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Your request for similar items found 20 book(s).
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1. cover
Title: A critical cinema 2: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore th . . . [more]
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2. cover
Title: Overtones and undertones: reading film music
Author: Brown, Royal S
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film | Music
Publisher's Description: Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Ro . . . [more]
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3. cover
Title: Film quarterly: forty years--a selection online access is available to everyone
Author: Henderson, Brian
Published: University of California Press,  1999
Subjects: Cinema and Performance Arts | Film
Publisher's Description: During its forty years as a forum for scholars, filmmakers, critics, and film lovers, Film Quarterly has looked in depth at the most critical elements in the political, social, theoretical, and aesthetic history of the cinema. Once closely tied to Hollywood, the journal was investigated by the Tenne . . . [more]
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4. cover
Title: Latin American vanguards: the art of contentious encounters online access is available to everyone
Author: Unruh, Vicky
Published: University of California Press,  1994
Subjects: Literature | Latin American Studies | Literary Theory and Criticism
Publisher's Description: In this first comprehensive study of Latin America's literary vanguards of the 1920s and 1930s, Vicky Unruh explores the movement's provocative and polemic nature. Latin American vanguardism - a precursor to the widely acclaimed work of contemporary Latin American writers - was stimulated by the Eur . . . [more]
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5. cover
Title: Overhearing film dialogue
Author: Kozloff, Sarah
Published: University of California Press,  2000
Subjects: Cinema and Performance Arts | Literary Theory and Criticism | American Studies | Film
Publisher's Description: Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, "When a motion picture is at its best, it is long on action and short on dialogue." Little serious work has been done on the subject of film d . . . [more]
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6. cover
Title: Sundance to Sarajevo: film festivals and the world they made
Author: Turan, Kenneth
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | Film
Publisher's Description: Almost every day of the year a film festival takes place somewhere in the world--from sub-Saharan Africa to the Land of the Midnight Sun. Sundance to Sarajevo is a tour of the world's film festivals by an insider whose familiarity with the personalities, places, and culture surrounding the cinema ma . . . [more]
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7. cover
Title: Redefining Black film
Author: Reid, Mark (Mark A.)
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film | African American Studies
Publisher's Description: Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous bl . . . [more]
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8. cover
Title: Black African cinema
Author: Ukadike, Nwachukwu Frank
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film
Publisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmakin . . . [more]
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9. cover
Title: A critical cinema 3: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film
Publisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film histor . . . [more]
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10. cover
Title: Placing movies: the practice of film criticism
Author: Rosenbaum, Jonathan
Published: University of California Press,  1995
Subjects: Cinema and Performance Arts | Film
Publisher's Description: Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice , is arguably the most eloquent, insightful film critic writing in America today. Placing Movies , the first collection of his work, gathers together thirty of his most distinctive . . . [more]
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11. cover
Title: A certain realism: making use of Pasolini's film theory and practice
Author: Viano, Maurizio Sanzio 1950-
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film
Publisher's Description: Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films - Accattone , The Canterbury Tales , Medea , Saló - continue to challenge and entertain new generations of moviegoers. A leftist, a homosexual, and a distinguished writer of fiction, poetry, a . . . [more]
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12. cover
Title: More than night: film noir in its contexts
Author: Naremore, James
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film | Literature
Publisher's Description: "Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and 1950s - melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. In More Than Night , James Naremore discusses these pictures, but he also shows that the central term is more compl . . . [more]
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13. cover
Title: Window shopping: cinema and the postmodern
Author: Friedberg, Anne
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film | Popular Culture | Women's Studies
Publisher's Description: Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences - photography, urban st . . . [more]
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14. cover
Title: Victorian literature and the Victorian visual imagination online access is available to everyone
Author: Christ, Carol T
Published: University of California Press,  1995
Subjects: Literature | Art History | English Literature | Victorian History | Literary Theory and Criticism
Publisher's Description: Nineteenth-century British culture frequently represented the eye as the preeminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to the visual imag . . . [more]
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15. cover
Title: The films of Oshima Nagisa: images of a Japanese iconoclast
Author: Turim, Maureen Cheryn 1951-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film | Japan
Publisher's Description: This study of the films of Oshima Nagisa is both an essential introduction to the work of a major postwar director of Japanese cinema and a theoretical exploration of strategies of filmic style. For almost forty years, Oshima has produced provocative films that have received wide distribution and in . . . [more]
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16. cover
Title: Fluxus experience
Author: Higgins, Hannah 1964-
Published: University of California Press,  2002
Subjects: Art | Art History | Art Theory | Art Criticism
Publisher's Description: In this groundbreaking work of incisive scholarship and analysis, Hannah Higgins explores the influential art movement Fluxus. Daring, disparate, contentious - Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus f . . . [more]
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17. cover
Title: First cut: conversations with film editors
Author: Oldham, Gabriella
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film | Media Studies
Publisher's Description: First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, thi . . . [more]
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18. cover
Title: Hollywood quarterly: film culture in postwar America, 1945-1957 online access is available to everyone
Author: Smoodin, Eric Loren
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts
Publisher's Description: The first issue of Hollywood Quarterly, in October 1945, marked the appearance of the most significant, successful, and regularly published journal of its kind in the United States. For its entire life, the Quarterly held to the leftist utopianism of its founders, several of whom would later be blac . . . [more]
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19. cover
Title: Weimar surfaces: urban visual culture in 1920s Germany
Author: Ward, Janet 1963-
Published: University of California Press,  2001
Subjects: Literature | Architecture | Film | European Studies | European History | Popular Culture
Publisher's Description: Germany of the 1920s offers a stunning moment in modernity, a time when surface values first became determinants of taste, activity, and occupation: modernity was still modern, spectacle was still spectacular. Janet Ward's luminous study revisits Weimar Germany via the lens of metropolitan visual cu . . . [more]
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20. cover
Title: Landscapes of resistance: the German films of Danièle Huillet and Jean-Marie Straub online access is available to everyone
Author: Byg, Barton 1953-
Published: University of California Press,  1995
Subjects: Cinema and Performance Arts | Film | German Studies | Intellectual History
Publisher's Description: Fervently admired and frequently reviled, Jean-Marie Straub and Danièle Huillet - who have lived and worked together for almost forty years - may well be the most uncompromising, not to say intransigent, filmmakers in the history of the medium. Their radical and deeply political films placed them as . . . [more]
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