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1. cover
Title: The biography of ancient Israel: national narratives in the Bible
Author: Pardes, Ilana
Published: University of California Press,  2000
Subjects: Jewish Studies | Religion
Publisher's Description: The nation--particularly in Exodus and Numbers--is not an abstract concept but rather a grand character whose history is fleshed out with remarkable literary power. In her innovative exploration of national imagination in the Bible, Pardes highlights the textual manifestations of the metaphor, the many anthropomorphisms by which a collective character named "Israel" springs to life. She explores the representation of communal motives, hidden desires, collective anxieties, the drama and suspense embedded in each phase of the nation's life: from birth in exile, to suckling in the wilderness, to a long process of maturation that has no definite end. In the Bible, Pardes suggests, history and literature go hand in hand more explicitly than in modern historiography, which is why the Bible serves as a paradigmatic case for examining the narrative base of national constructions. Pardes calls for a consideration of the Bible's penetrating renditions of national ambivalence. She reads the rebellious conduct of the nation against the grain, probing the murmurings of the people, foregrounding their critique of the official line. The Bible does not provide a homogeneous account of nation formation, according to Pardes, but rather reveals points of tension between different perceptions of the nation's history and destiny. This fresh and beautifully rendered portrayal of the history of ancient Israel will be of vital interest to anyone interested in the Bible, in the interrelations of literature and history, in nationhood, in feminist thought, and in psychoanalysis.   [brief]
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2. cover
Title: Society and individual in Renaissance Florence
Author: Connell, William J
Published: University of California Press,  2002
Subjects: History | Renaissance History | European History
Publisher's Description: Renaissance Florence has often been described as the birthplace of modern individualism, as reflected in the individual genius of its great artists, scholars, and statesmen. The historical research of recent decades has instead shown that Florentines during the Renaissance remained enmeshed in relationships of family, neighborhood, guild, patronage, and religion that, from a twenty-first-century perspective, greatly limited the scope of individual thought and action. The sixteen essays in this volume expand the groundbreaking work of Gene Brucker, the historian in recent decades who has been most responsible for the discovery and exploration of these pre-modern qualities of the Florentine Renaissance. Exploring new approaches to the social world of Florentines during this fascinating era, the essays are arranged in three groups. The first deals with the exceptionally resilient and homogenous Florentine merchant elite, the true protagonist of much of Florentine history. The second considers Florentine religion and Florence's turbulent relations with the Church. The last group of essays looks at criminals, expatriates, and other outsiders to Florentine society.   [brief]
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3. cover
Title: Eating right in the Renaissance
Author: Albala, Ken 1964-
Published: University of California Press,  2002
Subjects: Food and Cooking | Renaissance History | History of Science | History of Food
Publisher's Description: Eating right has been an obsession for longer than we think. Renaissance Europe had its own flourishing tradition of dietary advice. Then, as now, an industry of experts churned out diet books for an eager and concerned public. Providing a cornucopia of information on food and an intriguing account of the differences between the nutritional logic of the past and our own time, this inviting book examines the wide-ranging dietary literature of the Renaissance. Ken Albala ultimately reveals the working of the Renaissance mind from a unique perspective: we come to understand a people through their ideas on food. Eating Right in the Renaissance takes us through an array of historical sources in a narrative that is witty and spiced with fascinating details. Why did early Renaissance writers recommend the herbs parsley, arugula, anise, and mint to fortify sexual prowess? Why was there such a strong outcry against melons and cucumbers, even though people continued to eat them in large quantities? Why was wine considered a necessary nutrient? As he explores these and other questions, Albala explains the history behind Renaissance dietary theories; the connections among food, exercise, and sex; the changing relationship between medicine and cuisine; and much more. Whereas modern nutritionists may promise a slimmer waistline, more stamina, or freedom from disease, Renaissance food writers had entirely different ideas about the value of eating right. As he uncovers these ideas from the past, Ken Albala puts our own dietary obsessions in an entirely new light in this elegantly written and often surprising new chapter on the history of food.   [brief]
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4. cover
Title: Orphans of Petrarch: poetry and theory in the Spanish Renaissance online access is available to everyone
Author: Navarrete, Ignacio Enrique 1954-
Published: University of California Press,  1994
Subjects: Literature | Literary Theory and Criticism | Poetry | Renaissance Literature
Publisher's Description: In Spain as elsewhere, Renaissance poets transformed the lyric tradition by using Petrarch as a source of poetic renewal. But political unity and military hegemony, coupled with a sense of cultural inferiority and an obsession with ethnic purity, made Spain different. Drawing on modern critical theory, Ignacio Navarrete offers a new exposition of the development of Spanish Renaissance poetics. Grounded in both philology and cultural theory, Orphans of Petrarch is the first book to integrate the "Spanish difference" into an understanding of Renaissance lyric as a European phenomenon.   [brief]
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5. cover
Title: Images of intolerance: the representation of Jews and Judaism in the Bible moralisée
Author: Lipton, Sara 1962-
Published: University of California Press,  1999
Subjects: Jewish Studies | Medieval Studies | French Studies | Medieval History | Art History | Judaism
Publisher's Description: Around the year 1225, an illuminated Bible was made for the king of France. That work and a companion volume, the two earliest surviving manuscripts of the Bible moralisée , are remarkable in a number of ways: they are massive in scope; they combine text and image to an unprecedented extent; and their illustrations, almost unique among medieval images in depicting contemporary figures and situations, comprise a vehement visual polemic against the Jews. In Images of Intolerance , Sara Lipton offers a nuanced and insightful reading of these extraordinary sources.Lipton investigates representations of Jews' economic activities, the depiction of Jews' scriptures in relation to Christian learning, the alleged association of Jews with heretics and other malefactors in Christian society, and their position in Christian eschatology. Jews are portrayed as threatening the purity of the Body of Christ, the integrity of the text of scripture, the faith, mores, and study habits of students, and the spiritual health of Christendom itself. Most interesting, however, is that the menacing themes in the Bible moralisée are represented in text and images as aspects of Jewish "perfidy" that are rampant among Christians as well. This innovative interdisciplinary study brings new understanding to the nature and development of social intolerance, and to the role art can play in that development.   [brief]
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6. cover
Title: Venice's hidden enemies: Italian heretics in a Renaissance city
Author: Martin, John Jeffries
Published: University of California Press,  1993
Subjects: History | European History | Christianity | Renaissance History
Publisher's Description: How could early modern Venice, a city renowned for its political freedom and social harmony, also have become a center of religious dissent and inquisitorial repression? To answer this question, John Martin develops an innovative approach that deftly connects social and cultural history. The result is a profoundly important contribution to Renaissance and Reformation studies.Martin offers a vivid re-creation of the social and cultural worlds of the Venetian heretics - those men and women who articulated their hopes for religious and political reform and whose ideologies ranged from evangelical to anabaptist and even millenarian positions. In exploring the connections between religious beliefs and social experience, he weaves a rich tapestry of Renaissance urban life that is sure to intrigue all those involved in anthropological, religious, and historical studies - students and scholars alike.   [brief]
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7. cover
Title: A Renaissance court: Milan under Galeazzo Maria Sforza
Author: Lubkin, Gregory
Published: University of California Press,  1994
Subjects: History | Renaissance History
Publisher's Description: Ambitious, extravagant, progressive, and sexually notorious, Galeazzo Maria Sforza inherited the ducal throne of Milan in 1466, at the age of twenty-two. Although his reign ended tragically only ten years later, the young prince's court was a dynamic community where arts, policy making, and the panoply of state were integrated with the rhythms and preoccupations of daily life. Gregory Lubkin explores this vital but overlooked center of power, allowing the members of the Milanese court to speak for themselves and showing how dramatically Milan and its ruler exemplified the political, cultural, religious, and economic aspirations of Renaissance Italy.   [brief]
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8. cover
Title: Jewish life in renaissance Italy
Author: Bonfil, Roberto
Published: University of California Press,  1994
Subjects: Jewish Studies | Renaissance History | European History
Publisher's Description: With this heady exploration of time and space, rumors and silence, colors, tastes, and ideas, Robert Bonfil recreates the richness of Jewish life in Renaissance Italy. He also forces us to rethink conventional interpretations of the period, which feature terms like "assimilation" and "acculturation." Questioning the Italians' presumed capacity for tolerance and civility, he points out that Jews were frequently uprooted and persecuted, and where stable communities did grow up, it was because the hostility of the Christian population had somehow been overcome.After the ghetto was imposed in Venice, Rome, and other Italian cities, Jewish settlement became more concentrated. Bonfil claims that the ghetto experience did more to intensify Jewish self-perception in early modern Europe than the supposed acculturation of the Renaissance. He shows how, paradoxically, ghetto living opened and transformed Jewish culture, hastening secularization and modernization.Bonfil's detailed picture reveals in the Italian Jews a sensitivity and self-awareness that took into account every aspect of the larger society. His inside view of a culture flourishing under stress enables us to understand how identity is perceived through constant interplay - on whatever terms - with the Other.   [brief]
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9. cover
Title: Renaissance Paris: architecture and growth, 1475-1600 online access is available to everyone
Author: Thomson, David 1912-
Published: University of California Press,  1985
Subjects: Art | Architecture
Publisher's Description: In the modern literature on Renaissance art and architecture, Paris has often been considered the Cinderella of the European capitals. The prestigious buildings that were erected soon after François I decided in 1528 to make Paris his residence have long since been lost. Thomson, however, restores t . . . [more]
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10. cover
Title: Resistant structures: particularity, radicalism, and Renaissance texts online access is available to everyone
Author: Strier, Richard
Published: University of California Press,  1997
Subjects: Literature | Literary Theory and Criticism | Renaissance Literature | English Literature
Publisher's Description: Taking Wittgenstein's "Don't think, but look" as his motto, Richard Strier argues against the application of a priori schemes to Renaissance (and all) texts. He argues for the possibility and desirability of rigorously attentive but "pre-theoretical" reading. His approach privileges particularity and attempts to respect the "resistant structures" of texts. He opposes theories, critical and historical, that dictate in advance what texts must - or cannot - say or do.The first part of the book, "Against Schemes," demonstrates, in discussions of Rosemond Tuve, Stephen Greenblatt, and Stanley Fish among others, how both historicist and purely theoretical approaches can equally produce distortion of particulars. The second part, "Against Received Ideas," shows how a variety of texts (by Shakespeare, Donne, Herbert, and others) have been seen through the lenses of fixed, mainly conservative ideas in ways that have obscured their actual, surprising, and sometimes surprisingly radical content.   [brief]
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11. cover
Title: The rest is silence: death as annihilation in the English Renaissance online access is available to everyone
Author: Watson, Robert N
Published: University of California Press,  1995
Subjects: Literature | English Literature | Literary Theory and Criticism | Renaissance Literature
Publisher's Description: How did the fear of death coexist with the promise of Christian afterlife in the culture and literature of the English Renaissance? Robert Watson exposes a sharp edge of blasphemous protest against mortality that runs through revenge plays such as The Spanish Tragedy and Hamlet , and through plays of procreation such as Measure for Measure and Macbeth . Tactics of denial appear in the vengefulness that John Donne directs toward female bodies for failing to bestow immortality, and in the promise of renewal that George Herbert sets against the threat of closure.Placing these literary manifestations in the context of specific Jacobean deathbed crises and modern cultural distortions, Watson explores the psychological roots and political consequences of denying that death permanently erases sensation and consciousness.   [brief]
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12. cover
Title: Knights at court: courtliness, chivalry, & courtesy from Ottonian Germany to the Italian Renaissance online access is available to everyone
Author: Scaglione, Aldo D
Published: University of California Press,  1992
Subjects: Literature | European Literature | Medieval Studies | Renaissance Literature
Publisher's Description: Knights at Court is a grand tour and survey of manners, manhood, and court life in the Middle Ages, like no other in print. Composed on an epic canvas, this authoritative work traces the development of court culture and its various manifestations from the latter years of the Holy Roman Empire (ca. A.D. 1000) to the Italian Renaissance of the fifteenth and sixteenth centuries.Leading medievalist and Renaissance scholar Aldo Scaglione offers a sweeping sociological view of three geographic areas that reveals a surprising continuity of courtly forms and motifs: German romances; the lyrical and narrative literature of northern and southern France; Italy's chivalric poetry. Scaglione discusses a broad number of texts, from early Norman and Flemish baronial chronicles to the romances of Chrétien de Troyes, the troubadours and Minnesingers. He delves into the Niebelungenlied, Dante, Petrarch, Boccaccio, and an array of treatises on conduct down to Castiglione and his successors.All these works and Scaglione's superior scholarship attest to the enduring power over minds and hearts of a mentality that issued from a small minority of people - the courtiers and knights - in central positions of leadership and power. Knights at Court is for all scholars and students interested in "the civilizing process."   [brief]
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13. cover
Title: The promise of the land: the inheritance of the land of Canaan by the Israelites online access is available to everyone
Author: Weinfeld, Moshe
Published: University of California Press,  1993
Subjects: Jewish Studies | Middle Eastern Studies
Publisher's Description: The settlement of the Land of Canaan by the Israelite tribes is a central theme in the Bible which is immensely relevant to the Middle East today.Moshe Weinfeld synthesizes the biblical material on this theme, approaching his subject from three viewpoints: historical, using the Bible as a source; literary-comparatist, comparing Patriarchal stories of settlement with Greek and Roman foundation myths; exegetical, explaining that in Judaism land is a gift from God. He emphasizes the ethical weight of God's Promise of the Land, how failure to achieve it was seen as a reflection of sin and lack of faith, thus illustrating the importance of biblical tradition to one of the most troubled issues of modern history.   [brief]
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14. cover
Title: Christian figural reading and the fashioning of identity
Author: Dawson, David 1957-
Published: University of California Press,  2001
Subjects: Religion | Christianity | Judaism | Classical Religions
Publisher's Description: This book makes an illuminating contribution to one of Christianity's central problems: the understanding and interpretation of scripture, and more specifically, the relationship between the Old Testament and the New. John David Dawson analyzes the practice and theory of "figural" reading in the Christian tradition of Biblical interpretation by looking at writings of Jewish and Christian thinkers, both ancient and modern, who have reflected on that form of traditional Christian Biblical interpretation. Dawson argues Christian interpretation of Hebrew scripture originally was, and should be, aimed at not reducing the Jewish meaning or replacing it but rather at building on it or carrying on from it. Dawson closely examines the work of three prominent twentieth-century thinkers who have offered influential variants of figural reading: Biblical scholar Daniel Boyarin, philologist and literary historian Erich Auerbach, and Christian theologianHans Frei. Contrasting the interpretive programs of these modern thinkers to that of Origen of Alexandria, Dawson proposes that Origen exemplifies a kind of Christian reading that can respect Christianity's link to Judaism while also respecting the independent religious identity of Jews. Through a fresh study of Origen's allegorical interpretation, this book challenges the common charge that Christian non-literal reading of scripture necessarily undermines the literal meaning of the text. This highly interdisciplinary work will advance debates about different methods of interpretation and about different types of textual meaning that are relevant for many disciplines, including ancient Christianity, Jewish and Christian thought, literary theory, religious studies, and classical studies.   [brief]
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15. cover
Title: Trials of authorship: anterior forms and poetic reconstruction from Wyatt to Shakespeare online access is available to everyone
Author: Crewe, Jonathan V
Published: University of California Press,  1990
Subjects: Literature | Renaissance Literature | English Literature
Publisher's Description: For more than a decade, the English Renaissance has been the scene of trial for the critical methodologies of deconstruction, feminism, new historicism, psychoanalytic poststructuralism, and cultural studies. Jonathan Crewe argues that the commitment in the prevailing criticism to innovation, transgression, and radical change has increasingly obscured some powerfully conservative elements both in Renaissance culture and in these critical discourses themselves.In a reading of the poets Wyatt, Surrey, and Gascoigne, and of the biographies of Thomas More and Cardinal Wolsey, Crewe focuses on the relatively stable poetic and cultural forms operative in the Renaissance. He argues that these established forms, which shape poetic composition, social interaction, and individual identity, are subject to only limited reconstruction by English authors in the sixteenth century. They both facilitate and limit literary and social expression and result in more sharply conflicted literary production than contemporary critics have been willing to acknowledge. Crewe concentrates on authors whose canonical status is somewhat precarious and intentionally shifts the emphasis away from the Elizabethan period and toward that of Henry VIII. Trials of Authorship redraws the existing picture of the English Renaissance in the sixteenth century.   [brief]
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16. cover
Title: Biblical prose prayer: as a window to the popular religion of ancient Israel online access is available to everyone
Author: Greenberg, Moshe
Published: University of California Press,  1983
Subjects: Religion
Publisher's Description: The Psalms are the best known and most widely used prayer texts of the Bible. But the prayers of the Israelite took another form: the prose prayers that we find embedded in biblical narrative. Prose prayer was spoken by persons of all ranks. Male and female, Israelite and foreigner, all enjoyed equal access to God. The pervasiveness and spontaneity of this prayer, independent as it was of the structure and taboos of formal worship, turned it into a criterion for sincerity both in relations with God and in those among human beings.Greenberg finds in this rich life of private prayer a setting for the high religious ideas--and the scathing critique of worship--that characterized the "genius" of the prophets of the eighth and ninth centuries B.C. His compact and masterful study, originally the 1981-1982 Taubman Lectures at Berkeley, suggests an explanation for the unprecedented democratization of worship in post-biblical Judaism.   [brief]
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17. cover
Title: Loyola's acts: the rhetoric of the self online access is available to everyone
Author: Boyle, Marjorie O'Rourke 1943-
Published: University of California Press,  1997
Subjects: Literature | Renaissance History | Christianity | Rhetoric | Art History | Medieval History
Publisher's Description: This revisionist view of Ignatius Loyola argues that his "autobiography" - until now taken to be a literal, documentary account - is in reality a work of rhetoric, a moral narrative that exploits the techniques of fiction. In radically reinterpreting this canonical text, our main source of information about the founder of the largest and most powerful religious order in Roman Catholicism, Boyle paints a vivid picture of Loyola's world. She surveys rhetorical and artistic theory, religious iconography, everyday custom, and an astonishing array of scenes and subjects: from curiosity, to codes of honor, to the holy places of Spain, to the significance of apparitions and flying serpents.Written in the tradition of Renaissance studies on individualism, Loyola's Acts engages current interest in autobiography and in the history of private life. The book also provides a powerful heuristic for interpreting a wide range of texts of the Christian tradition. Finally, this secular treatment of a canonized saint provides revealing insights into how a prestigious sixteenth-century figure like Loyola understood himself.   [brief]
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18. cover
Title: Christianity and the rhetoric of empire: the development of Christian discourse
Author: Cameron, Averil
Published: University of California Press,  1991
Subjects: Classics | Classical Religions | Classical History | History | Christianity | Ancient History | Rhetoric
Publisher's Description: Many reasons can be given for the rise of Christianity in late antiquity and its flourishing in the medieval world. In asking how Christianity succeeded in becoming the dominant ideology in the unpromising circumstances of the Roman Empire, Averil Cameron turns to the development of Christian discourse over the first to sixth centuries A.D., investigating the discourse's essential characteristics, its effects on existing forms of communication, and its eventual preeminence. Scholars of late antiquity and general readers interested in this crucial historical period will be intrigued by her exploration of these influential changes in modes of communication.The emphasis that Christians placed on language - writing, talking, and preaching - made possible the formation of a powerful and indeed a totalizing discourse, argues the author. Christian discourse was sufficiently flexible to be used as a public and political instrument, yet at the same time to be used to express private feelings and emotion. Embracing the two opposing poles of logic and mystery, it contributed powerfully to the gradual acceptance of Christianity and the faith's transformation from the enthusiasm of a small sect to an institutionalized world religion.   [brief]
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19. cover
Title: Michelangelo's Last Judgment: the Renaissance response
Author: Barnes, Bernadine Ann
Published: University of California Press,  1998
Subjects: Art
Publisher's Description: In her analysis of Michelangelo's Last Judgment , Bernadine Barnes provides an original and stimulating view of this renowned fresco and of the audience for which it was created. Because Michelangelo is so often regarded as a nearly superhuman artistic genius, we tend to forget that his works were not created to illustrate his life. The Last Judgment did have great personal meaning for him, but his representation of this religious event was not purely self-directed, says Barnes. She argues that Michelangelo had a particular type of viewer in mind as he designed his work. The Last Judgment dealt with an especially evocative subject, and Michelangelo engaged viewers by creating highly imaginative scenes tempering fear with hope and by referring to contemporary events. The painting's original, elite audience - the papal court and a handful of distinguished lay persons - was sophisticated about art and poetry, almost exclusively male, and orthodox in its religious beliefs. That audience later broadened and included artists allowed into the Chapel to copy Michelangelo's work. These artists helped to create another, less sophisticated audience, one that knew the fresco only through reproductions and written descriptions. The response of this latter audience eventually prompted the church to censor the painting. Beautifully illustrated with photographs of the recently restored Sistine Chapel, Barnes's study greatly enhances our understanding of changing Renaissance attitudes toward art. Her book also provides valuable insights into one of Michelangelo's greatest works.   [brief]
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20. cover
Title: The making of fornication: eros, ethics, and political reform in Greek philosophy and early Christianity
Author: Gaca, Kathy L
Published: University of California Press,  2003
Subjects: Classics | Classical Philosophy | Classical Religions | Classical Politics | Christianity | Ethics | Social and Political Thought | Ancient History | Intellectual History
Publisher's Description: This provocative work provides a radical reassessment of the emergence and nature of Christian sexual morality, the dominant moral paradigm in Western society since late antiquity. While many scholars, including Michel Foucault, have found the basis of early Christian sexual restrictions in Greek ethics and political philosophy, Kathy L. Gaca demonstrates on compelling new grounds that it is misguided to regard Greek ethics and political theory - with their proposed reforms of eroticism, the family, and civic order - as the foundation of Christian sexual austerity. Rather, in this thoroughly informed and wide-ranging study, Gaca shows that early Christian goals to eradicate fornication were derived from the sexual rules and poetic norms of the Septuagint, or Greek Bible, and that early Christian writers adapted these rules and norms in ways that reveal fascinating insights into the distinctive and largely non-philosophical character of Christian sexual morality. Writing with an authoritative command of both Greek philosophy and early Christian writings, Gaca investigates Plato, the Stoics, the Pythagoreans, Philo of Alexandria, the apostle Paul, and the patristic Christians Clement of Alexandria, Tatian, and Epiphanes, freshly elucidating their ideas on sexual reform with precision, depth, and originality. Early Christian writers, she demonstrates, transformed all that they borrowed from Greek ethics and political philosophy to launch innovative programs against fornication that were inimical to Greek cultural mores, popular and philosophical alike. The Septuagint's mandate to worship the Lord alone among all gods led to a Christian program to revolutionize Gentile sexual practices, only for early Christians to find this virtually impossible to carry out without going to extremes of sexual renunciation. Knowledgeable and wide-ranging, this work of intellectual history and ethics cogently demonstrates why early Christian sexual restrictions took such repressive ascetic forms, and casts sobering light on what Christian sexual morality has meant for religious pluralism in Western culture, especially among women as its bearers.   [brief]
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