Title: Staged narrative: poetics and the messenger in Greek tragedy
Author: Barrett, James 1953-
Published: University of California Press,  2002
Subjects: Classics | Classical Literature and Language
Publisher's Description: The messenger who reports important action that has occurred offstage is a familiar inhabitant of Greek tragedy. A messenger informs us about the death of Jocasta and the blinding of Oedipus, the madness of Heracles, the slaughter of Aigisthos, and the death of Hippolytus, among other important events. Despite its prevalence, this conventional figure remains only little understood. Combining several critical approaches - narrative theory, genre study, and rhetorical analysis - this lucid study develops a synthetic view of the messenger of Greek tragedy, showing how this role illuminates some of the genre's most persistent concerns, especially those relating to language, knowledge, and the workings of tragic theater itself. James Barrett gives close readings of several plays including Aeschylus's Persians, Sophocles' Electra and Oedipus Tyrannus, and Euripides' Bacchae and Rhesos. He traces the literary ancestry of the tragic messenger, showing that the messenger's narrative constitutes an unexplored site of engagement with Homeric epic, and that the role illuminates fifth-century b.c. experimentation with modes of speech. Breaking new ground in the study of Athenian tragedy, Barrett deepens our understanding of many central texts and of a form of theater that highlights the fragility and limits of human knowledge, a theme explored by its use of the messenger.   [brief]
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Title: Tragedy and enlightenment: Athenian political thought, and the dilemmas of modernity 
Author: Rocco, Christopher 1958-
Published: University of California Press,  1997
Subjects: Classics | Classical Philosophy | Classical History | Classical Literature and Language | Social and Political Thought | Social Theory
Publisher's Description: Weaving together ancient Greek texts and postmodernist theory, Christopher Rocco addresses the debate between modernity and postmodernity that dominates contemporary theory. Interpreting Greek drama within a critical framework informed by contemporary theorists Foucault, Habermas, Horkheimer and Adorno, Tragedy and Enlightenment makes a sophisticated argument for the continuing relevance of the classical past, focusing on the subject of democracy.The starting point for Rocco's analysis is the impasse in contemporary political and cultural theory over the possibility and desirability of democracy in a postmodern world. After explaining the competing positions in the current debate, Rocco argues that ancient Greek tragedy and dialogue - specifically Sophocles' Oedipus , Plato's Republic and Gorgias , and Aeschylus' Oresteia - suggest alternate constructions for this and other postmodern problems.Rocco gives a detailed analysis of the contemporary divide over the theories of Jürgen Habermas and Michel Foucault and provides a provocative reading of Horkheimer and Adorno's Dialectic of Enlightenment. This original contribution to political and cultural discourse brings us to a new understanding of familiar texts and will alter the grounds of debate for students and scholars of the classical and the contemporary worlds.   [brief]
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Title: Revenge in Attic and later tragedy
Author: Burnett, Anne Pippin 1925-
Published: University of California Press,  1998
Subjects: Classics | Classical Literature and Language | Literature in Translation
Publisher's Description: Modern readings of ancient Athenian drama tend to view it as a presentation of social or moral problems, as if ancient drama showed the same realism seen on the present-day stage. Such views are belied by the plays themselves, in which supremely violent actions occur in a legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin Burnett urges readers to peel away twentieth-century attitudes toward vengeance and reconsider the revenge tragedies of ancient Athens in their own context.After a consideration of how our view of Elizabethan drama has obscured an accurate view of the ancient tragedies, Burnett reviews early Greek notions of vengeance as expressed in the Odyssey , Heracles' tales, Pindar's odes, Attic judicial processes, and the legend of Harmodius and Aristogeiton. Then, setting aside post-Platonic and Judeo-Christian notions of criminality, she provides new interpretations of all the Attic tragedies in which revenge is a central theme: Aeschylus' Libation Bearers , Sophocles' Ajax, Electra, and Tereus , and Euripides' Children of Heracles, Hecuba, Medea, Electra, and Orestes. Burnett shows that for the ancients, revenge meant a redress of imbalances in both human and divine worlds, achieved through human actions. The vengeful heroines thus appear in a new light. Electra, Hecuba, Medea, and others cease to be the picture of depravity in dramas that are grotesque and sensational, and are instead representative human figures who respond with grandeur to the outsize demands of necessity and supernatural powers.   [brief]
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Title: Modern drama and the rhetoric of theater 
Author: Worthen, William B 1955-
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Theatre | Rhetoric
Publisher's Description: The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience.How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play.Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.   [brief]
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Title: Revealing masks: exotic influences and ritualized performance in modernist music theater
Author: Sheppard, William Anthony 1969-
Published: University of California Press,  2001
Subjects: Music | American Music | Contemporary Music | Ethnomusicology | Opera | Musicology | Intellectual History
Publisher's Description: W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.   [brief]
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Title: Music drama at the Paris Odéon, 1824-1828
Author: Everist, Mark
Published: University of California Press,  2002
Subjects: Music | Musicology | Opera | French Studies | European History
Publisher's Description: Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.   [brief]
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Title: The tragedy of Mariam, the fair queen of Jewry
Author: Cary, Elizabeth, Lady 1585 or 6-1639
Published: University of California Press,  1994
Subjects: Literature | Renaissance Literature | English Literature | Literary Theory and Criticism | Women's Studies | Autobiographies and Biographies
Publisher's Description: The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. Mariam is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition.With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century.   [brief]
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Title: Popular theater and society in Tsarist Russia
Author: Swift, Eugene Anthony
Published: University of California Press,  2002
Subjects: History | European History | Russian and Eastern European Studies | Popular Culture | European Literature | European Studies
Publisher's Description: This is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new "people's theaters" that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from the theater world of the day, shows how these people's theaters became a major arena in which the cultural contests of late imperial Russia were played out and how they contributed to the emergence of an urban consumer culture during this period of rapid social and political change. Swift illuminates many aspects of the story of these popular theaters - the cultural politics and aesthetic ambitions of theater directors and actors, state censorship politics and their role in shaping the theatrical repertoire, and the theater as a vehicle for social and political reform. He looks at roots of the theaters, discusses specific theaters and performances, and explores in particular how popular audiences responded to the plays.   [brief]
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Title: Hellenistic philosophy of mind
Author: Annas, Julia
Published: University of California Press,  1994
Subjects: Classics | Social and Political Thought | Intellectual History | Classical Philosophy | Philosophy | Rhetoric
Publisher's Description: Hellenistic Philosophy of Mind is an elegant survey of Stoic and Epicurean ideas about the soul - an introduction to two ancient schools whose belief in the soul's physicality offer compelling parallels to modern approaches in the philosophy of mind. Annas incorporates recent thinking on Hellenistic philosophy of mind so lucidly and authoritatively that specialists and nonspecialists alike will find her book rewarding.In part, the Hellenistic epoch was a "scientific" period that broke with tradition in ways that have an affinity with the modern shift from the seventeenth and eighteenth centuries to the present day. Hellenistic philosophy of the soul, Annas argues, is in fact a philosophy of mind, especially in the treatment of such topics as perception, thought, and action.   [brief]
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Title: Prayers in stone: Greek architectural sculpture ca. 600-100 B.C.E
Author: Ridgway, Brunilde Sismondo 1929-
Published: University of California Press,  1999
Subjects: Classics | Art | Art and Architecture | Art History
Publisher's Description: The meaning of architectural sculpture is essential to our understanding of ancient Greek culture. The embellishment of buildings was common for the ancient Greeks, and often provocative. Some ornamental sculpture was placed where, when the building was finished, no mortal eye could view it. And unlike much architectural ornamentation of other cultures, Greek sculpture was often integral to the building, not just as decoration, and could not be removed without affecting the integrity of the building structure. This book is the first comprehensive treatment of the significance of Greek architectural sculpture. Brunilde Sismondo Ridgway, a world-class authority on ancient Greek sculpture, provides a highly informative tour of many dimensions of Greek public buildings - especially temples, tombs, and treasuries - in a text that is at once lucid, accessible, and authoritative.Ridgway's pragmatism and common sense steer us tactfully and clearly through thickets of uncertainty and scholarly disagreement. She refers to a huge number of monuments, and documents her discussions with copious and up-to-date bibliographies. This book is sure to be acknowledged at once as the standard treatment of its important topic.   [brief]
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Title: The making of fornication: eros, ethics, and political reform in Greek philosophy and early Christianity
Author: Gaca, Kathy L
Published: University of California Press,  2003
Subjects: Classics | Classical Philosophy | Classical Religions | Classical Politics | Christianity | Ethics | Social and Political Thought | Ancient History | Intellectual History
Publisher's Description: This provocative work provides a radical reassessment of the emergence and nature of Christian sexual morality, the dominant moral paradigm in Western society since late antiquity. While many scholars, including Michel Foucault, have found the basis of early Christian sexual restrictions in Greek ethics and political philosophy, Kathy L. Gaca demonstrates on compelling new grounds that it is misguided to regard Greek ethics and political theory - with their proposed reforms of eroticism, the family, and civic order - as the foundation of Christian sexual austerity. Rather, in this thoroughly informed and wide-ranging study, Gaca shows that early Christian goals to eradicate fornication were derived from the sexual rules and poetic norms of the Septuagint, or Greek Bible, and that early Christian writers adapted these rules and norms in ways that reveal fascinating insights into the distinctive and largely non-philosophical character of Christian sexual morality. Writing with an authoritative command of both Greek philosophy and early Christian writings, Gaca investigates Plato, the Stoics, the Pythagoreans, Philo of Alexandria, the apostle Paul, and the patristic Christians Clement of Alexandria, Tatian, and Epiphanes, freshly elucidating their ideas on sexual reform with precision, depth, and originality. Early Christian writers, she demonstrates, transformed all that they borrowed from Greek ethics and political philosophy to launch innovative programs against fornication that were inimical to Greek cultural mores, popular and philosophical alike. The Septuagint's mandate to worship the Lord alone among all gods led to a Christian program to revolutionize Gentile sexual practices, only for early Christians to find this virtually impossible to carry out without going to extremes of sexual renunciation. Knowledgeable and wide-ranging, this work of intellectual history and ethics cogently demonstrates why early Christian sexual restrictions took such repressive ascetic forms, and casts sobering light on what Christian sexual morality has meant for religious pluralism in Western culture, especially among women as its bearers.   [brief]
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Title: Cleomedes' lectures on astronomy: a translation of The heavens
Author: Cleomedes
Published: University of California Press,  2004
Subjects: Classics | Science | Astronomy | History of Science | Classical Philosophy
Publisher's Description: At some time around 200 A.D., the Stoic philosopher and teacher Cleomedes delivered a set of lectures on elementary astronomy as part of a complete introduction to Stoicism for his students. The result was The Heavens (Caelestia), the only work by a professional Stoic teacher to survive intact from the first two centuries A.D., and a rare example of the interaction between science and philosophy in late antiquity. This volume contains a clear and idiomatic English translation - the first ever - of The Heavens, along with an informative introduction, detailed notes, and technical diagrams. This important work will now be accessible to specialists in both ancient philosophy and science and to readers interested in the history of astronomy and cosmology but with no knowledge of ancient Greek.   [brief]
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Title: Interstate arbitrations in the Greek world, 337-90 B.C.
Author: Ager, Sheila L 1956-
Published: University of California Press,  1997
Subjects: Classics | Classical History | Ancient History
Publisher's Description: A great deal of information has come to light over the past several decades about the role of arbitration between the Greek states. Arbitration and mediation were, in fact, central institutions in Hellenistic public life. In this comprehensive study, Sheila Ager brings together the scattered body of literary and epigraphical sources on arbitration, together with up-to-date bibliographic references, and commentary.The sources collected here range widely; Ager presents an exhaustive record of documents ranging from the settlement of a minor territorial squabble between two tiny city-states to the resolution of major conflicts separating the great powers of the day. In addition, Ager's introduction sets the documents in historical context and outlines distinctions among categories of arbitration. The work also includes indices to literary passages, inscriptions, persons, places, subjects, and Greek and Latin terms in the documents. This collection of many previously inaccessible texts will become a primary resource for any scholar or student working in the field of Hellenistic history.   [brief]
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Title: Early Greek law
Author: Gagarin, Michael
Published: University of California Press,  1989
Subjects: Classics | Classical Politics | Law
Publisher's Description: Drawing on the evidence of anthropology as well as ancient literature and inscriptions, Gagarin examines the emergence of law in Greece from the 8th through the 6th centuries B.C., that is, from the oral culture of Homer and Hesiod to the written enactment of codes of law in most major cities.
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Title: Grounds for play: the Nauṭaṅkī theatre of North India 
Author: Hansen, Kathryn
Published: University of California Press,  1991
Subjects: Literature | Cultural Anthropology | South Asia
Publisher's Description: The nautanki performances of northern India entertain their audiences with often ribald and profane stories. Rooted in the peasant society of pre-modern India, this theater vibrates with lively dancing, pulsating drumbeats, and full-throated singing. In Grounds for Play , Kathryn Hansen draws on field research to describe the different elements of nautanki performance: music, dance, poetry, popular story lines, and written texts. She traces the social history of the form and explores the play of meanings within nautanki narratives, focusing on the ways important social issues such as political authority, community identity, and gender differences are represented in these narratives.Unlike other styles of Indian theater, the nautanki does not draw on the pan-Indian religious epics such as the Ramayana or the Mahabharata for its subjects. Indeed, their storylines tend to center on the vicissitudes of stranded heroines in the throes of melodramatic romance. Whereas nautanki performers were once much in demand, live performances now are rare and nautanki increasingly reaches its audiences through electronic media - records, cassettes, films, television. In spite of this change, the theater form still functions as an effective conduit in the cultural flow that connects urban centers and the hinterland in an ongoing process of exchange.   [brief]
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Title: Ceremonial costumes of the Pueblo Indians: their evolution, fabrication, and significance in the prayer drama 
Author: Roediger, Virginia More
Published: University of California Press,  1991
Subjects: Anthropology | Cultural Anthropology | Dance | Art
Publisher's Description: When the University of California Press first published Roediger's Ceremonial Costumes of the Pueblo Indians in 1941, it was immediately hailed as both a beautiful book and the most comprehensive description ever of the making and meaning of the Pueblo costumes of New Mexico and Arizona. It has been widely acknowledged as a classic and eagerly sought after in antiquarian bookstores.Exactly fifty years after its original publication, here is the book back in print, with a new introduction by the renowned anthropologist Fred Eggan. Roediger's vivid paintings are reproduced once more in full color, capturing the beauty and drama of the Pueblo ceremonies - the turquoise dance moccasins, the tableted headdress of the Zuni corn maidens, the bright-blanketed Kachina maiden, and the buffalo, brilliant eagle, and horned deer costumes.It was Roediger who first viewed the ceremony and ritual of the Pueblo peoples as dramatic performance, a view that has gained great currency since. As a student of drama at Yale University she was fascinated by the intensely theatrical dimension to Pueblo worship, and it is this original perspective that informs and illuminates her study.After a brief survey of the history, location, and life of the Pueblo peoples, Roediger embarks on a thorough analysis of the materials used in the Pueblo costumes. She explains both their symbolic significance and their manufacture - from the weaving of cloth and the tanning of leather to the preparation of birds' feathers, evergreens, paints, and dyes. She then provides a meticulous description of the costumed dancer - body paint, garments, ornaments, accessories, and dance properties such as rattles, headdresses, and masks.In her final section, Roediger explores the relation of the costumes to the prayer dramas, particularly to the reverential, solemn, ecstatic public dance with which these climax. Vivid details emerge here about such rituals as the animal dances from the Rio Grande region and the Rain Dance of the Zuni.Fifty years after its original publication, Virginia Roediger's book remains the most comprehensive study of the ceremonial costumes of the Pueblo peoples. A book of great visual appeal and unrivaled detail, it will be welcomed back by scholars and general readers alike.   [brief]
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Title: Catullan provocations: lyric poetry and the drama of position 
Author: Fitzgerald, William 1952-
Published: University of California Press,  1996
Subjects: Classics | Comparative Literature | Classical Literature and Language | Poetry
Publisher's Description: Restoring to Catullus a provocative power that familiarity has tended to dim, this book argues that Catullus challenges us to think about the nature of lyric in new ways. Fitzgerald shows how Catullus's poetry reflects the conditions of its own consumption as it explores the terms and possibilities of the poet's license. Reading the poetry in relation to the drama of position played out between poet, poem, and reader, the author produces a fresh interpretation of almost all of Catullus's oeuvre. Running through the book is an analysis of the ideological stakes behind the construction of the author Catullus in twentieth-century scholarship and of the agenda governing the interpreter's position in relation to Catullus.   [brief]
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Title: Politics and theater: the crisis of legitimacy in restoration France, 1815-1830
Author: Kroen, Sheryl 1961-
Published: University of California Press,  2000
Subjects: History | European History | French Studies
Publisher's Description: Moliére's anticlerical comedy Tartuffe is the unique prism through which Sheryl Kroen views postrevolutionary France in the years of the Restoration. Following the lead of the French men and women who turned to this play in the 1820s to make sense of their world, Kroen exposes the crisis of legitimacy defining the regime in these years and demonstrates how the people of the time made steps toward a democratic resolution to this crisis. Moving from the town squares, where state and ecclesiastical officials orchestrated their public spectacles in favor of the monarchy, to the theaters, where the French used Tartuffe to mock the restored monarch and the church, this cultural history of the Restoration offers a rich and colorful portrait of a period in which critical legacies of the revolutionary period were played out and cemented. While most historians have characterized the Restoration as a period of reaction and reversal, Kroen offers convincing evidence that the Restoration was a critical bridge between the emerging practices of the Old Regime, the Revolution, and the post-1830 politics of protest. She re-creates the atmosphere of Restoration France and at the same time brings major nineteenth-century themes into focus: memory and commemoration, public and private spheres, politics and religion, anticlericalism, and the formation of democratic ideologies and practices.   [brief]
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Title: The other Greeks: the family farm and the agrarian roots of western civilization
Author: Hanson, Victor Davis
Published: University of California Press,  1999
Subjects: Classics | European History
Publisher's Description: For generations, scholars have focused on the rise of the Greek city-state and its brilliant cosmopolitan culture as the ultimate source of the Western tradition in literature, philosophy, and politics. This passionate book leads us outside the city walls to the countryside, where the vast majority of the Greek citizenry lived, to find the true source of the cultural wealth of Greek civilization. Victor Hanson shows that the real "Greek revolution" was not merely the rise of a free and democratic urban culture, but rather the historic innovation of the independent family farm.The farmers, vinegrowers, and herdsmen of ancient Greece are "the other Greeks," who formed the backbone of Hellenic civilization. It was these tough-minded, practical, and fiercely independent agrarians, Hanson contends, who gave Greek culture its distinctive emphasis on private property, constitutional government, contractual agreements, infantry warfare, and individual rights. Hanson's reconstruction of ancient Greek farm life, informed by hands-on knowledge of the subject (he is a fifth-generation California vine- and fruit-grower) is fresh, comprehensive, and absorbing. His detailed chronicle of the rise and tragic fall of the Greek city-state also helps us to grasp the implications of what may be the single most significant trend in American life today - the imminent extinction of the family farm.   [brief]
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Title: Encomium of Ptolemy Philadelphus
Author: Theocritus
Published: University of California Press,  2003
Subjects: Classics | Classical Literature and Language | Poetry
Publisher's Description: Under Ptolemy II Philadelphus, who ruled Egypt in the middle of the third century B.C.E., Alexandria became the brilliant multicultural capital of the Greek world. Theocritus's poem in praise of Philadelphus - at once a Greek king and an Egyptian pharaoh - is the only extended poetic tribute to this extraordinary ruler that survives. Combining the Greek text, an English translation, a full line-by-line commentary, and extensive introductory studies of the poem's historical and literary context, this volume also offers a wide-ranging and far-reaching consideration of the workings and representation of poetic patronage in the Ptolemaic age. In particular, the book explores the subtle and complex links among Theocritus's poem, modes of praise drawn from both Greek and Egyptian traditions, and the subsequent flowering of Latin poetry in the Augustan age. As the first detailed account of this important poem to show how Theocritus might have drawn on the pharaonic traditions of Egypt as well as earlier Greek poetry, this book affords unique insight into how praise poetry for Ptolemy and his wife may have helped to negotiate the adaptation of Greek culture that changed conditions of the new Hellenistic world. Invaluable for its clear translation and its commentary on genre, dialect, diction, and historical reference in relation to Theocritus's Encomium, the book is also significant for what it reveals about the poem's cultural and social contexts and about Theocritus' devices for addressing his several readerships. COVER IMAGE: The image on the front cover of this book is incorrectly identified on the jacket flap. The correct caption is: Gold Oktadrachm depicting Ptolemy II and Arsinoe (mid-third century BCE; by permission of the Museum of Fine Arts, Boston).   [brief]
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