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Your request for similar items found 20 book(s).
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1. cover
Title: A critical cinema 2: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues.The interviews explore th . . . [more]
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2. cover
Title: Hollywood in Berlin: American cinema and Weimar Germany online access is available to everyone
Author: Saunders, Thomas J
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | German Studies | Film | United States History | European History
Publisher's Description: The setting is 1920s Berlin, cultural heart of Europe and the era's only serious cinematic rival to Hollywood. In his engaging study, Thomas Saunders explores an outstanding example of one of the most important cultural developments of this century: global Americanization through the motion picture. . . . [more]
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3. cover
Title: A critical cinema 3: interviews with independent filmmakers
Author: MacDonald, Scott 1942-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film
Publisher's Description: A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film histor . . . [more]
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4. cover
Title: The dark mirror: German cinema between Hitler and Hollywood
Author: Koepnick, Lutz P. (Lutz Peter)
Published: University of California Press,  2002
Subjects: Cinema and Performance Arts | German Studies | Music | Film
Publisher's Description: Lutz Koepnick analyzes the complicated relationship between two cinemas - Hollywood's and Nazi Germany's - in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appr . . . [more]
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5. cover
Title: Black African cinema
Author: Ukadike, Nwachukwu Frank
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film
Publisher's Description: From the proselytizing lantern slides of early Christian missionaries to contemporary films that look at Africa through an African lens, N. Frank Ukadike explores the development of black African cinema. He examines the impact of culture and history, and of technology and co-production, on filmmakin . . . [more]
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6. cover
Title: Window shopping: cinema and the postmodern
Author: Friedberg, Anne
Published: University of California Press,  1993
Subjects: Cinema and Performance Arts | Film | Popular Culture | Women's Studies
Publisher's Description: Departing from those who define postmodernism in film merely as a visual style or set of narrative conventions, Anne Friedberg develops the first sustained account of the cinema's role in postmodern culture. She explores the ways in which nineteenth-century visual experiences - photography, urban st . . . [more]
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7. cover
Title: The new German cinema: music, history, and the matter of style online access is available to everyone
Author: Flinn, Caryl
Published: University of California Press,  2003
Subjects: Cinema and Performance Arts | German Studies | Music
Publisher's Description: When New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity - national, political, personal, and sexual - music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music . . . [more]
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8. cover
Title: Echo and Narcissus: women's voices in classical Hollywood cinema online access is available to everyone
Author: Lawrence, Amy
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film | Women's Studies
Publisher's Description: Do women in classical Hollywood cinema ever truly speak for themselves? In Echo and Narcissus , Amy Lawrence examines eight classic films to show how women's speech is repeatedly constructed as a "problem," an affront to male authority. This book expands feminist studies of the representation of wom . . . [more]
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9. cover
Title: The red rooster scare: making cinema American, 1900-1910
Author: Abel, Richard 1941-
Published: University of California Press,  1999
Subjects: Cinema and Performance Arts | Cultural Anthropology | Sociology
Publisher's Description: Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathé company's "Red Rooster" films could be found "everywhere." Through extensive original research, Richard Abel demonstrates how crucial . . . [more]
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10. cover
Title: Buñuel and Mexico: the crisis of national cinema
Author: Acevedo-Muñoz, Ernesto R 1968-
Published: University of California Press,  2003
Subjects: Cinema and Performance Arts | Latin American History | Latin American Studies
Publisher's Description: Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only English-language study of Buñuel's Mexican films, this boo . . . [more]
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11. cover
Title: The ciné goes to town: French cinema, 1896-1914
Author: Abel, Richard 1941-
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film | French Studies | European History | Popular Culture
Publisher's Description: This updated edition of Richard Abel's magisterial history of French cinema between 1896 and 1914 is based on extensive investigation of rare archival films and documents.
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12. cover
Title: Writing the character-centered screenplay
Author: Horton, Andrew
Published: University of California Press,  1994
Subjects: Cinema and Performance Arts | Film | Writing
Publisher's Description: "We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book - from Hollywood to Hungary - he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on . . . [more]
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13. cover
Title: Film quarterly: forty years--a selection online access is available to everyone
Author: Henderson, Brian
Published: University of California Press,  1999
Subjects: Cinema and Performance Arts | Film
Publisher's Description: During its forty years as a forum for scholars, filmmakers, critics, and film lovers, Film Quarterly has looked in depth at the most critical elements in the political, social, theoretical, and aesthetic history of the cinema. Once closely tied to Hollywood, the journal was investigated by the Tenne . . . [more]
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14. cover
Title: Endless night: cinema and psychoanalysis, parallel histories
Author: Bergstrom, Janet 1946-
Published: University of California Press,  1999
Subjects: Cinema and Performance Arts | Art Theory | Psychology
Publisher's Description: The "endless night" that film theory and psychoanalysis share is the darkness that these two disciplines face in their quest for the logics of intelligibility. This collection emphasizes the history of theory to demonstrate that film theory must be written with a strong sense of historical conscious . . . [more]
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15. cover
Title: Play it again, Sam: retakes on remakes online access is available to everyone
Author: Horton, Andrew
Published: University of California Press,  1998
Subjects: Cinema and Performance Arts | Film
Publisher's Description: Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood . . . [more]
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16. cover
Title: Placing movies: the practice of film criticism
Author: Rosenbaum, Jonathan
Published: University of California Press,  1995
Subjects: Cinema and Performance Arts | Film
Publisher's Description: Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice , is arguably the most eloquent, insightful film critic writing in America today. Placing Movies , the first collection of his work, gathers together thirty of his most distinctive . . . [more]
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17. cover
Title: First cut: conversations with film editors
Author: Oldham, Gabriella
Published: University of California Press,  1992
Subjects: Cinema and Performance Arts | Film | Media Studies
Publisher's Description: First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, thi . . . [more]
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18. cover
Title: Comedy/cinema/theory
Author: Horton, Andrew
Published: University of California Press,  1991
Subjects: Cinema and Performance Arts | Film
Publisher's Description: The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a . . . [more]
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19. cover
Title: Cinema and the invention of modern life
Author: Charney, Leo
Published: University of California Press,  1996
Subjects: Cinema and Performance Arts | Film | Intellectual History | Popular Culture
Publisher's Description: Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popul . . . [more]
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20. cover
Title: Backstory 2: interviews with screenwriters of the 1940s and 1950s online access is available to everyone
Author: McGilligan, Patrick
Published: University of California Press,  1997
Subjects: Cinema and Performance Arts | Theatre
Publisher's Description: "Backstory" is the screenwriter's term for what happens in a plot before the screen story begins. In this companion volume to McGilligan's widely praised Backstory: Interviews with Screenwriters of Hollywood's Golden Age , fourteen studio scribes active in later decades rail and reminisce about thei . . . [more]
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