Title: Speaking the unspeakable: religion, misogyny, and the uncanny mother in Freud's cultural texts 
Author: Jonte-Pace, Diane E. (Diane Elizabeth) 1951-
Published: University of California Press,  2001
Subjects: Religion | Literature | Gender Studies | Jewish Studies | Psychology
Publisher's Description: In this bold rereading of Freud's cultural texts, Diane Jonte-Pace uncovers an undeveloped "counterthesis," one that repeatedly interrupts or subverts his well-known Oedipal masterplot. The counterthesis is evident in three clusters of themes within Freud's work: maternity, mortality, and immortality; Judaism and anti-Semitism; and mourning and melancholia. Each of these clusters is associated with "the uncanny" and with death and loss. Appearing most frequently in Freud's images, metaphors, and illustrations, the counterthesis is no less present for being unspoken--it is, indeed, "unspeakable." The "uncanny mother" is a primary theme found in Freud's texts involving fantasies of immortality and mothers as instructors in death. In other texts, Jonte-Pace finds a story of Jews for whom the dangers of assimilation to a dominant Gentile culture are associated unconsciously with death and the uncanny mother. The counterthesis appears in the story of anti-Semites for whom the "uncanny impression of circumcision" gives rise not only to castration anxiety but also to matriphobia. It also surfaces in Freud's ability to mourn the social and religious losses accompanying modernity, and his inability to mourn the loss of his own mother. The unfolding of Freud's counterthesis points toward a theory of the cultural and unconscious sources of misogyny and anti-Semitism in "the unspeakable." Jonte-Pace's work opens exciting new vistas for the feminist analysis of Freud's intellectual legacy.   [brief]
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Title: Hysteria beyond Freud 
Author: Gilman, Sander L
Published: University of California Press,  1993
Subjects: History | Literature | Women's Studies | Psychiatry | Medicine
Publisher's Description: "She's hysterical." For centuries, the term "hysteria" has been used by physicians and laymen alike to diagnose and dismiss the extreme emotionality and mysterious physical disorders presumed to bedevil others - especially women. How has this medical concept assumed its power? What cultural purposes does it serve? Why do different centuries and different circumstances produce different kinds of hysteria?These are among the questions pursued in this absorbing, erudite reevaluation of the history of hysteria. The widely respected authors draw upon the insights of the new social and cultural history, rather than Freudian psychoanalysis, to examine the ways in which hysteria has been conceived by doctors and patients, writers and artists, in Europe and North America, from antiquity to the early years of the twentieth century. In so doing, they show that a history of hysteria is a history of how we understand the mind.   [brief]
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Title: An obsession with Anne Frank: Meyer Levin and The diary 
Author: Graver, Lawrence 1931-
Published: University of California Press,  1997
Subjects: Literature | American Literature | American Studies | History | European History
Publisher's Description: Anne Frank's Diary has been acclaimed throughout the world as an indelible portrait of a gifted girl and as a remarkable document of the Holocaust. For Meyer Levin, the respected writer who helped bring the Diary to an American audience, the Jewish girl's moving story became a thirty-year obsession that altered his life and brought him heartbreaking sorrow.Lawrence Graver's fascinating account of Meyer Levin's ordeal is a story within a story. What began as a warm collaboration between Levin and Anne's father, Otto Frank, turned into a notorious dispute that lasted several decades and included litigation and public scandal. Behind this story is another: one man's struggle with himself - as a Jew and as a writer - in postwar America. Looming over both stories is the shadow of the Holocaust and its persistent, complex presence in our lives.Graver's book is based on hundreds of unpublished documents and on interviews with some of the Levin-Frank controversy's major participants. It illuminates important areas of American culture: publishing, law, religion, politics, and the popular media. The "Red Scare," anti-McCarthyism, and the commercial imperatives of Broadway are all players in this book, along with the assimilationist mood among many Jews and the simplistic pieties of American society in the 1950s.Graver also examines the different and often conflicting ways that people the world over, Jewish and Gentile, wanted Anne Frank and her much-loved book to be represented. That her afterlife has in extraordinary ways taken on the shape and implications of myth makes Graver's story - and Meyer Levin's - even more compelling.   [brief]
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Title: Reshaping the psychoanalytic domain: the work of Melanie Klein, W.R.D. Fairbairn, and D.W. Winnicott
Author: Hughes, Judith M
Published: University of California Press,  1989
Subjects: History | Intellectual History | Psychiatry
Publisher's Description: Tracing the line of succession from Sigmund Freud, through Melanie Klein to Fairbairn and Winnicott, Judith Hughes demonstrates the internal development of the British school of psychoanalysis and the coherence of its legacy. Both lay reader and professional will find the book illuminating.
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Title: The view from Bald Hill: thirty years in an Arizona grassland
Author: Bock, Carl E 1942-
Published: University of California Press,  2000
Subjects: Environmental Studies | Conservation | California and the West | Ecology | Natural History | Science | Biology | Botany | Zoology
Publisher's Description: In 1540 Francisco Vasquez de Coronado introduced the first domestic livestock to the American Southwest. Over the subsequent four centuries, cattle, horses, and sheep have created a massive ecological experiment on these arid grasslands, changing them in ways we can never know with certainty. The Appleton-Whittell Research Ranch in the high desert of southeastern Arizona is an 8,000-acre sanctuary where grazing has been banned since 1968. In this spirited account of thirty years of research at the ranch, Carl and Jane Bock summarize the results of their fieldwork, which was aimed at understanding the dynamics of grasslands in the absence of livestock. The View from Bald Hill provides an intimate look at the natural history of this unique site and illuminates many issues pertaining to the protection and restoration of our nation's grasslands.   [brief]
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Title: A critic writes: essays by Reyner Banham
Author: Banham, Reyner
Published: University of California Press,  1997
Subjects: Architecture | Art | American Studies | Popular Culture
Publisher's Description: Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings.The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system.Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.   [brief]
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Title: Nets of awareness: Urdu poetry and its critics 
Author: Pritchett, Frances W 1947-
Published: University of California Press,  1994
Subjects: Literature | Literary Theory and Criticism | South Asia | Asian History
Publisher's Description: Frances Pritchett's lively, compassionate book joins literary criticism with history to explain how Urdu poetry - long the pride of Indo-Muslim culture - became devalued in the second half of the nineteenth century.This abrupt shift, Pritchett argues, was part of the backlash following the violent Indian Mutiny of 1857. She uses the lives and writings of the distinguished poets and critics Azad and Hali to show the disastrous consequences - culturally and politically - of British rule. The British had science, urban planning - and Wordsworth. Azad and Hali had a discredited culture and a metaphysical, sexually ambiguous poetry that differed radically from English lyric forms.Pritchett's beautiful reconstruction of the classical Urdu poetic vision allows us to understand one of the world's richest literary traditions and also highlights the damaging potential of colonialism.   [brief]
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Title: Domestic individualism: imagining self in nineteenth-century America
Author: Brown, Gillian
Published: University of California Press,  1992
Subjects: Literature | Literary Theory and Criticism | American Literature | Gender Studies | United States History | American Studies
Publisher's Description: Gillian Brown's book probes the key relationship between domestic ideology and formulations of the self in nineteenth-century America. Arguing that domesticity institutes gender, class, and racial distinctions that govern masculine as well as feminine identity, Brown brilliantly alters, for literary critics, feminists, and cultural historians, the critical perspective from which nineteenth-century American literature and culture have been viewed.In this study of the domestic constitution of individualism, Brown traces how the values of interiority, order, privacy, and enclosure associated with the American home come to define selfhood in general. By analyzing writings by Stowe, Hawthorne, Melville, Fern, and Gilman, and by examining other contemporary cultural modes - abolitionism, consumerism, architecture, interior decorating, motherhood, mesmerism, hysteria, and agoraphobia - she reconfigures the parameters of both domesticity and the patterns of self it fashions. Unfolding a representational history of the domestic, Brown's work offers striking new readings of the literary texts as well as of the cultural contexts that they embody.   [brief]
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Title: Wordsworth and the cultivation of women 
Author: Page, Judith W 1951-
Published: University of California Press,  1994
Subjects: Literature | Literary Theory and Criticism | English Literature | Poetry | Women's Studies | Autobiographies and Biographies
Publisher's Description: Focusing on the poems of Wordsworth's "Great Decade," feminist critics have tended to see Wordsworth as an exploiter of women and "feminine" perspectives. In this original and provocative book, Judith Page examines works from throughout Wordsworth's long career to offer a more nuanced feminist account of the poet's values. She asks questions about Wordsworth and women from the point of view of the women themselves and of eighteenth- and nineteenth-century culture. Making extensive use of family letters, journals, and other documents, as well as unpublished material by the poet's daughter Dora Wordsworth, Page presents Wordsworth as a poet not defined primarily by egotistical sublimity but by his complicated and conflicted endorsement of domesticity and familial life.   [brief]
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Title: Moving places: a life at the movies 
Author: Rosenbaum, Jonathan
Published: University of California Press,  1995
Subjects: Cinema and Performance Arts | Film | Autobiography
Publisher's Description: Moving Places is the brilliant account of a life steeped in and shaped by the movies - part autobiography, part film analysis, part social history. Jonathan Rosenbaum, one of America's most gifted film critics, began his moviegoing in the 1950s in small-town Alabama, where his family owned and managed a chain of theaters.Starting in the Deep South of his boyhood, Rosenbaum leads us through a series of "screen memories," making us aware of movies as markers of the past - when and where we saw them, with whom, and what we did afterward. The mood swings easily from sensual and poignant regret to screwball exuberance, punctuated along the way by a tribute to the glamorous Grace Kelly of Rear Window , a meditation on The Rocky Horror Picture Show and its improbable audience-community, and an extended riff on Rosenbaum's encounters with On Moonlight Bay .Originally published in 1980, Moving Places is reissued now both as a companion volume to the author's latest book and as a means of introducing a new generation of film buffs to this unique, often humorous exploration of one man's life at the movies.   [brief]
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Title: The view from Vesuvius: Italian culture and the southern question
Author: Moe, Nelson 1961-
Published: University of California Press,  2002
Subjects: European Studies | European History | Intellectual History | Politics | European Literature
Publisher's Description: The vexed relationship between the two parts of Italy, often referred to as the Southern Question, has shaped that nation's political, social, and cultural life throughout the twentieth century. But how did southern Italy become "the south," a place and people seen as different from and inferior to the rest of the nation? Writing at the rich juncture of literature, history, and cultural theory, Nelson Moe explores how Italy's Mezzogiorno became both backward and picturesque, an alternately troubling and fascinating borderland between Europe and its others. This finely crafted book shows that the Southern Question is far from just an Italian issue, for its origins are deeply connected to the formation of European cultural identity between the mid-eighteenth and late nineteenth centuries. Moe examines an exciting range of unfamiliar texts and visual representations including travel writing, political discourse, literary texts, and etchings to illuminate the imaginative geography that shaped the divide between north and south. His narrative moves from a broad examination of the representation of the south in European culture to close readings of the literary works of Leopardi and Giovanni Verga. This groundbreaking investigation into the origins of the modern vision of the Mezzogiorno is made all the more urgent by the emergence of separatism in Italy in the 1990s.   [brief]
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Title: Incidents 
Author: Barthes, Roland
Published: University of California Press,  1992
Subjects: Literature | Autobiography | Literary Theory and Criticism | GayLesbian and Bisexual Studies
Publisher's Description: In 1979, just after having written skeptically on the question of whether a journal was worth keeping "with a view to publication," Roland Barthes began to keep an intimate journal called "Soirées de Paris" in which he gave direct notation to his gay desire in its various states of excitation, panic, and despair. Together with three other uncollected texts by Barthes, including an earlier journal he kept in Morocco, this remarkable document was published in France after its author's death under the title of Incidents . Richard Howard's translation now makes the volume available to readers of English."I gave him some money, he promised to be at the rendezvous an hour later, and of course never showed up. I asked myself if I was really so mistaken (the received wisdom about giving money to a hustler in advance! ) and concluded that since I really didn't want him all that much (nor even to make love), the result was the same: sex or no sex, at eight o'clock I would find myself back at the same point in my life." - from Incidents   [brief]
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Title: Foundations of political economy: some early Tudor views on state and society
Author: Wood, Neal
Published: University of California Press,  1994
Subjects: History | Political Theory | Economics and Business
Publisher's Description: Conventional wisdom claims that the seventeenth century gave birth to the material and ideological forces that culminated in the Industrial Revolution and the rise of capitalism. Not true, according to Neal Wood, who argues that much earlier reformers - Dudley, Starkey, Brinklow, Latimer, Crowley, Becon, Lever, and Thomas Smith, as well as the better-known More and Fortescue - laid the groundwork by fashioning an economic conception of the state in response to social, economic and political conditions of England. Wood's innovative study of these early Tudor thinkers, who upheld the status quo yet condemned widespread poverty and suffering, will interest historians, political scientists, and social and political theorists.   [brief]
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Title: A sheep's song: a writer's reminiscences of Japan and the world 
Author: Katō, Shūichi 1919-
Published: University of California Press,  1999
Subjects: Literature | Asian History | Japan | Autobiographies and Biographies
Publisher's Description: This critically acclaimed autobiography was an instant bestseller in Japan, where it has gone through more than forty printings since its first publication. Cultural critic, literary historian, novelist, poet, and physician, Kato Shuichi reconstructs his dramatic spiritual and intellectual journey from the militarist era of prewar Japan to the dynamic postwar landscapes of Japan and Europe. This fluid translation of A Sheep's Song captures Kato's unique voice and brings his insightful interpretation of modern Japan and its tumultuous relations with the outside world to English-speaking readers for the first time.Kato describes his youthful interest in the natural sciences as well as in Japanese and Western literatures - from the Man'yoshu to Akutagawa Ryunosuke, Baudelaire, Valéry, and Proust. Turning to the rise of Japanese fascism in the late 1930s, he recalls his rebellion against the jingoistic political atmosphere of the time. The chapters on the war and its aftermath include experiences of Hiroshima shortly after the bombing and the often tragicomic encounters between the defeated Japanese nation and the American Occupation forces. Throughout, memories of his wide-ranging literary career and broad experiences in Europe as a student, traveler, and cultural observer are punctuated by his unique perspectives on the relation between imagination, art, and politics.A postscript written especially for the English-language edition discusses the Vietnam War, the subsequent transformation of Japan, the cultures and societies of Europe, the United States, and China, and the collapse of the Soviet Union.   [brief]
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Title: The disenchanted self: representing the subject in the Canterbury tales 
Author: Leicester, H. Marshall (Henry Marshall) 1942-
Published: University of California Press,  1990
Subjects: Literature | Literary Theory and Criticism | Medieval Studies
Publisher's Description: The question of the "dramatic principle" in the Canterbury Tales , of whether and how the individual tales relate to the pilgrims who are supposed to tell them, has long been a central issue in the interpretation of Chaucer's work. Drawing on ideas from deconstruction, psychoanalysis, and social theory, Leicester proposes that Chaucer can lead us beyond the impasses of contemporary literary theory and suggests new approaches to questions of agency, representation, and the gendered imagination.Leicester reads the Canterbury Tales as radically voiced and redefines concepts like "self" and "character" in the light of current discussions of language and subjectivity. He argues for Chaucer's disenchanted practical understanding of the constructed character of the self, gender, and society, building his case through close readings of the Pardoner's, Wife of Bath's, and Knight's tales. His study is among the first major treatments of Chaucer's poetry utilizing the techniques of contemporary literary theory and provides new models for reading the poems while revising many older views of them and of Chaucer's relation to his age.   [brief]
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Title: What is this thing called jazz?: African American musicians as artists, critics, and activists
Author: Porter, Eric (Eric C.)
Published: University of California Press,  2002
Subjects: Music | History | United States History | American Studies | African American Studies | American Music | Contemporary Music | Jazz
Publisher's Description: Despite the plethora of writing about jazz, little attention has been paid to what musicians themselves wrote and said about their practice. An implicit division of labor has emerged where, for the most part, black artists invent and play music while white writers provide the commentary. Eric Porter overturns this tendency in his creative intellectual history of African American musicians. He foregrounds the often-ignored ideas of these artists, analyzing them in the context of meanings circulating around jazz, as well as in relationship to broader currents in African American thought. Porter examines several crucial moments in the history of jazz: the formative years of the 1920s and 1930s; the emergence of bebop; the political and experimental projects of the 1950s, 1960s and 1970s; and the debates surrounding Jazz at Lincoln Center under the direction of Wynton Marsalis. Louis Armstrong, Anthony Braxton, Marion Brown, Duke Ellington, W.C. Handy, Yusef Lateef, Abbey Lincoln, Charles Mingus, Archie Shepp, Wadada Leo Smith, Mary Lou Williams, and Reggie Workman also feature prominently in this book. The wealth of information Porter uncovers shows how these musicians have expressed themselves in print; actively shaped the institutional structures through which the music is created, distributed, and consumed, and how they aligned themselves with other artists and activists, and how they were influenced by forces of class and gender. What Is This Thing Called Jazz? challenges interpretive orthodoxies by showing how much black jazz musicians have struggled against both the racism of the dominant culture and the prescriptive definitions of racial authenticity propagated by the music's supporters, both white and black.   [brief]
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Title: The blood of strangers: stories from emergency medicine
Author: Huyler, Frank 1964-
Published: University of California Press,  1999
Subjects: Medicine | American Literature | Autobiography
Publisher's Description: Reminiscent of Chekhov's stories, The Blood of Strangers is a visceral portrayal of a physician's encounters with the highly charged world of an emergency room. In this collection of spare and elegant stories, Dr. Frank Huyler reveals a side of medicine where small moments - the intricacy of suturing a facial wound, the bath a patient receives from her husband and daughter - interweave with the lives and deaths of the desperately sick and injured. The author presents an array of fascinating characters, both patients and doctors - a neurosurgeon who practices witchcraft, a trauma surgeon who unexpectedly commits suicide, a wounded murderer, a man chased across the New Mexico desert by a heat-seeking missile. At times surreal, at times lyrical, at times brutal and terrifying, The Blood of Strangers is a literary work that emerges from one of the most dramatic specialties of modern medicine. This deeply affecting first book has been described by one early reader as "the best doctor collection I have seen since William Carlos Williams's The Doctor Stories ."   [brief]
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Title: State and intellectual in imperial Japan: the public man in crisis 
Author: Barshay, Andrew E
Published: University of California Press,  1991
Subjects: History | Asian History | Japan | Intellectual History
Publisher's Description: In this superbly written and eminently readable narrative, Andrew E. Barshay presents the contrasting lives of Nanbara Shigeru (1889-1974) and Hasegawa Nyoze-kan (1875-1969), illuminating the complex predicament of modern Japanese intellectuals and their relation to state and society.Following the Meiji Restoration of 1868, a powerful modern state began to emerge in Japan, and with it, the idea of a "public" sphere of action. This sphere brought with it a new type of intellectual - a "public man" whose role was to interpret and nationalize "universal" (and largely foreign) ideas and ideologies.Activity within the public sphere took many forms as Japanese intellectuals sought to define their changing roles. At no time was such public activity as intense as during the crisis years of later imperial and early postwar Japan. In contrasting case studies, Andrew E. Barshay presents the lives of two modern Japanese intellectuals, Nanbara Shigeru (1889-1974), professor of Western political thought at Tokyo Imperial University, and Hasegawa Nyozekan (1875-1969), a versatile independent journalist. Through their writings and experiences, Barshay examines the power of the idea of "national community" in public life. He treats Nanbara's and Hasegawa's ideas and actions as they developed within the contexts of Western intellectual tradition and modern Japanese history. The result is a superbly written narrative that illuminates the complex predicament of modern Japanese intellectuals and their relation to the state and society. Barshay's work is ultimately a study of intellectual mobilization in a modern state, and of the price of national identity in the twentieth century.   [brief]
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Title: Men, women, and God(s): Nawal El Saadawi and Arab feminist poetics 
Author: Malti-Douglas, Fedwa
Published: University of California Press,  1995
Subjects: Literature | Middle Eastern Studies | Gender Studies | Women's Studies
Publisher's Description: Men, Women, and God(s) is a pioneering study of the Arab world's leading feminist and most controversial woman writer, Nawal El Saadawi. Author of plays, memoirs, and such novels as Woman at Point Zero and The Innocence of the Devil , El Saadawi has become well known in the West as well as in the Arab community for her unforgettable female heroes and explosive narratives, which boldly address sexual violence, female circumcision, theology, and other politically charged themes. Her outspoken feminism and critique of patriarchy have also earned her the wrath of repressive forces in the Middle East. Imprisoned in her native Egypt under Sadat, El Saadawi is now among those on the death lists of Islamic religious conservatives.In Men, Women, and God(s) Fedwa Malti-Douglas makes the work of this important but little-understood writer truly accessible. Contending that El Saadawi's texts cannot be read in isolation from their Islamic and Arabic heritage, Malti-Douglas draws upon a deep knowledge of classical and modern Arabic textual traditions - and on extensive conversations with Nawal El Saadawi - to place the writer within her cultural and historical context. With this impassioned and radical exegesis of El Saadawi's prolific output, Malti-Douglas has written a crucial study of one of the most controversial and influential writers of our time.   [brief]
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Title: Faultlines: cultural materialism and the politics of dissident reading 
Author: Sinfield, Alan
Published: University of California Press,  1992
Subjects: Literature | Renaissance Literature | English Literature | Literary Theory and Criticism
Publisher's Description: If we come to consciousness within a language that is complicit with the social order, how can we conceive, let alone organize, resistance to that social order? This key question in the politics of reading and subcultural practice informs Alan Sinfield's book on writing in early-modern England.New historicism has often shown people trapped in a web of language and culture. In lively discussions of writings by Shakespeare, Marlowe, Sidney, and Donne, Sinfield reassesses the scope of dissidence and control. The early-modern state, Christianity, and the cultural apparatus, despite an ideology of unity and explicit violence, could not but allow space to challenging voices. Sinfield shows that disruptions in concepts of hierarchy, nationality, gender, and sexuality force their way into literary texts.Sinfield is often provocative. He "rewrites" Julius Caesar to produce a different politics, compares Sidney's idea of poetry to Leonid Brezhnev's, and reinstates the concept of character in the face of post-structuralist theory. He keeps the current politics of literary study in view, especially in a substantial chapter on Shakespeare in the U.S. Sinfield subjects interactions between class, ethnicity, sexuality, and the professional structures of the humanities to a detailed and hard-hitting critique, and argues for new commitments to collectivities and subcultures.   [brief]
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