Title: Performance artists talking in the eighties: sex, food, money/fame, ritual/death
Author: Montano, Linda 1942-
Published: University of California Press,  2001
Subjects: Art | Art History | Cinema and Performance Arts
Publisher's Description: Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.   [brief]
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Title: Remembering the present: painting and popular history in Zaire
Author: Fabian, Johannes
Published: University of California Press,  1996
Subjects: Anthropology | Cultural Anthropology | Art | African History | Politics | African Studies
Publisher's Description: This book combines ethnography with the study of art to present a fascinating new vision of African history. It contains the paintings of a single artist depicting Zaire's history, along with a series of ethnographic essays discussing local history, its complex relationship to forms of self-expression and self-understanding, and the aesthetics of contemporary urban African and Third World societies. As a collaboration between ethnographer and painter, this innovative study challenges text-oriented approaches to understanding history and argues instead for an event- and experience-oriented model, ultimately adding a fresh perspective to the discourse on the relationship between modernity and tradition.During the 1970s, Johannes Fabian encouraged Tshibumba Kanda Matulu to paint the history of Zaire. The artist delivered the work in batches, together with an oral narrative. Fabian recorded these statements along with his own question-and-answer sessions with the painter. The first part of the book is the complete series of 100 paintings, with excerpts from the artist's narrative and the artist-anthropologist dialogues. Part Two consists of Fabian's essays about this and other popular painting in Zaire. The essays discuss such topics as performance, orality, history, colonization, and popular art.   [brief]
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Title: Singular women: writing the artist 
Author: Frederickson, Kristen 1965-
Published: University of California Press,  2003
Subjects: Art | Art History | Art Criticism | Art Theory | Women's Studies
Publisher's Description: In this groundbreaking volume, contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. Singular Women proposes a new feminist investigation of the history of art by considering how a historian's theoretical approach affects the way in which research progresses and stories are told. These thirteen essays on specific artists, from the Renaissance to the present day, address their work and history to examine how each has been inserted into or left out of the history of art. The authors go beyond an analysis of the past to propose new strategies for considering the contributions of women to the visual arts, strategies that take into account the idiosyncratic, personal, and limited rhetoric that confines all writers.   [brief]
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Title: Poets on painters: essays on the art of painting by Twentieth-century poets
Author: McClatchy, J. D 1945-
Published: University of California Press,  1989
Subjects: Literature | Art | Poetry | Art History
Publisher's Description: What are poets looking at , looking for , when they walk into a room of pictures? Poets on Painters attempts to answer this question by bringing together, for the first time, essays by modern American and British poets about painting. The poets bring to their task a fresh eye and a freshened languag . . . [more]
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Title: Art and artists of twentieth-century China
Author: Sullivan, Michael 1916-
Published: University of California Press,  1996
Subjects: Art | Art History | China
Publisher's Description: This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text.Sullivan discusses artists and their work against China's background of oppression and relaxation, despair and hope. He expertly conveys the diverse and at times bizarre intertwining of Chinese cultural history and art during this century. Included are the intense debates between traditionalists and reformers, the creation of the first art schools, and the birth of the idea - shocking in ethnocentric China - that art is a world language that obliterates all frontiers. The scholarly traditions of classical Chinese painting, the belated discovery of Western modernism, the artistic upheaval under Communism, and China's rethinking of the very nature of art all have a place in Sullivan's fascinating history.Michael Sullivan has known many of the major figures in China's modern art movement of the 1930s and 1940s and has also gained the confidence of younger artists who rose to prominence following the 1979 "Peking Spring." This long-awaited book - richly documented and abundantly illustrated - is a capstone to Sullivan's work and will be enthusiastically welcomed by art lovers everywhere.   [brief]
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Title: Three artists (three women): modernism and the art of Hesse, Krasner, and O'Keeffe
Author: Wagner, Anne Middleton 1949-
Published: University of California Press,  1996
Subjects: Art | Art History | Women's Studies
Publisher's Description: This original and sharply obser-vant book gives new significance to three important figures in the history of twentieth-century art: Eva Hesse, Lee Krasner, and Georgia O'Keeffe. Anne Wagner looks at their imagery and careers, relating their work to three decisive moments in the history of American modernism: the avant-garde of the 1920s, the New York School of the 1940s and 1950s, and the modernist redefinition undertaken in the 1960s. Their artistic contributions were invaluable, Wagner demonstrates, as well as hard-won. She also shows that the fact that these artists were women - the main element linking the three - is as much the index of difference among their art and experience as it is a passkey to what they share.   [brief]
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Title: Afghanistan: the Soviet invasion and the Afghan response, 1979-1982 
Author: Kakar, M. Hasan
Published: University of California Press,  1997
Subjects: Middle Eastern Studies | Politics | History | Middle Eastern History
Publisher's Description: Few people are more respected or better positioned to speak on the Soviet invasion of Afghanistan than M. Hassan Kakar. A professor at Kabul University and scholar of Afghanistan affairs at the time of the 1978 coup d'état, Kakar vividly describes the events surrounding the Soviet invasion in 1979 and the encounter between the military superpower and the poorly armed Afghans. The events that followed are carefully detailed, with eyewitness accounts and authoritative documentation that provide an unparalleled view of this historical moment.Because of his prominence Kakar was at first treated with deference by the Marxist government and was not imprisoned, although he openly criticized the regime. When he was put behind bars the outcry from scholars all over the world possibly saved his life. In prison for five years, he continued collecting information, much of it from prominent Afghans of varying political persuasions who were themselves prisoners.Kakar brings firsthand knowledge and a historian's sensibility to his account of the invasion and its aftermath. This is both a personal document and a historical one - Kakar lived through the events he describes, and his concern for human rights rather than party politics infuses his writing. As Afghans and the rest of the world try to make sense of Afghanistan's recent past, Kakar's voice will be one of those most listened to.   [brief]
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Title: Khomeinism: essays on the Islamic Republic 
Author: Abrahamian, Ervand 1940-
Published: University of California Press,  1993
Subjects: History | Politics | Middle Eastern History | Middle Eastern Studies
Publisher's Description: "Fanatic," "dogmatic," "fundamentalist" - these are the words most often used in the West to describe the Ayatollah Khomeini. The essays in this book challenge that view, arguing that Khomeini and his Islamic movement should be seen as a form of Third World political populism - a radical but pragmatic middle-class movement that strives to enter, rather than reject, the modern age.Ervand Abrahamian, while critical of Khomeini, asks us to look directly at the Ayatollah's own works and to understand what they meant to his principal audience - his followers in Iran. Abrahamian analyzes political tracts dating back to 1943, along with Khomeini's theological writings and his many public statements in the form of speeches, interviews, proclamations and fatwas (judicial decrees). What emerges, according to Abrahamian, is a militant, sometimes contradictory, political ideology that focuses not on issues of scripture and theology but on the immediate political, social, and economic grievances of workers and the middle class.These essays reveal how the Islamic Republic has systematically manipulated history through televised "recantations," newspapers, school textbooks, and even postage stamps. All are designed to bolster the clergy's reputation as champions of the downtrodden and as defenders against foreign powers. Abrahamian also discusses the paranoia that permeates the political spectrum in Iran, contending that such deep distrust is symptomatic of populist regimes everywhere.   [brief]
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Title: Painting on the left: Diego Rivera, radical politics, and San Francisco's public murals
Author: Lee, Anthony W 1960-
Published: University of California Press,  1999
Subjects: Art | Art History | Californian and Western History | California and the West
Publisher's Description: The boldly political mural projects of Diego Rivera and other leftist artists in San Francisco during the 1930s and early 1940s are the focus of Anthony W. Lee's fascinating book. Led by Rivera, these painters used murals as a vehicle to reject the economic and political status quo and to give visible form to labor and radical ideologies, including Communism.Several murals, and details of others, are reproduced here for the first time. Of special interest are works by Rivera that chart a progress from mural paintings commissioned for private spaces to those produced as a public act in a public space: Allegory of California, painted in 1930-31 at the Stock Exchange Lunch Club; Making a Fresco, Showing the Building of a City , done a few months later at the California School of Fine Arts; and Pan American Unity , painted in 1940 for the Golden Gate International Exposition.Labor itself became a focus of the new murals: Rivera painted a massive representation of a construction worker just as San Francisco's workers were themselves organizing; Victor Arnautoff, Bernard Zakheim, John Langley Howard , and Clifford Wight painted panels in Coit Tower that acknowledged the resolve of the dockworkers striking on the streets below. Radical in technique as well, these muralists used new compositional strategies of congestion, misdirection, and fragmentation, subverting the legible narratives and coherent allegories of traditional murals.Lee relates the development of wall painting to San Francisco's international expositions of 1915 and 1939, the new museums and art schools, corporate patronage, and the concerns of immigrants and ethnic groups. And he examines how mural painters struggled against those forces that threatened their practice: the growing acceptance of modernist easel painting, the vagaries of New Deal patronage, and a wartime nationalism hostile to radical politics.   [brief]
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Title: Nuns as artists: the visual culture of a medieval convent
Author: Hamburger, Jeffrey F 1957-
Published: University of California Press,  1997
Subjects: Art | Religion | Gender Studies | Art History | Medieval History
Publisher's Description: Jeffrey F. Hamburger's groundbreaking study of the art of female monasticism explores the place of images and image-making in the spirituality of medieval nuns during the later Middle Ages. Working from a previously unknown group of late-fifteenth-century devotional drawings made by a Benedictine nun for her cloistered companions, Hamburger discusses the distinctive visual culture of female communities. The drawings discovered by Hamburger and the genre to which they belong have never been given serious consideration by art historians, yet they serve as icons of the nuns' religious vocation in all its complexity. Setting the drawings and related imagery - manuscript illumination, prints, textiles, and metalwork - within the context of religious life and reform in late medieval Germany, Hamburger reconstructs the artistic, literary, and institutional traditions that shaped the lives of cloistered women.Hamburger convincingly demonstrates the overwhelming importance of "seeing" in devotional practice, challenging traditional assumptions about the primacy of text over image in monastic piety. His presentation of the "visual culture of the convent" makes a fundamental contribution to the history of medieval art and, more generally, of late medieval monasticism and spirituality.   [brief]
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Title: The "new woman" revised: painting and gender politics on fourteenth street 
Author: Todd, Ellen Wiley
Published: University of California Press,  1993
Subjects: Art | Art History | United States History | Women's Studies | American Studies
Publisher's Description: In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters - Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop - placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period.This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.   [brief]
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Title: Lovis Corinth 
Author: Uhr, Horst 1934-
Published: University of California Press,  1990
Subjects: Art | Art History
Publisher's Description: This splendid and generously illustrated monograph by Horst Uhr is the first comprehensive study of one of the great individualists in the history of art. Lovis Corinth (1858-1925) has long been recognized as a major figure in German painting, along with Emile Nolde and Max Beckmann. Spanning a tremendously fertile period in European painting, his astonishingly productive career touched on major currents of art in his time, from the nineteenth-century academic tradition to Naturalism, Impressionism, and Expressionism. Corinth was accomplished in several media, including painting, drawing, and watercolor. After his death in 1925 virtually every major German city held its own memorial exhibition.Professor Uhr draws on the artist's own diaries and letters, observations by his family, and writings by contemporaries to construct a detailed narrative which places Corinth's deeply autobiographical and personal work in the context of turn-of-the-century art politics in Munich and Berlin. Corinth is seen in relation both to contemporary cultural figures, such as artists, critics, and dealers, and to the theater, the Jugendstil movement, the Berlin Secession, and the Nietzsche cult in Germany. Corinth's themes in combination with powerful use of color and bold application of paint distinguish him as a modern master.   [brief]
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Title: Berthe Morisot
Author: Higonnet, Anne 1959-
Published: University of California Press,  1995
Subjects: Art | Art History | Autobiographies and Biographies | Women's Studies
Publisher's Description: Of the six Impressionist painters whose first exhibition scandalized and fascinated Paris in 1874, Berthe Morisot was the only woman. She reached a pinnacle of artistic achievement despite the restraints society placed on her sex, adroitly combining her artistic ambitions with a rewarding family lif . . . [more]
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Title: Orientalist aesthetics: art, colonialism, and French North Africa, 1880-1930
Author: Benjamin, Roger 1957-
Published: University of California Press,  2003
Subjects: Art | Art History | French Studies
Publisher's Description: Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.   [brief]
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Title: Berlin metropolis: Jews and the new culture, 1890-1918
Author: Bilski, Emily D 1956-
Published: University of California Press,  2000
Subjects: Art | History | Jewish Studies | German Studies
Publisher's Description: Between 1890 and 1918 the city of Berlin evolved into a commercial and industrial hub that also became an international center for radical new ideas in the visual, performing, and literary arts. Jews were key leaders in developing this unique cosmopolitan culture. Berlin Metropolis: Jews and the New Culture, 1890-1918 vividly documents the many ways that Jewish artists and entrepreneurs participated in this burst of artistic creativity and promoted the emergence of modernism on the international scene.The book and exhibition at The Jewish Museum highlight leading cultural figures such as Max Liebermann, a founder of the Berlin Secession, and Herwarth Walden, who founded Der Sturm; artists such as Ludwig Meidner and Jakob Steinhardt; pioneers of cabaret, theater, and film, including Max Reinhardt and Ernst Lubitsch; art dealers, publishers, and writers; and leading intellectual and political figures such as Martin Buber and Georg Simmel. These and other fascinating individuals are represented by more than 200 diverse objects: paintings, sculpture, drawings, prints, books, letters, posters, graphic arts, theater memorabilia, and film. The book includes eight essays by scholars of German and Jewish culture and art history that provide a truly interdisciplinary interpretation of the Berlin renaissance.The period represented in Berlin Metropolis was a time when Jews were traditionally restricted from participating in major areas of German public life such as the army, government, and the university. But by turning to the "alternative public spheres" characteristic of urban society - galleries, cafés, journals, theaters, cabarets - they emerged as innovative cultural leaders whose intellectual and artistic impact is still felt today.The exhibition, Berlin Metropolis: Jews and the New Culture, 1890-1918 , will be at The Jewish Museum, New York , from November 14, 1999, to March 5, 2000; and the Norton Museum of Art, West Palm Beach, Florida , from April 1 to June 11, 2000.   [brief]
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Title: China's continuous revolution: the post-liberation epoch, 1949-1981 
Author: Dittmer, Lowell
Published: University of California Press,  1989
Subjects: Asian Studies
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Title: Recording conceptual art: early interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner, by Patricia Norvell
Author: Barry, Robert 1936-
Published: University of California Press,  2001
Subjects: Art | Art History | Art Theory
Publisher's Description: Recording Conceptual Art features a highly provocative series of previously unpublished interviews conducted in early 1969 with some of the most dynamic, daring, and innovative artists of the tumultuous 1960s. The nine individuals - eight artists and one art dealer - are now known as major contributors to Conceptual art. These fascinating dialogues, conducted by Patricia Norvell, provide tantalizing moments of spontaneous philosophizing and brilliant insights, as well as moments of unabashed self-importance, with highly imaginative and colorful individuals.   [brief]
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Title: Virgil's epic technique 
Author: Heinze, Richard 1867-1929
Published: University of California Press,  1994
Subjects: Classics | Literature in Translation
Publisher's Description: Heinze's study, originally published in German in 1903, remains a classic of Virgil scholarship. This translation makes the book available in English for the first time.
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Title: What is this thing called jazz?: African American musicians as artists, critics, and activists
Author: Porter, Eric (Eric C.)
Published: University of California Press,  2002
Subjects: Music | History | United States History | American Studies | African American Studies | American Music | Contemporary Music | Jazz
Publisher's Description: Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.   [brief]
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Title: Revolutionizing the family: politics, love, and divorce in urban and rural China, 1949-1968
Author: Diamant, Neil Jeffrey 1964-
Published: University of California Press,  2000
Subjects: History | Politics | China | Sociology | Asian History | Gender Studies
Publisher's Description: In 1950, China's new Communist government enacted a Marriage Law to allow free choice in marriage and easier access to divorce. Prohibiting arranged marriages, concubinage, and bigamy, it was one of the most dramatic efforts ever by a state to change marital and family relationships. In this comprehensive study of the effects of that law, Neil J. Diamant draws on newly opened urban and rural archival sources to offer a detailed analysis of how the law was interpreted and implemented throughout the country. In sharp contrast to previous studies of the Marriage Law, which have argued that it had little effect in rural areas, Diamant argues that the law reshaped marriage and family relationships in significant--but often unintended--ways throughout the Maoist period. His evidence reveals a confused and often conflicted state apparatus, as well as cases of Chinese men and women taking advantage of the law to justify multiple sexual encounters, to marry for beauty, to demand expensive gifts for engagement, and to divorce on multiple occasions. Moreover, he finds, those who were best placed to use the law's more liberal provisions were not well-educated urbanites but rather illiterate peasant women who had never heard of sexual equality; and it was poor men, not women, who were those most betrayed by the peasant-based revolution.   [brief]
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