Title: Marcus Garvey, life and lessons: a centennial companion to The Marcus Garvey and Universal Negro Improvement Association papers
Author: Hill, Robert A 1943-
Published: University of California Press,  1987
Subjects: History | United States History | African American Studies
Publisher's Description: "I do not speak carelessly or recklessly but with a definite object of helping the people, especially those of my race, to know, to understand, and to realize themselves." - Marcus Garvey, Halifax, Nova Scotia, 1937A popular companion to the scholarly edition of The Marcus Garvey and Universal Negro Improvement Association Papers , this volume is a collection of autobiographical and philosophical works produced by Garvey in the period from his imprisonment in Atlanta to his death in London in 1940.   [brief]
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Title: African-American Christianity: essays in history
Author: Johnson, Paul E 1942-
Published: University of California Press,  1994
Subjects: History | United States History | African American Studies | Christianity
Publisher's Description: Eight leading scholars have joined forces to give us the most comprehensive book to date on the history of African-American religion from the slavery period to the present.Beginning with Albert Raboteau's essay on the importance of the story of Exodus among African-American Christians and concluding with Clayborne Carson's work on Martin Luther King, Jr.'s religious development, this volume illuminates the fusion of African and Christian traditions that has so uniquely contributed to American religious development. Several common themes emerge: the critical importance of African roots, the traumatic discontinuities of slavery, the struggle for freedom within slavery and the subsequent experience of discrimination, and the remarkable creativity of African-American religious faith and practice. Together, these essays enrich our understanding of both African-American life and its part in the history of religion in America.   [brief]
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Title: Black magic: religion and the African American conjuring tradition
Author: Chireau, Yvonne Patricia 1961-
Published: University of California Press,  2003
Subjects: Religion | African Studies | American Studies | United States History | African American Studies
Publisher's Description: Black Magic looks at the origins, meaning, and uses of Conjure - the African American tradition of healing and harming that evolved from African, European, and American elements - from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America. As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.   [brief]
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Title: Speaking with vampires: rumor and history in colonial Africa 
Author: White, Luise
Published: University of California Press,  2000
Subjects: African Studies | African History | African Studies | Cultural Anthropology
Publisher's Description: During the colonial period, Africans told each other terrifying rumors that Africans who worked for white colonists captured unwary residents and took their blood. In colonial Tanganyika, for example, Africans were said to be captured by these agents of colonialism and hung upside down, their throats cut so their blood drained into huge buckets. In Kampala, the police were said to abduct Africans and keep them in pits, where their blood was sucked. Luise White presents and interprets vampire stories from East and Central Africa as a way of understanding the world as the storytellers did. Using gossip and rumor as historical sources in their own right, she assesses the place of such evidence, oral and written, in historical reconstruction. White conducted more than 130 interviews for this book and did research in Kenya, Uganda, and Zambia. In addition to presenting powerful, vivid stories that Africans told to describe colonial power, the book presents an original epistemological inquiry into the nature of historical truth and memory, and into their relationship to the writing of history.   [brief]
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Title: The Creation of tribalism in Southern Africa 
Author: Vail, Leroy
Published: University of California Press,  1989
Subjects: History | African History | African Studies | Ethnic Studies
Publisher's Description: Despite a quarter century of "nation building," most African states are still driven by ethnic particularism - commonly known as "tribalism." The stubborn persistence of tribal ideologies despite the profound changes associated with modernization has puzzled scholars and African leaders alike. The bloody hostilities between the tribally-oriented Zulu Inkhata movement and supporters of the African National Congress are but the most recent example of tribalism's tenacity. The studies in this volume offer a new historical model for the growth and endurance of such ideologies in southern Africa.   [brief]
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Title: Black African cinema
Author: Ukadike, Nwachukwu Frank
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film
Publisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmaking throughout Africa.Every aspect of African contact with and contribution to cinematic practices receives attention: British colonial cinema; the thematic and stylistic diversity of the pioneering "francophone" films; the effects of television on the motion picture industry; and patterns of television documentary filmmaking in "anglophone" regions. Ukadike gives special attention to the growth of independent production in Ghana and Nigeria, the unique Yoruba theater-film tradition, and the militant liberationist tendencies of "lusophone" filmmakers. He offers a lucid discussion of oral tradition as a creative matrix and the relationship between cinema and other forms of popular culture. And, by contrasting "new" African films with those based on the traditional paradigm, he explores the trends emerging from the eighties and nineties.Clearly written and accessible to specialist and general reader alike, Black African Cinema 's analysis of key films and issues - the most comprehensive in English - is unique. The book's pan-Africanist vision heralds important new strategies for appraising a cinema that increasingly attracts the attention of film students and Africanists.   [brief]
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Title: Images and empires: visuality in colonial and postcolonial Africa
Author: Landau, Paul Stuart 1962-
Published: University of California Press,  2002
Subjects: Anthropology | African Studies | Art History | Cultural Anthropology | History
Publisher's Description: Figurative images have long played a critical, if largely unexamined, role in Africa - mediating relationships between the colonizer and the colonized, the state and the individual, and the global and the local. This pivotal volume considers the meaning and power of images in African history and culture. Paul S. Landau and Deborah Kaspin have assembled a wide-ranging collection of essays dealing with specific visual forms, including monuments, cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits. The contributors, experts in a number of disciplines, discuss various modes of visuality in Africa and of Africa, investigating the interplay of visual images with personal identity, class, gender, politics, and wealth. Integral to the argument of the book are over seventy contextualized illustrations. Africans saw foreigners in margarine wrappers, Tintin cartoons, circus posters, and Hollywood movies; westerners gleaned impressions of Africans from colonial exhibitions, Tarzan films, and naturalist magazines. The authors provide concrete examples of the construction of Africa's image in the modern world. They reveal how imperial iconographies sought to understand, deny, control, or transform authority, as well as the astonishing complexity and hybridity of visual communication within Africa itself.   [brief]
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Title: Dateline Soweto: travels with black South African reporters 
Author: Finnegan, William
Published: University of California Press,  1995
Subjects: Media Studies | African Studies | Social Problems | Politics | African History
Publisher's Description: Dateline Soweto documents the working lives of black South African reporters caught between the mistrust of militant blacks, police harrassment, and white editors who - fearing government disapproval - may not print the stories these reporters risk their lives to get. William Finnegan revisited seve . . . [more]
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Title: The opening of the Apartheid mind: options for the new South Africa 
Author: Adam, Heribert
Published: University of California Press,  1993
Subjects: African Studies | Politics | African History
Publisher's Description: Refusing to be governed by what is fashionable or inoffensive, Heribert Adam and Kogila Moodley frankly address the passions and rationalities that drive politics in post-apartheid South Africa. They argue that the country's quest for democracy is widely misunderstood and that public opinion abroad relies on stereotypes of violent tribalism and false colonial analogies.Adam and Moodley criticize the personality cult surrounding Nelson Mandela and the accolades accorded F. W. de Klerk. They reject the black-versus-white conflict and substitute sober analysis and strategic pragmatism for the moral outrage that typifies so much writing about South Africa. Believing that the best expression of solidarity emanates from sympathetic but candid criticism, they pose challenging questions for the African National Congress and Nelson Mandela. They give in-depth coverage to political violence, the ANC-South African Communist Party alliance, Inkatha, and other controversial topics as well.The authors do not propose a solution that will guarantee a genuinely democratic South Africa. What they offer is an understanding of the country's social conditions and political constraints, and they sketch options for both a new South Africa and a new post-Cold War foreign policy for the whole of southern Africa. The importance of this book is as immediate as today's headlines.   [brief]
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Title: To place our deeds: the African American community in Richmond, California, 1910-1963
Author: Moore, Shirley Ann Wilson 1947-
Published: University of California Press,  2000
Subjects: History | Californian and Western History | California and the West | African American Studies
Publisher's Description: To Place Our Deeds traces the development of the African American community in Richmond, California, a city on the San Francisco Bay. This readable, extremely well-researched social history, based on numerous oral histories, newspapers, and archival collections, is the first to examine the historical development of one black working-class community over a fifty-year period.Offering a gritty and engaging view of daily life in Richmond, Shirley Ann Wilson Moore examines the process and effect of migration, the rise of a black urban industrial workforce, and the dynamics of community development. She describes the culture that migrants brought with them - including music, food, religion, and sports - and shows how these traditions were adapted to new circumstances. Working-class African Americans in Richmond used their cultural venues - especially the city's legendary blues clubs - as staging grounds from which to challenge the racial status quo, with a steadfast determination not to be "Jim Crowed" in the Golden State.As this important work shows, working-class African Americans often stood at the forefront of the struggle for equality and were linked to larger political, social, and cultural currents that transformed the nation in the postwar period.   [brief]
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Title: Ngoma: discourses of healing in central and southern Africa 
Author: Janzen, John M
Published: University of California Press,  1992
Subjects: Anthropology | African Studies | Medical Anthropology
Publisher's Description: Ngoma , in Bantu, means drum, song, performance, and healing cult or association. A widespread form of ritual healing in Central and Southern Africa, ngoma is fully investigated here for the first time and interpreted in a contemporary context. John Janzen's daring study incorporates drumming and spirit possession into a broader, institutional profile that emphasizes the varieties of knowledge and social forms and also the common elements of "doing ngoma ."Drawing on his recent field research in Kinshasa, Dar-es-Salaam, Mbabane, and Capetown, Janzen reveals how ngoma transcends national and social boundaries. Spoken and sung discourses about affliction, extended counseling, reorientation of the self or household, and the creation of networks that link the afflicted, their kin, and their healers are all central to ngoma - and familiar to Western self-help institutions as well. Students of African healing and also those interested in the comparative and historical study of medicine, religion, and music will find Ngoma a valuable and thought-provoking book.   [brief]
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Title: Bureaucracy and race: native administration in South Africa 
Author: Evans, Ivan Thomas 1957-
Published: University of California Press,  1997
Subjects: African Studies | African History | Sociology | Postcolonial Studies | Cultural Anthropology
Publisher's Description: Bureaucracy and Race overturns the common assumption that apartheid in South Africa was enforced only through terror and coercion. Without understating the role of violent intervention, Ivan Evans shows that apartheid was sustained by a great and ever-swelling bureaucracy. The Department of Native Affairs (DNA), which had dwindled during the last years of the segregation regime, unexpectedly revived and became the arrogant, authoritarian fortress of apartheid after 1948. The DNA was a major player in the prolonged exclusion of Africans from citizenship and the establishment of a racially repressive labor market. Exploring the connections between racial domination and bureaucratic growth in South Africa, Evans points out that the DNA's transformation of oppression into "civil administration" institutionalized and, for whites, legitimized a vast, coercive bureaucratic culture, which ensnared millions of Africans in its workings and corrupted the entire state. Evans focuses on certain features of apartheid - the pass system, the "racialization of space" in urban areas, and the cooptation of African chiefs in the Bantustans - in order to make it clear that the state's relentless administration, not its overtly repressive institutions, was the most distinctive feature of South Africa in the 1950s. All observers of South Africa past and present and of totalitarian states in general will follow with interest the story of how the Department of Native Affairs was crucial in transforming "the idea of apartheid" into a persuasive - and all too durable - practice.   [brief]
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Title: A democratic South Africa?: constitutional engineering in a divided society 
Author: Horowitz, Donald L
Published: University of California Press,  1991
Subjects: Politics | African Studies | Sociology | Law
Publisher's Description: Can a society as deeply divided as South Africa become democratic? In a most timely work, Donald L. Horowitz, author of the acclaimed Ethnic Groups in Conflict , points to the conditions that make democracy an improbable outcome in South Africa. At the same time, he identifies ways to overcome these obstacles, and he describes institutions that offer constitution makers the best chance for a democratic future.South Africa is generally considered an isolated case, a country unlike any other. Drawing on his extensive experience of racially and ethnically divided societies, however, Horowitz brings South Africa back into African and comparative politics. Experience gained in Nigeria, Botswana, Zimbabwe, and other divided societies around the world is relevant because, as South Africa leaves apartheid behind, it will still confront problems of pluralism: racial, ethnic, and ideological. Countries like South Africa, Horowitz argues, must develop institutions capable of coping with such divisions.Reviewing an array of constitutional proposals for South Africa - group rights, consociation, partition, binationalism, and an enhanced role for the judiciary - Horowitz shows that most are inappropriate for the country's problems, or else run afoul of some major ideological taboo. Institutions that are both apt and acceptable do exist, however. These are premised on the need to create incentives for accommodation across group lines. In the final chapter, Horowitz makes a major contribution to the theory of democratization as he considers how commitments to democracy might be extracted even from political groups with undemocratic objectives.Ranging skillfully across studies of social distance and stereotypes, electoral and party systems, constitutions and judiciaries, conflict and accommodation, and negotiation and democratization, Horowitz displays a broad comparative vision. His innovative study will change the way theorists and practitioners approach the task of making democracy work in difficult conditions.   [brief]
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Title: California soul: music of African Americans in the West
Author: DjeDje, Jacqueline Cogdell
Published: University of California Press,  1998
Subjects: Music | African American Studies | American Studies | California and the West | Californian and Western History | United States History | Contemporary Music | Jazz
Publisher's Description: This new series, co-sponsored with The Center for Black Music Research of Columbia College, seeks to increase our understanding of black music genres and their importance to the cultures of the Atlantic world, including their influence on African musical styles. Books in the series will examine the wide-ranging music of the African diaspora - including the folk-derived musical styles of the Americas as well as European-influenced concert hall music of the entire black Atlantic world - by analyzing issues critical to our interpretation of the music itself and exploring the relationships between music and the other black expressive arts.Focusing on blues, jazz, gospel, rhythm and blues, and soul music, California Soul is one of the first books to explore the rich musical heritage of African Americans in California. The contributors describe in detail the individual artists, locales, groups, musical styles, and regional qualities, and the result is an important book that lays the groundwork for a whole new field of study. The essays draw from oral histories, music recordings, newspaper articles and advertisements, as well as population statistics to provide insightful discussions of topics like the California urban milieu's influence on gospel music, the development of the West Coast blues style, and the significance of Los Angeles's Central Avenue in the early days of jazz. Other essays offer perspectives on how individual musicians have been shaped by their African American heritage, and on the role of the record industry and radio in the making of music. In addition to the diverse range of essays, the book includes the most comprehensive bibliography now available on African American music and culture in California.   [brief]
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Title: Black workers remember: an oral history of segregation, unionism, and the freedom struggle
Author: Honey, Michael K
Published: University of California Press,  2000
Subjects: History | United States History | Labor Studies | African American Studies
Publisher's Description: The labor of black workers has been crucial to economic development in the United States. Yet because of racism and segregation, their contribution remains largely unknown. Spanning the 1930s to the present, Black Workers Remember tells the hidden history of African American workers in their own words. It provides striking firsthand accounts of the experiences of black southerners living under segregation in Memphis, Tennessee. Eloquent and personal, these oral histories comprise a unique primary source and provide a new way of understanding the black labor experience during the industrial era. Together, the stories demonstrate how black workers resisted racial apartheid in American industry and underscore the active role of black working people in history.The individual stories are arranged thematically in chapters on labor organizing, Jim Crow in the workplace, police brutality, white union racism, and civil rights struggles. Taken together, the stories ask us to rethink the conventional understanding of the civil rights movement as one led by young people and preachers in the 1950s and 1960s. Instead, we see the freedom struggle as the product of generations of people, including workers who organized unions, resisted Jim Crow at work, and built up their families, churches, and communities. The collection also reveals the devastating impact that a globalizing capitalist economy has had on black communities and the importance of organizing the labor movement as an antidote to poverty.QQ Michael Honey gathered these oral histories for more than fifteen years. He weaves them together here into a rich collection reflecting many tragic dimensions of America's racial history while drawing new attention to the role of workers and poor people in African American and American history.   [brief]
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Title: The spirit of freedom: South African leaders on religion and politics 
Author: Villa-Vicencio, Charles
Published: University of California Press,  1996
Subjects: Religion | Politics | African Studies
Publisher's Description: This collection of interviews explores the role of religion in the lives of eminent South Africans who led the struggle against apartheid. Nelson Mandela, Chris Hani, Desmond Tutu, Nadine Gordimer, and seventeen other political, religious, and cultural leaders share the beliefs and values that informed the moral positions they adopted, often at great cost. From all ethnic, religious, and political backgrounds, these men and women have shaped one of the greatest political transformations of the century.What emerges from the interviews are reflections on all aspects of life in an embattled country. There are stories of the homelands and townships, and tales of imprisonment and exile. Dedicated communists relate their intense youthful devotion to Christianity; Muslim activists discuss the complexity of their relationships with their communities. As the respondents grapple with difficult questions about faith, politics, and authority, they expose a more personal picture: of their daily lives, of their pasts, and of the enormous conflicts that arise in a society that continually strains the moral fiber of its citizens. Taken together, these interviews reveal the many-faceted vision that has fueled South Africa's struggle for democracy.   [brief]
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Title: What is this thing called jazz?: African American musicians as artists, critics, and activists
Author: Porter, Eric (Eric C.)
Published: University of California Press,  2002
Subjects: Music | History | United States History | American Studies | African American Studies | American Music | Contemporary Music | Jazz
Publisher's Description: Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.   [brief]
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Title: Out of our minds: reason and madness in the exploration of Central Africa: the Ad. E. Jensen lectures at the Frobenius Institut, University of Frankfurt
Author: Fabian, Johannes
Published: University of California Press,  2000
Subjects: Anthropology | African History | Cultural Anthropology
Publisher's Description: Explorers and ethnographers in Africa during the period of colonial expansion are usually assumed to have been guided by rational aims such as the desire for scientific knowledge, fame, or financial gain. This book, the culmination of many years of research on nineteenth-century exploration in Central Africa, provides a new view of those early European explorers and their encounters with Africans. Out of Our Minds shows explorers were far from rational--often meeting their hosts in extraordinary states influenced by opiates, alcohol, sex, fever, fatigue, and violence. Johannes Fabian presents fascinating and little-known source material, and points to its implications for our understanding of the beginnings of modern colonization. At the same time, he makes an important contribution to current debates about the intellectual origins and nature of anthropological inquiry. Drawing on travel accounts--most of them Belgian and German--published between 1878 and the start of World War I, Fabian describes encounters between European travelers and the Africans they met. He argues that the loss of control experienced by these early travelers actually served to enhance cross-cultural understanding, allowing the foreigners to make sense of strange facts and customs. Fabian's provocative findings contribute to a critique of narrowly scientific or rationalistic visions of ethnography, illuminating the relationship between travel and intercultural understanding, as well as between imperialism and ethnographic knowledge.   [brief]
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Title: Human rights and reform: changing the face of North African politics 
Author: Waltz, Susan Eileen
Published: University of California Press,  1995
Subjects: Politics | History | Middle Eastern Studies | Middle Eastern History | African History | African Studies
Publisher's Description: Independence from colonial rule did not usher in the halcyon days many North Africans had hoped for, as the new governments in Morocco, Tunisia, and Algeria soon came to rely on repression to reinforce and maintain power. In response to widespread human rights abuses, individuals across the Maghrib began to form groups in the late 1970s to challenge the political practices and structures in the region, and over time these independent human rights organizations became prominent political actors. The activists behind them are neither saints nor revolutionaries, but political reformers intent on changing political patterns that have impeded democratization.This study, the first systematic comparative analysis of North African politics in more than a decade, explores the ability of society, including Islamist forces, to challenge the powers of states. Locating Maghribi polities within their cultural and historical contexts, Waltz traces state-society relations in the contemporary period. Even as Algeria totters at the brink of civil war and security concerns rise across the region, the human rights groups Susan Waltz examines implicitly challenge the authoritarian basis of political governance. Their efforts have not led to the democratic transition many had hoped, but human rights have become a crucial new element of North African political discourse.   [brief]
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Title: Engaged surrender: African American women and Islam
Author: Rouse, Carolyn Moxley 1965-
Published: University of California Press,  2004
Subjects: Anthropology | American Studies | Religion | African American Studies | Sociology
Publisher's Description: Commonly portrayed in the media as holding women in strict subordination and deference to men, Islam is nonetheless attracting numerous converts among African American women. Are these women "reproducing their oppression," as it might seem? Or does their adherence to the religion suggest unsuspected subtleties and complexities in the relation of women, especially black women, to Islam? Carolyn Rouse sought answers to these questions among the women of Sunni Muslim mosques in Los Angeles. Her richly textured study provides rare insight into the meaning of Islam for African American women; in particular, Rouse shows how the teachings of Islam give these women a sense of power and control over interpretations of gender, family, authority, and obligations. In Engaged Surrender, Islam becomes a unique prism for clarifying the role of faith in contemporary black women's experience. Through these women's stories, Rouse reveals how commitment to Islam refracts complex processes - urbanization, political and social radicalization, and deindustrialization - that shape black lives generally, and black women's lives in particular. Rather than focusing on traditional (and deeply male) ideas of autonomy and supremacy, the book - and the community of women it depicts - emphasizes more holistic notions of collective obligation, personal humility, and commitment to overarching codes of conduct and belief. A much-needed corrective to media portraits of Islam and the misconceptions they engender, this engaged and engaging work offers an intimate, in-depth look into the vexed and interlocking issues of Islam, gender, and race.   [brief]
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