Yang, Anand A
Published: University of California Press,  1999
Subjects: Asian Studies | South Asia | Asian History | Economics and Business
Publisher's Description: The role of markets in linking local communities to larger networks of commerce, culture, and political power is the central element in Anand A. Yang's provocative and original study. Yang uses bazaars in the northeast Indian state of Bihar during the colonial period as the site of his investigation. The bazaar provides a distinctive locale for posing fundamental questions regarding indigenous societies under colonialism and for highlighting less familiar aspects of colonial India.At one level, Yang reconstructs Bihar's marketing system, from its central place in the city of Patna down to the lowest rung of the periodic markets. But he also concentrates on the dynamics of exchanges and negotiations between different groups and on what can be learned through the "voices" of people in the bazaar: landholders, peasants, traders, and merchants. Along the way, Yang uncovers a wealth of details on the functioning of rural trade, markets, fairs, and pilgrimages in Bihar.A key contribution of Bazaar India is its many-stranded narrative history of some of South Asia's primary actors over the past two centuries. But Yang's approach is not that of a detached observer; rather, his own voice is engaged with the voices of the past and with present-day historians. By focusing on the world beyond the mud walls of the village, he widens the imaginative geography of South Asian history. Readers with an interest in markets, social history, culture, colonialism, British India, and historiographic methods will welcome his book.   [brief]
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Title: Passions of the tongue: language devotion in Tamil India, 1891-1970 
Author: Ramaswamy, Sumathi
Published: University of California Press,  1997
Subjects: Asian Studies | History | South Asia | Language and Linguistics | Asian History | Asian Literature
Publisher's Description: Why would love for their language lead several men in southern India to burn themselves alive in its name? Passions of the Tongue analyzes the discourses of love, labor, and life that transformed Tamil into an object of such passionate attachment, producing in the process one of modern India's most intense movements for linguistic revival and separatism. Sumathi Ramaswamy suggests that these discourses cannot be contained within a singular metanarrative of linguistic nationalism and instead proposes a new analytic, "language devotion." She uses this concept to track the many ways in which Tamil was imagined by its speakers and connects these multiple imaginings to their experience of colonial and post-colonial modernity. Focusing in particular on the transformation of the language into a goddess, mother, and maiden, Ramaswamy explores the pious, filial, and erotic aspects of Tamil devotion. She considers why, as its speakers sought political and social empowerment, metaphors of motherhood eventually came to dominate representations of the language.   [brief]
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Title: Divine passions: the social construction of emotion in India 
Author: Lynch, Owen M 1931-
Published: University of California Press,  1990
Subjects: Anthropology | South Asia | History
Publisher's Description: Naked holy men denying sexuality and feeling; elderly people basking in the warmth and security provided by devoted and attentive family members; fastidious priests concerned solely with rules of purity and minutiae of ritual practice; puritanical moralists concealing women and sexuality behind purdah's veils - these are familiar Western stereotypes of India. The essays in Divine Passions , however, paint other, more colorful and emotionally alive pictures of India: ecstatic religious devotees rolling in temple dust; gray-haired elders worrying about neglect and mistreatment by family members; priests pursuing a lusty, carefree ideal of the good life; and jokers reviling one another with bawdy, sexual insults at marriages.Drawing on rich ethnographic data from emotion-charged scenarios, these essays question Western academic theories of emotion, particularly those that reduce emotions to physiological sensations or to an individual's private feelings. Presenting an alternative view of emotions as culturally constructed and morally evaluative concepts grounded in the bodily self, the contributors to Divine Passions help dispel some of the West's persistent misconceptions of Indian emotional experience. Moreover, the edition as a whole argues for a new and different understanding of India based on field research and an understanding of the devotional (bhakti) tradition.   [brief]
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Title: Religious nationalism: Hindus and Muslims in India
Author: Veer, Peter van der
Published: University of California Press,  1994
Subjects: Anthropology | Cultural Anthropology | Hinduism | South Asia
Publisher's Description: Religious nationalism is a subject of critical importance in much of the world today. Peter van der Veer's timely study on the relationship between religion and politics in India goes well beyond other books on this subject. He brings together several disciplines - anthropology, history, social theory, literary studies - to show how Indian religious identities have been shaped by pilgrimage, migration, language development, and more recently, print and visual media.Van der Veer's central focus is the lengthy dispute over the Babari mosque in Ayodhya, site of a bloody confrontation between Hindus and Muslims in December 1992. A thought-provoking range of other examples describes the historical construction of religious identities: cow protection societies and Sufi tombs, purdah and the political appropriation of images of the female body, Salman Rushdie and the role of the novel in nationalism, Mahatma Gandhi and Swami Vivekananda, the Khalsa movement among Sikhs, and nationalist archaeology and the televised Ramayana .Van der Veer offers a new perspective on the importance of religious organization and the role of ritual in the formation of nationalism. His work advances our understanding of contemporary India while also offering significant theoretical insights into one of the most troubling issues of this century.   [brief]
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Title: Rhetoric and ritual in colonial India: the shaping of a public culture in Surat City, 1852-1928 
Author: Haynes, Douglas E
Published: University of California Press,  1991
Subjects: History | Asian History | South Asia | Cultural Anthropology
Publisher's Description: This book explores the rhetoric and ritual of Indian elites undercolonialism, focusing on the city of Surat in the Bombay Presidency. It particularly examines how local elites appropriated and modified the liberal representative discourse of Britain and thus fashioned a "public' culture that excluded the city's underclasses. Departing from traditional explanations that have seen this process as resulting from English education or radical transformations in society, Haynes emphasizes the importance of the unequal power relationship between the British and those Indians who struggled for political influence and justice within the colonial framework. A major contribution of the book is Haynes' analysis of the emergence and ultimate failure of Ghandian cultural meanings in Indian politics after 1923.The book addresses issues of importance to historians and anthropologists of India, to political scientists seeking to understand the origins of democracy in the "Third World," and general readers interested in comprehending processes of cultural change in colonial contexts.   [brief]
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Title: Standing ground: Yurok Indian spirituality, 1850-1990
Author: Buckley, Thomas C. T
Published: University of California Press,  2002
Subjects: American Studies | Anthropology | Native American Ethnicity
Publisher's Description: This colorful, richly textured account of spiritual training and practice within an American Indian social network emphasizes narrative over analysis. Thomas Buckley's foregrounding of Yurok narratives creates one major level of dialogue in an innovative ethnography that features dialogue as its central theoretical trope. Buckley places himself in conversation with contemporary Yurok friends and elders, with written texts, and with twentieth-century anthropology as well. He describes Yurok Indian spirituality as "a significant field in which individual and society meet in dialogue - cooperating, resisting, negotiating, changing each other in manifold ways. 'Culture,' here, is not a thing but a process, an emergence through time."   [brief]
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Title: Listen to the heron's words: reimagining gender and kinship in North India 
Author: Raheja, Gloria Goodwin 1950-
Published: University of California Press,  1994
Subjects: Anthropology | Cultural Anthropology | Folklore and Mythology | Women's Studies | South Asia
Publisher's Description: In many South Asian oral traditions, herons are viewed as duplicitous and conniving. These traditions tend also to view women as fragmented identities, dangerously split between virtue and virtuosity, between loyalties to their own families and those of their husbands. In women's songs, however, symbolic herons speak, telling of alternative moral perspectives shaped by women. The heron's words - and women's expressive genres more generally - criticize pervasive North Indian ideologies of gender and kinship that place women in subordinate positions. By inviting readers to "listen to the heron's words," the authors convey this shift in moral perspective and suggest that these spoken truths are compelling and consequential for the women in North India.The songs and narratives bear witness to a provocative cultural dissonance embedded in women's speech. This book reveals the power of these critical commentaries and the fluid and permeable boundaries between spoken words and the lives of ordinary village women.   [brief]
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