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1. |  | Title: The origins of modernism in Russian architecture Author: Brumfield, William Craft 1944- Published: University of California Press, 1991 Subjects: Architecture | Architectural History | Russian and Eastern European StudiesPublisher's Description: The dramatic transformation of Russian architecture from the 1880s to the 1917 revolution reflected the profound changes in Russian society as it entered the modern industrial age. William Craft Brumfield examines the extraordinary diversity of architectural styles in this period and traces the search by architects and critics for a "unifying idea" that would define a new architecture. Generously illustrated with archival materials and with the author's own superb photographs, this is the first comprehensive study by a Western scholar of a neglected period in European architectural and cultural history.Brumfield explores the diverse styles of Russian modernism in part by analyzing the contemporary theoretical debate about them: the relation between technology and style, the obligation of architecture to society, and the role of architecture as an expression of national identity. Steeped in controversy, Russian modernism at the beginning of the century foreshadowed the radical restructuring of architectural form in the Soviet Union during the two decades after the revolution. This authoritative work provides a new understanding of Russian architecture's last brief entrepreneurial episode and offers insight on our own era, when individual freedom and initiative may once again find expression in Russian architecture. [brief]Similar Items | 2. |  | Title: Displaying the Orient: architecture of Islam at nineteenth-century world's fairs Author: Çelik, Zeynep Published: University of California Press, 1992 Subjects: Architecture | European History | Cultural Anthropology | Middle Eastern HistoryPublisher's Description: Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place . Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places.Çelik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers.Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. Çelik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century. [brief]Similar Items | 3. |  | Title: William Faulkner and the tangible past: the architecture of Yoknapatawpha Author: Hines, Thomas S Published: University of California Press, 1997 Subjects: Architecture | Architectural History | Literature | American Literature | United States HistoryPublisher's Description: The world of William Faulkner is seen from a new perspective in Thomas Hines's imaginative and many-faceted study. Hines assesses the impact of the built environment on Faulkner's consciousness and shows how the architecture of the writer's fictional county of Yoknapatawpha reflects the actual architecture of Oxford, Mississippi, and neighboring areas. Over 110 distinctive photographs, in both color and black-and-white, beautifully complement the text, making this book both a reading and viewing pleasure.Much has been written on the role of nature in Faulkner's work, but architecture and the built environment - the opposite of nature - have been virtually ignored. Arguing that nature and architecture are of equal importance in Faulkner's cosmos, Hines examines the writer's use of architectural modes - primitive, classical, gothic, and modern - to demarcate caste and class, to convey mood and ambience, and to delineate character. Hines provides not only another way of understanding Faulkner's work but also a means of appreciating the power of architecture to reflect what Faulkner called "the comedy and tragedy of being alive."Hines's gifts as an architectural historian and photographer and his intimate knowledge of Faulkner country are evident throughout this handsome book. Combining cultural, intellectual, architectural, and literary history, William Faulkner and the Tangible Past will take Faulkner lovers, as well as lovers of architecture, on a fascinating tour of Yoknapatawpha County. [brief]Similar Items | 4. |  | Title: Renaissance Paris: architecture and growth, 1475-1600 Author: Thomson, David 1912- Published: University of California Press, 1985 Subjects: Art | ArchitecturePublisher's Description: In the modern literature on Renaissance art and architecture, Paris has often been considered the Cinderella of the European capitals. The prestigious buildings that were erected soon after François I decided in 1528 to make Paris his residence have long since been lost. Thomson, however, restores t . . . [more]Similar Items | 5. |  | Title: American urban architecture: catalysts in the design of cities Author: Attoe, Wayne Published: University of California Press, 1992 Subjects: Architecture | Urban StudiesPublisher's Description: Conceiving of urban design in terms of architectural actions and reactions, Attoe and Logan propose a theory of "catalytic architecture" better suited to specifically American circumstances than the largely European models developed in the last thirty years for the remaking of cities.After exploring instances of failed attempts to impose European visions on American cities, the authors examine urban design successes that illustrate the principles and goals of catalytic architecture. With a series of case studies they characterize urban design as a controlled evolution, one that must also be strategic, responding to existing elements and guiding those that follow. The authors argue that the failure of American cities to control and guide the energies released in urban development can be prevented by "design guidance". From their own combined experience as urban architects and scholars, they provide a taxonomy of methods to guide urban design toward higher standards and better results. [brief]Similar Items | 6. |  | Title: Toward a simpler way of life: the arts & crafts architects of CaliforniaAuthor: Winter, Robert Published: University of California Press, 1997 Subjects: Art | Architecture | Architectural History | Californian and Western HistoryPublisher's Description: This book celebrates one of the richest and most enduring themes in American architecture - California's Arts and Crafts Movement. Echoing the writings of Helen Hunt Jackson, Charles F. Lummis, and Charles Keeler, this movement represented a retreat into a quieter place from the materialism of American society. Anti-commercial, anti-modern, Arts and Crafts practitioners drew on the decorative schemes of English Tudor, Swiss chalet, Japanese temple, and Spanish mission, evoking an earlier time before modern industry and technology intruded. And if only one word is used to describe virtually every Arts and Crafts house in California, that word is "woodsy": wood shingles outside, wood paneling inside, a wood fire burning in the homey, welcoming fireplace.Most chapters in this impressive and very readable book focus on one building by a particular architect or designer and illustrate that person's development and influences. Familiar architects such as Bernard Maybeck, Charles and Henry Greene, John Galen Howard, and Julia Morgan are here, but so too are less well-known names who were a vibrant part of the Arts and Crafts Movement. These late Romantics designed houses to complement nature rather than contrast with it. Their eclecticism and historicism reflected a Romantic bent as well, no doubt cultivated by their familiarity with the Ecole des Beaux-Arts in Paris, where, in fact, Howard, Maybeck, and Morgan studied.The book's contributors also give attention to the builders, contractors, and craftsmen whose skills contributed to the lasting impact of the California Arts and Crafts Movement. Superb illustrations provide examples of elevations, composition details, interior fixtures, and gardens, all designed to promote the "simple living and high thinking" of the Craftsman style, an esthetic that continues to influence architecture today. [brief]Similar Items | 7. |  | Title: A critic writes: essays by Reyner BanhamAuthor: Banham, Reyner Published: University of California Press, 1997 Subjects: Architecture | Art | American Studies | Popular CulturePublisher's Description: Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings.The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system.Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction. [brief]Similar Items | 8. |  | Title: From craft to profession: the practice of architecture in nineteenth-century AmericaAuthor: Woods, Mary N 1950- Published: University of California Press, 1999 Subjects: Architecture | Architectural History | United States HistoryPublisher's Description: This is the first in-depth study of how the architectural profession emerged in early American history. Mary Woods dispels the prevailing notion that the profession developed under the leadership of men formally schooled in architecture as an art during the late nineteenth century. Instead, she cites several instances in the early 1800s of craftsmen-builders who shifted their identity to that of professional architects. While struggling to survive as designers and supervisors of construction projects, these men organized professional societies and worked for architectural education, appropriate compensation, and accreditation.In such leading architectural practitioners as B. Henry Latrobe, Alexander J. Davis, H. H. Richardson, Louis Sullivan, and Stanford White, Woods sees collaborators, partners, merchandisers, educators, and lobbyists rather than inspired creators. She documents their contributions as well as those, far less familiar, of women architects and people of color in the profession's early days.Woods's extensive research yields a remarkable range of archival materials: correspondence among carpenters; 200-year-old lawsuits; architect-client spats; the organization of craft guilds, apprenticeships, university programs, and correspondence schools; and the structure of architectural practices, labor unions, and the building industry. In presenting a more accurate composite of the architectural profession's history, Woods lays a foundation for reclaiming the profession's past and recasting its future. Her study will appeal not only to architects, but also to historians, sociologists, and readers with an interest in architecture's place in America today. [brief]Similar Items | 9. |  | Title: Walter Benjamin, an aesthetic of redemptionAuthor: Wolin, Richard Published: University of California Press, 1994 Subjects: Philosophy | Literary Theory and CriticismPublisher's Description: Few twentieth-century thinkers have proven as influential as Walter Benjamin, the German-Jewish philosopher and cultural and literary critic. Richard Wolin's book remains among the clearest and most insightful introductions to Benjamin's writings, offering a philosophically rich exposition of his complex relationship to Adorno, Brecht, Jewish Messianism, and Western Marxism. Wolin provides nuanced interpretations of Benjamin's widely studied writings on Baudelaire, historiography, and art in the age of mechanical reproduction. In a new Introduction written especially for this edition, Wolin discusses the unfinished Arcades Project , as well as recent tendencies in the reception of Benjamin's work and the relevance of his ideas to contemporary debates about modernity and postmodernity. [brief]Similar Items | 10. |  | Title: Profane illumination: Walter Benjamin and the Paris of surrealist revolutionAuthor: Cohen, Margaret Published: University of California Press, 1993 Subjects: German Studies | Philosophy | Literary Theory and CriticismPublisher's Description: Margaret Cohen's encounter with Walter Benjamin, one of the twentieth century's most influential cultural and literary critics, has produced a radically new reading of surrealist thought and practice. Cohen analyzes the links between Breton's surrealist fusion of psychoanalysis and Marxism and Benjamin's post-Enlightenment challenge to Marxist theory. She argues that Breton's surrealist Marxism played a formative role in shaping postwar French intellectual life and is of continued relevance to the contemporary intellectual scene. [brief]Similar Items | 11. |  | Title: Temples and towns in Roman Iberia: the social and architectural dynamics of sanctuary designs from the third century B.C. to the third century A.DAuthor: Mierse, William E Published: University of California Press, 1999 Subjects: Classics | Archaeology | Art and Architecture | Architectural History | Art HistoryPublisher's Description: This is the first comparative study of Roman architecture on the Iberian peninsula, covering six centuries from the arrival of the Romans in the third century B.C. until the decline of urban life on the peninsula in the third century A.D. During this period, the peninsula became an influential cultural and political region in the Roman world. Iberia supplied writers, politicians, and emperors, a fact acknowledged by Romanists for centuries, though study of the peninsula itself has too often been brushed aside as insignificant and uninteresting. In this book William E. Mierse challenges such a view.By examining in depth the changing forms of temples and their placement within the urban fabric, Mierse shows that architecture on the peninsula displays great variation and unexpected connections. It was never a slavish imitation of an imported model but always a novel experiment. Sometimes the architectural forms are both new and unexpected; in some cases specific prototypes can be seen, but the Iberian form has been significantly altered to suit local needs. What at first may seem a repetition of forms upon closer investigation turns out to be theme and variation. Mierse brings to his quest an impressive learning, including knowledge of several modern and ancient languages and the archaeology of the Roman East, which allows him a unique perspective on the interaction between events and architecture. [brief]Similar Items | 12. |  | Title: The building program of Herod the GreatAuthor: Roller, Duane W Published: University of California Press, 1998 Subjects: Classics | Architecture | Ancient History | ArchaeologyPublisher's Description: Herod the Great, King of Judaea from 444 B.C., is known as one of the world's great villains. This notoriety has overshadowed his actual achievements, particularly his role as a client king of Rome during Augustus's reign as emperor. An essential aspect of Herod's responsibilities as king of Judaea was his role as a builder. Remarkably innovative, he created an astonishing record of architectural achievement, not only in Judaea but also throughout Greece and the Roman east. Duane W. Roller systematically presents and discusses all the building projects known to have been initiated by Herod, and locates this material in a broad historical and cultural context.Bringing together previously inaccessible material, Roller enriches our understanding of the enigmatic Herod and provides new insights into Roman architecture. Herod was instrumental in the diffusion of the Augustan architectural revolution into the provinces and was the first to build outside Italy such Italian architectural forms as the basilica, amphitheater, villa, and Italian temple. Herod's legacy provided a groundwork for the architectural Romanization of the east, influencing the construction of the great temple complexes and palaces so familiar from later Roman architecture.Herod, like Augustus himself, was not only interested in architecture but also in diplomatic and financial contacts among cities of the region. In addition to providing a repertorium of the building projects, this study is also an exploration of international relations in the eastern Mediterranean at the beginning of the Roman imperial period. [brief]Similar Items | 13. |  | Title: Urban forms and colonial confrontations: Algiers under French rule Author: Çelik, Zeynep Published: University of California Press, 1997 Subjects: Architecture | Middle Eastern Studies | Middle Eastern History | French Studies | Postcolonial StudiesPublisher's Description: During its long history as the French colonial city par excellence , Algiers was the site of recurrent conflicts between colonizer and colonized. Through architecture and urban forms confrontations were crystallized, cultural identities were defined, and social engineering programs were shaped and challenged. In this pathbreaking book, Zeynep Çelik reads the city of Algiers as the site of social, political, and cultural conflicts during the 132 years of French occupation and argues that architecture and urban forms are integral components of the colonial discourse.Algiers' city planning, based on what Çelik calls "the trial-and-error" model of French colonial urbanism, included the fragmentation of the casbah, ambitious Beaux Arts schemes to create European forms of housing, master plans inspired by high modernism, and comprehensive regional plans. Eventually a dramatic housing shortage led all planning efforts to be centered on the construction of large-scale residential enclaves. French architects based their designs for domestic space on the concept of the "traditional house," itself an interdisciplinary colonial concept intertwined with the discourse on Algerian women. Housing also offered the French colonizers a powerful presence in a country where periodic resistance to the occupation eventually culminated in a seven-year war of liberation and an end to French rule.Extensively illustrated with photographs, maps, and housing plans, Çelik's book presents a fascinating example of colonial urban planning. Algiers comes alive as a city that reflected all the conflicts of colonialism while embracing innovation. [brief]Similar Items | 14. |  | Title: Interpreting the self: autobiography in the Arabic literary tradition Author: Reynolds, Dwight Fletcher 1956- Published: University of California Press, 2001 Subjects: Middle Eastern Studies | Literature in Translation | Comparative Literature | Middle Eastern HistoryPublisher's Description: Autobiography is a literary genre which Western scholarship has ascribed mostly to Europe and the West. Countering this assessment and presenting many little-known texts, this comprehensive work demonstrates the existence of a flourishing tradition in Arabic autobiography. Interpreting the Self discusses nearly one hundred Arabic autobiographical texts and presents thirteen selections in translation. The authors of these autobiographies represent an astonishing variety of geographical areas, occupations, and religious affiliations. This pioneering study explores the origins, historical development, and distinctive characteristics of autobiography in the Arabic tradition, drawing from texts written between the ninth and nineteenth centuries c.e. This volume consists of two parts: a general study rethinking the place of autobiography in the Arabic tradition, and the translated texts. Part one demonstrates that there are far more Arabic autobiographical texts than previously recognized by modern scholars and shows that these texts represent an established and - especially in the Middle Ages - well-known category of literary production. The thirteen translated texts in part two are drawn from the full one-thousand-year period covered by this survey and represent a variety of styles. Each text is preceded by a brief introduction guiding the reader to specific features in the text and providing general background information about the author. The volume also contains an annotated bibliography of 130 premodern Arabic autobiographical texts.In addition to presenting much little-known material, this volume revisits current understandings of autobiographical writing and helps create an important cross-cultural comparative framework for studying the genre. [brief]Similar Items | 15. |  | Title: Sanctuaries of Spanish New Mexico/ Author: Treib, Marc Published: University of California Press, 1993 Subjects: Architecture | Architectural HistoryPublisher's Description: Among the oldest buildings in the United States, the churches of Spanish New Mexico - made of earth, of stone, of wood - are the surprisingly fragile reminders of a unique amalgam of Spanish architectural ideas and native American Pueblo culture. This book surveys the land and rivers, the people and ideas, that led to this compelling religious architecture; it is also a guide to visiting these churches today.In the ninth century the Anasazi, progenitors of the Pueblo peoples, constructed refined architectural complexes at Mesa Verde and Chaco Canyon. Contact with the Spanish in the late 1500s transformed the world of these indigenous peoples, changing their agricultural and living patterns - as well as religious practices. These changes were manifest architecturally in the sanctuaries the Spanish constructed as missions for the Indians or as parish churches for themselves. First built roughly between 1600 and 1829, but continuing to be rebuilt into this century, they were made of the very materials composing the land itself.In Part I, Marc Treib addresses the geographical, anthropological, and architectural aspects of church building in New Mexico and provides background on the church as both an institution and a building type. Part II presents thirty churches in depth and discusses such topics as sitting, construction in adobe and stone, the use of light, ornamentation, and the issues surrounding restoration. Sanctuaries of Spanish New Mexico is the only book in print to include all the major church sites still extant. Richly illustrated, with specially prepared plans of the churches, it will be welcomed by architectural historians and anyone with an interest in the American Southwest. [brief]Similar Items | 16. |  | Title: Reading Sappho: contemporary approaches Author: Greene, Ellen 1950- Published: University of California Press, 1998 Subjects: Classics | Classical Literature and Language | Literary Theory and Criticism | PoetryPublisher's Description: Reading Sappho considers Sappho's poetry as a powerful, influential voice in the Western cultural tradition. Essays are divided into four sections: "Language and Literary Context," "Homer and Oral Tradition", "Ritual and Social Context", and "Women's Erotics". Contributors focus on literary history, mythic traditions, cultural studies, performance studies, recent work in feminist theory, and more.A legendary literary figure, Sappho has attracted readers, critics, and biographers ever since she composed poems on the island of Lesbos at the close of the seventh century B.C. Bringing together some of the best recent criticism on the subject, this volume, together with Re-Reading Sappho , represents the first anthology of Sappho scholarship, drawing attention to Sappho's importance as a poet and reflecting the diversity of critical approaches in classical and literary scholarship during the last several decades. [brief]Similar Items | 17. |  | Title: ABC of influence: Ezra Pound and the remaking of American poetic tradition Author: Beach, Christopher Published: University of California Press, 1992 Subjects: Literature | Literary Theory and Criticism | Poetry | American Studies | American LiteraturePublisher's Description: In this first full-length study of Pound's influence on American poetry after World War II, Beach argues that Pound's experimental mode created a new tradition of poetic writing in America. Often neglected by academic critics and excluded from the "canon" of American poetic writing, Charles Olson, Robert Duncan, and later members of this experimental tradition have maintained the sense of an American avant garde in keeping with Pound's modernist experiments of the 1910s and 1920s. The work of these poets has served as a counterforce to the established traditions of the "American Sublime" and the Anglo-American formalism represented by T. S. Eliot and the New Criticism. ABC of Influence challenges previous discussions of poetic influence, particularly Harold Bloom's oedipal theory of revisionist "misreading," as insufficient for understanding the influence Pound's modernist practice and his relationship to poetic tradition had in defining the postmodernist poetics of Olson, Duncan, and other postwar American writers. The relation of these poets is most clearly seen on a formal level, but it is also evident in thematic elements of their work and in their stance toward poetic convention, the "canon," political and social engagement, and the inclusion of historical and other nonpoetic materials in the poetic text.This book makes a significant contribution to the study of modern American poetry by exploring modernism's legacy and charting new canonical possibilities in American literature. In reading Pound through the works of later poets, it also provides important new insights into Pound's own work and ideas. [brief]Similar Items | 18. |  | Title: Garrett Eckbo: modern landscapes for living Author: Treib, Marc Published: University of California Press, 1997 Subjects: Architecture | Art History | California and the WestPublisher's Description: One of the central figures in modern landscape architecture, Garrett Eckbo (1910-2000) was a major influence in the field during an active career spanning five decades. While most of the early American designers concentrated on the private garden and the corporate landscape, Eckbo's work demonstrated innovative design ideas in a social setting. This engagement with social improvement has stayed with Eckbo throughout his life, distinguishing both his intentions and achievements, from his early work for the Farm Security Administration to his partnerships (including one of the most prominent landscape firms in the world, Eckbo, Dean, Austin, and Williams - EDAW) and his years as chair of the Department of Landscape Architecture at the University of California, Berkeley.In an elegant and detailed book that includes more than 100 of Eckbo's designs, Marc Treib examines the aesthetic formation of Eckbo's manner, and by implication the broader field of landscape architecture since the 1930s. Dorothée Imbert writes about Eckbo's social vision, including his belief that ultimately, landscape design is the "arrangement of environments for people ." The book also contains a biographical and professional chronology and a complete bibliography of publications by and about Garrett Eckbo. [brief]Similar Items | 19. |  | Title: Walter Benjamin's other history: of stones, animals, human beings, and angelsAuthor: Hanssen, Beatrice Published: University of California Press, 1998 Subjects: Philosophy | Rhetoric | German Studies | LiteraturePublisher's Description: Long considered to be an impenetrable, hermetic treatise, Walter Benjamin's The Origin of German Tragic Drama has rarely received the attention it deserves as a key text, central to a full understanding of his work. In this critically acclaimed study, distinguished Benjamin scholar Beatrice Hanssen . . . [more]Similar Items | 20. |  | Title: Henry Edwards Huntington: a biographyAuthor: Thorpe, James Ernest 1915- Published: University of California Press, 1994 Subjects: History | California and the West | Californian and Western History | United States History | Autobiographies and BiographiesPublisher's Description: A legendary book collector, a connoisseur of fine art, a horticulturist, and a philanthropist, Henry Edwards Huntington is perhaps best known as the founder of the world-renowned Huntington Library, Art Gallery, and Botanical Gardens in San Marino, California. James Thorpe's comprehensive biography of Huntington tells the richly human story of the man who became America's greatest book collector and was a leading figure in the development of southern California.Henry Edwards Huntington was born in New York State in 1850. He began working at the age of 17, eventually moved to California, and in later years was hailed for his vision in developing the street railway system that created the structure of the Los Angeles area. Always a lover of books, Huntington acquired many spectacular volumes - among them the complete Gutenberg Bible on vellum and the library of the Earl of Bridgewater. He also built a splendid art collection and established a grand botanical garden on the grounds of the buildings that would house his art and books. Then, in an act of philanthropy seldom equaled, he gave these great treasures to the public.The intimate side of Huntington's life appears in these pages, too. Thorpe has culled a vast trove of private letters, diaries, and other documents that reveal Huntington's exceptional personal qualities. The author's well-rounded biography of this unassuming yet gifted American is also richly evocative of the times in which Henry Edwards Huntington lived. [brief]Similar Items |
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