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1. cover
Title: Himalayan voices: an introduction to modern Nepali literature online access is available to everyone
Author: Hutt, Michael
Published: University of California Press,  1991
Subjects: Literature | Literature in Translation | South Asia
Publisher's Description: While the natural splendor of Nepal has been celebrated in many books, very little of the substantial body of Nepali literature has appeared in English translation. Himalayan Voices provides admirers of Nepal and lovers of literature with their first glimpse of the vibrant literary scene in Nepal today.An introduction to the two most developed genres of modern Nepali literature - poetry and the short story - this work profiles eleven of Nepal's most distinguished poets and offers translations of more than eighty poems written from 1916 to 1986. Twenty of the most interesting and best-known examples of the Nepali short story are translated into English for the first time by Michael Hutt. All provide vivid descriptions of life in twentieth-century Nepal.Although the days when Nepali poets were regularly jailed for their writings have passed, until 1990 the strictures of various laws governing public security and partisan political activity still required writers and publishers to exercise a certain caution. In spite of these conditions, poetry in Nepal remained the most vital and innovative genre, in which sentiments and opinions on contemporary social and political issues were frequently expressed.While the Nepali short story adapted its present form only during the early 1930s, it has rapidly developed a surprisingly high degree of sophistication. These stories offer insights into the workings of Nepali society: into caste, agrarian relations, social change, the status of women, and so on. Such insights are more immediate than those offered by scholarly works and are conveyed by implication and assumption rather than analysis and exposition.This book should appeal not only to admirers of Nepal, but to all readers with an interest in non-Western literatures. Himalayan Voices establishes for the first time the existence of a sophisticated literary tradition in Nepal and the eastern Himalaya.   [brief]
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2. cover
Title: Another kind of love: male homosexual desire in English discourse, 1850-1920 online access is available to everyone
Author: Craft, Christopher 1952-
Published: University of California Press,  1994
Subjects: Literature | Sociology | Literary Theory and Criticism | Gender Studies | GayLesbian and Bisexual Studies
Publisher's Description: In a study that will be of interest to all those concerned with the politics of gender, the history of sexuality, and the erotics of reading, Christopher Craft investigates questions fundamental to any history of present sexualities. How does the modern binary homosexual/heterosexual relate to earlier formulations like "sexual inversion" and "sodomy"? What part does literature play in the development of such categories, or in a culture's resistance to them? And what are the implications for the creation and maintenance of the presumed "natural" male heterosexual subject? How has male heterosexual subjectivity been established as a bulwark against the attractions of a homosexual desire that is repeatedly incited by the very culture that condemns it?Craft examines the discourses of nineteenth-century psychiatry and sexology; some of Freud's central writings; and Tennyson's In Memoriam , Wilde's The Importance of Being Earnest , Stoker's Dracula , and Lawrence's Women In Love .   [brief]
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3. cover
Title: The rest is silence: death as annihilation in the English Renaissance online access is available to everyone
Author: Watson, Robert N
Published: University of California Press,  1995
Subjects: Literature | English Literature | Literary Theory and Criticism | Renaissance Literature
Publisher's Description: How did the fear of death coexist with the promise of Christian afterlife in the culture and literature of the English Renaissance? Robert Watson exposes a sharp edge of blasphemous protest against mortality that runs through revenge plays such as The Spanish Tragedy and Hamlet , and through plays of procreation such as Measure for Measure and Macbeth . Tactics of denial appear in the vengefulness that John Donne directs toward female bodies for failing to bestow immortality, and in the promise of renewal that George Herbert sets against the threat of closure.Placing these literary manifestations in the context of specific Jacobean deathbed crises and modern cultural distortions, Watson explores the psychological roots and political consequences of denying that death permanently erases sensation and consciousness.   [brief]
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4. cover
Title: The trauma of gender: a feminist theory of the English novel
Author: Moglen, Helene 1936-
Published: University of California Press,  2001
Subjects: Literature | Gender Studies | Women's Studies | European Studies | European History | Literary Theory and Criticism | English Literature
Publisher's Description: Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel princi- pally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts.   [brief]
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5. cover
Title: The Irish Ulysses online access is available to everyone
Author: Tymoczko, Maria
Published: University of California Press,  1997
Subjects: Literature | Literary Theory and Criticism | English Literature
Publisher's Description: In a radical new reading of Ulysses , Maria Tymoczko argues that previous scholarship has distorted our understanding of Joyce's epic novel by focusing on its English and continental literary sources alone. Challenging conventional views that Joyce rejected Irish literature, Tymoczko demonstrates how he used Irish imagery, myth, genres, and literary modes. For the first time, Joyce emerges as an author caught between the English and Irish literary traditions, one who, like later postcolonial writers, remakes English language literature with his own country's rich literary heritage.The author's exacting scholarship makes this book required reading for Joyce scholars, while its theoretical implications - for such issues as canon formation, the role of criticism in literary reception, and the interface of literary cultures - make it an important work for literary theorists.   [brief]
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6. cover
Title: Trials of authorship: anterior forms and poetic reconstruction from Wyatt to Shakespeare online access is available to everyone
Author: Crewe, Jonathan V
Published: University of California Press,  1990
Subjects: Literature | Renaissance Literature | English Literature
Publisher's Description: For more than a decade, the English Renaissance has been the scene of trial for the critical methodologies of deconstruction, feminism, new historicism, psychoanalytic poststructuralism, and cultural studies. Jonathan Crewe argues that the commitment in the prevailing criticism to innovation, transgression, and radical change has increasingly obscured some powerfully conservative elements both in Renaissance culture and in these critical discourses themselves.In a reading of the poets Wyatt, Surrey, and Gascoigne, and of the biographies of Thomas More and Cardinal Wolsey, Crewe focuses on the relatively stable poetic and cultural forms operative in the Renaissance. He argues that these established forms, which shape poetic composition, social interaction, and individual identity, are subject to only limited reconstruction by English authors in the sixteenth century. They both facilitate and limit literary and social expression and result in more sharply conflicted literary production than contemporary critics have been willing to acknowledge. Crewe concentrates on authors whose canonical status is somewhat precarious and intentionally shifts the emphasis away from the Elizabethan period and toward that of Henry VIII. Trials of Authorship redraws the existing picture of the English Renaissance in the sixteenth century.   [brief]
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7. cover
Title: Facundo: civilization and barbarism: the first complete English translation
Author: Sarmiento, Domingo Faustino 1811-1888
Published: University of California Press,  2004
Subjects: Literature | History | Latin American History | Politics | Literature in Translation
Publisher's Description: A classic work of Latin American literature, Domingo Sarmiento's Facundo has become an integral part of the history, politics, and culture of Latin America since its first publication in 1845. Partially translated into English when it was first published, this foundational text appears here for the first time in its entirety. An educator and writer, Sarmiento was President of Argentina from 1868 to 1874. His Facundo is a study of the Argentine character, a prescription for the modernization of Latin America, and a protest against the tyranny of the government of Juan Manuel de Rosas (1835-1852). The book brings nineteenth-century Latin American history to life even as it raises questions still being debated today - questions regarding the "civilized" city versus the "barbaric" countryside, the treatment of indigenous and African populations, and the classically liberal plan of modernization. Facundo's celebrated and frequently anthologized portraits of the caudillo Juan Facundo Quiroga and other colorful characters give readers an exhilarating sense of Argentine culture in the making. Kathleen Ross's translation renders Sarmiento's passionate prose into English with all its richness intact, allowing the English-language reader the full experience of Facundo's intensity and historical reach.   [brief]
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8. cover
Title: The imaginary puritan: literature, intellectual labor, and the origins of personal life online access is available to everyone
Author: Armstrong, Nancy
Published: University of California Press,  1992
Subjects: Literature | Literary Theory and Criticism | American Literature
Publisher's Description: Nancy Armstrong and Leonard Tennenhouse challenge traditional accounts of the origins of modern Anglo-American culture by focusing on the emergence of print culture in England and the North American colonies. They postulate a modern middle class that consisted of authors and intellectuals who literally wrote a new culture into being.Milton's Paradise Lost marks the emergence of this new literacy. The authors show how Milton helped transform English culture into one of self-enclosed families made up of self-enclosed individuals. However, the authors point out that the popularity of Paradise Lost was matched by that of the Indian captivity narratives that flowed into England from the American colonies. Mary Rowlandson's account of her forcible separation from the culture of her origins stresses the ordinary person's ability to regain those lost origins, provided she remains truly English. In a colonial version of the Miltonic paradigm, Rowlandson sought to return to a family of individuals much like the one in Milton's depiction of the fallen world.Thus the origin both of modern English culture and of the English novel are located in North America. American captivity narratives formulated the ideal of personal life that would be reproduced in the communities depicted by Defoe, Richardson, and later domestic fiction.   [brief]
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9. cover
Title: An empire nowhere: England, America, and literature from Utopia to The tempest online access is available to everyone
Author: Knapp, Jeffrey
Published: University of California Press,  1991
Subjects: Literature | Literary Theory and Criticism | United States History | Renaissance Literature | European History
Publisher's Description: What caused England's literary renaissance? One answer has been such unprecedented developments as the European discovery of America. Yet England in the sixteenth century was far from an expanding nation. Not only did the Tudors lose England's sole remaining possessions on the Continent and, thanks to the Reformation, grow spiritually divided from the Continent as well, but every one of their attempts to colonize the New World actually failed.Jeffrey Knapp accounts for this strange combination of literary expansion and national isolation by showing how the English made a virtue of their increasing insularity. Ranging across a wide array of literary and extraliterary sources, Knapp argues that English poets rejected the worldly acquisitiveness of an empire like Spain's and took pride in England's material limitations as a sign of its spiritual strength. In the imaginary worlds of such fictions as Utopia , The Faerie Queene , and The Tempest , they sought a grander empire, founded on the "otherworldly" virtues of both England and poetry itself.   [brief]
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10. cover
Title: Death before dying: the Sufi poems of Sultan Bahu
Author: Sult̤ān Bāhū 1630-1691
Published: University of California Press,  1998
Subjects: Literature | Religion | Poetry | Middle Eastern Studies | Literature in Translation | Islam | South Asia
Publisher's Description: These 115 poems introduce readers in English to Sultan Bahu (d. 1691), a Sufi mystical poet who continues to be one of the most beloved writers in Punjabi. Bahu, whose name translates as "With God," remains highly popular in Pakistan and India today - even illiterate Punjabis can recite his poetry b . . . [more]
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11. cover
Title: Faultlines: cultural materialism and the politics of dissident reading online access is available to everyone
Author: Sinfield, Alan
Published: University of California Press,  1992
Subjects: Literature | Renaissance Literature | English Literature | Literary Theory and Criticism
Publisher's Description: If we come to consciousness within a language that is complicit with the social order, how can we conceive, let alone organize, resistance to that social order? This key question in the politics of reading and subcultural practice informs Alan Sinfield's book on writing in early-modern England.New historicism has often shown people trapped in a web of language and culture. In lively discussions of writings by Shakespeare, Marlowe, Sidney, and Donne, Sinfield reassesses the scope of dissidence and control. The early-modern state, Christianity, and the cultural apparatus, despite an ideology of unity and explicit violence, could not but allow space to challenging voices. Sinfield shows that disruptions in concepts of hierarchy, nationality, gender, and sexuality force their way into literary texts.Sinfield is often provocative. He "rewrites" Julius Caesar to produce a different politics, compares Sidney's idea of poetry to Leonid Brezhnev's, and reinstates the concept of character in the face of post-structuralist theory. He keeps the current politics of literary study in view, especially in a substantial chapter on Shakespeare in the U.S. Sinfield subjects interactions between class, ethnicity, sexuality, and the professional structures of the humanities to a detailed and hard-hitting critique, and argues for new commitments to collectivities and subcultures.   [brief]
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12. cover
Title: Victorian literature and the Victorian visual imagination online access is available to everyone
Author: Christ, Carol T
Published: University of California Press,  1995
Subjects: Literature | Art History | English Literature | Victorian History | Literary Theory and Criticism
Publisher's Description: Nineteenth-century British culture frequently represented the eye as the preeminent organ of truth. These essays explore the relationship between the verbal and the visual in the Victorian imagination. They range broadly over topics that include the relationship of optical devices to the visual imagination, the role of photography in changing the conception of evidence and truth, the changing partnership between illustrator and novelist, and the ways in which literary texts represent the visual. Together they begin to construct a history of seeing in the Victorian period.   [brief]
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13. cover
Title: The private orations of Themistius
Author: Themistius
Published: University of California Press,  1999
Subjects: Classics | Classical Literature and Language | Classical History | Classical Politics | Classical Religions | Ancient History
Publisher's Description: Themistius was a philosopher, a prominent Constantinopolitan senator, and an adviser to Roman emperors during the fourth century A.D. In this first translation of Themistius's private orations to be published in English, Robert J. Penella makes accessible texts that shed significant light on the culture of Constantinople and, more generally, the eastern Roman empire during the fourth century. The sixteen speeches translated here are equipped with ample annotations and an informative introduction, making them a valuable resource on the late antique period, as well as on Greek intellectual history and oratory.In Themistius's public orations, he played the role of imperial panegyrist, but in the "private" or unofficial orations presented here, the senator concerns himself with apologetics, rhetorical and philosophical programs, material of autobiographical interest, and ethical themes. The speeches are valuable as evidence for the political, social, philosophical, religious, and literary history of fourth century Byzantium, and as examples of pagan ideology and eloquence in the newly Christianized court. Themistius argues, among other things, that the philosopher should be involved in public affairs, that the lessons of philosophy should be broadcast to the masses, and that it is appropriate for the philosopher to be an effective orator in order to circulate his teachings.   [brief]
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14. cover
Title: The chances of rhyme: device and modernity online access is available to everyone
Author: Wesling, Donald
Published: University of California Press,  1980
Subjects: Literature | English Literature
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15. cover
Title: The voice in the margin: Native American literature and the canon online access is available to everyone
Author: Krupat, Arnold
Published: University of California Press,  1989
Subjects: Native American Studies | American Literature
Publisher's Description: In its consideration of American Indian literature as a rich and exciting body of work, The Voice in the Margin invites us to broaden our notion of what a truly inclusive American literature might be, and of how it might be placed in relation to an international - a "cosmopolitan" - literary canon. The book comes at a time when the most influential national media have focused attention on the subject of the literary canon. They have made it an issue not merely of academic but of general public concern, expressing strong opinions on the subject of what the American student should or should not read as essential or core texts. Is the literary canon simply a given of tradition and history, or is it, and must it be, constantly under construction? The question remains hotly contested to the present moment.Arnold Krupat argues that the literary expression of the indigenous peoples of the United States has claims on us to more than marginal attention. Demonstrating a firm grasp of both literary history and contemporary critical theory, he situates Indian literature, traditional and modern, in a variety of contexts and categories. His extensive knowledge of the history and current theory of ethnography recommends the book to anthropologists and folklorists as well as to students and teachers of literature, both canonical and noncanonical. The materials covered, the perspectives considered, and the learning displayed all make The Voice in the Margin a major contribution to the exciting field of contemporary cultural studies.   [brief]
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16. cover
Title: Licensing entertainment: the elevation of novel reading in Britain, 1684-1750 online access is available to everyone
Author: Warner, William Beatty
Published: University of California Press,  1998
Subjects: Literature | European History | Print Media | English Literature
Publisher's Description: Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by novel reading in the eighteenth century. William Warner shows how the earliest novels in Britain, published in small-format print media, provoked early instances of the modern anxiety about the effects of new media on consumers.Warner uncovers a buried and neglected history of the way in which the idea of the novel was shaped in response to a newly vigorous market in popular narratives. In order to rein in the sexy and egotistical novel of amorous intrigue, novelists and critics redefined the novel as morally respectable, largely masculine in authorship, national in character, realistic in its claims, and finally, literary. Warner considers early novelists in their role as entertainers and media workers, and shows how the short, erotic, plot-driven novels written by Behn, Manley, and Haywood came to be absorbed and overwritten by the popular novels of Defoe, Richardson, and Fielding. Considering these novels as entertainment as well as literature, Warner traces a different story - one that redefines the terms within which the British novel is to be understood and replaces the literary history of the rise of the novel with a more inclusive cultural history.   [brief]
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17. cover
Title: Caught in the act: theatricality in the nineteenth-century English novel online access is available to everyone
Author: Litvak, Joseph
Published: University of California Press,  1992
Subjects: Literature | English Literature | Literary Theory and Criticism | GayLesbian and Bisexual Studies
Publisher's Description: Litvak demonstrates that private experience in the novels of Austen, Charlotte Brontë, Eliot, and James is a rigorous enactment of a public script that constructs normative gender and class identities. He suggests that the theatricality which pervades these novels enforces social norms while introdu . . . [more]
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18. cover
Title: The custom of the castle: from Malory to Macbeth online access is available to everyone
Author: Ross, Charles Stanley
Published: University of California Press,  1997
Subjects: Literature | European History | English Literature | Medieval Studies | Renaissance Literature
Publisher's Description: The "custom of the castle" imposes strange ordeals on knights and ladies seeking hospitality - daunting, mostly evil challenges that travelers must obey or even defend. This seemingly fantastic motif, first conceived by Chrètien de Troyes in the twelfth century and widely imitated in medieval French romance, flowered again when Italian and English authors adopted it during the century before Shakespeare's plays and the rise of the novel. Unlike other scholars who have dismissed it as pure literary convention, Charles Ross finds serious social purpose behind the custom of the castle.Ross explores the changing legal and cultural conceptions of custom in France, Italy, and England to uncover a broad array of moral issues in the many castle stories. He concentrates on single scenes that are common to a series of epics, showing how their nuanced narratives reflect real social limits of order, violence, justice, civility, and political conformity. His investigation of masterpieces from the thirteenth-century Lancelot to The Faerie Queene - by way of Malory, Boiardo, and Ariosto - demonstrates for the first time the impact on Shakespeare's plays, particularly Macbeth , of an earlier way of thinking about the strengths and weaknesses of social customs.   [brief]
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19. cover
Title: Precious nonsense: the Gettysburg address, Ben Jonson's epitaphs on his children, and Twelfth night online access is available to everyone
Author: Booth, Stephen
Published: University of California Press,  1998
Subjects: Literature
Publisher's Description: Why do we value literature so? Many would say for the experience it brings us. But what is it about that experience that makes us treasure certain writings above others? Stephen Booth suggests that the greatest appeal of our most valued works may be that they are, in one way or another, nonsensical. He uses three disparate texts - the Gettysburg Address, Ben Jonson's epitaphs on his children, and Shakespeare's Twelfth Night - to demonstrate how poetics triumphs over logic in the invigorating mental activity that enriches our experience of reading. Booth presents his case in a book that is crisply playful while at the same time thoroughly analytical. He demonstrates the lapses in logic and the irrational connections in examples of very different types of literature, showing how they come close to incoherence yet maintain for the reader a reliable order and purpose. Ultimately, Booth argues, literature gives us the capacity to cope effortlessly with, and even to transcend, the complicated and demanding mental experiences it generates for us.This book is in part a witty critique of the trends - old and new - of literary criticism, written by an accomplished and gifted scholar. But it is also a testimony to the power of the process of reading itself. Precious Nonsense is certain to bring pleasure to anyone interested in language and its beguiling possibilities.   [brief]
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20. cover
Title: Sappho's lyre: archaic lyric and women poets of ancient Greece
Author: Rayor, Diane J
Published: University of California Press,  1991
Subjects: Classics | Classical Literature and Language | Literature in Translation | Poetry
Publisher's Description: Sappho sang her poetry to the accompaniment of the lyre on the Greek island of Lesbos over 2500 years ago. Throughout the Greek world, her contemporaries composed lyric poetry full of passion, and in the centuries that followed the golden age of archaic lyric, new forms of poetry emerged. In this unique anthology, today's reader can enjoy the works of seventeen poets, including a selection of archaic lyric and the complete surviving works of the ancient Greek women poets - the latter appearing together in one volume for the first time. Sappho's Lyre is a combination of diligent research and poetic artistry. The translations are based on the most recent discoveries of papyri (including "new" Archilochos and Stesichoros) and the latest editions and scholarship. The introduction and notes provide historical and literary contexts that make this ancient poetry more accessible to modern readers.Although this book is primarily aimed at the reader who does not know Greek, it would be a splendid supplement to a Greek language course. It will also have wide appeal for readers of' ancient literature, women's studies, mythology, and lovers of poetry.   [brief]
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