Title: Jews in Poland-Lithuania in the eighteenth century: a genealogy of modernity
Author: Hundert, Gershon David 1946-
Published: University of California Press,  2004
Subjects: History | European History | Jewish Studies | Religion
Publisher's Description: Missing from most accounts of the modern history of Jews in Europe is the experience of what was once the largest Jewish community in the world - an oversight that Gershon David Hundert corrects in this history of Eastern European Jews in the eighteenth century. The experience of eighteenth-century Jews in the Polish-Lithuanian Commonwealth did not fit the pattern of integration and universalization - in short, of westernization - that historians tend to place at the origins of Jewish modernity. Hundert puts this experience, that of the majority of the Jewish people, at the center of his history. He focuses on the relations of Jews with the state and their role in the economy, and on more "internal" developments such as the popularization of the Kabbalah and the rise of Hasidism. Thus he describes the elements of Jewish experience that became the basis for a "core Jewish identity" - an identity that accompanied the majority of Jews into modernity.   [brief]
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Title: Representation and its discontents: the critical legacy of German romanticism 
Author: Seyhan, Azade
Published: University of California Press,  1992
Subjects: Philosophy | Literary Theory and Criticism | German Studies
Publisher's Description: Azade Seyhan provides a concise, elegantly argued introduction to the critical theory of German Romanticism and demonstrates how its approach to the metaphorical and linguistic nature of knowledge is very much alive in contemporary philosophy and literary theory. Her analysis of key thinkers such as Friedrich Schlegel and Novalis explores their views on rhetoric, systematicity, hermeneutics, and cultural interpretation. Seyhan examines German Romanticism as a critical intervention in the debates on representation, which developed in response to the philosophical revolution of German Idealism.Facing a chaotic political and intellectual landscape, the eighteenth-century theorists sought new models of understanding and new objectives for criticism and philosophy. Representation and Its Discontents identifies the legacy of this formative moment in modern criticism and suggests its relevance to contemporary discussions of post-structuralism, orientalism, theories of textuality, and the nature of philosophical discourse.   [brief]
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Title: The Enlightenment against the Baroque: economics and aesthetics in the eighteenth century 
Author: Saisselin, Rémy G. (Rémy Gilbert) 1925-
Published: University of California Press,  1992
Subjects: History | Economics and Business | Popular Culture | Art | Renaissance History
Publisher's Description: How do seemingly disparate arenas of Enlightenment philosophy, economic theories, boudoir etiquette, literary styles, and artistic modes coincide in the late eighteenth century? In this poetic essay on the evolution of the idea of luxury and art, Rémy Saisselin uses precise, witty examples to describe the development of our modern taste, ultimately the successor of the more spiritual and grand baroque goût . His analysis both illuminates and distinguishes between eighteenth-century and modern varieties of conspicuous consumption.This persuasive discourse depicts the rise of luxe as an escape from ennui and shows how, for the first time in European history, a large class of wealthy, leisured people emerged to make art, luxury, and the avoidance of boredom its preoccupation. Saisselin provides an original and lucid picture of the first phases in the emergence of a specifically bourgeois taste.   [brief]
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Title: Customers and patrons of the mad-trade: the management of lunacy in eighteenth-century London: with the complete text of John Monro's 1766 case book
Author: Andrews, Jonathan 1961-
Published: University of California Press,  2003
Subjects: History | History of Science | Psychology | Social Problems | Psychiatry
Publisher's Description: This book is a lively commentary on the eighteenth-century mad-business, its practitioners, its patients (or "customers"), and its patrons, viewed through the unique lens of the private case book kept by the most famous mad-doctor in Augustan England, Dr. John Monro (1715-1791). Monro's case book, comprising the doctor's jottings on patients he saw in the course of his private practice--patients drawn from a great variety of social strata--offers an extraordinary window into the subterranean world of the mad-trade in eighteenth-century London. The volume concludes with a complete edition of the case book itself, transcribed in full with editorial annotations by the authors. In the fragmented stories Monro's case book provides, Andrews and Scull find a poignant underworld of human psychological distress, some of it strange and some quite familiar. They place these "cases" in a real world where John Monro and othersuccessful doctors were practicing, not to say inventing, the diagnosis and treatment of madness.   [brief]
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Title: The travels of Dean Mahomet: an eighteenth-Century journey through India 
Author: Mahomet, Sake Deen 1759-1851
Published: University of California Press,  1997
Subjects: History | Asian History | South Asia | Travel | Autobiographies and Biographies
Publisher's Description: This unusual study combines two books in one: the 1794 autobiographical travel narrative of an Indian, Dean Mahomet, recalling his years as camp-follower, servant, and subaltern officer in the East India Company's army (1769 to 1784); and Michael H. Fisher's portrayal of Mahomet's sojourn as an insider/outsider in India, Ireland, and England. Emigrating to Britain and living there for over half a century, Mahomet started what was probably the first Indian restaurant in England and then enjoyed a distinguished career as a practitioner of "oriental" medicine, i.e., therapeutic massage and herbal steam bath, in London and the seaside resort of Brighton. This is a fascinating account of life in late eighteenth-century India - the first book written in English by an Indian - framed by a mini-biography of a remarkably versatile entrepreneur. Travels presents an Indian's view of the British conquest of India and conveys the vital role taken by Indians in the colonial process, especially as they negotiated relations with Britons both in the colonial periphery and the imperial metropole.Connoisseurs of unusual travel narratives, historians of England, Ireland, and British India, as well as literary scholars of autobiography and colonial discourse will find much in this book. But it also offers an engaging biography of a resourceful, multidimensional individual.   [brief]
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Title: Love customs in eighteenth-century Spain 
Author: Martín Gaite, Carmen
Published: University of California Press,  1991
Subjects: History | European History | Gender Studies
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Title: In the shadow of catastrophe: German intellectuals between apocalypse and enlightenment
Author: Rabinbach, Anson
Published: University of California Press,  1997
Subjects: History | German Studies | Social and Political Thought | Philosophy
Publisher's Description: These essays by eminent European intellectual and cultural historian Anson Rabinbach address the writings of key figures in twentieth-century German philosophy. Rabinbach explores their ideas in relation to the two world wars and the horrors facing Europe at that time.Analyzing the work of Benjamin and Bloch, he suggests their indebtedness to the traditions of Jewish messianism. In a discussion of Hugo Ball's little-known Critique of the German Intelligentsia , Rabinbach reveals the curious intellectual career of the Dadaist and antiwar activist turned-nationalist and anti-Semite. His examination of Heidegger's "Letter on Humanism" and Jaspers's The Question of German Guilt illuminates the complex and often obscure political referents of these texts. Turning to Horkheimer and Adorno's Dialectic of Enlightenment , Rabinbach offers an arresting new interpretation of this central text of the critical theory of the Frankfurt School. Subtly and persuasively argued, his book will become an indispensable reference point for all concerned with twentieth-century German history and thought.   [brief]
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Title: From the royal to the republican body: incorporating the political in seventeenth- and eighteenth-century France 
Author: Melzer, Sara E
Published: University of California Press,  1998
Subjects: History | European History | French Studies | European Literature | Cinema and Performance Arts | Politics
Publisher's Description: In this innovative volume, leading scholars examine the role of the body as a primary site of political signification in seventeenth- and eighteenth-century France. Some essays focus on the sacralization of the king's body through a gendered textual and visual rhetoric. Others show how the monarchy mastered subjects' minds by disciplining the body through dance, music, drama, art, and social rituals. The last essays in the volume focus on the unmaking of the king's body and the substitution of a new, republican body. Throughout, the authors explore how race and gender shaped the body politic under the Bourbons and during the Revolution. This compelling study expands our conception of state power and demonstrates that seemingly apolitical activities like the performing arts, dress and ritual, contribute to the state's hegemony. From the Royal to the Republican Body will be an essential resource for students and scholars of history, literature, music, dance and performance studies, gender studies, art history, and political theory.   [brief]
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Title: Rosenzweig and Heidegger: between Judaism and German philosophy
Author: Gordon, Peter Eli
Published: University of California Press,  2003
Subjects: History | German Studies | Religion | Judaism | European History | Intellectual History | Jewish Studies | Social and Political Thought
Publisher's Description: Franz Rosenzweig (1886-1929) is widely regarded today as one of the most original and intellectually challenging figures within the so-called renaissance of German-Jewish thought in the Weimar period. The architect of a unique kind of existential theology, and an important influence upon such philosophers as Walter Benjamin, Martin Buber, Leo Strauss, and Emmanuel Levinas, Rosenzweig is remembered chiefly as a "Jewish thinker," often to the neglect of his broader philosophical concerns. Cutting across the artificial divide that the traumatic memory of National Socialism has drawn between German and Jewish philosophy, this book seeks to restore Rosenzweig's thought to the German philosophical horizon in which it first took shape. It is the first English-language study to explore Rosenzweig's enduring debt to Hegel's political theory, neo-Kantianism, and life-philosophy; the book also provides a new, systematic reading of Rosenzweig's major work, The Star of Redemption. Most of all, the book sets out to explore a surprising but deep affinity between Rosenzweig's thought and that of his contemporary, the German philosopher Martin Heidegger. Resisting both apologetics and condemnation, Gordon suggests that Heidegger's engagement with Nazism should not obscure the profound and intellectually compelling bond in the once-shared tradition of modern German and Jewish thought. A remarkably lucid discussion of two notably difficult thinkers, this book represents an eloquent attempt to bridge the forced distinction between modern Jewish thought and the history of modern German philosophy - and to show that such a distinction cannot be sustained without doing violence to both.   [brief]
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Title: Berlin metropolis: Jews and the new culture, 1890-1918
Author: Bilski, Emily D 1956-
Published: University of California Press,  2000
Subjects: Art | History | Jewish Studies | German Studies
Publisher's Description: Between 1890 and 1918 the city of Berlin evolved into a commercial and industrial hub that also became an international center for radical new ideas in the visual, performing, and literary arts. Jews were key leaders in developing this unique cosmopolitan culture. Berlin Metropolis: Jews and the New Culture, 1890-1918 vividly documents the many ways that Jewish artists and entrepreneurs participated in this burst of artistic creativity and promoted the emergence of modernism on the international scene.The book and exhibition at The Jewish Museum highlight leading cultural figures such as Max Liebermann, a founder of the Berlin Secession, and Herwarth Walden, who founded Der Sturm; artists such as Ludwig Meidner and Jakob Steinhardt; pioneers of cabaret, theater, and film, including Max Reinhardt and Ernst Lubitsch; art dealers, publishers, and writers; and leading intellectual and political figures such as Martin Buber and Georg Simmel. These and other fascinating individuals are represented by more than 200 diverse objects: paintings, sculpture, drawings, prints, books, letters, posters, graphic arts, theater memorabilia, and film. The book includes eight essays by scholars of German and Jewish culture and art history that provide a truly interdisciplinary interpretation of the Berlin renaissance.The period represented in Berlin Metropolis was a time when Jews were traditionally restricted from participating in major areas of German public life such as the army, government, and the university. But by turning to the "alternative public spheres" characteristic of urban society - galleries, cafés, journals, theaters, cabarets - they emerged as innovative cultural leaders whose intellectual and artistic impact is still felt today.The exhibition, Berlin Metropolis: Jews and the New Culture, 1890-1918 , will be at The Jewish Museum, New York , from November 14, 1999, to March 5, 2000; and the Norton Museum of Art, West Palm Beach, Florida , from April 1 to June 11, 2000.   [brief]
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Title: A nation of provincials: the German idea of Heimat 
Author: Applegate, Celia
Published: University of California Press,  1990
Subjects: History | European History | German Studies
Publisher's Description: At the center of this pioneering work in modern European history is the German word Heimat - the homeland, the local place. Translations barely penetrate the meaning of the word, which has provided the emotional and ideological common ground for a variety of associations and individuals devoted to the cause of local preservation. Celia Applegate examines at both the national and regional levels the cultural meaning of Heimat and why it may be pivotal to the troubled and very timely question of German identity.The ideas and activities clustered around Heimat shed new light particularly on problems of modernization. Instead of viewing the Germans as a dangerously anti-modern people, Applegate argues that they used the cultivation of Heimat to ground an abstract nationalism in their attachment to familiar places and to reconcile the modern industrial and urban world with the rural landscapes and customs they admired. Primarily a characteristic of the middle classes, love of Heimat constituted an alternative vision of German unity to the familiar aggressive, militaristic one. The Heimat vision of Germany emphasized cultural diversity and defined German identity by its internal members rather than its external enemies.Applegate asks that we re-examine the continuities of German history from the perspective of the local places that made up Germany, rather than from that of prominent intellectuals or national policymakers. The local patriotism of Heimat activists emerges as an element of German culture that persisted across the great divides of 1918, 1933, and 1945. She also suggests that this attachment to a particular place is a feature of Europeans in general and is deserving of further attention.   [brief]
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Title: From monuments to traces: artifacts of German memory, 1870-1990
Author: Koshar, Rudy
Published: University of California Press,  2000
Subjects: German Studies | History | Architectural History | European History
Publisher's Description: Rudy Koshar constructs a powerful framework in which to examine the subject of German collective memory, which for more than a half century has been shaped by the experience of Nazism, World War II, and the Holocaust. Finding the assumptions of many writers and scholars shortsighted, Koshar surveys the evidence of postwar German memory in the context of previous traditions. From Monuments to Traces follows the evolution of German "memory landscapes" all the way from national unification in 1870-71 through the world wars and political division to reunification in 1990. The memory landscapes of any society may incorporate monuments, historical buildings, memorials and cemeteries, battlefields, streets, or natural environments that foster shared memories of important events or personalities. They may also be designed to divert public attention from embarrassing or traumatic histories. Koshar argues that in Germany, memory landscapes have taken shape according to four separate paradigms--the national monument, the ruin, the reconstruction, and the trace--which he analyzes in relation to the changing political agendas that have guided them over time. Despite the massive ruptures of Germany's history, we see that significant continuities have served to counterbalance the traumas of the German past.   [brief]
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Title: Siting translation: history, post-structuralism, and the colonial context
Author: Niranjana, Tejaswini 1958-
Published: University of California Press,  1992
Subjects: Postcolonial Studies | Literary Theory and Criticism | Southeast Asia | Cultural Anthropology
Publisher's Description: The act of translation, Tejaswini Niranjana maintains, is a political action. Niranjana draws on Benjamin, Derrida, and de Man to show that translation has long been a site for perpetuating the unequal power relations among peoples, races, and languages. The traditional view of translation underwritten by Western philosophy helped colonialism to construct the exotic "other" as unchanging and outside history, and thus easier both to appropriate and control.Scholars, administrators, and missionaries in colonial India translated the colonized people's literature in order to extend the bounds of empire. Examining translations of Indian texts from the eighteenth century to the present, Niranjana urges post-colonial peoples to reconceive translation as a site for resistance and transformation.   [brief]
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Title: The dark mirror: German cinema between Hitler and Hollywood
Author: Koepnick, Lutz P. (Lutz Peter)
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | German Studies | Music | Film
Publisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema.   [brief]
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Title: Empire of ecstasy: nudity and movement in German body culture, 1910-1935 
Author: Toepfer, Karl Eric 1948-
Published: University of California Press,  1997
Subjects: Cinema and Performance Arts | German Studies | Gender Studies | Dance
Publisher's Description: Empire of Ecstasy offers a novel interpretation of the explosion of German body culture between the two wars - nudism and nude dancing, gymnastics and dance training, dance photography and criticism, and diverse genres of performance from solo dancing to mass movement choirs. Karl Toepfer presents this dynamic subject as a vital and historically unique construction of "modern identity." The modern body, radiating freedom and power, appeared to Weimar artists and intelligentsia to be the source of a transgressive energy, as well as the sign and manifestation of powerful, mysterious "inner" conditions. Toepfer shows how this view of the modern body sought to extend the aesthetic experience beyond the boundaries imposed by rationalized life and to transcend these limits in search of ecstasy. With the help of much unpublished or long-forgotten archival material (including many little-known photographs), he investigates the process of constructing an "empire" of appropriative impulses toward ecstasy. Toepfer presents the work of such well-known figures as Rudolf Laban, Mary Wigman, and Oskar Schlemmer, along with less-known but equally fascinating body culture practitioners. His book is certain to become required reading for historians of dance, body culture, and modernism.   [brief]
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Title: The new German cinema: music, history, and the matter of style 
Author: Flinn, Caryl
Published: University of California Press,  2003
Subjects: Cinema and Performance Arts | German Studies | Music
Publisher's Description: When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity - national, political, personal, and sexual - music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference - including that embodied in Germany's difficult history - rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter of The New German Cinema examines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.   [brief]
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Title: Prague territories: national conflict and cultural innovation in Franz Kafka's fin de siècle
Author: Spector, Scott 1959-
Published: University of California Press,  2002
Subjects: History of Food | European History | Jewish Studies | European Studies
Publisher's Description: Scott Spector's adventurous cultural history maps for the first time the "territories" carved out by German-Jewish intellectuals living in Prague at the dawn of the twentieth century. Spector explores the social, cultural, and ideological contexts in which Franz Kafka and his contemporaries flourished, revealing previously unseen relationships between politics and culture. His incisive readings of a broad array of German writers feature the work of Kafka and the so-called "Prague circle" and encompass journalism, political theory, Zionism, and translation as well as literary program and practice. With the collapse of German-liberal cultural and political power in the late-nineteenth-century Habsburg Empire, Prague's bourgeois Jews found themselves squeezed between a growing Czech national movement on the one hand and a racial rather than cultural conception of Germanness on the other. Displaced from the central social and cultural position they had come to occupy, the members of the "postliberal" Kafka generation were dazzlingly productive and original, far out of proportion to their numbers. Seeking a relationship between ideological crisis and cultural innovation, Spector observes the emergence of new forms of territoriality. He identifies three fundamental areas of cultural inventiveness related to this Prague circle's political and cultural dilemma. One was Expressionism, a revolt against all limits and boundaries, the second was a spiritual form of Zionism incorporating a novel approach to Jewish identity that seems to have been at odds with the pragmatic establishment of a Jewish state, and the third was a sort of cultural no-man's-land in which translation and mediation took the place of "territory." Spector's investigation of these areas shows that the intensely particular, idiosyncratic experience of German-speaking Jews in Prague allows access to much broader and more general conditions of modernity. Combining theoretical sophistication with a refreshingly original and readable style, Prague Territories illuminates some early signs of a contemporary crisis from which we have not yet emerged.   [brief]
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Title: Landscapes of resistance: the German films of Danièle Huillet and Jean-Marie Straub 
Author: Byg, Barton 1953-
Published: University of California Press,  1995
Subjects: Cinema and Performance Arts | Film | German Studies | Intellectual History
Publisher's Description: Fervently admired and frequently reviled, Jean-Marie Straub and Danièle Huillet - who have lived and worked together for almost forty years - may well be the most uncompromising, not to say intransigent, filmmakers in the history of the medium. Their radical and deeply political films placed them as forerunners of the New German Cinema movement in the 1960s and influential figures in the subsequent explosion of the European avant-garde. In Landscapes of Resistance , Barton Byg fills a significant gap in modern German and European cinema studies by tracing the career of the two filmmakers and exploring their connection to German modernism, in particular their relationship to the Frankfurt School.Although they are not German themselves, Straub and Huillet have used German material as the basis for the majority of their films. They have transcribed prose by Böll and Kafka, operas by Schoenberg, and verse dramas by Holderlin. Byg explores how their work engages German culture with a critical distance and affection and confronts the artificiality of divisions between high and low culture.   [brief]
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Title: Where the world ended: re-unification and identity in the German borderland
Author: Berdahl, Daphne 1964-
Published: University of California Press,  1999
Subjects: Anthropology | Cultural Anthropology | German Studies | Geography | European Studies | Social Problems
Publisher's Description: When the Berlin Wall fell, people who lived along the dismantled border found their lives drastically and rapidly transformed. Daphne Berdahl, through ongoing ethnographic research in a former East German border village, explores the issues of borders and borderland identities that have accompanied the many transitions since 1990. What happens to identity and personhood, she asks, when a political and economic system collapses overnight? How do people negotiate and manipulate a liminal condition created by the disappearance of a significant frame of reference?Berdahl concentrates especially on how these changes have affected certain "border zones" of daily life - including social organization, gender, religion, and nationality - in a place where literal, indeed concrete, borders were until recently a very powerful presence. Borders, she argues, are places of ambiguity as well as of intense lucidity; these qualities may in fact be mutually constitutive. She shows how, in a moment of headlong historical transformation, larger political, economic, and social processes are manifested locally and specifically. In the process of a transition between two German states, people have invented, and to some extent ritualized, cultural practices that both reflect and constitute profound identity transformations in a period of intense social discord. Where the World Ended combines a vivid ethnographic account of everyday life under socialist rule and after German reunification with an original investigation of the paradoxical human condition of a borderland.   [brief]
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Title: Transpacific displacement: ethnography, translation, and intertextual travel in twentieth-century American literature
Author: Huang, Yunte
Published: University of California Press,  2002
Subjects: Literature | Asian Literature | Comparative Literature | Poetry | Anthropology | Asian Studies | China
Publisher's Description: Yunte Huang takes a most original "ethnographic" approach to more and less well-known American texts as he traces what he calls the transpacific displacement of cultural meanings through twentieth-century America's imaging of Asia. Informed by the politics of linguistic appropriation and disappropriation, <I>Transpacific Displacement </I>opens with a radically new reading of Imagism through the work of Ezra Pound and Amy Lowell. Huang relates Imagism to earlier linguistic ethnographies of Asia and to racist representations of Asians in American pop culture, such as the book and movie character Charlie Chan, then shows that Asian American writers subject both literary Orientalism and racial stereotyping to double ventriloquism and countermockery. Going on to offer a provocative critique of some textually and culturally homogenizing tendencies exemplified in Maxine Hong Kingston's work and its reception, Huang ends with a study of American translations of contemporary Chinese poetry, which he views as new ethnographies that maintain linguistic and cultural boundaries.   [brief]
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