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1. cover
Title: Cervantes and the burlesque sonnet online access is available to everyone
Author: Martín, Adrienne Laskier
Published: University of California Press,  1991
Subjects: Literature | Poetry | Renaissance Literature
Publisher's Description: Until now the great renown of Cervantes as a prose humorist has eclipsed his skill as a humorous poet. Cervantes and the Burlesque Sonnet amply illustrates the comic genius of Cervantes the poet, and at the same time establishes criteria by which comic poetry can be analyzed and evaluated.Adrienne Martín identifies Cervantes's pivotal role within the history of the European burlesque sonnet, whose unique aesthetic conventions lead her to a new definition of Renaissance literary humor as the self-conscious expression of human folly. In Don Quixote , and in the Don Quixote sonnets, Cervantes not only adopts and refines this notion of madness but also transforms the burlesque sonnet tradition inherited from Italy and from his predecessors in Spain by intermingling several different comic currents.Cervantes uses humor to point out our complex, paradoxical, quintessentially human nature and brings renewed vigor, critical and intellectual depth, different concerns, and an original tone to the burlesque. He frees comic poetry from its traditional marginal status and facilitates the subsequent explosion of burlesque and satire seen in Spain's baroque poets. Excellent translations of more than sixty Italian and Spanish sonnets enhance Martín's fine analysis.   [brief]
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2. cover
Title: Licensing entertainment: the elevation of novel reading in Britain, 1684-1750 online access is available to everyone
Author: Warner, William Beatty
Published: University of California Press,  1998
Subjects: Literature | European History | Print Media | English Literature
Publisher's Description: Novels have been a respectable component of culture for so long that it is difficult for twentieth-century observers to grasp the unease produced by novel reading in the eighteenth century. William Warner shows how the earliest novels in Britain, published in small-format print media, provoked early instances of the modern anxiety about the effects of new media on consumers.Warner uncovers a buried and neglected history of the way in which the idea of the novel was shaped in response to a newly vigorous market in popular narratives. In order to rein in the sexy and egotistical novel of amorous intrigue, novelists and critics redefined the novel as morally respectable, largely masculine in authorship, national in character, realistic in its claims, and finally, literary. Warner considers early novelists in their role as entertainers and media workers, and shows how the short, erotic, plot-driven novels written by Behn, Manley, and Haywood came to be absorbed and overwritten by the popular novels of Defoe, Richardson, and Fielding. Considering these novels as entertainment as well as literature, Warner traces a different story - one that redefines the terms within which the British novel is to be understood and replaces the literary history of the rise of the novel with a more inclusive cultural history.   [brief]
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3. cover
Title: Virgil's epic technique online access is available to everyone
Author: Heinze, Richard 1867-1929
Published: University of California Press,  1994
Subjects: Classics | Literature in Translation
Publisher's Description: Heinze's study, originally published in German in 1903, remains a classic of Virgil scholarship. This translation makes the book available in English for the first time.
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4. cover
Title: The trauma of gender: a feminist theory of the English novel
Author: Moglen, Helene 1936-
Published: University of California Press,  2001
Subjects: Literature | Gender Studies | Women's Studies | European Studies | European History | Literary Theory and Criticism | English Literature
Publisher's Description: Helene Moglen offers a revisionary feminist argument about the origins, cultural function, and formal structure of the English novel. While most critics and historians have associated the novel's emergence and development with the burgeoning of capitalism and the rise of the middle classes, Moglen contends that the novel princi- pally came into being in order to manage the social and psychological strains of the modern sex-gender system. Rejecting the familiar claim that realism represents the novel's dominant tradition, she shows that, from its inception in the eighteenth century, the English novel has contained both realistic and fantastic narratives, which compete for primacy within individual texts.   [brief]
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5. cover
Title: The feminine sublime: gender and excess in women's fiction online access is available to everyone
Author: Freeman, Barbara Claire
Published: University of California Press,  1997
Subjects: Literature | Literary Theory and Criticism | Women's Studies
Publisher's Description: The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime.Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime."   [brief]
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6. cover
Title: The Lioness in bloom: modern Thai fiction about women
Author: Kepner, Susan Fulop 1941-
Published: University of California Press,  1996
Subjects: Literature | Asian Literature | Fiction | Southeast Asia | Women's Studies
Publisher's Description: Kepner's selection shows the many ways fiction has mirrored the lives of Thai women over the twentieth century. The spectrum is broad, encompassing the young and the old, the rural and the cosmopolitan, the privileged and the poor. Some writers address previously unacceptable themes: female sexuality, spousal abuse, gender oppression. Others display a scintillating sense of humor. They touch on many themes - injustice, the heartlessness of society, loneliness, the difficult choices that life presents. Susan Kepner's lyrical, faithful translations preserve the tenor and resonances of these voices, many of which will be heard for the first time by English-speaking readers.   [brief]
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7. cover
Title: Encounter: a novel of nineteenth-century Korea
Author: Han, Mu-suk 1918-
Published: University of California Press,  1992
Subjects: Literature | Literature in Translation | Asian Literature | South Asia
Publisher's Description: This historical novel, Encounter ( Mannam ), by Hahn Moo-Sook, one of Asia's most honored writers, is a story of the resilience in the Korean spirit. It is told through the experiences of Tasan, a high-ranking official and foremost Neo-Confucian scholar at the beginning of the nineteenth century. Because of Tasan's fascination with Western learning, then synonymous with Catholicism, he is exiled to a remote province for 18 years. In banishment he meets people from various social and religious backgrounds - Buddhist monks, peasants, shamans - whom he would not otherwise have met. The events of Tasan's life are effectively used to depict the confluence of Buddhist, Neo-Confucian, Taoist, and shamanistic beliefs in traditional Korea.A subplot involves three young sisters, the daughters of a prominent Catholic aristocrat, and affords the reader vivid glimpses into Yi-dynasty women's lives, particularly those of palace ladies, scholars' wives, tavern keepers, shamans, and slaves. In contrast to the long-held Confucian stereotype of female subservience, this story illustrates the richness of women's contribution to Korean culture and tradition. Encounter' s detailed narrative provides a broad and informed view of nineteenth-century Korea, making it a highly useful book for courses on Korean literature and society. It will also be an engaging read for lovers of historical fiction.   [brief]
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8. cover
Title: Steps under water: a novel
Author: Kozameh, Alicia
Published: University of California Press,  1996
Subjects: Literature | Latin American Studies | Gender Studies | Literature in Translation | Fiction
Publisher's Description: Steps Under Water is a novel drawn from Alicia Kozameh's experiences as a political prisoner in Argentina during the "Dirty War" of the 1970s.
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9. cover
Title: Aunt Safiyya and the monastery: a novel online access is available to everyone
Author: Ṭāhir, Bahāʾ 1935-
Published: University of California Press,  1996
Subjects: Literature | Middle Eastern Studies | Literature in Translation | Fiction
Publisher's Description: This brief, beautifically crafted novel introduces one of the finest contemporary Arab novelists to English-speaking audiences. In it, Bahaa' Taher, one of a group of Egyptian writers - including the Nobel Laureate Naguib Mahfouz - noted for their revealing portraits of Egyptian life and society, tells the dramatic story of a young Muslim who, when his life is threatened, finds sanctuary in a community of Coptic monks. It is a tale of honor and of the terrible demands of blood vengeance; it probes the question of how a people or nation can become divided against itself.Taher has a magical gift for evoking the village life of Upper Egypt - a vastly different setting than urban Cairo and a landscape that tourists usually glimpse only from the windows of trains and buses taking them to the Pharaonic sites. Here, where Christians and Muslims have coexisted peacefully for centuries, where the traditions of the Coptic Church are as powerful as those of the Muslims, Taher crafts an intricate and compelling tale of far-reaching implications. With a powerful narrative voice and a genius for capturing the complex nuances of human interaction, Taher brilliantly depicts the poignant drama of a traditional society caught up in the process of change.   [brief]
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10. cover
Title: The rhetoric of confession: shishōsetsu in early twentieth-century Japanese fiction online access is available to everyone
Author: Fowler, Edward
Published: University of California Press,  1988
Subjects: Literature | Japan | Literary Theory and Criticism | Asian Literature
Publisher's Description: The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu , and discusses its linguisti . . . [more]
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11. cover
Title: Caught in the act: theatricality in the nineteenth-century English novel online access is available to everyone
Author: Litvak, Joseph
Published: University of California Press,  1992
Subjects: Literature | English Literature | Literary Theory and Criticism | GayLesbian and Bisexual Studies
Publisher's Description: Litvak demonstrates that private experience in the novels of Austen, Charlotte Brontë, Eliot, and James is a rigorous enactment of a public script that constructs normative gender and class identities. He suggests that the theatricality which pervades these novels enforces social norms while introdu . . . [more]
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12. cover
Title: Mother without child: contemporary fiction and the crisis of motherhood online access is available to everyone
Author: Hansen, Elaine Tuttle 1947-
Published: University of California Press,  1997
Subjects: Gender Studies | Literature | GayLesbian and Bisexual Studies | Women's Studies | American Literature | Ethnic Studies | American Studies | Literary Theory and Criticism
Publisher's Description: Revealing the maternal as not a core identity but a site of profound psychic and social division, Hansen illuminates recent decades of feminist thought and explores novels by Jane Rule, Alice Walker, Louise Erdrich and Michael Dorris, Marge Piercy, Margaret Atwood, and Fay Weldon. Unlike traditional stories of abandoned children and bad mothers, these narratives refuse to sentimentalize motherhood's losses and impasses. Hansen embraces the larger cultural story of what it means to be a mother and illuminates how motherhood is being reimagined today.   [brief]
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13. cover
Title: The limits of realism: Chinese fiction in the revolutionary period online access is available to everyone
Author: Anderson, Marston
Published: University of California Press,  1990
Subjects: Literature | Asian Literature
Publisher's Description: Chinese intellectuals of the early twentieth century were attracted to realism primarily as a tool for social regeneration. Realism encouraged writers to adopt the stance of the independent cultural critic and drew into the compass of serious literature the disenfranchised "others" of Chinese society. As historical pressures forced new ideological commitments in the late twenties and thirties, however, writers grew suspicious both of the "individualism" implicit in the realist model and of the often superficial nature of the sympathies that their fiction evoked in the middle class. Anderson argues that realism must be defined negatively as a "discourse of limitations" and is of minimal utility in the Chinese search for political and cultural empowerment. He shows how hesitations about the realist model affect the fiction of four representative authors, Lu Xun, Ye Shaojun, Mao Dun, and Zhang Tianyi. He also considers the demise of critical realism in the face of a new collectivist understanding of Chinese reality.   [brief]
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14. cover
Title: Dwelling in the text: houses in American fiction online access is available to everyone
Author: Chandler, Marilyn R
Published: University of California Press,  1991
Subjects: Literature | American Literature
Publisher's Description: What is a house? And what can architecture tell us about individual psychology, national character and aspiration? The house holds a central place in American mythology, as Marilyn Chandler demonstrates in a series of "house tours" through American novels, beginning with Thoreau's Walden and ending with Toni Morrison's Beloved and Marilynne Robinson's Housekeeping .Chandler illuminates the complex analogies between house and psyche, house and family, house and social environment, and house and text. She traces a historical path from settlement to unsettledness in American culture and explores all the rituals in between: of building, decorating, inhabiting, and abandoning houses. She notes the ambivalence between our desire for rootedness and our romanticization of wide open spaces, relating these poles to the tension between materialism and spirituality in our national character.At a time when housing has become a problem of unprecedented dimensions in America, this look at the place of houses and homes in the American imagination reveals some sources of the attitudes, assumptions, and expectations that underlie the designing and building of the homes we buy, sell, and dream about.   [brief]
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15. cover
Title: Siting translation: history, post-structuralism, and the colonial context
Author: Niranjana, Tejaswini 1958-
Published: University of California Press,  1992
Subjects: Postcolonial Studies | Literary Theory and Criticism | Southeast Asia | Cultural Anthropology
Publisher's Description: The act of translation, Tejaswini Niranjana maintains, is a political action. Niranjana draws on Benjamin, Derrida, and de Man to show that translation has long been a site for perpetuating the unequal power relations among peoples, races, and languages. The traditional view of translation underwritten by Western philosophy helped colonialism to construct the exotic "other" as unchanging and outside history, and thus easier both to appropriate and control.Scholars, administrators, and missionaries in colonial India translated the colonized people's literature in order to extend the bounds of empire. Examining translations of Indian texts from the eighteenth century to the present, Niranjana urges post-colonial peoples to reconceive translation as a site for resistance and transformation.   [brief]
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16. cover
Title: Facundo: civilization and barbarism: the first complete English translation
Author: Sarmiento, Domingo Faustino 1811-1888
Published: University of California Press,  2004
Subjects: Literature | History | Latin American History | Politics | Literature in Translation
Publisher's Description: A classic work of Latin American literature, Domingo Sarmiento's Facundo has become an integral part of the history, politics, and culture of Latin America since its first publication in 1845. Partially translated into English when it was first published, this foundational text appears here for the first time in its entirety. An educator and writer, Sarmiento was President of Argentina from 1868 to 1874. His Facundo is a study of the Argentine character, a prescription for the modernization of Latin America, and a protest against the tyranny of the government of Juan Manuel de Rosas (1835-1852). The book brings nineteenth-century Latin American history to life even as it raises questions still being debated today - questions regarding the "civilized" city versus the "barbaric" countryside, the treatment of indigenous and African populations, and the classically liberal plan of modernization. Facundo's celebrated and frequently anthologized portraits of the caudillo Juan Facundo Quiroga and other colorful characters give readers an exhilarating sense of Argentine culture in the making. Kathleen Ross's translation renders Sarmiento's passionate prose into English with all its richness intact, allowing the English-language reader the full experience of Facundo's intensity and historical reach.   [brief]
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17. cover
Title: Late modernism: politics, fiction, and the arts between the world wars online access is available to everyone
Author: Miller, Tyrus 1963-
Published: University of California Press,  1999
Subjects: Literature | Fiction | Art Theory | Cinema and Performance Arts | Politics | Political Theory | History
Publisher's Description: Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years.In the post-World War I reconstruction and the worldwide crisis that followed, Miller argues, new technological media and the social forces of mass politics opened fault lines in individual and collective experience, undermining the cultural bases of the modernist movement. He shows how late modernists attempted to discover ways of occupying this new and often dangerous cultural space. In doing so they laid bare the ruin of the modernist aesthetic at the same time as they transcended its limits.In his wide-ranging theoretical and historical discussion, Miller relates developments in literary culture to tendencies in the visual arts, cultural and political criticism, mass culture, and social history. He excavates Wyndham Lewis's hidden borrowings from Al Jolson's The Jazz Singer ; situates Djuna Barnes between the imagery of haute couture and the intellectualism of Duchamp; uncovers Beckett's affinities with Giacometti's surrealist sculptures and the Bolshevik clowns Bim-Bom; and considers Mina Loy as both visionary writer and designer of decorative lampshades. Miller's lively and engaging readings of culture in this turbulent period reveal its surprising anticipation of our own postmodernity.   [brief]
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18. cover
Title: Fiction as history: Nero to Julian online access is available to everyone
Author: Bowersock, G. W. (Glen Warren) 1936-
Published: University of California Press,  1997
Subjects: Classics | Literature | European History | Classical Religions | Christianity | Ancient History
Publisher's Description: Using pagan fiction produced in Greek and Latin during the early Christian era, G. W. Bowersock investigates the complex relationship between "historical" and "fictional" truths. This relationship preoccupied writers of the second century, a time when apparent fictions about both past and present were proliferating at an astonishing rate and history was being invented all over again. With force and eloquence, Bowersock illuminates social attitudes of this period and persuasively argues that its fiction was influenced by the emerging Christian Gospel narratives.Enthralling in its breadth and enhanced by two erudite appendices, this is a book that will be warmly welcomed by historians and interpreters of literature.   [brief]
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19. cover
Title: Golden days
Author: See, Carolyn
Published: University of California Press,  1996
Subjects: Literature | Fiction | California and the West
Publisher's Description: Available again in paperback, Golden Days is a major novel from one of the most provocative voices on the American literary scene. Linking the recent past with an imagined future, Carolyn See captures life in Los Angeles in the 70s and 80s. This marvelously imaginative, hilarious, and original work . . . [more]
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20. cover
Title: The ford
Author: Austin, Mary Hunter 1868-1934
Published: University of California Press,  1997
Subjects: Literature | Fiction | California and the West
Publisher's Description: Mary Austin's 1917 novel illuminates one of the crucial issues in California history - the usurpation of water from the Owens Valley. Ranging from the eastern Sierra to the financial district in San Francisco, the plot portrays the frenzied speculation in land and resources, labor protests, and femi . . . [more]
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